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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 13 155 it is the complementary color RGB 55 242 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 13 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 13 155 shade: RGB 205 13 150, RGB 222 31 169, RGB 239 49 188, RGB 255 67 207 and RGB 255 85 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 13 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 13 155 shade: RGB 200 13 155, RGB 183 0 136, RGB 166 0 117, RGB 149 0 98 and RGB 132 0 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 13 155 shade: RGB 201 12 155, RGB 201 12 105, RGB 201 12 54 and RGB 201 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 13 155 shade: RGB 201 12 155, RGB 195 12 201, RGB 145 12 201, RGB 94 12 201 and RGB 43 12 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 13 155 shade matches the following richer shades: RGB 201 12 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 13 155 shade: RGB 201 12 155, RGB 184 30 146, RGB 166 47 138, RGB 149 64 129 and RGB 132 82 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 13 155 shade: RGB 144 12 201, RGB 195 12 201, RGB 201 12 157, RGB 201 12 107 and RGB 201 12 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 13 155 shade: RGB 123 7 95, RGB 162 10 125, RGB 201 12 155, RGB 239 15 185 and RGB 242 54 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 13 155 shade: RGB 200 13 155, RGB 201 94 12 and RGB 12 201 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 13 155 shade: RGB 200 13 155, RGB 157 201 12 and RGB 12 157 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 13 155 shade: RGB 200 13 155, RGB 201 94 12, RGB 12 201 56 and RGB 12 119 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 13 155 shade: RGB 200 13 155, RGB 201 151 12, RGB 12 201 56 and RGB 12 63 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 23 / 22

HEX #C80D9B

RGB 200 13 155

HSL 314.44, 0.88%, 0.42%

LAB 45.54, 74.7, -27.3

 

Complementary color

CMYK 77 / 0 / 59 / 5

HEX #37F264

RGB 55 242 100

HSL 134.44, 0.88%, 0.58%

LAB 84.61, -73.13, 54.74

 

CMYK 0 / 94 / 27 / 20

HEX #CD0D96

RGB 205 13 150

HSL 317.19, 0.88%, 0.43%

LAB 46.27, 75.12, -23.09

 

CMYK 0 / 86 / 24 / 13

HEX #DE1FA9

RGB 222 31 169

HSL 316.65, 0.75%, 0.5%

LAB 51.12, 78.3, -26.65

 

CMYK 0 / 79 / 21 / 6

HEX #EF31BC

RGB 239 49 188

HSL 316.11, 0.86%, 0.56%

LAB 56.27, 80.42, -29.53

 

CMYK 0 / 74 / 19 / 0

HEX #FF43CF

RGB 255 67 207

HSL 315.32, 1%, 0.63%

LAB 61.46, 81.52, -32.13

 

CMYK 0 / 67 / 11 / 0

HEX #FF55E2

RGB 255 85 226

HSL 310.24, 1%, 0.67%

LAB 64.36, 78.24, -38.31

 

CMYK 0 / 94 / 23 / 22

HEX #C80D9B

RGB 200 13 155

HSL 314.44, 0.88%, 0.42%

LAB 45.54, 74.7, -27.3

 

CMYK 0 / 100 / 26 / 28

HEX #B70088

RGB 183 0 136

HSL 315.41, 1%, 0.36%

LAB 40.97, 70.35, -23.12

 

CMYK 0 / 100 / 30 / 35

HEX #A60075

RGB 166 0 117

HSL 317.71, 1%, 0.33%

LAB 36.73, 64.76, -18.13

 

CMYK 0 / 100 / 34 / 42

HEX #950062

RGB 149 0 98

HSL 320.54, 1%, 0.29%

LAB 32.42, 59.08, -12.91

 

CMYK 0 / 100 / 40 / 48

HEX #84004F

RGB 132 0 79

HSL 324.09, 1%, 0.26%

LAB 28.03, 53.32, -7.41

 

