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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 35 164 it is the complementary color RGB 55 220 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 35 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 35 164 shade: RGB 205 35 159, RGB 222 53 178, RGB 239 71 197, RGB 255 89 216 and RGB 255 107 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 35 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 35 164 shade: RGB 200 35 164, RGB 183 17 145, RGB 166 0 126, RGB 149 0 107 and RGB 132 0 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 35 164 shade: RGB 199 35 163, RGB 199 35 119, RGB 199 35 75 and RGB 199 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 35 164 shade: RGB 199 35 163, RGB 190 35 199, RGB 146 35 199, RGB 102 35 199 and RGB 58 35 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 35 164 shade matches the following richer shades: RGB 199 35 163 and RGB 218 16 174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 35 164 shade: RGB 199 35 163, RGB 180 54 152, RGB 161 73 142, RGB 142 92 131 and RGB 123 111 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 35 164 shade: RGB 147 35 199, RGB 191 35 199, RGB 199 35 163, RGB 199 35 120 and RGB 199 35 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 35 164 shade: RGB 129 22 106, RGB 164 29 134, RGB 199 35 163, RGB 219 55 184 and RGB 226 91 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 35 164 shade: RGB 200 35 164, RGB 199 103 35 and RGB 35 199 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 35 164 shade: RGB 200 35 164, RGB 163 199 35 and RGB 35 163 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 35 164 shade: RGB 200 35 164, RGB 199 103 35, RGB 35 199 70 and RGB 35 130 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 35 164 shade: RGB 200 35 164, RGB 199 152 35, RGB 35 199 70 and RGB 35 81 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 18 / 22

HEX #C823A4

RGB 200 35 164

HSL 313.09, 0.7%, 0.46%

LAB 47.19, 72.27, -30.12

 

Complementary color

CMYK 75 / 0 / 59 / 14

HEX #37DC5B

RGB 55 220 91

HSL 133.09, 0.7%, 0.54%

LAB 77.73, -67.18, 50.73

 

CMYK 0 / 83 / 22 / 20

HEX #CD239F

RGB 205 35 159

HSL 316.24, 0.71%, 0.47%

LAB 47.86, 72.71, -26.02

 

CMYK 0 / 76 / 20 / 13

HEX #DE35B2

RGB 222 53 178

HSL 315.62, 0.72%, 0.54%

LAB 53.27, 74.36, -28.61

 

CMYK 0 / 70 / 18 / 6

HEX #EF47C5

RGB 239 71 197

HSL 315, 0.84%, 0.61%

LAB 58.87, 75.25, -30.66

 

CMYK 0 / 65 / 15 / 0

HEX #FF59D8

RGB 255 89 216

HSL 314.1, 1%, 0.67%

LAB 64.45, 75.37, -32.57

 

CMYK 0 / 58 / 8 / 0

HEX #FF6BEB

RGB 255 107 235

HSL 308.11, 1%, 0.71%

LAB 67.85, 71.01, -37.86

 

CMYK 0 / 83 / 18 / 22

HEX #C823A4

RGB 200 35 164

HSL 313.09, 0.7%, 0.46%

LAB 47.19, 72.27, -30.12

 

CMYK 0 / 91 / 21 / 28

HEX #B71191

RGB 183 17 145

HSL 313.73, 0.83%, 0.39%

LAB 42.02, 69.59, -26.99

 

CMYK 0 / 100 / 24 / 35

HEX #A6007E

RGB 166 0 126

HSL 314.46, 1%, 0.33%

LAB 37.14, 65.81, -23.13

 

CMYK 0 / 100 / 28 / 42

HEX #95006B

RGB 149 0 107

HSL 316.91, 1%, 0.29%

LAB 32.81, 60.09, -18.1

 

CMYK 0 / 100 / 33 / 48

HEX #840058

RGB 132 0 88

HSL 320, 1%, 0.26%

LAB 28.41, 54.28, -12.82

 

