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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 28 149 it is the complementary color RGB 55 227 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 28 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 28 149 shade: RGB 205 28 144, RGB 222 46 163, RGB 239 64 182, RGB 255 82 201 and RGB 255 100 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 28 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 28 149 shade: RGB 200 28 149, RGB 183 10 130, RGB 166 0 111, RGB 149 0 92 and RGB 132 0 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 28 149 shade: RGB 200 28 149, RGB 200 28 103, RGB 200 28 56 and RGB 200 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 28 149 shade: RGB 200 28 149, RGB 200 28 196, RGB 159 28 200, RGB 112 28 200 and RGB 66 28 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 28 149 shade matches the following richer shades: RGB 200 28 149 and RGB 219 10 157

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 28 149 shade: RGB 200 28 149, RGB 182 47 142, RGB 163 65 134, RGB 145 84 127 and RGB 126 102 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 28 149 shade: RGB 157 28 200, RGB 200 28 197, RGB 200 28 152, RGB 200 28 106 and RGB 200 28 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 28 149 shade: RGB 128 18 95, RGB 164 23 122, RGB 200 28 149, RGB 225 45 171 and RGB 230 81 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 28 149 shade: RGB 200 28 149, RGB 200 111 28 and RGB 28 200 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 28 149 shade: RGB 200 28 149, RGB 152 200 28 and RGB 28 152 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 28 149 shade: RGB 200 28 149, RGB 200 111 28, RGB 28 200 77 and RGB 28 117 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 28 149 shade: RGB 200 28 149, RGB 200 163 28, RGB 28 200 77 and RGB 28 65 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 26 / 22

HEX #C81C95

RGB 200 28 149

HSL 317.79, 0.75%, 0.45%

LAB 46.02, 71.83, -22.96

 

Complementary color

CMYK 76 / 0 / 53 / 11

HEX #37E36A

RGB 55 227 106

HSL 137.79, 0.75%, 0.55%

LAB 80.06, -67.51, 46.63

 

CMYK 0 / 86 / 30 / 20

HEX #CD1C90

RGB 205 28 144

HSL 320.68, 0.76%, 0.46%

LAB 46.74, 72.35, -18.74

 

CMYK 0 / 79 / 27 / 13

HEX #DE2EA3

RGB 222 46 163

HSL 320.11, 0.73%, 0.53%

LAB 51.98, 74.39, -21.78

 

CMYK 0 / 73 / 24 / 6

HEX #EF40B6

RGB 239 64 182

HSL 319.54, 0.85%, 0.59%

LAB 57.46, 75.57, -24.22

 

CMYK 0 / 68 / 21 / 0

HEX #FF52C9

RGB 255 82 201

HSL 318.73, 1%, 0.66%

LAB 62.94, 75.9, -26.45

 

CMYK 0 / 61 / 14 / 0

HEX #FF64DC

RGB 255 100 220

HSL 313.55, 1%, 0.7%

LAB 66.17, 71.66, -32.15

 

CMYK 0 / 86 / 26 / 22

HEX #C81C95

RGB 200 28 149

HSL 317.79, 0.75%, 0.45%

LAB 46.02, 71.83, -22.96

 

CMYK 0 / 95 / 29 / 28

HEX #B70A82

RGB 183 10 130

HSL 318.38, 0.9%, 0.38%

LAB 41.05, 68.65, -19.29

 

CMYK 0 / 100 / 33 / 35

HEX #A6006F

RGB 166 0 111

HSL 319.88, 1%, 0.33%

LAB 36.47, 64.1, -14.73

 

CMYK 0 / 100 / 38 / 42

HEX #95005C

RGB 149 0 92

HSL 322.95, 1%, 0.29%

LAB 32.17, 58.45, -9.39

 

CMYK 0 / 100 / 45 / 48

HEX #840049

RGB 132 0 73

HSL 326.82, 1%, 0.26%

LAB 27.81, 52.73, -3.73

 

