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Color name
RGB 23 231 134

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 231 134 it is the complementary color RGB 232 24 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 231 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 231 134 shade: RGB 28 231 129, RGB 45 249 148, RGB 62 255 167, RGB 79 255 186 and RGB 96 255 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 231 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 231 134 shade: RGB 23 231 134, RGB 6 213 115, RGB 0 195 96, RGB 0 177 77 and RGB 0 159 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 231 134 shade: RGB 22 232 134, RGB 22 232 78, RGB 24 232 22, RGB 80 232 22 and RGB 136 232 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 231 134 shade: RGB 22 232 134, RGB 22 232 190, RGB 22 216 232, RGB 22 160 232 and RGB 22 104 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 231 134 shade matches the following richer shades: RGB 22 232 134 and RGB 2 252 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 231 134 shade: RGB 22 232 134, RGB 43 211 133, RGB 64 190 131, RGB 84 170 130 and RGB 105 149 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 231 134 shade: RGB 22 232 22, RGB 22 232 78, RGB 22 232 134, RGB 22 232 190 and RGB 22 218 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 231 134 shade: RGB 15 156 91, RGB 19 194 112, RGB 22 232 134, RGB 60 235 154 and RGB 98 239 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 231 134 shade: RGB 23 231 134, RGB 22 78 232 and RGB 232 50 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 231 134 shade: RGB 23 231 134, RGB 134 22 232 and RGB 232 134 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 231 134 shade: RGB 23 231 134, RGB 22 78 232, RGB 232 22 120 and RGB 232 176 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 231 134 shade: RGB 23 231 134, RGB 29 22 232, RGB 232 22 120 and RGB 225 232 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 42 / 9

HEX #17E786

RGB 23 231 134

HSL 152.02, 0.82%, 0.5%

LAB 81.32, -67.25, 34.55

 

Complementary color

CMYK 0 / 90 / 48 / 9

HEX #E81879

RGB 232 24 121

HSL 332.02, 0.82%, 0.5%

LAB 50.91, 76.87, 1.97

 

CMYK 88 / 0 / 44 / 9

HEX #1CE781

RGB 28 231 129

HSL 149.85, 0.81%, 0.51%

LAB 81.28, -67.84, 36.99

 

CMYK 82 / 0 / 41 / 2

HEX #2DF994

RGB 45 249 148

HSL 150.29, 0.94%, 0.58%

LAB 87.22, -69.26, 35.33

 

CMYK 76 / 0 / 35 / 0

HEX #3EFFA7

RGB 62 255 167

HSL 152.64, 1%, 0.62%

LAB 89.55, -66.06, 28.99

 

CMYK 69 / 0 / 27 / 0

HEX #4FFFBA

RGB 79 255 186

HSL 156.48, 1%, 0.65%

LAB 90.2, -59.99, 20.28

 

CMYK 62 / 0 / 20 / 0

HEX #60FFCD

RGB 96 255 205

HSL 161.13, 1%, 0.69%

LAB 90.97, -53.18, 11.67

 

CMYK 90 / 0 / 42 / 9

HEX #17E786

RGB 23 231 134

HSL 152.02, 0.82%, 0.5%

LAB 81.32, -67.25, 34.55

 

CMYK 97 / 0 / 46 / 16

HEX #06D573

RGB 6 213 115

HSL 151.59, 0.95%, 0.43%

LAB 75.37, -65.29, 36.33

 

CMYK 100 / 0 / 51 / 24

HEX #00C360

RGB 0 195 96

HSL 149.54, 1%, 0.38%

LAB 69.38, -62.77, 38.21

 

CMYK 100 / 0 / 56 / 31

HEX #00B14D

RGB 0 177 77

HSL 146.1, 1%, 0.35%

LAB 63.33, -59.87, 40.1

 

CMYK 100 / 0 / 64 / 38

HEX #009F3A

RGB 0 159 58

HSL 141.89, 1%, 0.31%

LAB 57.17, -56.73, 41.86

 