CMYK 0 / 82 / 18 / 22

HEX #C723A3

RGB 199 35 163

HSL 313.17, 0.7%, 0.46%

LAB 46.96, 71.93, -29.89

 

CMYK 0 / 82 / 40 / 22

HEX #C72377

RGB 199 35 119

HSL 329.27, 0.7%, 0.46%

LAB 45.19, 66.9, -5.95

 

CMYK 0 / 82 / 62 / 22

HEX #C7234B

RGB 199 35 75

HSL 345.37, 0.7%, 0.46%

LAB 44.02, 63.45, 19.75

 

CMYK 0 / 82 / 82 / 22

HEX #C72323

RGB 199 35 35

HSL 0, 0.7%, 0.46%

LAB 43.46, 61.75, 42.78

 

CMYK 0 / 82 / 18 / 22

HEX #C723A3

RGB 199 35 163

HSL 313.17, 0.7%, 0.46%

LAB 46.96, 71.93, -29.89

 

CMYK 5 / 82 / 0 / 22

HEX #BE23C7

RGB 190 35 199

HSL 296.71, 0.7%, 0.46%

LAB 47.33, 75.38, -50.55

 

CMYK 27 / 82 / 0 / 22

HEX #9223C7

RGB 146 35 199

HSL 280.61, 0.7%, 0.46%

LAB 40.31, 67.81, -62.24

 

CMYK 49 / 82 / 0 / 22

HEX #6623C7

RGB 102 35 199

HSL 264.51, 0.7%, 0.46%

LAB 34.29, 61.51, -72.32

 

CMYK 71 / 82 / 0 / 22

HEX #3A23C7

RGB 58 35 199

HSL 248.41, 0.7%, 0.46%

LAB 29.97, 57.15, -79.6

 

CMYK 0 / 82 / 18 / 22

HEX #C723A3

RGB 199 35 163

HSL 313.17, 0.7%, 0.46%

LAB 46.96, 71.93, -29.89

 

CMYK 0 / 93 / 20 / 15

HEX #DA10AE

RGB 218 16 174

HSL 313.07, 0.86%, 0.46%

LAB 49.9, 80.19, -31.56

 

CMYK 0 / 82 / 18 / 22

HEX #C723A3

RGB 199 35 163

HSL 313.17, 0.7%, 0.46%

LAB 46.96, 71.93, -29.89

 

CMYK 0 / 70 / 16 / 29

HEX #B43698

RGB 180 54 152

HSL 313.33, 0.54%, 0.46%

LAB 45.09, 60.44, -26.47

 

CMYK 0 / 55 / 12 / 37

HEX #A1498E

RGB 161 73 142

HSL 312.95, 0.38%, 0.46%

LAB 44.65, 45.39, -21.37

 

CMYK 0 / 35 / 8 / 44

HEX #8E5C83

RGB 142 92 131

HSL 313.2, 0.21%, 0.46%

LAB 45.69, 26.84, -13.38

 

CMYK 0 / 10 / 2 / 52

HEX #7B6F78

RGB 123 111 120

HSL 315, 0.05%, 0.46%

LAB 48.18, 6.41, -3.28

 

CMYK 26 / 82 / 0 / 22

HEX #9323C7

RGB 147 35 199

HSL 280.98, 0.7%, 0.46%

LAB 40.46, 67.97, -61.99

 

CMYK 4 / 82 / 0 / 22

HEX #BF23C7

RGB 191 35 199

HSL 297.07, 0.7%, 0.46%

LAB 47.5, 75.57, -50.28

 

CMYK 0 / 82 / 18 / 22

HEX #C723A3

RGB 199 35 163

HSL 313.17, 0.7%, 0.46%

LAB 46.96, 71.93, -29.89

 

CMYK 0 / 82 / 40 / 22

HEX #C72378

RGB 199 35 120

HSL 328.9, 0.7%, 0.46%

LAB 45.22, 67, -6.51

 

