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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 145 79 it is the complementary color RGB 55 110 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 145 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 145 79 shade: RGB 205 145 74, RGB 222 163 93, RGB 239 181 112, RGB 255 199 131 and RGB 255 217 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 145 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 145 79 shade: RGB 200 145 79, RGB 183 127 60, RGB 166 109 41, RGB 149 91 22 and RGB 132 73 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 145 79 shade: RGB 199 145 80, RGB 199 113 80, RGB 199 81 80 and RGB 199 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 145 79 shade: RGB 199 145 80, RGB 199 177 80, RGB 189 199 80, RGB 157 199 80 and RGB 125 199 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 145 79 shade matches the following richer shades: RGB 199 145 80, RGB 218 147 62 and RGB 237 149 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 145 79 shade: RGB 199 145 80, RGB 181 143 99, RGB 162 142 117, RGB 144 140 136 and RGB 125 138 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 145 79 shade: RGB 199 80 80, RGB 199 112 80, RGB 199 144 80, RGB 199 176 80 and RGB 191 199 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 145 79 shade: RGB 150 103 47, RGB 181 125 57, RGB 199 145 80, RGB 209 165 111 and RGB 219 184 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 145 79 shade: RGB 200 145 79, RGB 112 199 80 and RGB 96 80 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 145 79 shade: RGB 200 145 79, RGB 80 199 144 and RGB 144 80 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 145 79 shade: RGB 200 145 79, RGB 112 199 80, RGB 80 136 199 and RGB 168 80 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 145 79 shade: RGB 200 145 79, RGB 80 199 84, RGB 80 136 199 and RGB 199 80 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 61 / 22

HEX #C8914F

RGB 200 145 79

HSL 32.73, 0.52%, 0.55%

LAB 64.24, 13.74, 42.66

 

Complementary color

CMYK 69 / 38 / 0 / 31

HEX #376EB0

RGB 55 110 176

HSL 212.73, 0.52%, 0.45%

LAB 45.77, 3.88, -40.46

 

CMYK 0 / 29 / 64 / 20

HEX #CD914A

RGB 205 145 74

HSL 32.52, 0.57%, 0.55%

LAB 64.74, 15.53, 45.89

 

CMYK 0 / 27 / 58 / 13

HEX #DEA35D

RGB 222 163 93

HSL 32.56, 0.66%, 0.62%

LAB 71.22, 14.3, 44.45

 

CMYK 0 / 24 / 53 / 6

HEX #EFB570

RGB 239 181 112

HSL 32.6, 0.8%, 0.69%

LAB 77.62, 13.24, 43.04

 

CMYK 0 / 22 / 49 / 0

HEX #FFC783

RGB 255 199 131

HSL 32.9, 1%, 0.76%

LAB 83.83, 11.91, 41.54

 

CMYK 0 / 15 / 41 / 0

HEX #FFD996

RGB 255 217 150

HSL 38.29, 1%, 0.79%

LAB 88.49, 4.47, 37.89

 

CMYK 0 / 28 / 61 / 22

HEX #C8914F

RGB 200 145 79

HSL 32.73, 0.52%, 0.55%

LAB 64.24, 13.74, 42.66

 

CMYK 0 / 31 / 67 / 28

HEX #B77F3C

RGB 183 127 60

HSL 32.68, 0.51%, 0.48%

LAB 57.63, 15.06, 44.1

 

CMYK 0 / 34 / 75 / 35

HEX #A66D29

RGB 166 109 41

HSL 32.64, 0.6%, 0.41%

LAB 50.93, 16.63, 45.4

 

CMYK 0 / 39 / 85 / 42

HEX #955B16

RGB 149 91 22

HSL 32.6, 0.74%, 0.34%

LAB 44.13, 18.49, 46.16

 

CMYK 0 / 45 / 98 / 48

HEX #844903

RGB 132 73 3

HSL 32.56, 0.96%, 0.26%

LAB 37.26, 20.68, 45.81

 