CMYK 0 / 86 / 26 / 22

HEX #C81C95

RGB 200 28 149

HSL 317.79, 0.75%, 0.45%

LAB 46.02, 71.83, -22.96

 

CMYK 0 / 86 / 49 / 22

HEX #C81C67

RGB 200 28 103

HSL 333.84, 0.75%, 0.45%

LAB 44.36, 67.22, 2.78

 

CMYK 0 / 86 / 72 / 22

HEX #C81C38

RGB 200 28 56

HSL 350.23, 0.75%, 0.45%

LAB 43.35, 64.31, 30.66

 

CMYK 0 / 86 / 86 / 22

HEX #C81C1C

RGB 200 28 28

HSL 0, 0.75%, 0.45%

LAB 43.05, 63.43, 46.08

 

CMYK 0 / 86 / 26 / 22

HEX #C81C95

RGB 200 28 149

HSL 317.79, 0.75%, 0.45%

LAB 46.02, 71.83, -22.96

 

CMYK 0 / 86 / 2 / 22

HEX #C81CC4

RGB 200 28 196

HSL 301.4, 0.75%, 0.45%

LAB 48.38, 78.13, -47.04

 

CMYK 21 / 86 / 0 / 22

HEX #9F1CC8

RGB 159 28 200

HSL 285.7, 0.75%, 0.45%

LAB 41.8, 71.81, -60.3

 

CMYK 44 / 86 / 0 / 22

HEX #701CC8

RGB 112 28 200

HSL 269.3, 0.75%, 0.45%

LAB 34.89, 65.2, -71.87

 

CMYK 67 / 86 / 0 / 22

HEX #421CC8

RGB 66 28 200

HSL 253.26, 0.75%, 0.45%

LAB 29.81, 60.73, -80.44

 

CMYK 0 / 86 / 26 / 22

HEX #C81C95

RGB 200 28 149

HSL 317.79, 0.75%, 0.45%

LAB 46.02, 71.83, -22.96

 

CMYK 0 / 95 / 28 / 14

HEX #DB0A9D

RGB 219 10 157

HSL 317.8, 0.91%, 0.45%

LAB 49.14, 78.97, -22.63

 

CMYK 0 / 86 / 26 / 22

HEX #C81C95

RGB 200 28 149

HSL 317.79, 0.75%, 0.45%

LAB 46.02, 71.83, -22.96

 

CMYK 0 / 74 / 22 / 29

HEX #B62F8E

RGB 182 47 142

HSL 317.78, 0.59%, 0.45%

LAB 44.13, 61.97, -21.9

 

CMYK 0 / 60 / 18 / 36

HEX #A34186

RGB 163 65 134

HSL 317.76, 0.43%, 0.45%

LAB 43.19, 48.54, -18.75

 

CMYK 0 / 42 / 12 / 43

HEX #91547F

RGB 145 84 127

HSL 317.7, 0.27%, 0.45%

LAB 44.08, 31.73, -13.38

 

CMYK 0 / 19 / 6 / 51

HEX #7E6677

RGB 126 102 119

HSL 317.5, 0.11%, 0.45%

LAB 46, 12.71, -5.87

 

CMYK 22 / 86 / 0 / 22

HEX #9D1CC8

RGB 157 28 200

HSL 285, 0.75%, 0.45%

LAB 41.48, 71.5, -60.83

 

CMYK 0 / 86 / 1 / 22

HEX #C81CC5

RGB 200 28 197

HSL 301.05, 0.75%, 0.45%

LAB 48.44, 78.27, -47.53

 

CMYK 0 / 86 / 24 / 22

HEX #C81C98

RGB 200 28 152

HSL 316.74, 0.75%, 0.45%

LAB 46.15, 72.19, -24.56

 

CMYK 0 / 86 / 47 / 22

HEX #C81C6A

RGB 200 28 106

HSL 332.79, 0.75%, 0.45%

LAB 44.45, 67.47, 1.04

 

CMYK 0 / 86 / 70 / 22

HEX #C81C3C

RGB 200 28 60

HSL 348.84, 0.75%, 0.45%

LAB 43.41, 64.48, 28.29

 