CMYK 0 / 94 / 23 / 21

HEX #C90C9B

RGB 201 12 155

HSL 314.6, 0.89%, 0.42%

LAB 45.7, 75, -27.05

 

CMYK 0 / 94 / 48 / 21

HEX #C90C69

RGB 201 12 105

HSL 330.48, 0.89%, 0.42%

LAB 43.8, 69.98, 0.74

 

CMYK 0 / 94 / 73 / 21

HEX #C90C36

RGB 201 12 54

HSL 346.67, 0.89%, 0.42%

LAB 42.68, 66.92, 31.13

 

CMYK 0 / 94 / 94 / 21

HEX #C90C0C

RGB 201 12 12

HSL 0, 0.89%, 0.42%

LAB 42.32, 65.9, 52.39

 

CMYK 0 / 94 / 23 / 21

HEX #C90C9B

RGB 201 12 155

HSL 314.6, 0.89%, 0.42%

LAB 45.7, 75, -27.05

 

CMYK 3 / 94 / 0 / 21

HEX #C30CC9

RGB 195 12 201

HSL 298.1, 0.89%, 0.42%

LAB 47.08, 80.15, -52.06

 

CMYK 28 / 94 / 0 / 21

HEX #910CC9

RGB 145 12 201

HSL 282.22, 0.89%, 0.42%

LAB 38.72, 72.74, -65.99

 

CMYK 53 / 94 / 0 / 21

HEX #5E0CC9

RGB 94 12 201

HSL 266.03, 0.89%, 0.42%

LAB 31.49, 67.25, -78.16

 

CMYK 79 / 94 / 0 / 21

HEX #2B0CC9

RGB 43 12 201

HSL 249.84, 0.89%, 0.42%

LAB 26.72, 64.39, -86.22

 

CMYK 0 / 94 / 23 / 21

HEX #C90C9B

RGB 201 12 155

HSL 314.6, 0.89%, 0.42%

LAB 45.7, 75, -27.05

 

CMYK 0 / 94 / 23 / 21

HEX #C90C9B

RGB 201 12 155

HSL 314.6, 0.89%, 0.42%

LAB 45.7, 75, -27.05

 

CMYK 0 / 84 / 21 / 28

HEX #B81E92

RGB 184 30 146

HSL 314.81, 0.72%, 0.42%

LAB 43.05, 67.6, -25.97

 

CMYK 0 / 72 / 17 / 35

HEX #A62F8A

RGB 166 47 138

HSL 314.12, 0.56%, 0.42%

LAB 41.18, 57.4, -24.27

 

CMYK 0 / 57 / 13 / 42

HEX #954081

RGB 149 64 129

HSL 314.12, 0.4%, 0.42%

LAB 40.64, 44, -19.81

 

CMYK 0 / 38 / 9 / 48

HEX #845278

RGB 132 82 120

HSL 314.4, 0.23%, 0.42%

LAB 41.68, 27, -12.9

 

CMYK 28 / 94 / 0 / 21

HEX #900CC9

RGB 144 12 201

HSL 281.9, 0.89%, 0.42%

LAB 38.57, 72.61, -66.25

 

CMYK 3 / 94 / 0 / 21

HEX #C30CC9

RGB 195 12 201

HSL 298.1, 0.89%, 0.42%

LAB 47.08, 80.15, -52.06

 

CMYK 0 / 94 / 22 / 21

HEX #C90C9D

RGB 201 12 157

HSL 313.97, 0.89%, 0.42%

LAB 45.79, 75.24, -28.1

 

CMYK 0 / 94 / 47 / 21

HEX #C90C6B

RGB 201 12 107

HSL 329.84, 0.89%, 0.42%

LAB 43.86, 70.15, -0.42

 

CMYK 0 / 94 / 72 / 21

HEX #C90C38

RGB 201 12 56

HSL 346.03, 0.89%, 0.42%

LAB 42.71, 67, 29.94

 

