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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 45 250 it is the complementary color RGB 55 210 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 45 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 45 250 shade: RGB 205 45 245, RGB 222 63 255, RGB 239 81 255, RGB 255 99 255 and RGB 255 117 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 45 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 45 250 shade: RGB 200 45 250, RGB 183 27 231, RGB 166 9 212, RGB 149 0 193 and RGB 132 0 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 45 250 shade: RGB 200 46 249, RGB 249 46 244, RGB 249 46 189, RGB 249 46 134 and RGB 249 46 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 45 250 shade: RGB 200 46 249, RGB 145 46 249, RGB 90 46 249 and RGB 46 46 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 45 250 shade matches the following richer shades: RGB 200 46 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 45 250 shade: RGB 200 46 249, RGB 191 63 232, RGB 182 80 214, RGB 173 98 197 and RGB 164 115 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 45 250 shade: RGB 90 46 249, RGB 144 46 249, RGB 198 46 249, RGB 249 46 246 and RGB 249 46 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 45 250 shade: RGB 158 5 207, RGB 189 6 248, RGB 200 46 249, RGB 210 86 250 and RGB 221 126 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 45 250 shade: RGB 200 45 250, RGB 249 46 56 and RGB 46 249 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 45 250 shade: RGB 200 45 250, RGB 249 198 46 and RGB 46 249 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 45 250 shade: RGB 200 45 250, RGB 249 46 56, RGB 97 249 46 and RGB 46 249 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 45 250 shade: RGB 200 45 250, RGB 249 97 46, RGB 97 249 46 and RGB 46 198 249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 82 / 0 / 2

HEX #C82DFA

RGB 200 45 250

HSL 285.37, 0.95%, 0.58%

LAB 53.01, 83.41, -70.29

 

Complementary color

CMYK 74 / 0 / 98 / 18

HEX #37D205

RGB 55 210 5

HSL 105.37, 0.95%, 0.42%

LAB 74.14, -69.66, 71.99

 

CMYK 16 / 82 / 0 / 4

HEX #CD2DF5

RGB 205 45 245

HSL 288, 0.91%, 0.57%

LAB 53.44, 83.34, -66.78

 

CMYK 13 / 75 / 0 / 0

HEX #DE3FFF

RGB 222 63 255

HSL 289.69, 1%, 0.62%

LAB 58.33, 83.13, -64.33

 

CMYK 6 / 68 / 0 / 0

HEX #EF51FF

RGB 239 81 255

HSL 294.48, 1%, 0.66%

LAB 62.89, 80.59, -56.88

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 20 / 82 / 0 / 2

HEX #C82DFA

RGB 200 45 250

HSL 285.37, 0.95%, 0.58%

LAB 53.01, 83.41, -70.29

 

CMYK 21 / 88 / 0 / 9

HEX #B71BE7

RGB 183 27 231

HSL 285.88, 0.81%, 0.51%

LAB 47.78, 81.22, -68.22

 

CMYK 22 / 96 / 0 / 17

HEX #A609D4

RGB 166 9 212

HSL 286.4, 0.92%, 0.43%

LAB 42.85, 77.88, -65.5

 

CMYK 23 / 100 / 0 / 24

HEX #9500C1

RGB 149 0 193

HSL 286.32, 1%, 0.38%

LAB 38.27, 73.17, -62.03

 

CMYK 24 / 100 / 0 / 32

HEX #8400AE

RGB 132 0 174

HSL 285.52, 1%, 0.34%

LAB 33.9, 67.47, -58

 

CMYK 20 / 82 / 0 / 2

HEX #C82EF9

RGB 200 46 249

HSL 285.52, 0.94%, 0.58%

LAB 53.03, 82.98, -69.71

 

CMYK 0 / 82 / 2 / 2

HEX #F92EF4

RGB 249 46 244

HSL 301.48, 0.94%, 0.58%

LAB 60.45, 90.57, -54.59

 

CMYK 0 / 82 / 24 / 2

HEX #F92EBD

RGB 249 46 189

HSL 317.73, 0.94%, 0.58%

LAB 57.82, 83.37, -27.57

 

CMYK 0 / 82 / 46 / 2

HEX #F92E86

RGB 249 46 134

HSL 333.99, 0.94%, 0.58%

LAB 55.9, 77.88, 1.81

 

CMYK 0 / 82 / 68 / 2

HEX #F92E4F

RGB 249 46 79

HSL 350.25, 0.94%, 0.58%

LAB 54.72, 74.36, 32.96

 

CMYK 20 / 82 / 0 / 2

HEX #C82EF9

RGB 200 46 249

HSL 285.52, 0.94%, 0.58%

LAB 53.03, 82.98, -69.71

 

CMYK 42 / 82 / 0 / 2

HEX #912EF9

RGB 145 46 249

HSL 269.26, 0.94%, 0.58%

LAB 45.38, 74.94, -82.51

 

CMYK 64 / 82 / 0 / 2

HEX #5A2EF9

RGB 90 46 249

HSL 253, 0.94%, 0.58%

LAB 39.53, 69.02, -92.36

 

CMYK 82 / 82 / 0 / 2

HEX #2E2EF9

RGB 46 46 249

HSL 240, 0.94%, 0.58%

LAB 36.7, 66.25, -97.13

 

CMYK 20 / 82 / 0 / 2

HEX #C82EF9

RGB 200 46 249

HSL 285.52, 0.94%, 0.58%

LAB 53.03, 82.98, -69.71

 

CMYK 20 / 82 / 0 / 2

HEX #C82EF9

RGB 200 46 249

HSL 285.52, 0.94%, 0.58%

LAB 53.03, 82.98, -69.71

 

