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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 180 155 it is the complementary color RGB 232 75 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 180 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 180 155 shade: RGB 28 180 150, RGB 45 198 169, RGB 62 216 188, RGB 79 234 207 and RGB 96 252 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 180 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 180 155 shade: RGB 23 180 155, RGB 6 162 136, RGB 0 144 117, RGB 0 126 98 and RGB 0 108 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 180 155 shade: RGB 23 180 155, RGB 23 180 113, RGB 23 180 70, RGB 23 180 28 and RGB 60 180 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 180 155 shade: RGB 23 180 155, RGB 23 163 180, RGB 23 120 180, RGB 23 78 180 and RGB 23 36 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 180 155 shade matches the following richer shades: RGB 23 180 155 and RGB 6 197 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 180 155 shade: RGB 23 180 155, RGB 39 164 144, RGB 56 147 133, RGB 72 131 121 and RGB 89 114 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 180 155 shade: RGB 23 180 70, RGB 23 180 112, RGB 23 180 154, RGB 23 164 180 and RGB 23 122 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 180 155 shade: RGB 13 107 92, RGB 18 144 124, RGB 23 180 155, RGB 28 217 186 and RGB 57 229 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 180 155 shade: RGB 23 180 155, RGB 28 23 180 and RGB 180 91 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 180 155 shade: RGB 23 180 155, RGB 154 23 180 and RGB 180 154 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 180 155 shade: RGB 23 180 155, RGB 28 23 180, RGB 180 23 49 and RGB 175 180 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 180 155 shade: RGB 23 180 155, RGB 75 23 180, RGB 180 23 49 and RGB 128 180 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 14 / 29

HEX #17B49B

RGB 23 180 155

HSL 170.45, 0.77%, 0.4%

LAB 65.9, -43.29, 2.13

 

Complementary color

CMYK 0 / 68 / 57 / 9

HEX #E84B64

RGB 232 75 100

HSL 350.45, 0.77%, 0.6%

LAB 55.18, 61.82, 20.58

 

CMYK 84 / 0 / 17 / 29

HEX #1CB496

RGB 28 180 150

HSL 168.16, 0.73%, 0.41%

LAB 65.82, -44.26, 4.78

 

CMYK 77 / 0 / 15 / 22

HEX #2DC6A9

RGB 45 198 169

HSL 168.63, 0.63%, 0.48%

LAB 72.1, -45.33, 3.49

 

CMYK 71 / 0 / 13 / 15

HEX #3ED8BC

RGB 62 216 188

HSL 169.09, 0.66%, 0.55%

LAB 78.33, -46.09, 2.32

 

CMYK 66 / 0 / 12 / 8

HEX #4FEACF

RGB 79 234 207

HSL 169.55, 0.79%, 0.61%

LAB 84.49, -46.62, 1.25

 

CMYK 62 / 0 / 10 / 1

HEX #60FCE2

RGB 96 252 226

HSL 170, 0.96%, 0.68%

LAB 90.6, -46.99, 0.27

 

CMYK 87 / 0 / 14 / 29

HEX #17B49B

RGB 23 180 155

HSL 170.45, 0.77%, 0.4%

LAB 65.9, -43.29, 2.13

 

CMYK 96 / 0 / 16 / 36

HEX #06A288

RGB 6 162 136

HSL 170, 0.93%, 0.33%

LAB 59.58, -41.65, 3.56

 

CMYK 100 / 0 / 19 / 44

HEX #009075

RGB 0 144 117

HSL 168.75, 1%, 0.28%

LAB 53.2, -39.46, 5.18

 

CMYK 100 / 0 / 22 / 51

HEX #007E62

RGB 0 126 98

HSL 166.67, 1%, 0.25%

LAB 46.72, -36.95, 6.95

 

CMYK 100 / 0 / 27 / 58

HEX #006C4F

RGB 0 108 79

HSL 163.89, 1%, 0.21%

LAB 40.06, -34.35, 8.84

 

