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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 172 20 it is the complementary color RGB 232 83 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 172 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 172 20 shade: RGB 28 172 15, RGB 45 190 34, RGB 62 208 53, RGB 79 226 72 and RGB 96 244 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 172 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 172 20 shade: RGB 23 172 20, RGB 6 154 1, RGB 0 136 0, RGB 0 118 0 and RGB 0 100 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 172 20 shade: RGB 23 173 20, RGB 64 173 20, RGB 105 173 20, RGB 147 173 20 and RGB 173 158 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 172 20 shade: RGB 23 173 20, RGB 20 173 58, RGB 20 173 99, RGB 20 173 141 and RGB 20 164 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 172 20 shade matches the following richer shades: RGB 23 173 20 and RGB 8 189 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 172 20 shade: RGB 23 173 20, RGB 38 157 36, RGB 53 142 51, RGB 68 126 67 and RGB 83 110 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 172 20 shade: RGB 107 173 20, RGB 66 173 20, RGB 25 173 20, RGB 20 173 56 and RGB 20 173 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 172 20 shade: RGB 13 99 11, RGB 18 136 16, RGB 23 173 20, RGB 28 210 24 and RGB 49 230 45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 172 20 shade: RGB 23 172 20, RGB 20 147 173 and RGB 173 20 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 172 20 shade: RGB 23 172 20, RGB 20 25 173 and RGB 173 20 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 172 20 shade: RGB 23 172 20, RGB 20 147 173, RGB 168 20 173 and RGB 173 45 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 172 20 shade: RGB 23 172 20, RGB 20 102 173, RGB 168 20 173 and RGB 173 91 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 88 / 33

HEX #17AC14

RGB 23 172 20

HSL 118.82, 0.79%, 0.38%

LAB 61.43, -62.15, 59.12

 

Complementary color

CMYK 1 / 65 / 0 / 8

HEX #E853EB

RGB 232 83 235

HSL 298.82, 0.79%, 0.62%

LAB 61.08, 75.03, -48.73

 

CMYK 84 / 0 / 91 / 33

HEX #1CAC0F

RGB 28 172 15

HSL 115.03, 0.84%, 0.37%

LAB 61.47, -61.82, 60.11

 

CMYK 76 / 0 / 82 / 25

HEX #2DBE22

RGB 45 190 34

HSL 115.77, 0.7%, 0.44%

LAB 67.65, -64.24, 61.49

 

CMYK 70 / 0 / 75 / 18

HEX #3ED035

RGB 62 208 53

HSL 116.52, 0.62%, 0.51%

LAB 73.8, -65.92, 61.69

 

CMYK 65 / 0 / 68 / 11

HEX #4FE248

RGB 79 226 72

HSL 117.27, 0.73%, 0.58%

LAB 79.91, -67.06, 61.21

 

CMYK 61 / 0 / 63 / 4

HEX #60F45B

RGB 96 244 91

HSL 118.04, 0.87%, 0.66%

LAB 85.98, -67.82, 60.36

 

CMYK 87 / 0 / 88 / 33

HEX #17AC14

RGB 23 172 20

HSL 118.82, 0.79%, 0.38%

LAB 61.43, -62.15, 59.12

 

CMYK 96 / 0 / 99 / 40

HEX #069A01

RGB 6 154 1

HSL 118.04, 0.99%, 0.3%

LAB 55.23, -58.75, 56.97

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 87 / 0 / 88 / 32

HEX #17AD14

RGB 23 173 20

HSL 118.82, 0.79%, 0.38%

LAB 61.76, -62.44, 59.41

 

CMYK 63 / 0 / 88 / 32

HEX #40AD14

RGB 64 173 20

HSL 102.75, 0.79%, 0.38%

LAB 62.53, -55.77, 60.38

 

CMYK 39 / 0 / 88 / 32

HEX #69AD14

RGB 105 173 20

HSL 86.67, 0.79%, 0.38%

LAB 64.11, -43.55, 62.36

 

CMYK 15 / 0 / 88 / 32

HEX #93AD14

RGB 147 173 20

HSL 70.2, 0.79%, 0.38%

LAB 66.63, -27.05, 65.48

 

CMYK 0 / 9 / 88 / 32

HEX #AD9E14

RGB 173 158 20

HSL 54.12, 0.79%, 0.38%

LAB 64.47, -8.01, 64.61

 

CMYK 87 / 0 / 88 / 32

HEX #17AD14

RGB 23 173 20

HSL 118.82, 0.79%, 0.38%

LAB 61.76, -62.44, 59.41

 

CMYK 88 / 0 / 66 / 32

HEX #14AD3A

RGB 20 173 58

HSL 134.9, 0.79%, 0.38%

LAB 61.95, -59.93, 47.22

 

CMYK 88 / 0 / 43 / 32

HEX #14AD63

RGB 20 173 99

HSL 150.98, 0.79%, 0.38%

LAB 62.45, -53.8, 27.88

 

CMYK 88 / 0 / 18 / 32

HEX #14AD8D

RGB 20 173 141

HSL 167.45, 0.79%, 0.38%

LAB 63.31, -44.26, 6.15

 

CMYK 88 / 5 / 0 / 32

HEX #14A4AD

RGB 20 164 173

HSL 183.53, 0.79%, 0.38%

LAB 61.41, -30.88, -14.58

 

CMYK 87 / 0 / 88 / 32

HEX #17AD14

RGB 23 173 20

HSL 118.82, 0.79%, 0.38%

LAB 61.76, -62.44, 59.41

 

CMYK 96 / 0 / 98 / 26

HEX #08BD04

RGB 8 189 4

HSL 118.7, 0.96%, 0.38%

LAB 66.87, -68.36, 65.99

 

