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Color name
RGB 200 148 60

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 148 60 it is the complementary color RGB 55 107 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 148 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 148 60 shade: RGB 205 148 55, RGB 222 166 74, RGB 239 184 93, RGB 255 202 112 and RGB 255 220 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 148 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 148 60 shade: RGB 200 148 60, RGB 183 130 41, RGB 166 112 22, RGB 149 94 3 and RGB 132 76 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 148 60 shade: RGB 200 148 60, RGB 200 110 60, RGB 200 72 60 and RGB 200 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 148 60 shade: RGB 200 148 60, RGB 200 185 60, RGB 176 200 60, RGB 138 200 60 and RGB 101 200 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 148 60 shade matches the following richer shades: RGB 200 148 60, RGB 220 153 39 and RGB 240 158 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 148 60 shade: RGB 200 148 60, RGB 179 142 80, RGB 159 137 100, RGB 139 132 120 and RGB 119 127 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 148 60 shade: RGB 200 71 60, RGB 200 109 60, RGB 200 146 60, RGB 200 183 60 and RGB 179 200 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 148 60 shade: RGB 138 101 39, RGB 170 125 48, RGB 200 148 60, RGB 209 165 92 and RGB 218 183 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 148 60 shade: RGB 200 148 60, RGB 85 200 60 and RGB 90 60 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 148 60 shade: RGB 200 148 60, RGB 60 200 146 and RGB 146 60 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 148 60 shade: RGB 200 148 60, RGB 85 200 60, RGB 60 113 200 and RGB 174 60 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 148 60 shade: RGB 200 148 60, RGB 60 200 76, RGB 60 113 200 and RGB 200 60 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 70 / 22

HEX #C8943C

RGB 200 148 60

HSL 37.71, 0.56%, 0.51%

LAB 64.79, 10.91, 52.37

 

Complementary color

CMYK 72 / 45 / 0 / 24

HEX #376BC3

RGB 55 107 195

HSL 217.71, 0.56%, 0.49%

LAB 46, 12.72, -51.12

 

CMYK 0 / 28 / 73 / 20

HEX #CD9437

RGB 205 148 55

HSL 37.2, 0.6%, 0.51%

LAB 65.31, 12.83, 55.25

 

CMYK 0 / 25 / 67 / 13

HEX #DEA64A

RGB 222 166 74

HSL 37.3, 0.69%, 0.58%

LAB 71.76, 11.43, 54.19

 

CMYK 0 / 23 / 61 / 6

HEX #EFB85D

RGB 239 184 93

HSL 37.4, 0.82%, 0.65%

LAB 78.12, 10.23, 52.96

 

CMYK 0 / 21 / 56 / 0

HEX #FFCA70

RGB 255 202 112

HSL 37.76, 1%, 0.72%

LAB 84.31, 8.77, 51.52

 

CMYK 0 / 14 / 49 / 0

HEX #FFDC83

RGB 255 220 131

HSL 43.06, 1%, 0.76%

LAB 88.96, 1.1, 47.95

 

CMYK 0 / 26 / 70 / 22

HEX #C8943C

RGB 200 148 60

HSL 37.71, 0.56%, 0.51%

LAB 64.79, 10.91, 52.37

 

CMYK 0 / 29 / 78 / 28

HEX #B78229

RGB 183 130 41

HSL 37.61, 0.63%, 0.44%

LAB 58.22, 12.43, 53.22

 

CMYK 0 / 33 / 87 / 35

HEX #A67016

RGB 166 112 22

HSL 37.5, 0.77%, 0.37%

LAB 51.56, 14.23, 53.31

 

CMYK 0 / 37 / 98 / 42

HEX #955E03

RGB 149 94 3

HSL 37.4, 0.96%, 0.3%

LAB 44.8, 16.35, 52.06

 

CMYK 0 / 42 / 100 / 48

HEX #844C00

RGB 132 76 0

HSL 34.55, 1%, 0.26%

LAB 37.98, 18.88, 47.27

 

