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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 35 234 it is the complementary color RGB 55 220 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 35 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 35 234 shade: RGB 205 35 229, RGB 222 53 248, RGB 239 71 255, RGB 255 89 255 and RGB 255 107 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 35 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 35 234 shade: RGB 200 35 234, RGB 183 17 215, RGB 166 0 196, RGB 149 0 177 and RGB 132 0 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 35 234 shade: RGB 200 35 234, RGB 234 35 214, RGB 234 35 161, RGB 234 35 107 and RGB 234 35 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 35 234 shade: RGB 200 35 234, RGB 146 35 234, RGB 93 35 234, RGB 39 35 234 and RGB 35 35 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 35 234 shade matches the following richer shades: RGB 200 35 234 and RGB 213 16 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 35 234 shade: RGB 200 35 234, RGB 187 55 215, RGB 175 74 195, RGB 162 93 176 and RGB 149 113 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 35 234 shade: RGB 92 35 234, RGB 145 35 234, RGB 198 35 234, RGB 234 35 218 and RGB 234 35 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 35 234 shade: RGB 145 15 171, RGB 177 19 209, RGB 200 35 234, RGB 209 73 238 and RGB 219 111 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 35 234 shade: RGB 200 35 234, RGB 234 38 35 and RGB 35 234 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 35 234 shade: RGB 200 35 234, RGB 234 198 35 and RGB 35 234 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 35 234 shade: RGB 200 35 234, RGB 234 38 35, RGB 72 234 35 and RGB 35 231 234

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 35 234 shade: RGB 200 35 234, RGB 234 98 35, RGB 72 234 35 and RGB 35 171 234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 85 / 0 / 8

HEX #C823EA

RGB 200 35 234

HSL 289.75, 0.83%, 0.53%

LAB 51.18, 82.85, -64.29

 

Complementary color

CMYK 75 / 0 / 90 / 14

HEX #37DC15

RGB 55 220 21

HSL 109.75, 0.83%, 0.47%

LAB 77.31, -72.3, 72.75

 

CMYK 10 / 85 / 0 / 10

HEX #CD23E5

RGB 205 35 229

HSL 292.58, 0.79%, 0.52%

LAB 51.65, 82.83, -60.65

 

CMYK 10 / 79 / 0 / 3

HEX #DE35F8

RGB 222 53 248

HSL 292, 0.93%, 0.59%

LAB 56.93, 84.75, -62.68

 

CMYK 6 / 72 / 0 / 0

HEX #EF47FF

RGB 239 71 255

HSL 294.78, 1%, 0.64%

LAB 61.72, 83.91, -58.75

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 15 / 85 / 0 / 8

HEX #C823EA

RGB 200 35 234

HSL 289.75, 0.83%, 0.53%

LAB 51.18, 82.85, -64.29

 

CMYK 15 / 92 / 0 / 16

HEX #B711D7

RGB 183 17 215

HSL 290.3, 0.85%, 0.45%

LAB 46.14, 79.96, -61.75

 

CMYK 15 / 100 / 0 / 23

HEX #A600C4

RGB 166 0 196

HSL 290.82, 1%, 0.38%

LAB 41.36, 76.03, -58.63

 

CMYK 16 / 100 / 0 / 31

HEX #9500B1

RGB 149 0 177

HSL 290.51, 1%, 0.35%

LAB 37.05, 70.37, -54.55

 

CMYK 16 / 100 / 0 / 38

HEX #84009E

RGB 132 0 158

HSL 290.13, 1%, 0.31%

LAB 32.64, 64.59, -50.4

 

CMYK 15 / 85 / 0 / 8

HEX #C823EA

RGB 200 35 234

HSL 289.75, 0.83%, 0.53%

LAB 51.18, 82.85, -64.29

 

CMYK 0 / 85 / 9 / 8

HEX #EA23D6

RGB 234 35 214

HSL 306.03, 0.83%, 0.53%

LAB 55.63, 85.69, -45.5

 

