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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 208 251 it is the complementary color RGB 232 47 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 208 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 208 251 shade: RGB 28 208 246, RGB 45 226 255, RGB 62 244 255, RGB 79 255 255 and RGB 96 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 208 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 208 251 shade: RGB 23 208 251, RGB 6 190 232, RGB 0 172 213, RGB 0 154 194 and RGB 0 136 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 208 251 shade: RGB 23 208 251, RGB 23 147 251, RGB 23 85 251, RGB 23 24 251 and RGB 84 23 251

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 208 251 shade: RGB 23 208 251, RGB 23 147 251, RGB 23 85 251, RGB 23 24 251 and RGB 23 23 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 208 251 shade matches the following richer shades: RGB 23 208 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 208 251 shade: RGB 23 208 251, RGB 42 196 232, RGB 61 184 213, RGB 80 173 194 and RGB 99 161 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 208 251 shade: RGB 23 251 171, RGB 23 251 232, RGB 23 209 251, RGB 23 149 251 and RGB 23 88 251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 208 251 shade: RGB 2 154 189, RGB 3 187 230, RGB 23 208 251, RGB 64 216 252 and RGB 105 224 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 208 251 shade: RGB 23 208 251, RGB 111 23 251 and RGB 251 202 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 208 251 shade: RGB 23 208 251, RGB 251 23 209 and RGB 209 251 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 208 251 shade: RGB 23 208 251, RGB 111 23 251, RGB 251 65 23 and RGB 164 251 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 208 251 shade: RGB 23 208 251, RGB 179 23 251, RGB 251 65 23 and RGB 95 251 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 17 / 0 / 2

HEX #17D0FB

RGB 23 208 251

HSL 191.32, 0.97%, 0.54%

LAB 77.44, -27.04, -32.81

 

Complementary color

CMYK 0 / 80 / 98 / 9

HEX #E82F04

RGB 232 47 4

HSL 11.32, 0.97%, 0.46%

LAB 50.92, 67.6, 62.5

 

CMYK 89 / 15 / 0 / 4

HEX #1CD0F6

RGB 28 208 246

HSL 190.46, 0.92%, 0.54%

LAB 77.29, -28.45, -30.36

 

CMYK 82 / 11 / 0 / 0

HEX #2DE2FF

RGB 45 226 255

HSL 188.29, 1%, 0.59%

LAB 83, -33.25, -26.37

 

CMYK 76 / 4 / 0 / 0

HEX #3EF4FF

RGB 62 244 255

HSL 183.42, 1%, 0.62%

LAB 88.42, -40.14, -18.14

 

CMYK 69 / 0 / 0 / 0

HEX #4FFFFF

RGB 79 255 255

HSL 180, 1%, 0.65%

LAB 91.87, -43.2, -12.94

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 91 / 17 / 0 / 2

HEX #17D0FB

RGB 23 208 251

HSL 191.32, 0.97%, 0.54%

LAB 77.44, -27.04, -32.81

 

CMYK 97 / 18 / 0 / 9

HEX #06BEE8

RGB 6 190 232

HSL 191.15, 0.95%, 0.47%

LAB 71.35, -24.87, -31.99

 

CMYK 100 / 19 / 0 / 16

HEX #00ACD5

RGB 0 172 213

HSL 191.55, 1%, 0.42%

LAB 65.21, -22.31, -31.08

 

CMYK 100 / 21 / 0 / 24

HEX #009AC2

RGB 0 154 194

HSL 192.37, 1%, 0.38%

LAB 58.98, -19.52, -30.13

 

CMYK 100 / 22 / 0 / 31

HEX #0088AF

RGB 0 136 175

HSL 193.37, 1%, 0.34%

LAB 52.62, -16.63, -29.19

 

CMYK 91 / 17 / 0 / 2

HEX #17D0FB

RGB 23 208 251

HSL 191.32, 0.97%, 0.54%

LAB 77.44, -27.04, -32.81

 

