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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 220 148 it is the complementary color RGB 232 35 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 220 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 220 148 shade: RGB 28 220 143, RGB 45 238 162, RGB 62 255 181, RGB 79 255 200 and RGB 96 255 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 220 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 220 148 shade: RGB 23 220 148, RGB 6 202 129, RGB 0 184 110, RGB 0 166 91 and RGB 0 148 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 220 148 shade: RGB 23 221 149, RGB 23 221 95, RGB 23 221 42, RGB 57 221 23 and RGB 111 221 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 220 148 shade: RGB 23 221 149, RGB 23 221 202, RGB 23 187 221, RGB 23 133 221 and RGB 23 80 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 220 148 shade matches the following richer shades: RGB 23 221 149 and RGB 3 241 154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 220 148 shade: RGB 23 221 149, RGB 43 201 143, RGB 62 181 138, RGB 82 162 133 and RGB 102 142 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 220 148 shade: RGB 23 221 43, RGB 23 221 95, RGB 23 221 148, RGB 23 221 201 and RGB 23 188 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 220 148 shade: RGB 15 146 98, RGB 19 184 123, RGB 23 221 149, RGB 52 233 167 and RGB 89 237 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 220 148 shade: RGB 23 220 148, RGB 23 56 221 and RGB 221 69 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 220 148 shade: RGB 23 220 148, RGB 148 23 221 and RGB 221 148 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 220 148 shade: RGB 23 220 148, RGB 23 56 221, RGB 221 23 95 and RGB 221 188 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 220 148 shade: RGB 23 220 148, RGB 49 23 221, RGB 221 23 95 and RGB 195 221 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 33 / 14

HEX #17DC94

RGB 23 220 148

HSL 158.07, 0.81%, 0.48%

LAB 78.17, -60.67, 23.19

 

Complementary color

CMYK 0 / 85 / 54 / 9

HEX #E8236B

RGB 232 35 107

HSL 338.07, 0.81%, 0.52%

LAB 51.17, 74, 10.87

 

CMYK 87 / 0 / 35 / 14

HEX #1CDC8F

RGB 28 220 143

HSL 155.94, 0.77%, 0.49%

LAB 78.12, -61.41, 25.72

 

CMYK 81 / 0 / 32 / 7

HEX #2DEEA2

RGB 45 238 162

HSL 156.37, 0.85%, 0.55%

LAB 84.13, -62.68, 24.12

 

CMYK 76 / 0 / 29 / 0

HEX #3EFFB5

RGB 62 255 181

HSL 156.99, 1%, 0.62%

LAB 89.8, -63.24, 22.24

 

CMYK 69 / 0 / 22 / 0

HEX #4FFFC8

RGB 79 255 200

HSL 161.25, 1%, 0.65%

LAB 90.48, -56.95, 13.51

 

CMYK 62 / 0 / 14 / 0

HEX #60FFDB

RGB 96 255 219

HSL 166.42, 1%, 0.69%

LAB 91.29, -49.95, 4.9

 

CMYK 90 / 0 / 33 / 14

HEX #17DC94

RGB 23 220 148

HSL 158.07, 0.81%, 0.48%

LAB 78.17, -60.67, 23.19

 

CMYK 97 / 0 / 36 / 21

HEX #06CA81

RGB 6 202 129

HSL 157.65, 0.94%, 0.41%

LAB 72.14, -58.87, 24.92

 

CMYK 100 / 0 / 40 / 28

HEX #00B86E

RGB 0 184 110

HSL 155.87, 1%, 0.36%

LAB 66.06, -56.55, 26.8

 

CMYK 100 / 0 / 45 / 35

HEX #00A65B

RGB 0 166 91

HSL 152.89, 1%, 0.33%

LAB 59.91, -53.9, 28.78

 

CMYK 100 / 0 / 51 / 42

HEX #009448

RGB 0 148 72

HSL 149.19, 1%, 0.29%

LAB 53.65, -51.07, 30.8

 

CMYK 90 / 0 / 33 / 13

HEX #17DD95

RGB 23 221 149

HSL 158.18, 0.81%, 0.48%

LAB 78.5, -60.82, 23.11

 

