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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 160 121 it is the complementary color RGB 232 95 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 160 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 160 121 shade: RGB 28 160 116, RGB 45 178 135, RGB 62 196 154, RGB 79 214 173 and RGB 96 232 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 160 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 160 121 shade: RGB 23 160 121, RGB 6 142 102, RGB 0 124 83, RGB 0 106 64 and RGB 0 88 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 160 121 shade: RGB 22 160 121, RGB 22 160 84, RGB 22 160 47, RGB 35 160 22 and RGB 72 160 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 160 121 shade: RGB 22 160 121, RGB 22 160 158, RGB 22 125 160, RGB 22 88 160 and RGB 22 51 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 160 121 shade matches the following richer shades: RGB 22 160 121 and RGB 8 175 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 160 121 shade: RGB 22 160 121, RGB 37 145 115, RGB 52 130 108, RGB 67 116 102 and RGB 82 101 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 160 121 shade: RGB 22 160 45, RGB 22 160 82, RGB 22 160 119, RGB 22 160 156 and RGB 22 128 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 160 121 shade: RGB 12 88 66, RGB 17 124 94, RGB 22 160 121, RGB 28 196 148 and RGB 41 224 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 160 121 shade: RGB 23 160 121, RGB 22 36 160 and RGB 160 64 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 160 121 shade: RGB 23 160 121, RGB 119 22 160 and RGB 160 119 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 160 121 shade: RGB 23 160 121, RGB 22 36 160, RGB 160 22 64 and RGB 160 146 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 160 121 shade: RGB 23 160 121, RGB 50 22 160, RGB 160 22 64 and RGB 133 160 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 24 / 37

HEX #17A079

RGB 23 160 121

HSL 162.92, 0.75%, 0.36%

LAB 58.7, -43.76, 10.76

 

Complementary color

CMYK 0 / 59 / 42 / 9

HEX #E85F86

RGB 232 95 134

HSL 342.92, 0.75%, 0.64%

LAB 59.03, 56.44, 5.95

 

CMYK 83 / 0 / 28 / 37

HEX #1CA074

RGB 28 160 116

HSL 160, 0.7%, 0.37%

LAB 58.65, -44.53, 13.49

 

CMYK 75 / 0 / 24 / 30

HEX #2DB287

RGB 45 178 135

HSL 160.6, 0.6%, 0.44%

LAB 65.08, -45.42, 12.03

 

CMYK 68 / 0 / 21 / 23

HEX #3EC49A

RGB 62 196 154

HSL 161.19, 0.53%, 0.51%

LAB 71.44, -45.98, 10.71

 

CMYK 63 / 0 / 19 / 16

HEX #4FD6AD

RGB 79 214 173

HSL 161.78, 0.62%, 0.57%

LAB 77.74, -46.31, 9.53

 

CMYK 59 / 0 / 17 / 9

HEX #60E8C0

RGB 96 232 192

HSL 162.35, 0.75%, 0.64%

LAB 83.97, -46.48, 8.44

 

CMYK 86 / 0 / 24 / 37

HEX #17A079

RGB 23 160 121

HSL 162.92, 0.75%, 0.36%

LAB 58.7, -43.76, 10.76

 

CMYK 96 / 0 / 28 / 44

HEX #068E66

RGB 6 142 102

HSL 162.35, 0.92%, 0.29%

LAB 52.22, -42.22, 12.4

 

CMYK 100 / 0 / 33 / 51

HEX #007C53

RGB 0 124 83

HSL 160.16, 1%, 0.24%

LAB 45.69, -39.97, 14.28

 

CMYK 100 / 0 / 40 / 58

HEX #006A40

RGB 0 106 64

HSL 156.23, 1%, 0.21%

LAB 39.03, -37.25, 16.36

 

CMYK 100 / 0 / 49 / 65

HEX #00582D

RGB 0 88 45

HSL 150.68, 1%, 0.17%

LAB 32.19, -34.32, 18.55

 

