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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 56 208 it is the complementary color RGB 55 199 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 56 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 56 208 shade: RGB 205 56 203, RGB 222 74 222, RGB 239 92 241, RGB 255 110 255 and RGB 255 128 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 56 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 56 208 shade: RGB 200 56 208, RGB 183 38 189, RGB 166 20 170, RGB 149 2 151 and RGB 132 0 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 56 208 shade: RGB 200 56 208, RGB 208 56 175, RGB 208 56 134, RGB 208 56 93 and RGB 208 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 56 208 shade: RGB 200 56 208, RGB 159 56 208, RGB 118 56 208, RGB 77 56 208 and RGB 56 56 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 56 208 shade matches the following richer shades: RGB 200 56 208, RGB 218 36 228 and RGB 235 17 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 56 208 shade: RGB 200 56 208, RGB 182 76 188, RGB 165 96 168, RGB 147 116 149 and RGB 129 135 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 56 208 shade: RGB 117 56 208, RGB 157 56 208, RGB 198 56 208, RGB 208 56 178 and RGB 208 56 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 56 208 shade: RGB 142 34 147, RGB 174 42 181, RGB 200 56 208, RGB 209 90 216 and RGB 218 123 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 56 208 shade: RGB 200 56 208, RGB 208 76 56 and RGB 56 208 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 56 208 shade: RGB 200 56 208, RGB 208 198 56 and RGB 56 208 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 56 208 shade: RGB 200 56 208, RGB 208 76 56, RGB 66 208 56 and RGB 56 188 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 56 208 shade: RGB 200 56 208, RGB 208 122 56, RGB 66 208 56 and RGB 56 142 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 73 / 0 / 18

HEX #C838D0

RGB 200 56 208

HSL 296.84, 0.62%, 0.52%

LAB 51.45, 73.08, -49.06

 

Complementary color

CMYK 72 / 0 / 76 / 22

HEX #37C72F

RGB 55 199 47

HSL 116.84, 0.62%, 0.48%

LAB 70.78, -64.68, 60.65

 

CMYK 0 / 73 / 1 / 20

HEX #CD38CB

RGB 205 56 203

HSL 300.81, 0.6%, 0.51%

LAB 51.97, 73.32, -45.32

 

CMYK 0 / 67 / 0 / 13

HEX #DE4ADE

RGB 222 74 222

HSL 300, 0.69%, 0.58%

LAB 57.75, 73.98, -46.81

 

CMYK 1 / 62 / 0 / 5

HEX #EF5CF1

RGB 239 92 241

HSL 299.19, 0.84%, 0.65%

LAB 63.64, 74.16, -47.96

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 4 / 73 / 0 / 18

HEX #C838D0

RGB 200 56 208

HSL 296.84, 0.62%, 0.52%

LAB 51.45, 73.08, -49.06

 

CMYK 3 / 80 / 0 / 26

HEX #B726BD

RGB 183 38 189

HSL 297.62, 0.67%, 0.45%

LAB 45.81, 71.76, -47.23

 

CMYK 2 / 88 / 0 / 33

HEX #A614AA

RGB 166 20 170

HSL 298.4, 0.79%, 0.37%

LAB 40.43, 69.41, -44.78

 

CMYK 1 / 99 / 0 / 41

HEX #950297

RGB 149 2 151

HSL 299.19, 0.97%, 0.3%

LAB 35.34, 65.87, -41.64

 

CMYK 0 / 100 / 0 / 48

HEX #840084

RGB 132 0 132

HSL 300, 1%, 0.26%

LAB 30.81, 60.26, -37.32

 

CMYK 4 / 73 / 0 / 18

HEX #C838D0

RGB 200 56 208

HSL 296.84, 0.62%, 0.52%

LAB 51.45, 73.08, -49.06

 

CMYK 0 / 73 / 16 / 18

HEX #D038AF

RGB 208 56 175

HSL 313.03, 0.62%, 0.52%

LAB 51.07, 69.83, -30.44

 