CMYK 0 / 27 / 60 / 22

HEX #C79150

RGB 199 145 80

HSL 32.77, 0.52%, 0.55%

LAB 64.14, 13.39, 42.01

 

CMYK 0 / 43 / 60 / 22

HEX #C77150

RGB 199 113 80

HSL 16.64, 0.52%, 0.55%

LAB 56.62, 30.83, 32.92

 

CMYK 0 / 59 / 60 / 22

HEX #C75150

RGB 199 81 80

HSL 0.5, 0.52%, 0.55%

LAB 50.22, 47.02, 24.83

 

CMYK 0 / 60 / 60 / 22

HEX #C75050

RGB 199 80 80

HSL 0, 0.52%, 0.55%

LAB 50.05, 47.49, 24.6

 

CMYK 0 / 27 / 60 / 22

HEX #C79150

RGB 199 145 80

HSL 32.77, 0.52%, 0.55%

LAB 64.14, 13.39, 42.01

 

CMYK 0 / 11 / 60 / 22

HEX #C7B150

RGB 199 177 80

HSL 48.91, 0.52%, 0.55%

LAB 72.34, -3.83, 51.44

 

CMYK 5 / 0 / 60 / 22

HEX #BDC750

RGB 189 199 80

HSL 65.04, 0.52%, 0.55%

LAB 77.43, -19.29, 56.84

 

CMYK 21 / 0 / 60 / 22

HEX #9DC750

RGB 157 199 80

HSL 81.18, 0.52%, 0.55%

LAB 75.2, -32.08, 53.75

 

CMYK 37 / 0 / 60 / 22

HEX #7DC750

RGB 125 199 80

HSL 97.31, 0.52%, 0.55%

LAB 73.41, -43.7, 51.25

 

CMYK 0 / 27 / 60 / 22

HEX #C79150

RGB 199 145 80

HSL 32.77, 0.52%, 0.55%

LAB 64.14, 13.39, 42.01

 

CMYK 0 / 33 / 72 / 15

HEX #DA933E

RGB 218 147 62

HSL 32.69, 0.68%, 0.55%

LAB 66.61, 19.28, 54.01

 

CMYK 0 / 37 / 82 / 7

HEX #ED952B

RGB 237 149 43

HSL 32.78, 0.84%, 0.55%

LAB 69.24, 25.47, 64.93

 

CMYK 0 / 27 / 60 / 22

HEX #C79150

RGB 199 145 80

HSL 32.77, 0.52%, 0.55%

LAB 64.14, 13.39, 42.01

 

CMYK 0 / 21 / 45 / 29

HEX #B58F63

RGB 181 143 99

HSL 32.2, 0.36%, 0.55%

LAB 61.97, 8.57, 28.84

 

CMYK 0 / 12 / 28 / 36

HEX #A28E75

RGB 162 142 117

HSL 33.33, 0.19%, 0.55%

LAB 60.17, 3.52, 16.09

 

CMYK 0 / 3 / 6 / 44

HEX #908C88

RGB 144 140 136

HSL 30, 0.03%, 0.55%

LAB 58.47, 0.73, 2.65

 

CMYK 19 / 10 / 0 / 40

HEX #7D8A9A

RGB 125 138 154

HSL 213.1, 0.13%, 0.55%

LAB 56.95, -1.16, -10.1

 

CMYK 0 / 60 / 60 / 22

HEX #C75050

RGB 199 80 80

HSL 0, 0.52%, 0.55%

LAB 50.05, 47.49, 24.6

 

CMYK 0 / 44 / 60 / 22

HEX #C77050

RGB 199 112 80

HSL 16.13, 0.52%, 0.55%

LAB 56.4, 31.36, 32.65

 

CMYK 0 / 28 / 60 / 22

HEX #C79050

RGB 199 144 80

HSL 32.27, 0.52%, 0.55%

LAB 63.89, 13.94, 41.72

 

CMYK 0 / 12 / 60 / 22

HEX #C7B050

RGB 199 176 80

HSL 48.4, 0.52%, 0.55%

LAB 72.08, -3.31, 51.15

 