CMYK 86 / 0 / 24 / 37

HEX #16A079

RGB 22 160 121

HSL 163.04, 0.76%, 0.36%

LAB 58.69, -43.84, 10.74

 

CMYK 86 / 0 / 48 / 37

HEX #16A054

RGB 22 160 84

HSL 146.96, 0.76%, 0.36%

LAB 57.99, -51.75, 30.03

 

CMYK 86 / 0 / 71 / 37

HEX #16A02F

RGB 22 160 47

HSL 130.87, 0.76%, 0.36%

LAB 57.58, -56.81, 47.09

 

CMYK 78 / 0 / 86 / 37

HEX #23A016

RGB 35 160 22

HSL 114.35, 0.76%, 0.36%

LAB 57.61, -57.01, 55.37

 

CMYK 55 / 0 / 86 / 37

HEX #48A016

RGB 72 160 22

HSL 98.26, 0.76%, 0.36%

LAB 58.58, -48.96, 56.6

 

CMYK 86 / 0 / 24 / 37

HEX #16A079

RGB 22 160 121

HSL 163.04, 0.76%, 0.36%

LAB 58.69, -43.84, 10.74

 

CMYK 86 / 0 / 1 / 37

HEX #16A09E

RGB 22 160 158

HSL 179.13, 0.76%, 0.36%

LAB 59.69, -33.52, -8.69

 

CMYK 86 / 22 / 0 / 37

HEX #167DA0

RGB 22 125 160

HSL 195.22, 0.76%, 0.36%

LAB 48.73, -14.89, -26.53

 

CMYK 86 / 45 / 0 / 37

HEX #1658A0

RGB 22 88 160

HSL 211.3, 0.76%, 0.36%

LAB 37.28, 7.7, -44.61

 

CMYK 86 / 68 / 0 / 37

HEX #1633A0

RGB 22 51 160

HSL 227.39, 0.76%, 0.36%

LAB 26.95, 32.7, -61.4

 

CMYK 86 / 0 / 24 / 37

HEX #16A079

RGB 22 160 121

HSL 163.04, 0.76%, 0.36%

LAB 58.69, -43.84, 10.74

 

CMYK 95 / 0 / 27 / 31

HEX #08AF7F

RGB 8 175 127

HSL 162.75, 0.91%, 0.36%

LAB 63.54, -49.18, 14.21

 

CMYK 86 / 0 / 24 / 37

HEX #16A079

RGB 22 160 121

HSL 163.04, 0.76%, 0.36%

LAB 58.69, -43.84, 10.74

 

CMYK 74 / 0 / 21 / 43

HEX #259173

RGB 37 145 115

HSL 163.33, 0.59%, 0.36%

LAB 53.9, -37.35, 7.39

 

CMYK 60 / 0 / 17 / 49

HEX #34826C

RGB 52 130 108

HSL 163.08, 0.43%, 0.36%

LAB 49.23, -29.58, 4.8

 

CMYK 42 / 0 / 12 / 55

HEX #437466

RGB 67 116 102

HSL 162.86, 0.27%, 0.36%

LAB 45.14, -20.19, 2.54

 

CMYK 19 / 0 / 6 / 60

HEX #52655F

RGB 82 101 95

HSL 161.05, 0.1%, 0.36%

LAB 41.1, -8.53, 1.01

 

CMYK 86 / 0 / 72 / 37

HEX #16A02D

RGB 22 160 45

HSL 130, 0.76%, 0.36%

LAB 57.56, -57, 47.87

 

CMYK 86 / 0 / 49 / 37

HEX #16A052

RGB 22 160 82

HSL 146.09, 0.76%, 0.36%

LAB 57.96, -52.1, 31.03

 

CMYK 86 / 0 / 26 / 37

HEX #16A077

RGB 22 160 119

HSL 162.17, 0.76%, 0.36%

LAB 58.64, -44.34, 11.8

 

CMYK 86 / 0 / 2 / 37

HEX #16A09C

RGB 22 160 156

HSL 178.26, 0.76%, 0.36%

LAB 59.63, -34.13, -7.65

 