CMYK 91 / 41 / 0 / 2

HEX #1793FB

RGB 23 147 251

HSL 207.37, 0.97%, 0.54%

LAB 59.9, 6.32, -60.37

 

CMYK 91 / 66 / 0 / 2

HEX #1755FB

RGB 23 85 251

HSL 223.68, 0.97%, 0.54%

LAB 43.72, 44.93, -86.66

 

CMYK 91 / 90 / 0 / 2

HEX #1718FB

RGB 23 24 251

HSL 239.74, 0.97%, 0.54%

LAB 33.56, 73.99, -103.5

 

CMYK 67 / 91 / 0 / 2

HEX #5417FB

RGB 84 23 251

HSL 256.05, 0.97%, 0.54%

LAB 36.86, 76.21, -97.92

 

CMYK 91 / 17 / 0 / 2

HEX #17D0FB

RGB 23 208 251

HSL 191.32, 0.97%, 0.54%

LAB 77.44, -27.04, -32.81

 

CMYK 91 / 41 / 0 / 2

HEX #1793FB

RGB 23 147 251

HSL 207.37, 0.97%, 0.54%

LAB 59.9, 6.32, -60.37

 

CMYK 91 / 66 / 0 / 2

HEX #1755FB

RGB 23 85 251

HSL 223.68, 0.97%, 0.54%

LAB 43.72, 44.93, -86.66

 

CMYK 91 / 90 / 0 / 2

HEX #1718FB

RGB 23 24 251

HSL 239.74, 0.97%, 0.54%

LAB 33.56, 73.99, -103.5

 

CMYK 91 / 91 / 0 / 2

HEX #1717FB

RGB 23 23 251

HSL 240, 0.97%, 0.54%

LAB 33.48, 74.25, -103.64

 

CMYK 91 / 17 / 0 / 2

HEX #17D0FB

RGB 23 208 251

HSL 191.32, 0.97%, 0.54%

LAB 77.44, -27.04, -32.81

 

CMYK 91 / 17 / 0 / 2

HEX #17D0FB

RGB 23 208 251

HSL 191.32, 0.97%, 0.54%

LAB 77.44, -27.04, -32.81

 

CMYK 82 / 16 / 0 / 9

HEX #2AC4E8

RGB 42 196 232

HSL 191.37, 0.81%, 0.54%

LAB 73.41, -26.14, -28.77

 

CMYK 71 / 14 / 0 / 16

HEX #3DB8D5

RGB 61 184 213

HSL 191.45, 0.64%, 0.54%

LAB 69.52, -24.19, -24.37

 

CMYK 59 / 11 / 0 / 24

HEX #50ADC2

RGB 80 173 194

HSL 191.05, 0.48%, 0.54%

LAB 66.13, -21.34, -19.04

 

CMYK 43 / 8 / 0 / 31

HEX #63A1AF

RGB 99 161 175

HSL 191.05, 0.32%, 0.54%

LAB 62.71, -16.24, -13.53

 

CMYK 91 / 0 / 32 / 2

HEX #17FBAB

RGB 23 251 171

HSL 158.95, 0.97%, 0.54%

LAB 88.02, -66.94, 24.82

 

CMYK 91 / 0 / 8 / 2

HEX #17FBE8

RGB 23 251 232

HSL 175, 0.97%, 0.54%

LAB 89.39, -52.24, -4.73

 

CMYK 91 / 17 / 0 / 2

HEX #17D1FB

RGB 23 209 251

HSL 191.05, 0.97%, 0.54%

LAB 77.73, -27.54, -32.36

 

CMYK 91 / 41 / 0 / 2

HEX #1795FB

RGB 23 149 251

HSL 206.84, 0.97%, 0.54%

LAB 60.46, 5.13, -59.47

 

CMYK 91 / 65 / 0 / 2

HEX #1758FB

RGB 23 88 251

HSL 222.89, 0.97%, 0.54%

LAB 44.41, 43.09, -85.51

 