CMYK 0 / 26 / 70 / 22

HEX #C8943C

RGB 200 148 60

HSL 37.71, 0.56%, 0.51%

LAB 64.79, 10.91, 52.37

 

CMYK 0 / 45 / 70 / 22

HEX #C86E3C

RGB 200 110 60

HSL 21.43, 0.56%, 0.51%

LAB 55.84, 31.56, 42.74

 

CMYK 0 / 64 / 70 / 22

HEX #C8483C

RGB 200 72 60

HSL 5.14, 0.56%, 0.51%

LAB 48.56, 50.21, 34.44

 

CMYK 0 / 70 / 70 / 22

HEX #C83C3C

RGB 200 60 60

HSL 0, 0.56%, 0.51%

LAB 46.76, 55.1, 32.32

 

CMYK 0 / 26 / 70 / 22

HEX #C8943C

RGB 200 148 60

HSL 37.71, 0.56%, 0.51%

LAB 64.79, 10.91, 52.37

 

CMYK 0 / 8 / 70 / 22

HEX #C8B93C

RGB 200 185 60

HSL 53.57, 0.56%, 0.51%

LAB 74.38, -8.79, 62.14

 

CMYK 12 / 0 / 70 / 22

HEX #B0C83C

RGB 176 200 60

HSL 70.29, 0.56%, 0.51%

LAB 76.6, -26.39, 63.71

 

CMYK 31 / 0 / 70 / 22

HEX #8AC83C

RGB 138 200 60

HSL 86.57, 0.56%, 0.51%

LAB 74.21, -41.2, 60.54

 

CMYK 50 / 0 / 70 / 22

HEX #65C83C

RGB 101 200 60

HSL 102.43, 0.56%, 0.51%

LAB 72.5, -53.43, 58.23

 

CMYK 0 / 26 / 70 / 22

HEX #C8943C

RGB 200 148 60

HSL 37.71, 0.56%, 0.51%

LAB 64.79, 10.91, 52.37

 

CMYK 0 / 30 / 82 / 14

HEX #DC9927

RGB 220 153 39

HSL 37.79, 0.72%, 0.51%

LAB 68.13, 16.01, 64.52

 

CMYK 0 / 34 / 92 / 6

HEX #F09E13

RGB 240 158 19

HSL 37.74, 0.88%, 0.51%

LAB 71.57, 21.48, 73.32

 

CMYK 0 / 26 / 70 / 22

HEX #C8943C

RGB 200 148 60

HSL 37.71, 0.56%, 0.51%

LAB 64.79, 10.91, 52.37

 

CMYK 0 / 21 / 55 / 30

HEX #B38E50

RGB 179 142 80

HSL 37.58, 0.39%, 0.51%

LAB 61.23, 6.46, 38.02

 

CMYK 0 / 14 / 37 / 38

HEX #9F8964

RGB 159 137 100

HSL 37.63, 0.24%, 0.51%

LAB 58.21, 2.8, 22.93

 

CMYK 0 / 5 / 14 / 45

HEX #8B8478

RGB 139 132 120

HSL 37.89, 0.08%, 0.51%

LAB 55.43, 0.45, 7.41

 

CMYK 15 / 9 / 0 / 45

HEX #777F8C

RGB 119 127 140

HSL 217.14, 0.08%, 0.51%

LAB 52.94, -0.12, -8.03

 

CMYK 0 / 65 / 70 / 22

HEX #C8473C

RGB 200 71 60

HSL 4.71, 0.56%, 0.51%

LAB 48.4, 50.64, 34.25

 

CMYK 0 / 46 / 70 / 22

HEX #C86D3C

RGB 200 109 60

HSL 21, 0.56%, 0.51%

LAB 55.63, 32.09, 42.5

 

CMYK 0 / 27 / 70 / 22

HEX #C8923C

RGB 200 146 60

HSL 36.86, 0.56%, 0.51%

LAB 64.29, 12, 51.85

 

CMYK 0 / 9 / 70 / 22

HEX #C8B73C

RGB 200 183 60

HSL 52.71, 0.56%, 0.51%

LAB 73.85, -7.76, 61.61

 