CMYK 87 / 0 / 14 / 29

HEX #17B49B

RGB 23 180 155

HSL 170.45, 0.77%, 0.4%

LAB 65.9, -43.29, 2.13

 

CMYK 87 / 0 / 37 / 29

HEX #17B471

RGB 23 180 113

HSL 154.39, 0.77%, 0.4%

LAB 64.98, -53.36, 23.78

 

CMYK 87 / 0 / 61 / 29

HEX #17B446

RGB 23 180 70

HSL 137.96, 0.77%, 0.4%

LAB 64.38, -60.49, 44.65

 

CMYK 87 / 0 / 84 / 29

HEX #17B41C

RGB 23 180 28

HSL 121.91, 0.77%, 0.4%

LAB 64.09, -64.13, 59.67

 

CMYK 67 / 0 / 87 / 29

HEX #3CB417

RGB 60 180 23

HSL 105.86, 0.77%, 0.4%

LAB 64.7, -58.9, 61.6

 

CMYK 87 / 0 / 14 / 29

HEX #17B49B

RGB 23 180 155

HSL 170.45, 0.77%, 0.4%

LAB 65.9, -43.29, 2.13

 

CMYK 87 / 9 / 0 / 29

HEX #17A3B4

RGB 23 163 180

HSL 186.5, 0.77%, 0.4%

LAB 61.37, -27.95, -18.57

 

CMYK 87 / 33 / 0 / 29

HEX #1778B4

RGB 23 120 180

HSL 202.93, 0.77%, 0.4%

LAB 48.15, -4.46, -39.08

 

CMYK 87 / 57 / 0 / 29

HEX #174EB4

RGB 23 78 180

HSL 218.98, 0.77%, 0.4%

LAB 35.84, 22.52, -58.82

 

CMYK 87 / 80 / 0 / 29

HEX #1724B4

RGB 23 36 180

HSL 235.03, 0.77%, 0.4%

LAB 25.98, 48.82, -75.05

 

CMYK 87 / 0 / 14 / 29

HEX #17B49B

RGB 23 180 155

HSL 170.45, 0.77%, 0.4%

LAB 65.9, -43.29, 2.13

 

CMYK 97 / 0 / 16 / 23

HEX #06C5A6

RGB 6 197 166

HSL 170.26, 0.94%, 0.4%

LAB 71.37, -48.21, 4.01

 

CMYK 87 / 0 / 14 / 29

HEX #17B49B

RGB 23 180 155

HSL 170.45, 0.77%, 0.4%

LAB 65.9, -43.29, 2.13

 

CMYK 76 / 0 / 12 / 36

HEX #27A490

RGB 39 164 144

HSL 170.4, 0.62%, 0.4%

LAB 60.78, -37.84, 0.84

 

CMYK 62 / 0 / 10 / 42

HEX #389385

RGB 56 147 133

HSL 170.77, 0.45%, 0.4%

LAB 55.48, -30.34, -0.59

 

CMYK 45 / 0 / 8 / 49

HEX #488379

RGB 72 131 121

HSL 169.83, 0.29%, 0.4%

LAB 50.68, -21.84, -0.6

 

CMYK 22 / 0 / 4 / 55

HEX #59726E

RGB 89 114 110

HSL 170.4, 0.12%, 0.4%

LAB 46.02, -10.04, -0.8

 

CMYK 87 / 0 / 61 / 29

HEX #17B446

RGB 23 180 70

HSL 137.96, 0.77%, 0.4%

LAB 64.38, -60.49, 44.65

 

CMYK 87 / 0 / 38 / 29

HEX #17B470

RGB 23 180 112

HSL 154.01, 0.77%, 0.4%

LAB 64.96, -53.56, 24.29

 

CMYK 87 / 0 / 14 / 29

HEX #17B49A

RGB 23 180 154

HSL 170.06, 0.77%, 0.4%

LAB 65.87, -43.56, 2.64

 

CMYK 87 / 9 / 0 / 29

HEX #17A4B4

RGB 23 164 180

HSL 186.11, 0.77%, 0.4%

LAB 61.68, -28.45, -18.1

 

