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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 142 112 it is the complementary color RGB 232 113 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 142 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 142 112 shade: RGB 28 142 107, RGB 45 160 126, RGB 62 178 145, RGB 79 196 164 and RGB 96 214 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 142 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 142 112 shade: RGB 23 142 112, RGB 6 124 93, RGB 0 106 74, RGB 0 88 55 and RGB 0 70 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 142 112 shade: RGB 22 140 110, RGB 22 140 79, RGB 22 140 47, RGB 30 140 22 and RGB 61 140 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 142 112 shade: RGB 22 140 110, RGB 22 138 140, RGB 22 106 140, RGB 22 74 140 and RGB 22 43 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 142 112 shade matches the following richer shades: RGB 22 140 110 and RGB 9 153 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 142 112 shade: RGB 22 140 110, RGB 36 127 104, RGB 49 113 97, RGB 62 100 91 and RGB 75 87 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 142 112 shade: RGB 22 140 46, RGB 22 140 77, RGB 22 140 109, RGB 22 140 140 and RGB 22 109 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 142 112 shade: RGB 11 69 54, RGB 17 104 82, RGB 22 140 110, RGB 28 175 138 and RGB 34 211 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 142 112 shade: RGB 23 142 112, RGB 22 30 140 and RGB 140 62 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 142 112 shade: RGB 23 142 112, RGB 109 22 140 and RGB 140 109 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 142 112 shade: RGB 23 142 112, RGB 22 30 140, RGB 140 22 54 and RGB 140 132 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 142 112 shade: RGB 23 142 112, RGB 50 22 140, RGB 140 22 54 and RGB 112 140 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 21 / 44

HEX #178E70

RGB 23 142 112

HSL 164.87, 0.72%, 0.32%

LAB 52.62, -38.47, 7.25

 

Complementary color

CMYK 0 / 51 / 38 / 9

HEX #E8718F

RGB 232 113 143

HSL 344.87, 0.72%, 0.68%

LAB 62.46, 48.99, 5.67

 

CMYK 80 / 0 / 25 / 44

HEX #1C8E6B

RGB 28 142 107

HSL 161.58, 0.67%, 0.33%

LAB 52.57, -39.23, 10.06

 

CMYK 72 / 0 / 21 / 37

HEX #2DA07E

RGB 45 160 126

HSL 162.26, 0.56%, 0.4%

LAB 59.16, -39.98, 8.66

 

CMYK 65 / 0 / 19 / 30

HEX #3EB291

RGB 62 178 145

HSL 162.93, 0.48%, 0.47%

LAB 65.68, -40.4, 7.42

 

CMYK 60 / 0 / 16 / 23

HEX #4FC4A4

RGB 79 196 164

HSL 163.59, 0.5%, 0.54%

LAB 72.11, -40.62, 6.31

 

CMYK 55 / 0 / 14 / 16

HEX #60D6B7

RGB 96 214 183

HSL 164.24, 0.59%, 0.61%

LAB 78.46, -40.71, 5.29

 

CMYK 84 / 0 / 21 / 44

HEX #178E70

RGB 23 142 112

HSL 164.87, 0.72%, 0.32%

LAB 52.62, -38.47, 7.25

 

CMYK 95 / 0 / 25 / 51

HEX #067C5D

RGB 6 124 93

HSL 164.24, 0.91%, 0.25%

LAB 45.97, -37.04, 8.84

 

CMYK 100 / 0 / 30 / 58

HEX #006A4A

RGB 0 106 74

HSL 161.89, 1%, 0.21%

LAB 39.25, -34.82, 10.7

 

CMYK 100 / 0 / 38 / 65

HEX #005837

RGB 0 88 55

HSL 157.5, 1%, 0.17%

LAB 32.38, -32.06, 12.79

 

CMYK 100 / 0 / 49 / 73

HEX #004624

RGB 0 70 36

HSL 150.86, 1%, 0.14%

LAB 25.28, -29.08, 15.05

 