CMYK 90 / 0 / 57 / 13

HEX #17DD5F

RGB 23 221 95

HSL 141.82, 0.81%, 0.48%

LAB 77.71, -70.14, 48.81

 

CMYK 90 / 0 / 81 / 13

HEX #17DD2A

RGB 23 221 42

HSL 125.76, 0.81%, 0.48%

LAB 77.32, -75.07, 68.21

 

CMYK 74 / 0 / 90 / 13

HEX #39DD17

RGB 57 221 23

HSL 109.7, 0.81%, 0.48%

LAB 77.66, -72.23, 72.75

 

CMYK 50 / 0 / 90 / 13

HEX #6FDD17

RGB 111 221 23

HSL 93.33, 0.81%, 0.48%

LAB 79.13, -60.17, 74.57

 

CMYK 90 / 0 / 33 / 13

HEX #17DD95

RGB 23 221 149

HSL 158.18, 0.81%, 0.48%

LAB 78.5, -60.82, 23.11

 

CMYK 90 / 0 / 9 / 13

HEX #17DDCA

RGB 23 221 202

HSL 174.24, 0.81%, 0.48%

LAB 79.7, -47.86, -3.2

 

CMYK 90 / 15 / 0 / 13

HEX #17BBDD

RGB 23 187 221

HSL 190.3, 0.81%, 0.48%

LAB 70.14, -26.46, -27.86

 

CMYK 90 / 40 / 0 / 13

HEX #1785DD

RGB 23 133 221

HSL 206.67, 0.81%, 0.48%

LAB 54.22, 3.37, -52.81

 

CMYK 90 / 64 / 0 / 13

HEX #1750DD

RGB 23 80 221

HSL 222.73, 0.81%, 0.48%

LAB 39.82, 37.06, -76.13

 

CMYK 90 / 0 / 33 / 13

HEX #17DD95

RGB 23 221 149

HSL 158.18, 0.81%, 0.48%

LAB 78.5, -60.82, 23.11

 

CMYK 99 / 0 / 36 / 5

HEX #03F19A

RGB 3 241 154

HSL 158.07, 0.98%, 0.48%

LAB 84.62, -67.55, 28.82

 

CMYK 90 / 0 / 33 / 13

HEX #17DD95

RGB 23 221 149

HSL 158.18, 0.81%, 0.48%

LAB 78.5, -60.82, 23.11

 

CMYK 79 / 0 / 29 / 21

HEX #2BC98F

RGB 43 201 143

HSL 157.97, 0.65%, 0.48%

LAB 72.41, -53.03, 17.93

 

CMYK 66 / 0 / 24 / 29

HEX #3EB58A

RGB 62 181 138

HSL 158.32, 0.49%, 0.48%

LAB 66.45, -43.36, 12.36

 

CMYK 49 / 0 / 18 / 36

HEX #52A285

RGB 82 162 133

HSL 158.25, 0.33%, 0.48%

LAB 61.07, -31.69, 7.6

 

CMYK 28 / 0 / 11 / 44

HEX #668E7F

RGB 102 142 127

HSL 157.5, 0.16%, 0.48%

LAB 55.79, -17.17, 3.55

 

CMYK 90 / 0 / 81 / 13

HEX #17DD2B

RGB 23 221 43

HSL 126.06, 0.81%, 0.48%

LAB 77.32, -75.01, 67.95

 

CMYK 90 / 0 / 57 / 13

HEX #17DD5F

RGB 23 221 95

HSL 141.82, 0.81%, 0.48%

LAB 77.71, -70.14, 48.81

 

CMYK 90 / 0 / 33 / 13

HEX #17DD94

RGB 23 221 148

HSL 157.88, 0.81%, 0.48%

LAB 78.48, -61.03, 23.61

 

CMYK 90 / 0 / 9 / 13

HEX #17DDC9

RGB 23 221 201

HSL 173.94, 0.81%, 0.48%

LAB 79.68, -48.14, -2.71

 