CMYK 11 / 0 / 70 / 22

HEX #B3C83C

RGB 179 200 60

HSL 69, 0.56%, 0.51%

LAB 76.81, -25.17, 64

 

CMYK 0 / 27 / 72 / 46

HEX #8A6527

RGB 138 101 39

HSL 37.58, 0.56%, 0.35%

LAB 45.44, 8.36, 39.61

 

CMYK 0 / 26 / 72 / 33

HEX #AA7D30

RGB 170 125 48

HSL 37.87, 0.56%, 0.43%

LAB 55.51, 9.74, 47.06

 

CMYK 0 / 26 / 70 / 22

HEX #C8943C

RGB 200 148 60

HSL 37.71, 0.56%, 0.51%

LAB 64.79, 10.91, 52.37

 

CMYK 0 / 21 / 56 / 18

HEX #D1A55C

RGB 209 165 92

HSL 37.44, 0.56%, 0.59%

LAB 70.34, 7.71, 43.57

 

CMYK 0 / 16 / 43 / 15

HEX #DAB77C

RGB 218 183 124

HSL 37.66, 0.56%, 0.67%

LAB 76.21, 4.79, 34.65

 

CMYK 0 / 26 / 70 / 22

HEX #C8943C

RGB 200 148 60

HSL 37.71, 0.56%, 0.51%

LAB 64.79, 10.91, 52.37

 

CMYK 58 / 0 / 70 / 22

HEX #55C83C

RGB 85 200 60

HSL 109.29, 0.56%, 0.51%

LAB 71.94, -57.76, 57.48

 

CMYK 55 / 70 / 0 / 22

HEX #5A3CC8

RGB 90 60 200

HSL 252.86, 0.56%, 0.51%

LAB 37.07, 48.8, -68.39

 

CMYK 0 / 26 / 70 / 22

HEX #C8943C

RGB 200 148 60

HSL 37.71, 0.56%, 0.51%

LAB 64.79, 10.91, 52.37

 

CMYK 70 / 0 / 27 / 22

HEX #3CC892

RGB 60 200 146

HSL 156.86, 0.56%, 0.51%

LAB 72.46, -49.76, 16.44

 

CMYK 27 / 70 / 0 / 22

HEX #923CC8

RGB 146 60 200

HSL 276.86, 0.56%, 0.51%

LAB 43.53, 58.99, -57.6

 

CMYK 0 / 26 / 70 / 22

HEX #C8943C

RGB 200 148 60

HSL 37.71, 0.56%, 0.51%

LAB 64.79, 10.91, 52.37

 

CMYK 58 / 0 / 70 / 22

HEX #55C83C

RGB 85 200 60

HSL 109.29, 0.56%, 0.51%

LAB 71.94, -57.76, 57.48

 

CMYK 70 / 44 / 0 / 22

HEX #3C71C8

RGB 60 113 200

HSL 217.29, 0.56%, 0.51%

LAB 48.19, 11.5, -50.48

 

CMYK 13 / 70 / 0 / 22

HEX #AE3CC8

RGB 174 60 200

HSL 288.86, 0.56%, 0.51%

LAB 47.5, 64.83, -51.01

 

CMYK 0 / 26 / 70 / 22

HEX #C8943C

RGB 200 148 60

HSL 37.71, 0.56%, 0.51%

LAB 64.79, 10.91, 52.37

 

CMYK 70 / 0 / 62 / 22

HEX #3CC84C

RGB 60 200 76

HSL 126.86, 0.56%, 0.51%

LAB 71.41, -61.53, 50.15

 

CMYK 70 / 44 / 0 / 22

HEX #3C71C8

RGB 60 113 200

HSL 217.29, 0.56%, 0.51%

LAB 48.19, 11.5, -50.48

 

CMYK 0 / 70 / 9 / 22

HEX #C83CB7

RGB 200 60 183

HSL 307.29, 0.56%, 0.51%

LAB 50.61, 67.78, -35.95

 

Description

Color code: RGB 200 148 60 | qconv.com Color code: RGB 200 148 60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 148 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 148 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 70 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 70% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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