CMYK 84 / 0 / 21 / 45

HEX #168C6E

RGB 22 140 110

HSL 164.75, 0.73%, 0.32%

LAB 51.9, -38.23, 7.37

 

CMYK 84 / 0 / 44 / 45

HEX #168C4F

RGB 22 140 79

HSL 148.98, 0.73%, 0.32%

LAB 51.26, -45.35, 24.03

 

CMYK 84 / 0 / 66 / 45

HEX #168C2F

RGB 22 140 47

HSL 132.71, 0.73%, 0.32%

LAB 50.84, -50.33, 39.8

 

CMYK 79 / 0 / 84 / 45

HEX #1E8C16

RGB 30 140 22

HSL 115.93, 0.73%, 0.32%

LAB 50.79, -51.4, 49.16

 

CMYK 56 / 0 / 84 / 45

HEX #3D8C16

RGB 61 140 22

HSL 100.17, 0.73%, 0.32%

LAB 51.62, -44.53, 50.21

 

CMYK 84 / 0 / 21 / 45

HEX #168C6E

RGB 22 140 110

HSL 164.75, 0.73%, 0.32%

LAB 51.9, -38.23, 7.37

 

CMYK 84 / 1 / 0 / 45

HEX #168A8C

RGB 22 138 140

HSL 181.02, 0.73%, 0.32%

LAB 52.11, -28.55, -9.71

 

CMYK 84 / 24 / 0 / 45

HEX #166A8C

RGB 22 106 140

HSL 197.29, 0.73%, 0.32%

LAB 41.8, -11.39, -25.46

 

CMYK 84 / 47 / 0 / 45

HEX #164A8C

RGB 22 74 140

HSL 213.56, 0.73%, 0.32%

LAB 31.72, 8.9, -41.42

 

CMYK 84 / 69 / 0 / 45

HEX #162B8C

RGB 22 43 140

HSL 229.32, 0.73%, 0.32%

LAB 22.97, 30.31, -55.65

 

CMYK 84 / 0 / 21 / 45

HEX #168C6E

RGB 22 140 110

HSL 164.75, 0.73%, 0.32%

LAB 51.9, -38.23, 7.37

 

CMYK 94 / 0 / 24 / 40

HEX #099975

RGB 9 153 117

HSL 165, 0.89%, 0.32%

LAB 56.21, -42.78, 9.48

 

CMYK 84 / 0 / 21 / 45

HEX #168C6E

RGB 22 140 110

HSL 164.75, 0.73%, 0.32%

LAB 51.9, -38.23, 7.37

 

CMYK 72 / 0 / 18 / 50

HEX #247F68

RGB 36 127 104

HSL 164.84, 0.56%, 0.32%

LAB 47.69, -32.24, 4.89

 

CMYK 57 / 0 / 14 / 56

HEX #317161

RGB 49 113 97

HSL 165, 0.4%, 0.32%

LAB 43.25, -24.75, 2.7

 

CMYK 38 / 0 / 9 / 61

HEX #3E645B

RGB 62 100 91

HSL 165.79, 0.23%, 0.32%

LAB 39.4, -15.8, 0.83

 

CMYK 14 / 0 / 3 / 66

HEX #4B5754

RGB 75 87 84

HSL 165, 0.07%, 0.32%

LAB 35.89, -5.38, 0.15

 

CMYK 84 / 0 / 67 / 45

HEX #168C2E

RGB 22 140 46

HSL 132.2, 0.73%, 0.32%

LAB 50.83, -50.45, 40.24

 

CMYK 84 / 0 / 45 / 45

HEX #168C4D

RGB 22 140 77

HSL 147.97, 0.73%, 0.32%

LAB 51.22, -45.74, 25.08

 

CMYK 84 / 0 / 22 / 45

HEX #168C6D

RGB 22 140 109

HSL 164.24, 0.73%, 0.32%

LAB 51.87, -38.49, 7.92

 

CMYK 84 / 0 / 0 / 45

HEX #168C8C

RGB 22 140 140

HSL 180, 0.73%, 0.32%

LAB 52.75, -29.53, -8.75

 

