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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 116 141 it is the complementary color RGB 232 139 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 116 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 116 141 shade: RGB 28 116 136, RGB 45 134 155, RGB 62 152 174, RGB 79 170 193 and RGB 96 188 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 116 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 116 141 shade: RGB 23 116 141, RGB 6 98 122, RGB 0 80 103, RGB 0 62 84 and RGB 0 44 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 116 141 shade: RGB 22 115 140, RGB 22 83 140, RGB 22 52 140, RGB 25 22 140 and RGB 56 22 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 116 141 shade: RGB 22 115 140, RGB 22 83 140, RGB 22 52 140 and RGB 22 22 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 116 141 shade matches the following richer shades: RGB 22 115 140 and RGB 9 123 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 116 141 shade: RGB 22 115 140, RGB 36 107 127, RGB 49 100 113, RGB 62 92 100 and RGB 75 85 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 116 141 shade: RGB 22 140 101, RGB 22 140 132, RGB 22 116 140, RGB 22 85 140 and RGB 22 54 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 116 141 shade: RGB 11 57 69, RGB 17 86 104, RGB 22 115 140, RGB 28 144 175 and RGB 34 173 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 116 141 shade: RGB 23 116 141, RGB 69 22 140 and RGB 140 116 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 116 141 shade: RGB 23 116 141, RGB 140 22 116 and RGB 116 140 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 116 141 shade: RGB 23 116 141, RGB 69 22 140, RGB 140 46 22 and RGB 93 140 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 116 141 shade: RGB 23 116 141, RGB 105 22 140, RGB 140 46 22 and RGB 58 140 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 18 / 0 / 45

HEX #17748D

RGB 23 116 141

HSL 192.71, 0.72%, 0.32%

LAB 45.08, -16.63, -20.99

 

Complementary color

CMYK 0 / 40 / 51 / 9

HEX #E88B72

RGB 232 139 114

HSL 12.71, 0.72%, 0.68%

LAB 67.15, 32.85, 28.5

 

CMYK 79 / 15 / 0 / 47

HEX #1C7488

RGB 28 116 136

HSL 191.11, 0.66%, 0.32%

LAB 44.96, -17.87, -18.18

 

CMYK 71 / 14 / 0 / 39

HEX #2D869B

RGB 45 134 155

HSL 191.45, 0.55%, 0.39%

LAB 51.81, -18.97, -18.84

 

CMYK 64 / 13 / 0 / 32

HEX #3E98AE

RGB 62 152 174

HSL 191.79, 0.47%, 0.46%

LAB 58.54, -19.73, -19.42

 

CMYK 59 / 12 / 0 / 24

HEX #4FAAC1

RGB 79 170 193

HSL 192.11, 0.48%, 0.53%

LAB 65.17, -20.28, -19.94

 

CMYK 55 / 11 / 0 / 17

HEX #60BCD4

RGB 96 188 212

HSL 192.41, 0.57%, 0.6%

LAB 71.7, -20.67, -20.42

 

CMYK 84 / 18 / 0 / 45

HEX #17748D

RGB 23 116 141

HSL 192.71, 0.72%, 0.32%

LAB 45.08, -16.63, -20.99

 

CMYK 95 / 20 / 0 / 52

HEX #06627A

RGB 6 98 122

HSL 192.41, 0.91%, 0.25%

LAB 38.16, -14.74, -20.23

 

CMYK 100 / 22 / 0 / 60

HEX #005067

RGB 0 80 103

HSL 193.4, 1%, 0.2%

LAB 31.15, -12.02, -19.28

 

CMYK 100 / 26 / 0 / 67

HEX #003E54

RGB 0 62 84

HSL 195.71, 1%, 0.16%

LAB 23.95, -8.71, -18.24

 

CMYK 100 / 32 / 0 / 75

HEX #002C41

RGB 0 44 65

HSL 199.38, 1%, 0.13%

LAB 16.42, -5.13, -17.24

 

CMYK 84 / 18 / 0 / 45

HEX #16738C

RGB 22 115 140

HSL 192.71, 0.73%, 0.32%

LAB 44.7, -16.53, -20.98

 

CMYK 84 / 41 / 0 / 45

HEX #16538C

RGB 22 83 140

HSL 208.98, 0.73%, 0.32%

LAB 34.5, 2.88, -36.97

 

CMYK 84 / 63 / 0 / 45

HEX #16348C

RGB 22 52 140

HSL 224.75, 0.73%, 0.32%

LAB 25.32, 24.16, -51.8

 

CMYK 82 / 84 / 0 / 45

HEX #19168C

RGB 25 22 140

HSL 241.53, 0.73%, 0.32%

LAB 18.69, 42.95, -62.73

 

CMYK 60 / 84 / 0 / 45

HEX #38168C

RGB 56 22 140

HSL 257.29, 0.73%, 0.32%

LAB 21.24, 45.54, -58.43

 