CMYK 0 / 85 / 31 / 8

HEX #EA23A1

RGB 234 35 161

HSL 322.01, 0.83%, 0.53%

LAB 53.24, 79.23, -18.48

 

CMYK 0 / 85 / 54 / 8

HEX #EA236B

RGB 234 35 107

HSL 338.29, 0.83%, 0.53%

LAB 51.56, 74.49, 11.47

 

CMYK 0 / 85 / 77 / 8

HEX #EA2336

RGB 234 35 54

HSL 354.27, 0.83%, 0.53%

LAB 50.64, 71.81, 41.9

 

CMYK 15 / 85 / 0 / 8

HEX #C823EA

RGB 200 35 234

HSL 289.75, 0.83%, 0.53%

LAB 51.18, 82.85, -64.29

 

CMYK 38 / 85 / 0 / 8

HEX #9223EA

RGB 146 35 234

HSL 273.47, 0.83%, 0.53%

LAB 43.14, 75, -77.72

 

CMYK 60 / 85 / 0 / 8

HEX #5D23EA

RGB 93 35 234

HSL 257.49, 0.83%, 0.53%

LAB 36.87, 69.33, -88.26

 

CMYK 83 / 85 / 0 / 8

HEX #2723EA

RGB 39 35 234

HSL 241.21, 0.83%, 0.53%

LAB 33.08, 66.18, -94.67

 

CMYK 85 / 85 / 0 / 8

HEX #2323EA

RGB 35 35 234

HSL 240, 0.83%, 0.53%

LAB 32.92, 66.05, -94.95

 

CMYK 15 / 85 / 0 / 8

HEX #C823EA

RGB 200 35 234

HSL 289.75, 0.83%, 0.53%

LAB 51.18, 82.85, -64.29

 

CMYK 16 / 94 / 0 / 0

HEX #D510FE

RGB 213 16 254

HSL 289.66, 0.99%, 0.53%

LAB 53.68, 90.84, -71.34

 

CMYK 15 / 85 / 0 / 8

HEX #C823EA

RGB 200 35 234

HSL 289.75, 0.83%, 0.53%

LAB 51.18, 82.85, -64.29

 

CMYK 13 / 74 / 0 / 16

HEX #BB37D7

RGB 187 55 215

HSL 289.5, 0.67%, 0.53%

LAB 49.74, 72, -55.92

 

CMYK 10 / 62 / 0 / 24

HEX #AF4AC3

RGB 175 74 195

HSL 290.08, 0.5%, 0.53%

LAB 49.44, 58.29, -45.01

 

CMYK 8 / 47 / 0 / 31

HEX #A25DB0

RGB 162 93 176

HSL 289.88, 0.34%, 0.53%

LAB 50.27, 41.62, -32.78

 

CMYK 5 / 28 / 0 / 38

HEX #95719D

RGB 149 113 157

HSL 289.09, 0.18%, 0.53%

LAB 52.55, 22.25, -18.29

 

CMYK 61 / 85 / 0 / 8

HEX #5C23EA

RGB 92 35 234

HSL 257.19, 0.83%, 0.53%

LAB 36.78, 69.24, -88.43

 

CMYK 38 / 85 / 0 / 8

HEX #9123EA

RGB 145 35 234

HSL 273.17, 0.83%, 0.53%

LAB 43.01, 74.87, -77.94

 

CMYK 15 / 85 / 0 / 8

HEX #C623EA

RGB 198 35 234

HSL 289.15, 0.83%, 0.53%

LAB 50.86, 82.53, -64.81

 

CMYK 0 / 85 / 7 / 8

HEX #EA23DA

RGB 234 35 218

HSL 304.82, 0.83%, 0.53%

LAB 55.84, 86.24, -47.44

 

CMYK 0 / 85 / 30 / 8

HEX #EA23A4

RGB 234 35 164

HSL 321.11, 0.83%, 0.53%

LAB 53.36, 79.55, -20.08

 