CMYK 91 / 0 / 42 / 9

HEX #16E886

RGB 22 232 134

HSL 152, 0.83%, 0.5%

LAB 81.62, -67.63, 34.94

 

CMYK 91 / 0 / 66 / 9

HEX #16E84E

RGB 22 232 78

HSL 136, 0.83%, 0.5%

LAB 80.98, -75.47, 59.77

 

CMYK 90 / 0 / 91 / 9

HEX #18E816

RGB 24 232 22

HSL 119.43, 0.83%, 0.5%

LAB 80.72, -78.83, 75.34

 

CMYK 66 / 0 / 91 / 9

HEX #50E816

RGB 80 232 22

HSL 103.43, 0.83%, 0.5%

LAB 81.55, -71.53, 76.37

 

CMYK 41 / 0 / 91 / 9

HEX #88E816

RGB 136 232 22

HSL 87.43, 0.83%, 0.5%

LAB 83.45, -56.61, 78.72

 

CMYK 91 / 0 / 42 / 9

HEX #16E886

RGB 22 232 134

HSL 152, 0.83%, 0.5%

LAB 81.62, -67.63, 34.94

 

CMYK 91 / 0 / 18 / 9

HEX #16E8BE

RGB 22 232 190

HSL 168, 0.83%, 0.5%

LAB 82.7, -55.54, 7.51

 

CMYK 91 / 7 / 0 / 9

HEX #16D8E8

RGB 22 216 232

HSL 184.57, 0.83%, 0.5%

LAB 79.1, -36.95, -20.11

 

CMYK 91 / 31 / 0 / 9

HEX #16A0E8

RGB 22 160 232

HSL 200.57, 0.83%, 0.5%

LAB 62.62, -8.33, -45.59

 

CMYK 91 / 55 / 0 / 9

HEX #1668E8

RGB 22 104 232

HSL 216.57, 0.83%, 0.5%

LAB 46.84, 25.77, -70.89

 

CMYK 91 / 0 / 42 / 9

HEX #16E886

RGB 22 232 134

HSL 152, 0.83%, 0.5%

LAB 81.62, -67.63, 34.94

 

CMYK 99 / 0 / 46 / 1

HEX #02FC87

RGB 2 252 135

HSL 151.92, 0.98%, 0.5%

LAB 87.67, -74.65, 42.22

 

CMYK 91 / 0 / 42 / 9

HEX #16E886

RGB 22 232 134

HSL 152, 0.83%, 0.5%

LAB 81.62, -67.63, 34.94

 

CMYK 80 / 0 / 37 / 17

HEX #2BD385

RGB 43 211 133

HSL 152.14, 0.66%, 0.5%

LAB 75.32, -58.88, 27.16

 

CMYK 66 / 0 / 31 / 25

HEX #40BE83

RGB 64 190 131

HSL 151.9, 0.5%, 0.5%

LAB 69.15, -48.29, 19.92

 

CMYK 51 / 0 / 24 / 33

HEX #54AA82

RGB 84 170 130

HSL 152.09, 0.34%, 0.5%

LAB 63.55, -35.59, 12.78

 

CMYK 30 / 0 / 14 / 42

HEX #699580

RGB 105 149 128

HSL 151.36, 0.17%, 0.5%

LAB 58.09, -19.65, 6.31

 

CMYK 91 / 0 / 91 / 9

HEX #16E816

RGB 22 232 22

HSL 120, 0.83%, 0.5%

LAB 80.71, -78.95, 75.32

 

CMYK 91 / 0 / 66 / 9

HEX #16E84E

RGB 22 232 78

HSL 136, 0.83%, 0.5%

LAB 80.98, -75.47, 59.77

 

CMYK 91 / 0 / 42 / 9

HEX #16E886

RGB 22 232 134

HSL 152, 0.83%, 0.5%

LAB 81.62, -67.63, 34.94

 

CMYK 91 / 0 / 18 / 9

HEX #16E8BE

RGB 22 232 190

HSL 168, 0.83%, 0.5%

LAB 82.7, -55.54, 7.51

 

