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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 215 155 it is the complementary color RGB 232 40 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 215 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 215 155 shade: RGB 28 215 150, RGB 45 233 169, RGB 62 251 188, RGB 79 255 207 and RGB 96 255 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 215 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 215 155 shade: RGB 23 215 155, RGB 6 197 136, RGB 0 179 117, RGB 0 161 98 and RGB 0 143 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 215 155 shade: RGB 22 216 156, RGB 22 216 103, RGB 22 216 51, RGB 46 216 22 and RGB 98 216 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 215 155 shade: RGB 22 216 156, RGB 22 216 208, RGB 22 172 216, RGB 22 120 216 and RGB 22 68 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 215 155 shade matches the following richer shades: RGB 22 216 156 and RGB 3 236 163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 215 155 shade: RGB 22 216 156, RGB 42 197 148, RGB 61 178 141, RGB 80 158 134 and RGB 100 139 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 215 155 shade: RGB 22 216 51, RGB 22 216 103, RGB 22 216 155, RGB 22 216 207 and RGB 22 174 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 215 155 shade: RGB 14 142 102, RGB 18 179 129, RGB 22 216 156, RGB 47 233 175 and RGB 85 237 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 215 155 shade: RGB 23 215 155, RGB 22 45 216 and RGB 216 77 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 215 155 shade: RGB 23 215 155, RGB 155 22 216 and RGB 216 155 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 215 155 shade: RGB 23 215 155, RGB 22 45 216, RGB 216 22 84 and RGB 216 194 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 215 155 shade: RGB 23 215 155, RGB 58 22 216, RGB 216 22 84 and RGB 181 216 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 28 / 16

HEX #17D79B

RGB 23 215 155

HSL 161.25, 0.81%, 0.47%

LAB 76.77, -57.29, 17.58

 

Complementary color

CMYK 0 / 83 / 57 / 9

HEX #E82864

RGB 232 40 100

HSL 341.25, 0.81%, 0.53%

LAB 51.37, 72.48, 15.4

 

CMYK 87 / 0 / 30 / 16

HEX #1CD796

RGB 28 215 150

HSL 159.14, 0.77%, 0.48%

LAB 76.71, -58.1, 20.14

 

CMYK 81 / 0 / 27 / 9

HEX #2DE9A9

RGB 45 233 169

HSL 159.57, 0.81%, 0.55%

LAB 82.75, -59.33, 18.61

 

CMYK 75 / 0 / 25 / 2

HEX #3EFBBC

RGB 62 251 188

HSL 160, 0.96%, 0.61%

LAB 88.76, -60.23, 17.2

 

CMYK 69 / 0 / 19 / 0

HEX #4FFFCF

RGB 79 255 207

HSL 163.64, 1%, 0.65%

LAB 90.64, -55.35, 10.12

 

CMYK 62 / 0 / 11 / 0

HEX #60FFE2

RGB 96 255 226

HSL 169.06, 1%, 0.69%

LAB 91.46, -48.28, 1.53

 

CMYK 89 / 0 / 28 / 16

HEX #17D79B

RGB 23 215 155

HSL 161.25, 0.81%, 0.47%

LAB 76.77, -57.29, 17.58

 

CMYK 97 / 0 / 31 / 23

HEX #06C588

RGB 6 197 136

HSL 160.84, 0.94%, 0.4%

LAB 70.7, -55.55, 19.25

 

CMYK 100 / 0 / 35 / 30

HEX #00B375

RGB 0 179 117

HSL 159.22, 1%, 0.35%

LAB 64.58, -53.3, 21.08

 

CMYK 100 / 0 / 39 / 37

HEX #00A162

RGB 0 161 98

HSL 156.52, 1%, 0.32%

LAB 58.39, -50.74, 23.03

 

CMYK 100 / 0 / 45 / 44

HEX #008F4F

RGB 0 143 79

HSL 153.15, 1%, 0.28%

LAB 52.07, -48.04, 25.06

 

