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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 45 173 it is the complementary color RGB 55 210 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 45 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 45 173 shade: RGB 205 45 168, RGB 222 63 187, RGB 239 81 206, RGB 255 99 225 and RGB 255 117 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 45 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 45 173 shade: RGB 200 45 173, RGB 183 27 154, RGB 166 9 135, RGB 149 0 116 and RGB 132 0 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 45 173 shade: RGB 199 45 172, RGB 199 45 131, RGB 199 45 89, RGB 199 45 47 and RGB 199 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 45 173 shade: RGB 199 45 172, RGB 184 45 199, RGB 143 45 199, RGB 101 45 199 and RGB 60 45 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 45 173 shade matches the following richer shades: RGB 199 45 172, RGB 219 25 185 and RGB 239 5 198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 45 173 shade: RGB 199 45 172, RGB 179 65 159, RGB 159 84 146, RGB 140 104 133 and RGB 120 124 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 45 173 shade: RGB 142 45 199, RGB 184 45 199, RGB 199 45 173, RGB 199 45 132 and RGB 199 45 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 45 173 shade: RGB 132 30 114, RGB 165 37 143, RGB 199 45 172, RGB 213 72 188 and RGB 221 106 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 45 173 shade: RGB 200 45 173, RGB 199 101 45 and RGB 45 199 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 45 173 shade: RGB 200 45 173, RGB 173 199 45 and RGB 45 173 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 45 173 shade: RGB 200 45 173, RGB 199 101 45, RGB 45 199 70 and RGB 45 142 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 45 173 shade: RGB 200 45 173, RGB 199 148 45, RGB 45 199 70 and RGB 45 96 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 14 / 22

HEX #C82DAD

RGB 200 45 173

HSL 310.45, 0.63%, 0.48%

LAB 48.48, 71, -33.43

 

Complementary color

CMYK 74 / 0 / 61 / 18

HEX #37D252

RGB 55 210 82

HSL 130.45, 0.63%, 0.52%

LAB 74.52, -64.98, 51.02

 

CMYK 0 / 78 / 18 / 20

HEX #CD2DA8

RGB 205 45 168

HSL 313.88, 0.64%, 0.49%

LAB 49.11, 71.43, -29.43

 

CMYK 0 / 72 / 16 / 13

HEX #DE3FBB

RGB 222 63 187

HSL 313.21, 0.71%, 0.56%

LAB 54.73, 72.51, -31.56

 

CMYK 0 / 66 / 14 / 6

HEX #EF51CE

RGB 239 81 206

HSL 312.53, 0.83%, 0.63%

LAB 60.51, 72.98, -33.24

 

CMYK 0 / 61 / 12 / 0

HEX #FF63E1

RGB 255 99 225

HSL 311.54, 1%, 0.69%

LAB 66.23, 72.79, -34.84

 

CMYK 0 / 54 / 4 / 0

HEX #FF75F4

RGB 255 117 244

HSL 304.78, 1%, 0.73%

LAB 69.83, 68.11, -39.73

 

CMYK 0 / 78 / 14 / 22

HEX #C82DAD

RGB 200 45 173

HSL 310.45, 0.63%, 0.48%

LAB 48.48, 71, -33.43

 

CMYK 0 / 85 / 16 / 28

HEX #B71B9A

RGB 183 27 154

HSL 311.15, 0.74%, 0.41%

LAB 43.04, 69.06, -30.85

 

CMYK 0 / 95 / 19 / 35

HEX #A60987

RGB 166 9 135

HSL 311.85, 0.9%, 0.34%

LAB 37.93, 65.89, -27.48

 

CMYK 0 / 100 / 22 / 42

HEX #950074

RGB 149 0 116

HSL 313.29, 1%, 0.29%

LAB 33.24, 61.19, -23.17

 

CMYK 0 / 100 / 27 / 48

HEX #840061

RGB 132 0 97

HSL 315.91, 1%, 0.26%

LAB 28.82, 55.34, -18.1

 

CMYK 0 / 77 / 14 / 22

HEX #C72DAC

RGB 199 45 172

HSL 310.52, 0.63%, 0.48%

LAB 48.26, 70.64, -33.2

 

