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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 20 50 it is the complementary color RGB 232 235 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 20 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 20 50 shade: RGB 28 20 45, RGB 45 38 64, RGB 62 56 83, RGB 79 74 102 and RGB 96 92 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 20 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 20 50 shade: RGB 23 20 50, RGB 6 2 31 and RGB 0 0 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 20 50 shade: RGB 23 20 51, RGB 31 20 51, RGB 39 20 51, RGB 48 20 51 and RGB 51 20 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 20 50 shade: RGB 23 20 51 and RGB 20 20 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 20 50 shade matches the following richer shades: RGB 23 20 51, RGB 18 14 56, RGB 14 8 62 and RGB 9 3 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 20 50 shade: RGB 23 20 51, RGB 28 26 45, RGB 32 31 39, RGB 37 37 33 and RGB 41 43 27

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 20 50 shade: RGB 20 33 51, RGB 20 25 51, RGB 23 20 51, RGB 31 20 51 and RGB 39 20 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 20 50 shade: RGB 23 20 50, RGB 51 20 41 and RGB 29 51 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 20 50 shade: RGB 23 20 50, RGB 51 23 20 and RGB 20 51 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 20 50 shade: RGB 23 20 50, RGB 51 20 41, RGB 47 51 20 and RGB 20 51 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 20 50 shade: RGB 23 20 50, RGB 51 20 32, RGB 47 51 20 and RGB 20 51 38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 60 / 0 / 80

HEX #171432

RGB 23 20 50

HSL 246, 0.43%, 0.14%

LAB 8.24, 11.26, -19.48

 

Complementary color

CMYK 1 / 0 / 13 / 8

HEX #E8EBCD

RGB 232 235 205

HSL 66, 0.43%, 0.86%

LAB 92.12, -6.06, 14.23

 

CMYK 38 / 56 / 0 / 82

HEX #1C142D

RGB 28 20 45

HSL 259.2, 0.38%, 0.13%

LAB 8.45, 11.12, -15.43

 

CMYK 30 / 41 / 0 / 75

HEX #2D2640

RGB 45 38 64

HSL 256.15, 0.25%, 0.2%

LAB 17.06, 10.09, -15.36

 

CMYK 25 / 33 / 0 / 67

HEX #3E3853

RGB 62 56 83

HSL 253.33, 0.19%, 0.27%

LAB 25.19, 9.33, -15.41

 

CMYK 23 / 27 / 0 / 60

HEX #4F4A66

RGB 79 74 102

HSL 250.71, 0.16%, 0.35%

LAB 32.96, 8.74, -15.55

 

CMYK 21 / 24 / 0 / 53

HEX #605C79

RGB 96 92 121

HSL 248.28, 0.14%, 0.42%

LAB 40.45, 8.24, -15.75

 

CMYK 54 / 60 / 0 / 80

HEX #171432

RGB 23 20 50

HSL 246, 0.43%, 0.14%

LAB 8.24, 11.26, -19.48

 

CMYK 81 / 94 / 0 / 88

HEX #06021F

RGB 6 2 31

HSL 248.28, 0.88%, 0.06%

LAB 1.64, 7.05, -15.46

 

CMYK 100 / 100 / 0 / 95

HEX #00000C

RGB 0 0 12

HSL 240, 1%, 0.02%

LAB 0.24, 1.68, -4.58

 

CMYK 55 / 61 / 0 / 80

HEX #171433

RGB 23 20 51

HSL 245.81, 0.44%, 0.14%

LAB 8.32, 11.63, -20.09

 

CMYK 39 / 61 / 0 / 80

HEX #1F1433

RGB 31 20 51

HSL 261.29, 0.44%, 0.14%

LAB 9.24, 14.13, -18.56

 

CMYK 24 / 61 / 0 / 80

HEX #271433

RGB 39 20 51

HSL 276.77, 0.44%, 0.14%

LAB 10.34, 16.83, -16.75

 

CMYK 6 / 61 / 0 / 80

HEX #301433

RGB 48 20 51

HSL 294.19, 0.44%, 0.14%

LAB 11.74, 19.98, -14.45

 

CMYK 0 / 61 / 12 / 80

HEX #33142D

RGB 51 20 45

HSL 311.61, 0.44%, 0.14%

LAB 11.91, 19.74, -9.77

 

CMYK 55 / 61 / 0 / 80

HEX #171433

RGB 23 20 51

HSL 245.81, 0.44%, 0.14%

LAB 8.32, 11.63, -20.09

 

CMYK 61 / 61 / 0 / 80

HEX #141433

RGB 20 20 51

HSL 240, 0.44%, 0.14%

LAB 8.02, 10.78, -20.58

 

CMYK 55 / 61 / 0 / 80

HEX #171433

RGB 23 20 51

HSL 245.81, 0.44%, 0.14%

LAB 8.32, 11.63, -20.09

 

CMYK 68 / 75 / 0 / 78

HEX #120E38

RGB 18 14 56

HSL 245.71, 0.6%, 0.14%

LAB 6.58, 16.47, -26.56

 