CMYK 4 / 0 / 60 / 22

HEX #BFC750

RGB 191 199 80

HSL 64.03, 0.52%, 0.55%

LAB 77.58, -18.47, 57.06

 

CMYK 0 / 31 / 69 / 41

HEX #96672F

RGB 150 103 47

HSL 32.62, 0.52%, 0.39%

LAB 47.48, 13.19, 38.28

 

CMYK 0 / 31 / 69 / 29

HEX #B57D39

RGB 181 125 57

HSL 32.9, 0.52%, 0.47%

LAB 56.87, 15.12, 44.66

 

CMYK 0 / 27 / 60 / 22

HEX #C79150

RGB 199 145 80

HSL 32.77, 0.52%, 0.55%

LAB 64.14, 13.39, 42.01

 

CMYK 0 / 21 / 47 / 18

HEX #D1A56F

RGB 209 165 111

HSL 33.06, 0.52%, 0.63%

LAB 70.6, 9.41, 34.09

 

CMYK 0 / 16 / 35 / 14

HEX #DBB88F

RGB 219 184 143

HSL 32.37, 0.51%, 0.71%

LAB 76.87, 6.8, 25.53

 

CMYK 0 / 28 / 61 / 22

HEX #C8914F

RGB 200 145 79

HSL 32.73, 0.52%, 0.55%

LAB 64.24, 13.74, 42.66

 

CMYK 44 / 0 / 60 / 22

HEX #70C750

RGB 112 199 80

HSL 103.87, 0.52%, 0.55%

LAB 72.81, -47.92, 50.41

 

CMYK 52 / 60 / 0 / 22

HEX #6050C7

RGB 96 80 199

HSL 248.07, 0.52%, 0.55%

LAB 41.76, 38.16, -60.14

 

CMYK 0 / 28 / 61 / 22

HEX #C8914F

RGB 200 145 79

HSL 32.73, 0.52%, 0.55%

LAB 64.24, 13.74, 42.66

 

CMYK 60 / 0 / 28 / 22

HEX #50C790

RGB 80 199 144

HSL 152.27, 0.52%, 0.55%

LAB 72.61, -46.22, 17.79

 

CMYK 28 / 60 / 0 / 22

HEX #9050C7

RGB 144 80 199

HSL 272.27, 0.52%, 0.55%

LAB 46.7, 48.73, -51.93

 

CMYK 0 / 28 / 61 / 22

HEX #C8914F

RGB 200 145 79

HSL 32.73, 0.52%, 0.55%

LAB 64.24, 13.74, 42.66

 

CMYK 44 / 0 / 60 / 22

HEX #70C750

RGB 112 199 80

HSL 103.87, 0.52%, 0.55%

LAB 72.81, -47.92, 50.41

 

CMYK 60 / 32 / 0 / 22

HEX #5088C7

RGB 80 136 199

HSL 211.76, 0.52%, 0.55%

LAB 55.52, 0.67, -38.23

 

CMYK 16 / 60 / 0 / 22

HEX #A850C7

RGB 168 80 199

HSL 284.37, 0.52%, 0.55%

LAB 49.72, 54.59, -46.93

 

CMYK 0 / 28 / 61 / 22

HEX #C8914F

RGB 200 145 79

HSL 32.73, 0.52%, 0.55%

LAB 64.24, 13.74, 42.66

 

CMYK 60 / 0 / 58 / 22

HEX #50C754

RGB 80 199 84

HSL 122.02, 0.52%, 0.55%

LAB 71.69, -56.18, 47

 

CMYK 60 / 32 / 0 / 22

HEX #5088C7

RGB 80 136 199

HSL 211.76, 0.52%, 0.55%

LAB 55.52, 0.67, -38.23

 

CMYK 0 / 60 / 2 / 22

HEX #C750C3

RGB 199 80 195

HSL 302.02, 0.52%, 0.55%

LAB 53.84, 61.66, -37.84

 

Description

Color code: RGB 200 145 79 | qconv.com Color code: RGB 200 145 79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 145 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 145 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 61 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 61% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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