CMYK 0 / 77 / 34 / 22

HEX #C72D83

RGB 199 45 131

HSL 326.49, 0.63%, 0.48%

LAB 46.52, 65.52, -11.29

 

CMYK 0 / 77 / 55 / 22

HEX #C72D59

RGB 199 45 89

HSL 342.86, 0.63%, 0.48%

LAB 45.28, 61.68, 12.75

 

CMYK 0 / 77 / 76 / 22

HEX #C72D2F

RGB 199 45 47

HSL 359.22, 0.63%, 0.48%

LAB 44.55, 59.38, 37.27

 

CMYK 0 / 77 / 77 / 22

HEX #C72D2D

RGB 199 45 45

HSL 0, 0.63%, 0.48%

LAB 44.53, 59.3, 38.38

 

CMYK 0 / 77 / 14 / 22

HEX #C72DAC

RGB 199 45 172

HSL 310.52, 0.63%, 0.48%

LAB 48.26, 70.64, -33.2

 

CMYK 8 / 77 / 0 / 22

HEX #B82DC7

RGB 184 45 199

HSL 294.16, 0.63%, 0.48%

LAB 47.22, 71.71, -50.78

 

CMYK 28 / 77 / 0 / 22

HEX #8F2DC7

RGB 143 45 199

HSL 278.18, 0.63%, 0.48%

LAB 40.96, 64.13, -61.2

 

CMYK 49 / 77 / 0 / 22

HEX #652DC7

RGB 101 45 199

HSL 261.82, 0.63%, 0.48%

LAB 35.53, 57.44, -70.29

 

CMYK 70 / 77 / 0 / 22

HEX #3C2DC7

RGB 60 45 199

HSL 245.84, 0.63%, 0.48%

LAB 31.72, 52.66, -76.7

 

CMYK 0 / 77 / 14 / 22

HEX #C72DAC

RGB 199 45 172

HSL 310.52, 0.63%, 0.48%

LAB 48.26, 70.64, -33.2

 

CMYK 0 / 89 / 16 / 14

HEX #DB19B9

RGB 219 25 185

HSL 310.52, 0.8%, 0.48%

LAB 50.99, 80.63, -36.29

 

CMYK 0 / 98 / 17 / 6

HEX #EF05C6

RGB 239 5 198

HSL 310.51, 0.96%, 0.48%

LAB 54.59, 87.84, -37.92

 

CMYK 0 / 77 / 14 / 22

HEX #C72DAC

RGB 199 45 172

HSL 310.52, 0.63%, 0.48%

LAB 48.26, 70.64, -33.2

 

CMYK 0 / 64 / 11 / 30

HEX #B3419F

RGB 179 65 159

HSL 310.53, 0.47%, 0.48%

LAB 46.8, 56.93, -28.01

 

CMYK 0 / 47 / 8 / 38

HEX #9F5492

RGB 159 84 146

HSL 310.4, 0.31%, 0.48%

LAB 46.69, 39.79, -20.66

 

CMYK 0 / 26 / 5 / 45

HEX #8C6885

RGB 140 104 133

HSL 311.67, 0.15%, 0.48%

LAB 48.47, 19.49, -10.4

 

CMYK 3 / 0 / 2 / 51

HEX #787C79

RGB 120 124 121

HSL 135, 0.02%, 0.48%

LAB 51.6, -2.1, 1.11

 

CMYK 29 / 77 / 0 / 22

HEX #8E2DC7

RGB 142 45 199

HSL 277.79, 0.63%, 0.48%

LAB 40.82, 63.95, -61.44

 

CMYK 8 / 77 / 0 / 22

HEX #B82DC7

RGB 184 45 199

HSL 294.16, 0.63%, 0.48%

LAB 47.22, 71.71, -50.78

 

CMYK 0 / 77 / 13 / 22

HEX #C72DAD

RGB 199 45 173

HSL 310.13, 0.63%, 0.48%

LAB 48.31, 70.78, -33.71

 

CMYK 0 / 77 / 34 / 22

HEX #C72D84

RGB 199 45 132

HSL 326.1, 0.63%, 0.48%

LAB 46.56, 65.62, -11.85

 