CMYK 0 / 82 / 62 / 22

HEX #C7234C

RGB 199 35 76

HSL 345, 0.7%, 0.46%

LAB 44.04, 63.51, 19.15

 

CMYK 0 / 83 / 18 / 49

HEX #81166A

RGB 129 22 106

HSL 312.9, 0.71%, 0.3%

LAB 30.11, 51.67, -21.96

 

CMYK 0 / 82 / 18 / 36

HEX #A41D86

RGB 164 29 134

HSL 313.33, 0.7%, 0.38%

LAB 38.71, 61.83, -25.68

 

CMYK 0 / 82 / 18 / 22

HEX #C723A3

RGB 199 35 163

HSL 313.17, 0.7%, 0.46%

LAB 46.96, 71.93, -29.89

 

CMYK 0 / 75 / 16 / 14

HEX #DB37B8

RGB 219 55 184

HSL 312.8, 0.69%, 0.54%

LAB 53.23, 73.89, -32.2

 

CMYK 0 / 60 / 13 / 11

HEX #E25BC4

RGB 226 91 196

HSL 313.33, 0.7%, 0.62%

LAB 59.56, 64.21, -29.18

 

CMYK 0 / 83 / 18 / 22

HEX #C823A4

RGB 200 35 164

HSL 313.09, 0.7%, 0.46%

LAB 47.19, 72.27, -30.12

 

CMYK 0 / 48 / 82 / 22

HEX #C76723

RGB 199 103 35

HSL 24.88, 0.7%, 0.46%

LAB 53.99, 33.79, 52.47

 

CMYK 82 / 0 / 15 / 22

HEX #23C7A9

RGB 35 199 169

HSL 169.02, 0.7%, 0.46%

LAB 72.27, -46.7, 3.72

 

CMYK 0 / 83 / 18 / 22

HEX #C823A4

RGB 200 35 164

HSL 313.09, 0.7%, 0.46%

LAB 47.19, 72.27, -30.12

 

CMYK 18 / 0 / 82 / 22

HEX #A3C723

RGB 163 199 35

HSL 73.17, 0.7%, 0.46%

LAB 75.3, -32.33, 69.93

 

CMYK 82 / 18 / 0 / 22

HEX #23A3C7

RGB 35 163 199

HSL 193.17, 0.7%, 0.46%

LAB 62.23, -20.75, -27.88

 

CMYK 0 / 83 / 18 / 22

HEX #C823A4

RGB 200 35 164

HSL 313.09, 0.7%, 0.46%

LAB 47.19, 72.27, -30.12

 

CMYK 0 / 48 / 82 / 22

HEX #C76723

RGB 199 103 35

HSL 24.88, 0.7%, 0.46%

LAB 53.99, 33.79, 52.47

 

CMYK 82 / 0 / 65 / 22

HEX #23C746

RGB 35 199 70

HSL 132.8, 0.7%, 0.46%

LAB 70.63, -65.37, 51.74

 

CMYK 82 / 35 / 0 / 22

HEX #2382C7

RGB 35 130 199

HSL 205.24, 0.7%, 0.46%

LAB 52.34, -2.29, -43.34

 

CMYK 0 / 83 / 18 / 22

HEX #C823A4

RGB 200 35 164

HSL 313.09, 0.7%, 0.46%

LAB 47.19, 72.27, -30.12

 

CMYK 0 / 24 / 82 / 22

HEX #C79823

RGB 199 152 35

HSL 42.8, 0.7%, 0.46%

LAB 65.53, 7.25, 62.63

 

CMYK 82 / 0 / 65 / 22

HEX #23C746

RGB 35 199 70

HSL 132.8, 0.7%, 0.46%

LAB 70.63, -65.37, 51.74

 

CMYK 82 / 59 / 0 / 22

HEX #2351C7

RGB 35 81 199

HSL 223.17, 0.7%, 0.46%

LAB 38.49, 28.83, -65.62

 

Description

Color code: RGB 200 35 164 | qconv.com Color code: RGB 200 35 164 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 35 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 35 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 18 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 18% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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