CMYK 86 / 20 / 0 / 37

HEX #1680A0

RGB 22 128 160

HSL 193.91, 0.76%, 0.36%

LAB 49.67, -16.56, -25.07

 

CMYK 86 / 0 / 25 / 65

HEX #0C5842

RGB 12 88 66

HSL 162.63, 0.76%, 0.2%

LAB 32.81, -27.86, 6.6

 

CMYK 86 / 0 / 24 / 51

HEX #117C5E

RGB 17 124 94

HSL 163.18, 0.76%, 0.28%

LAB 46.1, -35.96, 8.45

 

CMYK 86 / 0 / 24 / 37

HEX #16A079

RGB 22 160 121

HSL 163.04, 0.76%, 0.36%

LAB 58.69, -43.84, 10.74

 

CMYK 86 / 0 / 24 / 23

HEX #1CC494

RGB 28 196 148

HSL 162.86, 0.75%, 0.44%

LAB 70.78, -51.29, 12.94

 

CMYK 82 / 0 / 23 / 12

HEX #29E0AC

RGB 41 224 172

HSL 162.95, 0.75%, 0.52%

LAB 80.05, -55.55, 13.23

 

CMYK 86 / 0 / 24 / 37

HEX #17A079

RGB 23 160 121

HSL 162.92, 0.75%, 0.36%

LAB 58.7, -43.76, 10.76

 

CMYK 86 / 78 / 0 / 37

HEX #1624A0

RGB 22 36 160

HSL 233.91, 0.76%, 0.36%

LAB 23.57, 42.03, -66.97

 

CMYK 0 / 60 / 86 / 37

HEX #A04016

RGB 160 64 22

HSL 18.26, 0.76%, 0.36%

LAB 39.91, 37.78, 43.18

 

CMYK 86 / 0 / 24 / 37

HEX #17A079

RGB 23 160 121

HSL 162.92, 0.75%, 0.36%

LAB 58.7, -43.76, 10.76

 

CMYK 26 / 86 / 0 / 37

HEX #7716A0

RGB 119 22 160

HSL 282.17, 0.76%, 0.36%

LAB 31.88, 59.16, -52.95

 

CMYK 0 / 26 / 86 / 37

HEX #A07716

RGB 160 119 22

HSL 42.17, 0.76%, 0.36%

LAB 52.65, 7.52, 53.93

 

CMYK 86 / 0 / 24 / 37

HEX #17A079

RGB 23 160 121

HSL 162.92, 0.75%, 0.36%

LAB 58.7, -43.76, 10.76

 

CMYK 86 / 78 / 0 / 37

HEX #1624A0

RGB 22 36 160

HSL 233.91, 0.76%, 0.36%

LAB 23.57, 42.03, -66.97

 

CMYK 0 / 86 / 60 / 37

HEX #A01640

RGB 160 22 64

HSL 341.74, 0.76%, 0.36%

LAB 34.84, 55.27, 13.07

 

CMYK 0 / 9 / 86 / 37

HEX #A09216

RGB 160 146 22

HSL 53.91, 0.76%, 0.36%

LAB 59.97, -7.43, 60

 

CMYK 86 / 0 / 24 / 37

HEX #17A079

RGB 23 160 121

HSL 162.92, 0.75%, 0.36%

LAB 58.7, -43.76, 10.76

 

CMYK 69 / 86 / 0 / 37

HEX #3216A0

RGB 50 22 160

HSL 252.17, 0.76%, 0.36%

LAB 22.96, 50.69, -67.93

 

CMYK 0 / 86 / 60 / 37

HEX #A01640

RGB 160 22 64

HSL 341.74, 0.76%, 0.36%

LAB 34.84, 55.27, 13.07

 

CMYK 17 / 0 / 86 / 37

HEX #85A016

RGB 133 160 22

HSL 71.74, 0.76%, 0.36%

LAB 61.81, -26.62, 60.66

 

Description

Color code: RGB 23 160 121 | qconv.com Color code: RGB 23 160 121 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 160 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 160 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 24 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 24% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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