CMYK 77 / 87 / 0 / 76

HEX #0E083E

RGB 14 8 62

HSL 246.67, 0.77%, 0.14%

LAB 5.55, 21.46, -32.58

 

CMYK 87 / 96 / 0 / 73

HEX #090344

RGB 9 3 68

HSL 245.54, 0.92%, 0.14%

LAB 4.88, 26.04, -37.97

 

CMYK 55 / 61 / 0 / 80

HEX #171433

RGB 23 20 51

HSL 245.81, 0.44%, 0.14%

LAB 8.32, 11.63, -20.09

 

CMYK 38 / 42 / 0 / 82

HEX #1C1A2D

RGB 28 26 45

HSL 246.32, 0.27%, 0.14%

LAB 10.37, 6.57, -12.41

 

CMYK 18 / 21 / 0 / 85

HEX #201F27

RGB 32 31 39

HSL 247.5, 0.11%, 0.14%

LAB 12.18, 2.6, -5.22

 

CMYK 0 / 0 / 11 / 85

HEX #252521

RGB 37 37 33

HSL 60, 0.06%, 0.14%

LAB 14.55, -0.94, 2.66

 

CMYK 5 / 0 / 37 / 83

HEX #292B1B

RGB 41 43 27

HSL 67.5, 0.23%, 0.14%

LAB 16.88, -4.26, 10.15

 

CMYK 61 / 35 / 0 / 80

HEX #142133

RGB 20 33 51

HSL 214.84, 0.44%, 0.14%

LAB 12.45, 0.8, -13.56

 

CMYK 61 / 51 / 0 / 80

HEX #141933

RGB 20 25 51

HSL 230.32, 0.44%, 0.14%

LAB 9.66, 6.88, -17.96

 

CMYK 55 / 61 / 0 / 80

HEX #171433

RGB 23 20 51

HSL 245.81, 0.44%, 0.14%

LAB 8.32, 11.63, -20.09

 

CMYK 39 / 61 / 0 / 80

HEX #1F1433

RGB 31 20 51

HSL 261.29, 0.44%, 0.14%

LAB 9.24, 14.13, -18.56

 

CMYK 24 / 61 / 0 / 80

HEX #271433

RGB 39 20 51

HSL 276.77, 0.44%, 0.14%

LAB 10.34, 16.83, -16.75

 

CMYK 54 / 60 / 0 / 80

HEX #171432

RGB 23 20 50

HSL 246, 0.43%, 0.14%

LAB 8.24, 11.26, -19.48

 

CMYK 0 / 61 / 20 / 80

HEX #331429

RGB 51 20 41

HSL 319.35, 0.44%, 0.14%

LAB 11.72, 18.93, -7.13

 

CMYK 43 / 0 / 61 / 80

HEX #1D3314

RGB 29 51 20

HSL 102.58, 0.44%, 0.14%

LAB 18.71, -15.93, 16.83

 

CMYK 54 / 60 / 0 / 80

HEX #171432

RGB 23 20 50

HSL 246, 0.43%, 0.14%

LAB 8.24, 11.26, -19.48

 

CMYK 0 / 55 / 61 / 80

HEX #331714

RGB 51 23 20

HSL 5.81, 0.44%, 0.14%

LAB 11.74, 13.67, 8.35

 

CMYK 61 / 0 / 55 / 80

HEX #143317

RGB 20 51 23

HSL 125.81, 0.44%, 0.14%

LAB 18.27, -18.85, 14.3

 

CMYK 54 / 60 / 0 / 80

HEX #171432

RGB 23 20 50

HSL 246, 0.43%, 0.14%

LAB 8.24, 11.26, -19.48

 

CMYK 0 / 61 / 20 / 80

HEX #331429

RGB 51 20 41

HSL 319.35, 0.44%, 0.14%

LAB 11.72, 18.93, -7.13

 

CMYK 8 / 0 / 61 / 80

HEX #2F3314

RGB 47 51 20

HSL 67.74, 0.44%, 0.14%

LAB 20.13, -7.4, 18.88

 

CMYK 61 / 0 / 43 / 80

HEX #14331D

RGB 20 51 29

HSL 137.42, 0.44%, 0.14%

LAB 18.39, -17.61, 10.55

 

CMYK 54 / 60 / 0 / 80

HEX #171432

RGB 23 20 50

HSL 246, 0.43%, 0.14%

LAB 8.24, 11.26, -19.48

 

CMYK 0 / 61 / 37 / 80

HEX #331420

RGB 51 20 32

HSL 336.77, 0.44%, 0.14%

LAB 11.33, 17.31, -1.03

 

CMYK 8 / 0 / 61 / 80

HEX #2F3314

RGB 47 51 20

HSL 67.74, 0.44%, 0.14%

LAB 20.13, -7.4, 18.88

 

CMYK 61 / 0 / 25 / 80

HEX #143326

RGB 20 51 38

HSL 154.84, 0.44%, 0.14%

LAB 18.61, -15.37, 4.79

 

Description

Color code: RGB 23 20 50 | qconv.com Color code: RGB 23 20 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 20 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 20 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 60 magenta, none yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 60% 0% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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