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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 34 46 it is the complementary color RGB 55 221 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 34 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 34 46 shade: RGB 205 34 41, RGB 222 52 60, RGB 239 70 79, RGB 255 88 98 and RGB 255 106 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 34 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 34 46 shade: RGB 200 34 46, RGB 183 16 27, RGB 166 0 8, RGB 149 0 0 and RGB 132 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 34 46 shade: RGB 200 34 46 and RGB 200 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 34 46 shade: RGB 200 34 46, RGB 200 34 90, RGB 200 34 135, RGB 200 34 180 and RGB 175 34 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 34 46 shade matches the following richer shades: RGB 200 34 46 and RGB 219 15 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 34 46 shade: RGB 200 34 46, RGB 181 52 62, RGB 162 71 78, RGB 143 90 94 and RGB 124 109 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 34 46 shade: RGB 200 34 136, RGB 200 34 92, RGB 200 34 47, RGB 200 64 34 and RGB 200 108 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 34 46 shade: RGB 130 22 29, RGB 165 28 37, RGB 200 34 46, RGB 221 54 66 and RGB 227 90 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 34 46 shade: RGB 200 34 46, RGB 181 200 34 and RGB 34 114 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 34 46 shade: RGB 200 34 46, RGB 47 200 34 and RGB 34 47 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 34 46 shade: RGB 200 34 46, RGB 181 200 34, RGB 34 200 186 and RGB 53 34 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 34 46 shade: RGB 200 34 46, RGB 131 200 34, RGB 34 200 186 and RGB 103 34 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 77 / 22

HEX #C8222E

RGB 200 34 46

HSL 355.66, 0.71%, 0.46%

LAB 43.68, 62.61, 36.96

 

Complementary color

CMYK 75 / 0 / 5 / 13

HEX #37DDD1

RGB 55 221 209

HSL 175.66, 0.71%, 0.54%

LAB 80.25, -43.52, -6.08

 

CMYK 0 / 83 / 80 / 20

HEX #CD2229

RGB 205 34 41

HSL 357.54, 0.72%, 0.47%

LAB 44.64, 63.83, 41.1

 

CMYK 0 / 77 / 73 / 13

HEX #DE343C

RGB 222 52 60

HSL 357.18, 0.72%, 0.54%

LAB 49.87, 64.51, 36.99

 

CMYK 0 / 71 / 67 / 6

HEX #EF464F

RGB 239 70 79

HSL 356.8, 0.84%, 0.61%

LAB 55.38, 64.52, 33.35

 

CMYK 0 / 65 / 62 / 0

HEX #FF5862

RGB 255 88 98

HSL 356.41, 1%, 0.67%

LAB 60.89, 63.79, 29.96

 

CMYK 0 / 58 / 54 / 0

HEX #FF6A75

RGB 255 106 117

HSL 355.57, 1%, 0.71%

LAB 64.04, 57.56, 23.27

 

CMYK 0 / 83 / 77 / 22

HEX #C8222E

RGB 200 34 46

HSL 355.66, 0.71%, 0.46%

LAB 43.68, 62.61, 36.96

 

CMYK 0 / 91 / 85 / 28

HEX #B7101B

RGB 183 16 27

HSL 356.05, 0.84%, 0.39%

LAB 38.75, 60.94, 41.48

 

CMYK 0 / 100 / 95 / 35

HEX #A60008

RGB 166 0 8

HSL 357.11, 1%, 0.33%

LAB 34.24, 58.19, 45.21

 

CMYK 0 / 100 / 100 / 42

HEX #950000

RGB 149 0 0

HSL 0, 1%, 0.29%

LAB 30.37, 53.66, 44.07

 

CMYK 0 / 100 / 100 / 48

HEX #840000

RGB 132 0 0

HSL 0, 1%, 0.26%

LAB 26.46, 49.13, 39.26

 

CMYK 0 / 83 / 77 / 22

HEX #C8222E

RGB 200 34 46

HSL 355.66, 0.71%, 0.46%

LAB 43.68, 62.61, 36.96

 

CMYK 0 / 83 / 83 / 22

HEX #C82222

RGB 200 34 34

HSL 0, 0.71%, 0.46%

LAB 43.56, 62.24, 43.48

 

CMYK 0 / 83 / 77 / 22

HEX #C8222E

RGB 200 34 46

HSL 355.66, 0.71%, 0.46%

LAB 43.68, 62.61, 36.96

 

CMYK 0 / 83 / 55 / 22

HEX #C8225A

RGB 200 34 90

HSL 339.76, 0.71%, 0.46%

LAB 44.46, 64.94, 11.03

 

CMYK 0 / 83 / 33 / 22

HEX #C82287

RGB 200 34 135

HSL 323.49, 0.71%, 0.46%

LAB 45.87, 69.01, -14.7

 

CMYK 0 / 83 / 10 / 22

HEX #C822B4

RGB 200 34 180

HSL 307.23, 0.71%, 0.46%

LAB 47.9, 74.66, -38.45

 

CMYK 13 / 83 / 0 / 22

HEX #AF22C8

RGB 175 34 200

HSL 290.96, 0.71%, 0.46%

LAB 44.84, 73.11, -55.26

 

CMYK 0 / 83 / 77 / 22

HEX #C8222E

RGB 200 34 46

HSL 355.66, 0.71%, 0.46%

LAB 43.68, 62.61, 36.96

 

CMYK 0 / 93 / 87 / 14

HEX #DB0F1D

RGB 219 15 29

HSL 355.88, 0.87%, 0.46%

LAB 46.3, 70.41, 49.88

 

CMYK 0 / 83 / 77 / 22

HEX #C8222E

RGB 200 34 46

HSL 355.66, 0.71%, 0.46%

LAB 43.68, 62.61, 36.96

 