CMYK 99 / 19 / 0 / 26

HEX #029ABD

RGB 2 154 189

HSL 191.23, 0.98%, 0.37%

LAB 58.79, -21.21, -27.61

 

CMYK 99 / 19 / 0 / 10

HEX #03BBE6

RGB 3 187 230

HSL 191.37, 0.97%, 0.46%

LAB 70.37, -24.11, -32.41

 

CMYK 91 / 17 / 0 / 2

HEX #17D0FB

RGB 23 208 251

HSL 191.32, 0.97%, 0.54%

LAB 77.44, -27.04, -32.81

 

CMYK 75 / 14 / 0 / 1

HEX #40D8FC

RGB 64 216 252

HSL 191.49, 0.97%, 0.62%

LAB 80.31, -27.63, -28.88

 

CMYK 58 / 11 / 0 / 1

HEX #69E0FC

RGB 105 224 252

HSL 191.43, 0.96%, 0.7%

LAB 83.62, -25.64, -23.73

 

CMYK 91 / 17 / 0 / 2

HEX #17D0FB

RGB 23 208 251

HSL 191.32, 0.97%, 0.54%

LAB 77.44, -27.04, -32.81

 

CMYK 56 / 91 / 0 / 2

HEX #6F17FB

RGB 111 23 251

HSL 263.16, 0.97%, 0.54%

LAB 39.51, 77.97, -93.44

 

CMYK 0 / 20 / 91 / 2

HEX #FBCA17

RGB 251 202 23

HSL 47.11, 0.97%, 0.54%

LAB 83.34, 3.22, 81.91

 

CMYK 91 / 17 / 0 / 2

HEX #17D0FB

RGB 23 208 251

HSL 191.32, 0.97%, 0.54%

LAB 77.44, -27.04, -32.81

 

CMYK 0 / 91 / 17 / 2

HEX #FB17D1

RGB 251 23 209

HSL 311.05, 0.97%, 0.54%

LAB 57.78, 89.89, -39.08

 

CMYK 17 / 0 / 91 / 2

HEX #D1FB17

RGB 209 251 23

HSL 71.05, 0.97%, 0.54%

LAB 92.84, -37.99, 87.83

 

CMYK 91 / 17 / 0 / 2

HEX #17D0FB

RGB 23 208 251

HSL 191.32, 0.97%, 0.54%

LAB 77.44, -27.04, -32.81

 

CMYK 56 / 91 / 0 / 2

HEX #6F17FB

RGB 111 23 251

HSL 263.16, 0.97%, 0.54%

LAB 39.51, 77.97, -93.44

 

CMYK 0 / 74 / 91 / 2

HEX #FB4117

RGB 251 65 23

HSL 11.05, 0.97%, 0.54%

LAB 56.44, 68.09, 62.5

 

CMYK 35 / 0 / 91 / 2

HEX #A4FB17

RGB 164 251 23

HSL 82.89, 0.97%, 0.54%

LAB 90.3, -54.66, 84.71

 

CMYK 91 / 17 / 0 / 2

HEX #17D0FB

RGB 23 208 251

HSL 191.32, 0.97%, 0.54%

LAB 77.44, -27.04, -32.81

 

CMYK 29 / 91 / 0 / 2

HEX #B317FB

RGB 179 23 251

HSL 281.05, 0.97%, 0.54%

LAB 48.46, 84.94, -78.39

 

CMYK 0 / 74 / 91 / 2

HEX #FB4117

RGB 251 65 23

HSL 11.05, 0.97%, 0.54%

LAB 56.44, 68.09, 62.5

 

CMYK 62 / 0 / 91 / 2

HEX #5FFB17

RGB 95 251 23

HSL 101.05, 0.97%, 0.54%

LAB 87.72, -74.36, 81.54

 

Description

Color code: RGB 23 208 251 | qconv.com Color code: RGB 23 208 251 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 208 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 208 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 17 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 17% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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