CMYK 18 / 73 / 0 / 9

HEX #BF3FE8

RGB 191 63 232

HSL 285.44, 0.79%, 0.58%

LAB 52.35, 73.17, -61.34

 

CMYK 15 / 63 / 0 / 16

HEX #B650D6

RGB 182 80 214

HSL 285.67, 0.62%, 0.58%

LAB 52.44, 60.97, -51.07

 

CMYK 12 / 50 / 0 / 23

HEX #AD62C5

RGB 173 98 197

HSL 285.45, 0.46%, 0.58%

LAB 53.65, 46.43, -39.51

 

CMYK 9 / 36 / 0 / 29

HEX #A473B4

RGB 164 115 180

HSL 285.23, 0.3%, 0.58%

LAB 55.53, 30.89, -26.89

 

CMYK 64 / 82 / 0 / 2

HEX #5A2EF9

RGB 90 46 249

HSL 253, 0.94%, 0.58%

LAB 39.53, 69.02, -92.36

 

CMYK 42 / 82 / 0 / 2

HEX #902EF9

RGB 144 46 249

HSL 268.97, 0.94%, 0.58%

LAB 45.25, 74.81, -82.72

 

CMYK 20 / 82 / 0 / 2

HEX #C62EF9

RGB 198 46 249

HSL 284.93, 0.94%, 0.58%

LAB 52.73, 82.66, -70.21

 

CMYK 0 / 82 / 1 / 2

HEX #F92EF6

RGB 249 46 246

HSL 300.89, 0.94%, 0.58%

LAB 60.56, 90.86, -55.53

 

CMYK 0 / 82 / 23 / 2

HEX #F92EBF

RGB 249 46 191

HSL 317.14, 0.94%, 0.58%

LAB 57.9, 83.6, -28.59

 

CMYK 24 / 98 / 0 / 19

HEX #9E05CF

RGB 158 5 207

HSL 285.45, 0.95%, 0.42%

LAB 41.03, 76.32, -65.63

 

CMYK 24 / 98 / 0 / 3

HEX #BD06F8

RGB 189 6 248

HSL 285.37, 0.95%, 0.5%

LAB 49.16, 87.45, -75.5

 

CMYK 20 / 82 / 0 / 2

HEX #C82EF9

RGB 200 46 249

HSL 285.52, 0.94%, 0.58%

LAB 53.03, 82.98, -69.71

 

CMYK 16 / 66 / 0 / 2

HEX #D256FA

RGB 210 86 250

HSL 285.37, 0.94%, 0.66%

LAB 59.21, 71.64, -60.23

 

CMYK 12 / 50 / 0 / 2

HEX #DD7EFB

RGB 221 126 251

HSL 285.6, 0.94%, 0.74%

LAB 67.47, 56.09, -47.58

 

CMYK 20 / 82 / 0 / 2

HEX #C82DFA

RGB 200 45 250

HSL 285.37, 0.95%, 0.58%

LAB 53.01, 83.41, -70.29

 

CMYK 0 / 82 / 78 / 2

HEX #F92E38

RGB 249 46 56

HSL 357.04, 0.94%, 0.58%

LAB 54.43, 73.48, 45.69

 

CMYK 82 / 0 / 53 / 2

HEX #2EF975

RGB 46 249 117

HSL 140.99, 0.94%, 0.58%

LAB 86.81, -74.11, 49.69

 

CMYK 20 / 82 / 0 / 2

HEX #C82DFA

RGB 200 45 250

HSL 285.37, 0.95%, 0.58%

LAB 53.01, 83.41, -70.29

 

CMYK 0 / 20 / 82 / 2

HEX #F9C62E

RGB 249 198 46

HSL 44.93, 0.94%, 0.58%

LAB 82.23, 4.92, 75.78

 

CMYK 82 / 0 / 20 / 2

HEX #2EF9C6

RGB 46 249 198

HSL 164.93, 0.94%, 0.58%

LAB 88.17, -58.73, 11.18

 

CMYK 20 / 82 / 0 / 2

HEX #C82DFA

RGB 200 45 250

HSL 285.37, 0.95%, 0.58%

LAB 53.01, 83.41, -70.29

 

CMYK 0 / 82 / 78 / 2

HEX #F92E38

RGB 249 46 56

HSL 357.04, 0.94%, 0.58%

LAB 54.43, 73.48, 45.69

 

CMYK 61 / 0 / 82 / 2

HEX #61F92E

RGB 97 249 46

HSL 104.93, 0.94%, 0.58%

LAB 87.24, -72.49, 76.76

 

CMYK 82 / 0 / 4 / 2

HEX #2EF9EF

RGB 46 249 239

HSL 177.04, 0.94%, 0.58%

LAB 89.19, -48.21, -8.66

 

CMYK 20 / 82 / 0 / 2

HEX #C82DFA

RGB 200 45 250

HSL 285.37, 0.95%, 0.58%

LAB 53.01, 83.41, -70.29

 

CMYK 0 / 61 / 82 / 2

HEX #F9612E

RGB 249 97 46

HSL 15.07, 0.94%, 0.58%

LAB 60.68, 55.78, 56.74

 

CMYK 61 / 0 / 82 / 2

HEX #61F92E

RGB 97 249 46

HSL 104.93, 0.94%, 0.58%

LAB 87.24, -72.49, 76.76

 

CMYK 82 / 20 / 0 / 2

HEX #2EC6F9

RGB 46 198 249

HSL 195.07, 0.94%, 0.58%

LAB 74.7, -21.27, -35.94

 

Description

Color code: RGB 200 45 250 | qconv.com Color code: RGB 200 45 250 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 45 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 45 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 82 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 82% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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