CMYK 0 / 71 / 66 / 29

HEX #B5343E

RGB 181 52 62

HSL 355.35, 0.55%, 0.46%

LAB 42.2, 52.16, 24.74

 

CMYK 0 / 56 / 52 / 36

HEX #A2474E

RGB 162 71 78

HSL 355.38, 0.39%, 0.46%

LAB 42.37, 38.34, 14.52

 

CMYK 0 / 37 / 34 / 44

HEX #8F5A5E

RGB 143 90 94

HSL 355.47, 0.23%, 0.46%

LAB 44.18, 22.36, 6.84

 

CMYK 0 / 12 / 11 / 51

HEX #7C6D6E

RGB 124 109 110

HSL 356, 0.06%, 0.46%

LAB 47.43, 6.06, 1.6

 

CMYK 0 / 83 / 32 / 22

HEX #C82288

RGB 200 34 136

HSL 323.13, 0.71%, 0.46%

LAB 45.91, 69.12, -15.25

 

CMYK 0 / 83 / 54 / 22

HEX #C8225C

RGB 200 34 92

HSL 339.04, 0.71%, 0.46%

LAB 44.51, 65.08, 9.85

 

CMYK 0 / 83 / 77 / 22

HEX #C8222F

RGB 200 34 47

HSL 355.3, 0.71%, 0.46%

LAB 43.7, 62.64, 36.4

 

CMYK 0 / 68 / 83 / 22

HEX #C84022

RGB 200 64 34

HSL 10.84, 0.71%, 0.46%

LAB 47.06, 52.54, 46.7

 

CMYK 0 / 46 / 83 / 22

HEX #C86C22

RGB 200 108 34

HSL 26.75, 0.71%, 0.46%

LAB 55.2, 31.54, 54

 

CMYK 0 / 83 / 78 / 49

HEX #82161D

RGB 130 22 29

HSL 356.11, 0.71%, 0.3%

LAB 27.87, 44.69, 25.7

 

CMYK 0 / 83 / 78 / 35

HEX #A51C25

RGB 165 28 37

HSL 356.06, 0.71%, 0.38%

LAB 35.91, 53.83, 31.74

 

CMYK 0 / 83 / 77 / 22

HEX #C8222E

RGB 200 34 46

HSL 355.66, 0.71%, 0.46%

LAB 43.68, 62.61, 36.96

 

CMYK 0 / 76 / 70 / 13

HEX #DD3642

RGB 221 54 66

HSL 355.69, 0.71%, 0.54%

LAB 49.98, 63.87, 33.59

 

CMYK 0 / 60 / 56 / 11

HEX #E35A63

RGB 227 90 99

HSL 356.06, 0.71%, 0.62%

LAB 56.63, 53.95, 22.95

 

CMYK 0 / 83 / 77 / 22

HEX #C8222E

RGB 200 34 46

HSL 355.66, 0.71%, 0.46%

LAB 43.68, 62.61, 36.96

 

CMYK 10 / 0 / 83 / 22

HEX #B5C822

RGB 181 200 34

HSL 66.87, 0.71%, 0.46%

LAB 76.83, -25.43, 71.98

 

CMYK 83 / 43 / 0 / 22

HEX #2272C8

RGB 34 114 200

HSL 211.08, 0.71%, 0.46%

LAB 47.68, 7.79, -51.33

 

CMYK 0 / 83 / 77 / 22

HEX #C8222E

RGB 200 34 46

HSL 355.66, 0.71%, 0.46%

LAB 43.68, 62.61, 36.96

 

CMYK 77 / 0 / 83 / 22

HEX #2FC822

RGB 47 200 34

HSL 115.3, 0.71%, 0.46%

LAB 70.89, -67, 64.47

 

CMYK 83 / 77 / 0 / 22

HEX #222FC8

RGB 34 47 200

HSL 235.3, 0.71%, 0.46%

LAB 30.74, 50.06, -78.95

 

CMYK 0 / 83 / 77 / 22

HEX #C8222E

RGB 200 34 46

HSL 355.66, 0.71%, 0.46%

LAB 43.68, 62.61, 36.96

 

CMYK 10 / 0 / 83 / 22

HEX #B5C822

RGB 181 200 34

HSL 66.87, 0.71%, 0.46%

LAB 76.83, -25.43, 71.98

 

CMYK 83 / 0 / 7 / 22

HEX #22C8BA

RGB 34 200 186

HSL 174.94, 0.71%, 0.46%

LAB 73.02, -42.6, -4.42

 

CMYK 74 / 83 / 0 / 22

HEX #3522C8

RGB 53 34 200

HSL 246.87, 0.71%, 0.46%

LAB 29.59, 57.52, -80.83

 

CMYK 0 / 83 / 77 / 22

HEX #C8222E

RGB 200 34 46

HSL 355.66, 0.71%, 0.46%

LAB 43.68, 62.61, 36.96

 

CMYK 35 / 0 / 83 / 22

HEX #83C822

RGB 131 200 34

HSL 84.94, 0.71%, 0.46%

LAB 73.71, -45.09, 68.05

 

CMYK 83 / 0 / 7 / 22

HEX #22C8BA

RGB 34 200 186

HSL 174.94, 0.71%, 0.46%

LAB 73.02, -42.6, -4.42

 

CMYK 49 / 83 / 0 / 22

HEX #6722C8

RGB 103 34 200

HSL 264.94, 0.71%, 0.46%

LAB 34.39, 62.23, -72.74

 

Description

Color code: RGB 200 34 46 | qconv.com Color code: RGB 200 34 46 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 34 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 34 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 77 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 77% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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