CMYK 15 / 91 / 0 / 33

HEX #910FAB

RGB 145 15 171

HSL 290, 0.84%, 0.36%

LAB 36.56, 66.82, -51.79

 

CMYK 15 / 91 / 0 / 18

HEX #B113D1

RGB 177 19 209

HSL 289.89, 0.83%, 0.45%

LAB 44.82, 77.78, -60.48

 

CMYK 15 / 85 / 0 / 8

HEX #C823EA

RGB 200 35 234

HSL 289.75, 0.83%, 0.53%

LAB 51.18, 82.85, -64.29

 

CMYK 12 / 69 / 0 / 7

HEX #D149EE

RGB 209 73 238

HSL 289.45, 0.83%, 0.61%

LAB 56.58, 74.27, -57.78

 

CMYK 9 / 54 / 0 / 5

HEX #DB6FF1

RGB 219 111 241

HSL 289.85, 0.82%, 0.69%

LAB 63.98, 60.95, -47.6

 

CMYK 15 / 85 / 0 / 8

HEX #C823EA

RGB 200 35 234

HSL 289.75, 0.83%, 0.53%

LAB 51.18, 82.85, -64.29

 

CMYK 0 / 84 / 85 / 8

HEX #EA2623

RGB 234 38 35

HSL 0.9, 0.83%, 0.53%

LAB 50.69, 70.69, 51.9

 

CMYK 85 / 0 / 50 / 8

HEX #23EA76

RGB 35 234 118

HSL 145.03, 0.83%, 0.53%

LAB 82.12, -70.12, 43.42

 

CMYK 15 / 85 / 0 / 8

HEX #C823EA

RGB 200 35 234

HSL 289.75, 0.83%, 0.53%

LAB 51.18, 82.85, -64.29

 

CMYK 0 / 15 / 85 / 8

HEX #EAC623

RGB 234 198 35

HSL 49.15, 0.83%, 0.53%

LAB 80.74, -1.77, 76.81

 

CMYK 85 / 0 / 15 / 8

HEX #23EAC6

RGB 35 234 198

HSL 169.15, 0.83%, 0.53%

LAB 83.59, -53.61, 4.6

 

CMYK 15 / 85 / 0 / 8

HEX #C823EA

RGB 200 35 234

HSL 289.75, 0.83%, 0.53%

LAB 51.18, 82.85, -64.29

 

CMYK 0 / 84 / 85 / 8

HEX #EA2623

RGB 234 38 35

HSL 0.9, 0.83%, 0.53%

LAB 50.69, 70.69, 51.9

 

CMYK 69 / 0 / 85 / 8

HEX #48EA23

RGB 72 234 35

HSL 108.84, 0.83%, 0.53%

LAB 82.03, -73.25, 74.39

 

CMYK 85 / 1 / 0 / 8

HEX #23E7EA

RGB 35 231 234

HSL 180.9, 0.83%, 0.53%

LAB 83.68, -42.51, -14.27

 

CMYK 15 / 85 / 0 / 8

HEX #C823EA

RGB 200 35 234

HSL 289.75, 0.83%, 0.53%

LAB 51.18, 82.85, -64.29

 

CMYK 0 / 58 / 85 / 8

HEX #EA6223

RGB 234 98 35

HSL 18.99, 0.83%, 0.53%

LAB 58.37, 49.73, 58.35

 

CMYK 69 / 0 / 85 / 8

HEX #48EA23

RGB 72 234 35

HSL 108.84, 0.83%, 0.53%

LAB 82.03, -73.25, 74.39

 

CMYK 85 / 27 / 0 / 8

HEX #23ABEA

RGB 35 171 234

HSL 198.99, 0.83%, 0.53%

LAB 66.08, -12.94, -41.25

 

Description

Color code: RGB 200 35 234 | qconv.com Color code: RGB 200 35 234 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 35 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 35 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 85 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 85% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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