CMYK 87 / 32 / 0 / 29

HEX #177AB4

RGB 23 122 180

HSL 202.17, 0.77%, 0.4%

LAB 48.76, -5.65, -38.12

 

CMYK 88 / 0 / 14 / 58

HEX #0D6B5C

RGB 13 107 92

HSL 170.43, 0.78%, 0.24%

LAB 40.2, -29.18, 1.19

 

CMYK 88 / 0 / 14 / 44

HEX #12907C

RGB 18 144 124

HSL 170.48, 0.78%, 0.32%

LAB 53.53, -36.5, 1.64

 

CMYK 87 / 0 / 14 / 29

HEX #17B49B

RGB 23 180 155

HSL 170.45, 0.77%, 0.4%

LAB 65.9, -43.29, 2.13

 

CMYK 87 / 0 / 14 / 15

HEX #1CD9BA

RGB 28 217 186

HSL 170.16, 0.77%, 0.48%

LAB 78.12, -50.22, 3.03

 

CMYK 75 / 0 / 12 / 10

HEX #39E5C9

RGB 57 229 201

HSL 170.23, 0.77%, 0.56%

LAB 82.45, -48.87, 1.39

 

CMYK 87 / 0 / 14 / 29

HEX #17B49B

RGB 23 180 155

HSL 170.45, 0.77%, 0.4%

LAB 65.9, -43.29, 2.13

 

CMYK 84 / 87 / 0 / 29

HEX #1C17B4

RGB 28 23 180

HSL 241.91, 0.77%, 0.4%

LAB 24.18, 54.92, -78.04

 

CMYK 0 / 49 / 87 / 29

HEX #B45B17

RGB 180 91 23

HSL 25.99, 0.77%, 0.4%

LAB 48.57, 31.98, 51.31

 

CMYK 87 / 0 / 14 / 29

HEX #17B49B

RGB 23 180 155

HSL 170.45, 0.77%, 0.4%

LAB 65.9, -43.29, 2.13

 

CMYK 14 / 87 / 0 / 29

HEX #9A17B4

RGB 154 23 180

HSL 290.06, 0.77%, 0.4%

LAB 39.2, 68.44, -52.8

 

CMYK 0 / 14 / 87 / 29

HEX #B49A17

RGB 180 154 23

HSL 50.06, 0.77%, 0.4%

LAB 64.06, -2.65, 63.89

 

CMYK 87 / 0 / 14 / 29

HEX #17B49B

RGB 23 180 155

HSL 170.45, 0.77%, 0.4%

LAB 65.9, -43.29, 2.13

 

CMYK 84 / 87 / 0 / 29

HEX #1C17B4

RGB 28 23 180

HSL 241.91, 0.77%, 0.4%

LAB 24.18, 54.92, -78.04

 

CMYK 0 / 87 / 73 / 29

HEX #B41731

RGB 180 23 49

HSL 350.06, 0.77%, 0.4%

LAB 38.79, 59.65, 28.53

 

CMYK 3 / 0 / 87 / 29

HEX #AFB417

RGB 175 180 23

HSL 61.91, 0.77%, 0.4%

LAB 70.75, -18.43, 69.13

 

CMYK 87 / 0 / 14 / 29

HEX #17B49B

RGB 23 180 155

HSL 170.45, 0.77%, 0.4%

LAB 65.9, -43.29, 2.13

 

CMYK 58 / 87 / 0 / 29

HEX #4B17B4

RGB 75 23 180

HSL 259.87, 0.77%, 0.4%

LAB 27.86, 57.88, -71.82

 

CMYK 0 / 87 / 73 / 29

HEX #B41731

RGB 180 23 49

HSL 350.06, 0.77%, 0.4%

LAB 38.79, 59.65, 28.53

 

CMYK 29 / 0 / 87 / 29

HEX #80B417

RGB 128 180 23

HSL 79.87, 0.77%, 0.4%

LAB 67.5, -37.93, 65.11

 

Description

Color code: RGB 23 180 155 | qconv.com Color code: RGB 23 180 155 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 180 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 180 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 14 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 14% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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