CMYK 90 / 15 / 0 / 13

HEX #17BCDD

RGB 23 188 221

HSL 190, 0.81%, 0.48%

LAB 70.43, -26.96, -27.4

 

CMYK 90 / 0 / 33 / 43

HEX #0F9262

RGB 15 146 98

HSL 158.02, 0.81%, 0.32%

LAB 53.54, -44.24, 16.49

 

CMYK 90 / 0 / 33 / 28

HEX #13B87B

RGB 19 184 123

HSL 157.82, 0.81%, 0.4%

LAB 66.4, -53, 20.34

 

CMYK 90 / 0 / 33 / 13

HEX #17DD95

RGB 23 221 149

HSL 158.18, 0.81%, 0.48%

LAB 78.5, -60.82, 23.11

 

CMYK 78 / 0 / 28 / 9

HEX #34E9A7

RGB 52 233 167

HSL 158.12, 0.8%, 0.56%

LAB 82.81, -59.07, 19.73

 

CMYK 62 / 0 / 23 / 7

HEX #59EDB7

RGB 89 237 183

HSL 158.11, 0.8%, 0.64%

LAB 85.05, -51.88, 14.66

 

CMYK 90 / 0 / 33 / 14

HEX #17DC94

RGB 23 220 148

HSL 158.07, 0.81%, 0.48%

LAB 78.17, -60.67, 23.19

 

CMYK 90 / 75 / 0 / 13

HEX #1738DD

RGB 23 56 221

HSL 230, 0.81%, 0.48%

LAB 34.46, 51.61, -84.97

 

CMYK 0 / 69 / 90 / 13

HEX #DD4517

RGB 221 69 23

HSL 13.94, 0.81%, 0.48%

LAB 51.49, 57.32, 56.49

 

CMYK 90 / 0 / 33 / 14

HEX #17DC94

RGB 23 220 148

HSL 158.07, 0.81%, 0.48%

LAB 78.17, -60.67, 23.19

 

CMYK 33 / 90 / 0 / 13

HEX #9417DD

RGB 148 23 221

HSL 277.88, 0.81%, 0.48%

LAB 41.42, 75.27, -73.12

 

CMYK 0 / 33 / 90 / 13

HEX #DD9417

RGB 221 148 23

HSL 37.88, 0.81%, 0.48%

LAB 66.99, 18.75, 68.09

 

CMYK 90 / 0 / 33 / 14

HEX #17DC94

RGB 23 220 148

HSL 158.07, 0.81%, 0.48%

LAB 78.17, -60.67, 23.19

 

CMYK 90 / 75 / 0 / 13

HEX #1738DD

RGB 23 56 221

HSL 230, 0.81%, 0.48%

LAB 34.46, 51.61, -84.97

 

CMYK 0 / 90 / 57 / 13

HEX #DD175F

RGB 221 23 95

HSL 338.18, 0.81%, 0.48%

LAB 48.02, 72.57, 13.5

 

CMYK 0 / 15 / 90 / 13

HEX #DDBC17

RGB 221 188 23

HSL 50, 0.81%, 0.48%

LAB 76.92, -2.47, 75.73

 

CMYK 90 / 0 / 33 / 14

HEX #17DC94

RGB 23 220 148

HSL 158.07, 0.81%, 0.48%

LAB 78.17, -60.67, 23.19

 

CMYK 78 / 90 / 0 / 13

HEX #3117DD

RGB 49 23 221

HSL 247.88, 0.81%, 0.48%

LAB 30.61, 67.03, -91.34

 

CMYK 0 / 90 / 57 / 13

HEX #DD175F

RGB 221 23 95

HSL 338.18, 0.81%, 0.48%

LAB 48.02, 72.57, 13.5

 

CMYK 12 / 0 / 90 / 13

HEX #C3DD17

RGB 195 221 23

HSL 67.88, 0.81%, 0.48%

LAB 83.64, -29.89, 80.12

 

Description

Color code: RGB 23 220 148 | qconv.com Color code: RGB 23 220 148 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 220 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 220 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 33 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 33% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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