CMYK 84 / 22 / 0 / 45

HEX #166D8C

RGB 22 109 140

HSL 195.76, 0.73%, 0.32%

LAB 42.77, -13.13, -23.97

 

CMYK 84 / 0 / 22 / 73

HEX #0B4536

RGB 11 69 54

HSL 164.48, 0.73%, 0.16%

LAB 25.54, -22.26, 3.93

 

CMYK 84 / 0 / 21 / 59

HEX #116852

RGB 17 104 82

HSL 164.83, 0.72%, 0.24%

LAB 38.95, -30.26, 5.47

 

CMYK 84 / 0 / 21 / 45

HEX #168C6E

RGB 22 140 110

HSL 164.75, 0.73%, 0.32%

LAB 51.9, -38.23, 7.37

 

CMYK 84 / 0 / 21 / 31

HEX #1CAF8A

RGB 28 175 138

HSL 164.9, 0.72%, 0.4%

LAB 63.95, -45.27, 8.74

 

CMYK 84 / 0 / 21 / 17

HEX #22D3A6

RGB 34 211 166

HSL 164.75, 0.72%, 0.48%

LAB 75.87, -52.44, 10.49

 

CMYK 84 / 0 / 21 / 44

HEX #178E70

RGB 23 142 112

HSL 164.87, 0.72%, 0.32%

LAB 52.62, -38.47, 7.25

 

CMYK 84 / 79 / 0 / 45

HEX #161E8C

RGB 22 30 140

HSL 235.93, 0.73%, 0.32%

LAB 20.01, 38.5, -60.53

 

CMYK 0 / 56 / 84 / 45

HEX #8C3E16

RGB 140 62 22

HSL 20.34, 0.73%, 0.32%

LAB 36.14, 30.78, 38.54

 

CMYK 84 / 0 / 21 / 44

HEX #178E70

RGB 23 142 112

HSL 164.87, 0.72%, 0.32%

LAB 52.62, -38.47, 7.25

 

CMYK 22 / 84 / 0 / 45

HEX #6D168C

RGB 109 22 140

HSL 284.24, 0.73%, 0.32%

LAB 28.69, 53.42, -45.93

 

CMYK 0 / 22 / 84 / 45

HEX #8C6D16

RGB 140 109 22

HSL 44.24, 0.73%, 0.32%

LAB 47.71, 3.89, 48.84

 

CMYK 84 / 0 / 21 / 44

HEX #178E70

RGB 23 142 112

HSL 164.87, 0.72%, 0.32%

LAB 52.62, -38.47, 7.25

 

CMYK 84 / 79 / 0 / 45

HEX #161E8C

RGB 22 30 140

HSL 235.93, 0.73%, 0.32%

LAB 20.01, 38.5, -60.53

 

CMYK 0 / 84 / 61 / 45

HEX #8C1636

RGB 140 22 54

HSL 343.73, 0.73%, 0.32%

LAB 30.44, 49.04, 12.99

 

CMYK 0 / 6 / 84 / 45

HEX #8C8416

RGB 140 132 22

HSL 55.93, 0.73%, 0.32%

LAB 54.17, -9.03, 54.39

 

CMYK 84 / 0 / 21 / 44

HEX #178E70

RGB 23 142 112

HSL 164.87, 0.72%, 0.32%

LAB 52.62, -38.47, 7.25

 

CMYK 64 / 84 / 0 / 45

HEX #32168C

RGB 50 22 140

HSL 254.24, 0.73%, 0.32%

LAB 20.62, 44.9, -59.47

 

CMYK 0 / 84 / 61 / 45

HEX #8C1636

RGB 140 22 54

HSL 343.73, 0.73%, 0.32%

LAB 30.44, 49.04, 12.99

 

CMYK 20 / 0 / 84 / 45

HEX #708C16

RGB 112 140 22

HSL 74.24, 0.73%, 0.32%

LAB 54.3, -25.77, 53.62

 

Description

Color code: RGB 23 142 112 | qconv.com Color code: RGB 23 142 112 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 142 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 142 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 21 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 21% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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