CMYK 90 / 0 / 28 / 15

HEX #16D89C

RGB 22 216 156

HSL 161.44, 0.82%, 0.47%

LAB 77.09, -57.5, 17.5

 

CMYK 90 / 0 / 52 / 15

HEX #16D867

RGB 22 216 103

HSL 145.05, 0.82%, 0.47%

LAB 76.23, -67.5, 43.29

 

CMYK 90 / 0 / 76 / 15

HEX #16D833

RGB 22 216 51

HSL 128.97, 0.82%, 0.47%

LAB 75.77, -73.17, 64.11

 

CMYK 79 / 0 / 90 / 15

HEX #2ED816

RGB 46 216 22

HSL 112.58, 0.82%, 0.47%

LAB 75.92, -72.33, 71.35

 

CMYK 55 / 0 / 90 / 15

HEX #62D816

RGB 98 216 22

HSL 96.49, 0.82%, 0.47%

LAB 77.14, -62.03, 72.88

 

CMYK 90 / 0 / 28 / 15

HEX #16D89C

RGB 22 216 156

HSL 161.44, 0.82%, 0.47%

LAB 77.09, -57.5, 17.5

 

CMYK 90 / 0 / 4 / 15

HEX #16D8D0

RGB 22 216 208

HSL 177.53, 0.82%, 0.47%

LAB 78.37, -44.08, -8.38

 

CMYK 90 / 20 / 0 / 15

HEX #16ACD8

RGB 22 172 216

HSL 193.61, 0.82%, 0.47%

LAB 65.46, -20.52, -32.33

 

CMYK 90 / 44 / 0 / 15

HEX #1678D8

RGB 22 120 216

HSL 209.69, 0.82%, 0.47%

LAB 50.17, 9.39, -56.47

 

CMYK 90 / 69 / 0 / 15

HEX #1644D8

RGB 22 68 216

HSL 225.77, 0.82%, 0.47%

LAB 36.49, 42.72, -78.75

 

CMYK 90 / 0 / 28 / 15

HEX #16D89C

RGB 22 216 156

HSL 161.44, 0.82%, 0.47%

LAB 77.09, -57.5, 17.5

 

CMYK 99 / 0 / 31 / 7

HEX #03ECA3

RGB 3 236 163

HSL 161.2, 0.97%, 0.47%

LAB 83.26, -63.94, 22.37

 

CMYK 90 / 0 / 28 / 15

HEX #16D89C

RGB 22 216 156

HSL 161.44, 0.82%, 0.47%

LAB 77.09, -57.5, 17.5

 

CMYK 79 / 0 / 25 / 23

HEX #2AC594

RGB 42 197 148

HSL 161.03, 0.65%, 0.47%

LAB 71.26, -50.43, 13.64

 

CMYK 66 / 0 / 21 / 30

HEX #3DB28D

RGB 61 178 141

HSL 161.03, 0.49%, 0.47%

LAB 65.56, -41.54, 9.45

 

CMYK 49 / 0 / 15 / 38

HEX #509E86

RGB 80 158 134

HSL 161.54, 0.33%, 0.47%

LAB 59.78, -30.05, 5.18

 

CMYK 28 / 0 / 9 / 45

HEX #648B7F

RGB 100 139 127

HSL 161.54, 0.16%, 0.47%

LAB 54.77, -16.22, 2.05

 

CMYK 90 / 0 / 76 / 15

HEX #16D833

RGB 22 216 51

HSL 128.97, 0.82%, 0.47%

LAB 75.77, -73.17, 64.11

 

CMYK 90 / 0 / 52 / 15

HEX #16D867

RGB 22 216 103

HSL 145.05, 0.82%, 0.47%

LAB 76.23, -67.5, 43.29

 

CMYK 90 / 0 / 28 / 15

HEX #16D89B

RGB 22 216 155

HSL 161.13, 0.82%, 0.47%

LAB 77.07, -57.72, 18

 

CMYK 90 / 0 / 4 / 15

HEX #16D8CF

RGB 22 216 207

HSL 177.22, 0.82%, 0.47%

LAB 78.34, -44.36, -7.89

 