CMYK 0 / 77 / 54 / 22

HEX #C72D5B

RGB 199 45 91

HSL 342.08, 0.63%, 0.48%

LAB 45.32, 61.82, 11.58

 

CMYK 0 / 77 / 14 / 48

HEX #841E72

RGB 132 30 114

HSL 310.59, 0.63%, 0.32%

LAB 31.92, 51.19, -24.21

 

CMYK 0 / 78 / 13 / 35

HEX #A5258F

RGB 165 37 143

HSL 310.31, 0.63%, 0.4%

LAB 40.09, 61.16, -29.03

 

CMYK 0 / 77 / 14 / 22

HEX #C72DAC

RGB 199 45 172

HSL 310.52, 0.63%, 0.48%

LAB 48.26, 70.64, -33.2

 

CMYK 0 / 66 / 12 / 16

HEX #D548BC

RGB 213 72 188

HSL 310.64, 0.63%, 0.56%

LAB 54.46, 67.31, -32.67

 

CMYK 0 / 52 / 9 / 13

HEX #DD6AC9

RGB 221 106 201

HSL 310.43, 0.63%, 0.64%

LAB 61.57, 56.85, -28.98

 

CMYK 0 / 78 / 14 / 22

HEX #C82DAD

RGB 200 45 173

HSL 310.45, 0.63%, 0.48%

LAB 48.48, 71, -33.43

 

CMYK 0 / 49 / 77 / 22

HEX #C7652D

RGB 199 101 45

HSL 21.82, 0.63%, 0.48%

LAB 53.64, 35.19, 47.75

 

CMYK 77 / 0 / 18 / 22

HEX #2DC7A3

RGB 45 199 163

HSL 165.97, 0.63%, 0.48%

LAB 72.26, -47.28, 6.97

 

CMYK 0 / 78 / 14 / 22

HEX #C82DAD

RGB 200 45 173

HSL 310.45, 0.63%, 0.48%

LAB 48.48, 71, -33.43

 

CMYK 13 / 0 / 77 / 22

HEX #ADC72D

RGB 173 199 45

HSL 70.13, 0.63%, 0.48%

LAB 76.02, -27.88, 68.1

 

CMYK 77 / 13 / 0 / 22

HEX #2DADC7

RGB 45 173 199

HSL 190.13, 0.63%, 0.48%

LAB 65.41, -24.95, -22.98

 

CMYK 0 / 78 / 14 / 22

HEX #C82DAD

RGB 200 45 173

HSL 310.45, 0.63%, 0.48%

LAB 48.48, 71, -33.43

 

CMYK 0 / 49 / 77 / 22

HEX #C7652D

RGB 199 101 45

HSL 21.82, 0.63%, 0.48%

LAB 53.64, 35.19, 47.75

 

CMYK 77 / 0 / 65 / 22

HEX #2DC746

RGB 45 199 70

HSL 129.74, 0.63%, 0.48%

LAB 70.77, -64.18, 51.93

 

CMYK 77 / 29 / 0 / 22

HEX #2D8EC7

RGB 45 142 199

HSL 202.21, 0.63%, 0.48%

LAB 56.12, -8.26, -37.38

 

CMYK 0 / 78 / 14 / 22

HEX #C82DAD

RGB 200 45 173

HSL 310.45, 0.63%, 0.48%

LAB 48.48, 71, -33.43

 

CMYK 0 / 26 / 77 / 22

HEX #C7942D

RGB 199 148 45

HSL 40.13, 0.63%, 0.48%

LAB 64.57, 9.77, 58.32

 

CMYK 77 / 0 / 65 / 22

HEX #2DC746

RGB 45 199 70

HSL 129.74, 0.63%, 0.48%

LAB 70.77, -64.18, 51.93

 

CMYK 77 / 52 / 0 / 22

HEX #2D60C7

RGB 45 96 199

HSL 220.13, 0.63%, 0.48%

LAB 42.83, 20.01, -58.54

 

Description

Color code: RGB 200 45 173 | qconv.com Color code: RGB 200 45 173 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 45 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 45 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 14 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 14% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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