CMYK 0 / 86 / 26 / 50

HEX #80125F

RGB 128 18 95

HSL 318, 0.75%, 0.29%

LAB 29.03, 50.94, -16.54

 

CMYK 0 / 86 / 26 / 36

HEX #A4177A

RGB 164 23 122

HSL 317.87, 0.75%, 0.37%

LAB 37.68, 61.63, -19.83

 

CMYK 0 / 86 / 26 / 22

HEX #C81C95

RGB 200 28 149

HSL 317.79, 0.75%, 0.45%

LAB 46.02, 71.83, -22.96

 

CMYK 0 / 80 / 24 / 12

HEX #E12DAB

RGB 225 45 171

HSL 318, 0.75%, 0.53%

LAB 52.76, 76.26, -25.26

 

CMYK 0 / 65 / 19 / 10

HEX #E651BA

RGB 230 81 186

HSL 317.72, 0.75%, 0.61%

LAB 58.28, 67.91, -25.39

 

CMYK 0 / 86 / 26 / 22

HEX #C81C95

RGB 200 28 149

HSL 317.79, 0.75%, 0.45%

LAB 46.02, 71.83, -22.96

 

CMYK 0 / 45 / 86 / 22

HEX #C86F1C

RGB 200 111 28

HSL 28.95, 0.75%, 0.45%

LAB 55.82, 29.78, 56.72

 

CMYK 86 / 0 / 10 / 22

HEX #1CC8B4

RGB 28 200 180

HSL 173.02, 0.75%, 0.45%

LAB 72.79, -44.69, -1.5

 

CMYK 0 / 86 / 26 / 22

HEX #C81C95

RGB 200 28 149

HSL 317.79, 0.75%, 0.45%

LAB 46.02, 71.83, -22.96

 

CMYK 24 / 0 / 86 / 22

HEX #98C81C

RGB 152 200 28

HSL 76.74, 0.75%, 0.45%

LAB 74.87, -37.39, 70.88

 

CMYK 86 / 24 / 0 / 22

HEX #1C98C8

RGB 28 152 200

HSL 196.74, 0.75%, 0.45%

LAB 58.86, -15.05, -33.68

 

CMYK 0 / 86 / 26 / 22

HEX #C81C95

RGB 200 28 149

HSL 317.79, 0.75%, 0.45%

LAB 46.02, 71.83, -22.96

 

CMYK 0 / 45 / 86 / 22

HEX #C86F1C

RGB 200 111 28

HSL 28.95, 0.75%, 0.45%

LAB 55.82, 29.78, 56.72

 

CMYK 86 / 0 / 62 / 22

HEX #1CC84D

RGB 28 200 77

HSL 137.09, 0.75%, 0.45%

LAB 70.93, -65.54, 49.03

 

CMYK 86 / 42 / 0 / 22

HEX #1C75C8

RGB 28 117 200

HSL 208.95, 0.75%, 0.45%

LAB 48.44, 5.43, -50.13

 

CMYK 0 / 86 / 26 / 22

HEX #C81C95

RGB 200 28 149

HSL 317.79, 0.75%, 0.45%

LAB 46.02, 71.83, -22.96

 

CMYK 0 / 19 / 86 / 22

HEX #C8A31C

RGB 200 163 28

HSL 47.09, 0.75%, 0.45%

LAB 68.43, 1.58, 67.07

 

CMYK 86 / 0 / 62 / 22

HEX #1CC84D

RGB 28 200 77

HSL 137.09, 0.75%, 0.45%

LAB 70.93, -65.54, 49.03

 

CMYK 86 / 68 / 0 / 22

HEX #1C41C8

RGB 28 65 200

HSL 227.09, 0.75%, 0.45%

LAB 34.39, 39.05, -72.93

 

Description

Color code: RGB 200 28 149 | qconv.com Color code: RGB 200 28 149 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 28 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 28 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 26 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 26% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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