CMYK 87 / 0 / 88 / 32

HEX #17AD14

RGB 23 173 20

HSL 118.82, 0.79%, 0.38%

LAB 61.76, -62.44, 59.41

 

CMYK 76 / 0 / 77 / 38

HEX #269D24

RGB 38 157 36

HSL 119.01, 0.63%, 0.38%

LAB 56.74, -54.75, 50.44

 

CMYK 63 / 0 / 64 / 44

HEX #358E33

RGB 53 142 51

HSL 118.68, 0.47%, 0.38%

LAB 52.22, -45.06, 39.7

 

CMYK 46 / 0 / 47 / 51

HEX #447E43

RGB 68 126 67

HSL 118.98, 0.31%, 0.38%

LAB 47.7, -31.94, 26.29

 

CMYK 25 / 0 / 25 / 57

HEX #536E53

RGB 83 110 83

HSL 120, 0.14%, 0.38%

LAB 43.68, -15.76, 11.92

 

CMYK 38 / 0 / 88 / 32

HEX #6BAD14

RGB 107 173 20

HSL 85.88, 0.79%, 0.38%

LAB 64.21, -42.83, 62.49

 

CMYK 62 / 0 / 88 / 32

HEX #42AD14

RGB 66 173 20

HSL 101.96, 0.79%, 0.38%

LAB 62.59, -55.29, 60.46

 

CMYK 86 / 0 / 88 / 32

HEX #19AD14

RGB 25 173 20

HSL 118.04, 0.79%, 0.38%

LAB 61.78, -62.25, 59.44

 

CMYK 88 / 0 / 68 / 32

HEX #14AD38

RGB 20 173 56

HSL 134.12, 0.79%, 0.38%

LAB 61.93, -60.14, 48.04

 

CMYK 88 / 0 / 45 / 32

HEX #14AD60

RGB 20 173 96

HSL 149.8, 0.79%, 0.38%

LAB 62.41, -54.36, 29.4

 

CMYK 87 / 0 / 89 / 61

HEX #0D630B

RGB 13 99 11

HSL 118.64, 0.8%, 0.22%

LAB 36.05, -40.98, 38.67

 

CMYK 87 / 0 / 88 / 47

HEX #128810

RGB 18 136 16

HSL 119, 0.79%, 0.3%

LAB 49.22, -51.99, 49.23

 

CMYK 87 / 0 / 88 / 32

HEX #17AD14

RGB 23 173 20

HSL 118.82, 0.79%, 0.38%

LAB 61.76, -62.44, 59.41

 

CMYK 87 / 0 / 89 / 18

HEX #1CD218

RGB 28 210 24

HSL 118.71, 0.79%, 0.46%

LAB 73.81, -72.44, 69.12

 

CMYK 79 / 0 / 80 / 10

HEX #31E62D

RGB 49 230 45

HSL 118.7, 0.79%, 0.54%

LAB 80.42, -75.05, 70.4

 

CMYK 87 / 0 / 88 / 33

HEX #17AC14

RGB 23 172 20

HSL 118.82, 0.79%, 0.38%

LAB 61.43, -62.15, 59.12

 

CMYK 88 / 15 / 0 / 32

HEX #1493AD

RGB 20 147 173

HSL 190.2, 0.79%, 0.38%

LAB 56.12, -22.33, -22.63

 

CMYK 0 / 88 / 50 / 32

HEX #AD1456

RGB 173 20 86

HSL 334.12, 0.79%, 0.38%

LAB 37.94, 60.67, 3.57

 

CMYK 87 / 0 / 88 / 33

HEX #17AC14

RGB 23 172 20

HSL 118.82, 0.79%, 0.38%

LAB 61.43, -62.15, 59.12

 

CMYK 88 / 86 / 0 / 32

HEX #1419AD

RGB 20 25 173

HSL 238.04, 0.79%, 0.38%

LAB 23.21, 51.75, -75.46

 

CMYK 0 / 88 / 86 / 32

HEX #AD1419

RGB 173 20 25

HSL 358.04, 0.79%, 0.38%

LAB 36.85, 57.53, 40.03

 

CMYK 87 / 0 / 88 / 33

HEX #17AC14

RGB 23 172 20

HSL 118.82, 0.79%, 0.38%

LAB 61.43, -62.15, 59.12

 

CMYK 88 / 15 / 0 / 32

HEX #1493AD

RGB 20 147 173

HSL 190.2, 0.79%, 0.38%

LAB 56.12, -22.33, -22.63

 

CMYK 3 / 88 / 0 / 32

HEX #A814AD

RGB 168 20 173

HSL 298.04, 0.79%, 0.38%

LAB 40.96, 70.24, -45.69

 

CMYK 0 / 74 / 88 / 32

HEX #AD2D14

RGB 173 45 20

HSL 9.8, 0.79%, 0.38%

LAB 39.26, 50.51, 44.48

 

CMYK 87 / 0 / 88 / 33

HEX #17AC14

RGB 23 172 20

HSL 118.82, 0.79%, 0.38%

LAB 61.43, -62.15, 59.12

 

CMYK 88 / 41 / 0 / 32

HEX #1466AD

RGB 20 102 173

HSL 207.84, 0.79%, 0.38%

LAB 42.26, 3.71, -44.35

 

CMYK 3 / 88 / 0 / 32

HEX #A814AD

RGB 168 20 173

HSL 298.04, 0.79%, 0.38%

LAB 40.96, 70.24, -45.69

 

CMYK 0 / 47 / 88 / 32

HEX #AD5B14

RGB 173 91 20

HSL 27.84, 0.79%, 0.38%

LAB 47.52, 28.98, 51.06

 

Description

Color code: RGB 23 172 20 | qconv.com Color code: RGB 23 172 20 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 172 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 172 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 88 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 88% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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