CMYK 90 / 19 / 0 / 15

HEX #16AED8

RGB 22 174 216

HSL 192.99, 0.82%, 0.47%

LAB 66.06, -21.56, -31.4

 

CMYK 90 / 0 / 28 / 44

HEX #0E8E66

RGB 14 142 102

HSL 161.25, 0.82%, 0.31%

LAB 52.28, -41.75, 12.5

 

CMYK 90 / 0 / 28 / 30

HEX #12B381

RGB 18 179 129

HSL 161.37, 0.82%, 0.39%

LAB 64.93, -49.79, 15.05

 

CMYK 90 / 0 / 28 / 15

HEX #16D89C

RGB 22 216 156

HSL 161.44, 0.82%, 0.47%

LAB 77.09, -57.5, 17.5

 

CMYK 80 / 0 / 25 / 9

HEX #2FE9AF

RGB 47 233 175

HSL 161.29, 0.81%, 0.55%

LAB 82.9, -57.8, 15.69

 

CMYK 64 / 0 / 20 / 7

HEX #55EDBD

RGB 85 237 189

HSL 161.05, 0.81%, 0.63%

LAB 85.08, -51.23, 11.57

 

CMYK 89 / 0 / 28 / 16

HEX #17D79B

RGB 23 215 155

HSL 161.25, 0.81%, 0.47%

LAB 76.77, -57.29, 17.58

 

CMYK 90 / 79 / 0 / 15

HEX #162DD8

RGB 22 45 216

HSL 232.89, 0.82%, 0.47%

LAB 31.82, 55.81, -86.47

 

CMYK 0 / 64 / 90 / 15

HEX #D84D16

RGB 216 77 22

HSL 17.01, 0.82%, 0.47%

LAB 51.8, 52.38, 56.67

 

CMYK 89 / 0 / 28 / 16

HEX #17D79B

RGB 23 215 155

HSL 161.25, 0.81%, 0.47%

LAB 76.77, -57.29, 17.58

 

CMYK 28 / 90 / 0 / 15

HEX #9B16D8

RGB 155 22 216

HSL 281.13, 0.82%, 0.47%

LAB 42, 75.4, -69.26

 

CMYK 0 / 28 / 90 / 15

HEX #D89B16

RGB 216 155 22

HSL 41.13, 0.82%, 0.47%

LAB 68.09, 12.8, 68.9

 

CMYK 89 / 0 / 28 / 16

HEX #17D79B

RGB 23 215 155

HSL 161.25, 0.81%, 0.47%

LAB 76.77, -57.29, 17.58

 

CMYK 90 / 79 / 0 / 15

HEX #162DD8

RGB 22 45 216

HSL 232.89, 0.82%, 0.47%

LAB 31.82, 55.81, -86.47

 

CMYK 0 / 90 / 61 / 15

HEX #D81654

RGB 216 22 84

HSL 340.82, 0.82%, 0.47%

LAB 46.73, 70.83, 18.38

 

CMYK 0 / 10 / 90 / 15

HEX #D8C216

RGB 216 194 22

HSL 53.2, 0.82%, 0.47%

LAB 78.02, -7.75, 76.56

 

CMYK 89 / 0 / 28 / 16

HEX #17D79B

RGB 23 215 155

HSL 161.25, 0.81%, 0.47%

LAB 76.77, -57.29, 17.58

 

CMYK 73 / 90 / 0 / 15

HEX #3A16D8

RGB 58 22 216

HSL 251.13, 0.82%, 0.47%

LAB 30.48, 66.39, -88.66

 

CMYK 0 / 90 / 61 / 15

HEX #D81654

RGB 216 22 84

HSL 340.82, 0.82%, 0.47%

LAB 46.73, 70.83, 18.38

 

CMYK 16 / 0 / 90 / 15

HEX #B5D816

RGB 181 216 22

HSL 70.82, 0.82%, 0.47%

LAB 81.29, -33.27, 77.99

 

Description

Color code: RGB 23 215 155 | qconv.com Color code: RGB 23 215 155 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 215 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 215 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 28 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 28% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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