CMYK 91 / 6 / 0 / 9

HEX #16DAE8

RGB 22 218 232

HSL 184, 0.83%, 0.5%

LAB 79.69, -37.88, -19.22

 

CMYK 90 / 0 / 42 / 39

HEX #0F9C5B

RGB 15 156 91

HSL 152.34, 0.82%, 0.34%

LAB 56.72, -49.54, 24.63

 

CMYK 90 / 0 / 42 / 24

HEX #13C270

RGB 19 194 112

HSL 151.89, 0.82%, 0.42%

LAB 69.39, -58.84, 30.15

 

CMYK 91 / 0 / 42 / 9

HEX #16E886

RGB 22 232 134

HSL 152, 0.83%, 0.5%

LAB 81.62, -67.63, 34.94

 

CMYK 74 / 0 / 34 / 8

HEX #3CEB9A

RGB 60 235 154

HSL 152.23, 0.81%, 0.58%

LAB 83.29, -61.56, 27.11

 

CMYK 59 / 0 / 28 / 6

HEX #62EFAD

RGB 98 239 173

HSL 151.91, 0.82%, 0.66%

LAB 85.68, -53.11, 20.76

 

CMYK 90 / 0 / 42 / 9

HEX #17E786

RGB 23 231 134

HSL 152.02, 0.82%, 0.5%

LAB 81.32, -67.25, 34.55

 

CMYK 91 / 66 / 0 / 9

HEX #164EE8

RGB 22 78 232

HSL 224, 0.83%, 0.5%

LAB 40.32, 42.34, -81.56

 

CMYK 0 / 78 / 91 / 9

HEX #E83216

RGB 232 50 22

HSL 8, 0.83%, 0.5%

LAB 51.26, 66.97, 57.64

 

CMYK 90 / 0 / 42 / 9

HEX #17E786

RGB 23 231 134

HSL 152.02, 0.82%, 0.5%

LAB 81.32, -67.25, 34.55

 

CMYK 42 / 91 / 0 / 9

HEX #8616E8

RGB 134 22 232

HSL 272, 0.83%, 0.5%

LAB 40.36, 76.08, -81.21

 

CMYK 0 / 42 / 91 / 9

HEX #E88616

RGB 232 134 22

HSL 32, 0.83%, 0.5%

LAB 65.17, 30.81, 67.57

 

CMYK 90 / 0 / 42 / 9

HEX #17E786

RGB 23 231 134

HSL 152.02, 0.82%, 0.5%

LAB 81.32, -67.25, 34.55

 

CMYK 91 / 66 / 0 / 9

HEX #164EE8

RGB 22 78 232

HSL 224, 0.83%, 0.5%

LAB 40.32, 42.34, -81.56

 

CMYK 0 / 91 / 48 / 9

HEX #E81678

RGB 232 22 120

HSL 332, 0.83%, 0.5%

LAB 50.79, 77.06, 2.41

 

CMYK 0 / 24 / 91 / 9

HEX #E8B016

RGB 232 176 22

HSL 44, 0.83%, 0.5%

LAB 74.99, 8.57, 74.92

 

CMYK 90 / 0 / 42 / 9

HEX #17E786

RGB 23 231 134

HSL 152.02, 0.82%, 0.5%

LAB 81.32, -67.25, 34.55

 

CMYK 88 / 91 / 0 / 9

HEX #1D16E8

RGB 29 22 232

HSL 242, 0.83%, 0.5%

LAB 31.02, 69.66, -96.97

 

CMYK 0 / 91 / 48 / 9

HEX #E81678

RGB 232 22 120

HSL 332, 0.83%, 0.5%

LAB 50.79, 77.06, 2.41

 

CMYK 3 / 0 / 91 / 9

HEX #E1E816

RGB 225 232 22

HSL 62, 0.83%, 0.5%

LAB 88.82, -22.76, 85.27

 

Description

Color code: RGB 23 231 134 | qconv.com Color code: RGB 23 231 134 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 231 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 231 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 42 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 42% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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