CMYK 0 / 73 / 36 / 18

HEX #D03886

RGB 208 56 134

HSL 329.21, 0.62%, 0.52%

LAB 49.45, 64.75, -8.56

 

CMYK 0 / 73 / 55 / 18

HEX #D0385D

RGB 208 56 93

HSL 345.39, 0.62%, 0.52%

LAB 48.3, 61.02, 14.72

 

CMYK 0 / 73 / 73 / 18

HEX #D03838

RGB 208 56 56

HSL 0, 0.62%, 0.52%

LAB 47.65, 58.88, 36.05

 

CMYK 4 / 73 / 0 / 18

HEX #C838D0

RGB 200 56 208

HSL 296.84, 0.62%, 0.52%

LAB 51.45, 73.08, -49.06

 

CMYK 24 / 73 / 0 / 18

HEX #9F38D0

RGB 159 56 208

HSL 280.66, 0.62%, 0.52%

LAB 45.29, 64.88, -59.28

 

CMYK 43 / 73 / 0 / 18

HEX #7638D0

RGB 118 56 208

HSL 264.47, 0.62%, 0.52%

LAB 39.97, 57.47, -68.17

 

CMYK 63 / 73 / 0 / 18

HEX #4D38D0

RGB 77 56 208

HSL 248.29, 0.62%, 0.52%

LAB 35.91, 51.53, -74.99

 

CMYK 73 / 73 / 0 / 18

HEX #3838D0

RGB 56 56 208

HSL 240, 0.62%, 0.52%

LAB 34.44, 49.31, -77.45

 

CMYK 4 / 73 / 0 / 18

HEX #C838D0

RGB 200 56 208

HSL 296.84, 0.62%, 0.52%

LAB 51.45, 73.08, -49.06

 

CMYK 4 / 84 / 0 / 11

HEX #DA24E4

RGB 218 36 228

HSL 296.88, 0.78%, 0.52%

LAB 53.78, 84.68, -56.56

 

CMYK 5 / 93 / 0 / 3

HEX #EB11F8

RGB 235 17 248

HSL 296.62, 0.94%, 0.52%

LAB 56.92, 93.06, -62.59

 

CMYK 4 / 73 / 0 / 18

HEX #C838D0

RGB 200 56 208

HSL 296.84, 0.62%, 0.52%

LAB 51.45, 73.08, -49.06

 

CMYK 3 / 60 / 0 / 26

HEX #B64CBC

RGB 182 76 188

HSL 296.79, 0.46%, 0.52%

LAB 50.39, 57.85, -39.39

 

CMYK 2 / 43 / 0 / 34

HEX #A560A8

RGB 165 96 168

HSL 297.5, 0.29%, 0.52%

LAB 50.91, 39.33, -27.08

 

CMYK 1 / 22 / 0 / 42

HEX #937495

RGB 147 116 149

HSL 296.36, 0.13%, 0.52%

LAB 52.8, 18.17, -13.25

 

CMYK 4 / 0 / 4 / 47

HEX #818781

RGB 129 135 129

HSL 120, 0.02%, 0.52%

LAB 55.66, -3.4, 2.45

 

CMYK 44 / 73 / 0 / 18

HEX #7538D0

RGB 117 56 208

HSL 264.08, 0.62%, 0.52%

LAB 39.86, 57.31, -68.36

 

CMYK 25 / 73 / 0 / 18

HEX #9D38D0

RGB 157 56 208

HSL 279.87, 0.62%, 0.52%

LAB 45.01, 64.49, -59.75

 

CMYK 5 / 73 / 0 / 18

HEX #C638D0

RGB 198 56 208

HSL 296.05, 0.62%, 0.52%

LAB 51.14, 72.67, -49.58

 

CMYK 0 / 73 / 14 / 18

HEX #D038B2

RGB 208 56 178

HSL 311.84, 0.62%, 0.52%

LAB 51.21, 70.24, -31.99

 