CMYK 0 / 94 / 23 / 52

HEX #7B075F

RGB 123 7 95

HSL 314.48, 0.89%, 0.25%

LAB 27.27, 51.96, -19.35

 

CMYK 0 / 94 / 23 / 36

HEX #A20A7D

RGB 162 10 125

HSL 314.61, 0.88%, 0.34%

LAB 36.7, 63.69, -23.25

 

CMYK 0 / 94 / 23 / 21

HEX #C90C9B

RGB 201 12 155

HSL 314.6, 0.89%, 0.42%

LAB 45.7, 75, -27.05

 

CMYK 0 / 94 / 23 / 6

HEX #EF0FB9

RGB 239 15 185

HSL 314.46, 0.88%, 0.5%

LAB 54.23, 85.59, -30.95

 

CMYK 0 / 78 / 19 / 5

HEX #F236C5

RGB 242 54 197

HSL 314.36, 0.88%, 0.58%

LAB 57.6, 80.95, -32.59

 

CMYK 0 / 94 / 23 / 22

HEX #C80D9B

RGB 200 13 155

HSL 314.44, 0.88%, 0.42%

LAB 45.54, 74.7, -27.3

 

CMYK 0 / 53 / 94 / 21

HEX #C95E0C

RGB 201 94 12

HSL 26.03, 0.89%, 0.42%

LAB 52.34, 38.74, 58.72

 

CMYK 94 / 0 / 16 / 21

HEX #0CC9A9

RGB 12 201 169

HSL 169.84, 0.89%, 0.42%

LAB 72.7, -48.87, 4.32

 

CMYK 0 / 94 / 23 / 22

HEX #C80D9B

RGB 200 13 155

HSL 314.44, 0.88%, 0.42%

LAB 45.54, 74.7, -27.3

 

CMYK 22 / 0 / 94 / 21

HEX #9DC90C

RGB 157 201 12

HSL 73.97, 0.89%, 0.42%

LAB 75.43, -36.21, 74

 

CMYK 94 / 22 / 0 / 21

HEX #0C9DC9

RGB 12 157 201

HSL 193.97, 0.89%, 0.42%

LAB 60.26, -18.24, -32.07

 

CMYK 0 / 94 / 23 / 22

HEX #C80D9B

RGB 200 13 155

HSL 314.44, 0.88%, 0.42%

LAB 45.54, 74.7, -27.3

 

CMYK 0 / 53 / 94 / 21

HEX #C95E0C

RGB 201 94 12

HSL 26.03, 0.89%, 0.42%

LAB 52.34, 38.74, 58.72

 

CMYK 94 / 0 / 72 / 21

HEX #0CC938

RGB 12 201 56

HSL 133.97, 0.89%, 0.42%

LAB 70.97, -69.01, 57.57

 

CMYK 94 / 41 / 0 / 21

HEX #0C77C9

RGB 12 119 201

HSL 206.03, 0.89%, 0.42%

LAB 48.87, 3.7, -50.02

 

CMYK 0 / 94 / 23 / 22

HEX #C80D9B

RGB 200 13 155

HSL 314.44, 0.88%, 0.42%

LAB 45.54, 74.7, -27.3

 

CMYK 0 / 25 / 94 / 21

HEX #C9970C

RGB 201 151 12

HSL 44.13, 0.89%, 0.42%

LAB 65.42, 8.19, 67.97

 

CMYK 94 / 0 / 72 / 21

HEX #0CC938

RGB 12 201 56

HSL 133.97, 0.89%, 0.42%

LAB 70.97, -69.01, 57.57

 

CMYK 94 / 69 / 0 / 21

HEX #0C3FC9

RGB 12 63 201

HSL 223.81, 0.89%, 0.42%

LAB 33.67, 39.99, -74.72

 

Description

Color code: RGB 200 13 155 | qconv.com Color code: RGB 200 13 155 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 13 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 13 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 23 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 23% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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