CMYK 0 / 73 / 34 / 18

HEX #D03889

RGB 208 56 137

HSL 328.03, 0.62%, 0.52%

LAB 49.55, 65.08, -10.21

 

CMYK 3 / 77 / 0 / 42

HEX #8E2293

RGB 142 34 147

HSL 297.35, 0.62%, 0.35%

LAB 35.99, 57.6, -38.22

 

CMYK 4 / 77 / 0 / 29

HEX #AE2AB5

RGB 174 42 181

HSL 296.98, 0.62%, 0.44%

LAB 44.22, 67.58, -45.16

 

CMYK 4 / 73 / 0 / 18

HEX #C838D0

RGB 200 56 208

HSL 296.84, 0.62%, 0.52%

LAB 51.45, 73.08, -49.06

 

CMYK 3 / 58 / 0 / 15

HEX #D15AD8

RGB 209 90 216

HSL 296.67, 0.62%, 0.6%

LAB 57.87, 63.47, -43.35

 

CMYK 3 / 45 / 0 / 12

HEX #DA7BE0

RGB 218 123 224

HSL 296.44, 0.62%, 0.68%

LAB 65.32, 51.62, -36.08

 

CMYK 4 / 73 / 0 / 18

HEX #C838D0

RGB 200 56 208

HSL 296.84, 0.62%, 0.52%

LAB 51.45, 73.08, -49.06

 

CMYK 0 / 63 / 73 / 18

HEX #D04C38

RGB 208 76 56

HSL 7.89, 0.62%, 0.52%

LAB 50.53, 51.05, 39.29

 

CMYK 73 / 0 / 34 / 18

HEX #38D089

RGB 56 208 137

HSL 151.97, 0.62%, 0.52%

LAB 74.67, -55.38, 24.23

 

CMYK 4 / 73 / 0 / 18

HEX #C838D0

RGB 200 56 208

HSL 296.84, 0.62%, 0.52%

LAB 51.45, 73.08, -49.06

 

CMYK 0 / 5 / 73 / 18

HEX #D0C638

RGB 208 198 56

HSL 56.05, 0.62%, 0.52%

LAB 78.51, -12.21, 67.84

 

CMYK 73 / 0 / 5 / 18

HEX #38D0C6

RGB 56 208 198

HSL 176.05, 0.62%, 0.52%

LAB 76.09, -40.68, -6.35

 

CMYK 4 / 73 / 0 / 18

HEX #C838D0

RGB 200 56 208

HSL 296.84, 0.62%, 0.52%

LAB 51.45, 73.08, -49.06

 

CMYK 0 / 63 / 73 / 18

HEX #D04C38

RGB 208 76 56

HSL 7.89, 0.62%, 0.52%

LAB 50.53, 51.05, 39.29

 

CMYK 68 / 0 / 73 / 18

HEX #42D038

RGB 66 208 56

HSL 116.05, 0.62%, 0.52%

LAB 73.9, -64.97, 60.79

 

CMYK 73 / 10 / 0 / 18

HEX #38BCD0

RGB 56 188 208

HSL 187.89, 0.62%, 0.52%

LAB 70.43, -28.36, -20.27

 

CMYK 4 / 73 / 0 / 18

HEX #C838D0

RGB 200 56 208

HSL 296.84, 0.62%, 0.52%

LAB 51.45, 73.08, -49.06

 

CMYK 0 / 41 / 73 / 18

HEX #D07A38

RGB 208 122 56

HSL 26.05, 0.62%, 0.52%

LAB 59.54, 28.24, 49.01

 

CMYK 68 / 0 / 73 / 18

HEX #42D038

RGB 66 208 56

HSL 116.05, 0.62%, 0.52%

LAB 73.9, -64.97, 60.79

 

CMYK 73 / 32 / 0 / 18

HEX #388ED0

RGB 56 142 208

HSL 206.05, 0.62%, 0.52%

LAB 56.82, -3.72, -41.33

 

Description

Color code: RGB 200 56 208 | qconv.com Color code: RGB 200 56 208 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 56 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 56 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 73 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 73% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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