CMYK 84 / 18 / 0 / 45

HEX #16738C

RGB 22 115 140

HSL 192.71, 0.73%, 0.32%

LAB 44.7, -16.53, -20.98

 

CMYK 84 / 41 / 0 / 45

HEX #16538C

RGB 22 83 140

HSL 208.98, 0.73%, 0.32%

LAB 34.5, 2.88, -36.97

 

CMYK 84 / 63 / 0 / 45

HEX #16348C

RGB 22 52 140

HSL 224.75, 0.73%, 0.32%

LAB 25.32, 24.16, -51.8

 

CMYK 84 / 84 / 0 / 45

HEX #16168C

RGB 22 22 140

HSL 240, 0.73%, 0.32%

LAB 18.53, 42.8, -62.99

 

CMYK 84 / 18 / 0 / 45

HEX #16738C

RGB 22 115 140

HSL 192.71, 0.73%, 0.32%

LAB 44.7, -16.53, -20.98

 

CMYK 94 / 20 / 0 / 40

HEX #097B99

RGB 9 123 153

HSL 192.5, 0.89%, 0.32%

LAB 47.65, -17.12, -24.11

 

CMYK 84 / 18 / 0 / 45

HEX #16738C

RGB 22 115 140

HSL 192.71, 0.73%, 0.32%

LAB 44.7, -16.53, -20.98

 

CMYK 72 / 16 / 0 / 50

HEX #246B7F

RGB 36 107 127

HSL 193.19, 0.56%, 0.32%

LAB 41.88, -14.9, -17.49

 

CMYK 57 / 12 / 0 / 56

HEX #316471

RGB 49 100 113

HSL 192.19, 0.4%, 0.32%

LAB 39.51, -13.04, -12.56

 

CMYK 38 / 8 / 0 / 61

HEX #3E5C64

RGB 62 92 100

HSL 192.63, 0.23%, 0.32%

LAB 37.11, -8.77, -8.11

 

CMYK 14 / 2 / 0 / 66

HEX #4B5557

RGB 75 85 87

HSL 190, 0.07%, 0.32%

LAB 35.36, -3.46, -2.51

 

CMYK 84 / 0 / 28 / 45

HEX #168C65

RGB 22 140 101

HSL 160.17, 0.73%, 0.32%

LAB 51.69, -40.51, 12.25

 

CMYK 84 / 0 / 6 / 45

HEX #168C84

RGB 22 140 132

HSL 175.93, 0.73%, 0.32%

LAB 52.5, -32, -4.48

 

CMYK 84 / 17 / 0 / 45

HEX #16748C

RGB 22 116 140

HSL 192.2, 0.73%, 0.32%

LAB 45.02, -17.08, -20.48

 

CMYK 84 / 39 / 0 / 45

HEX #16558C

RGB 22 85 140

HSL 207.97, 0.73%, 0.32%

LAB 35.12, 1.58, -35.97

 

CMYK 84 / 61 / 0 / 45

HEX #16368C

RGB 22 54 140

HSL 223.73, 0.73%, 0.32%

LAB 25.87, 22.77, -50.9

 

CMYK 84 / 17 / 0 / 73

HEX #0B3945

RGB 11 57 69

HSL 192.41, 0.73%, 0.16%

LAB 21.68, -10.31, -11.78

 

CMYK 84 / 17 / 0 / 59

HEX #115668

RGB 17 86 104

HSL 192.41, 0.72%, 0.24%

LAB 33.51, -13.68, -16.25

 

CMYK 84 / 18 / 0 / 45

HEX #16738C

RGB 22 115 140

HSL 192.71, 0.73%, 0.32%

LAB 44.7, -16.53, -20.98

 

CMYK 84 / 18 / 0 / 31

HEX #1C90AF

RGB 28 144 175

HSL 192.65, 0.72%, 0.4%

LAB 55.37, -19.48, -24.92

 

CMYK 84 / 18 / 0 / 17

HEX #22ADD3

RGB 34 173 211

HSL 192.88, 0.72%, 0.48%

LAB 65.69, -21.99, -29.2

 

CMYK 84 / 18 / 0 / 45

HEX #17748D

RGB 23 116 141

HSL 192.71, 0.72%, 0.32%

LAB 45.08, -16.63, -20.99

 

CMYK 51 / 84 / 0 / 45

HEX #45168C

RGB 69 22 140

HSL 263.9, 0.73%, 0.32%

LAB 22.77, 47.12, -55.85

 

CMYK 0 / 17 / 84 / 45

HEX #8C7416

RGB 140 116 22

HSL 47.8, 0.73%, 0.32%

LAB 49.65, -0.12, 50.51

 

CMYK 84 / 18 / 0 / 45

HEX #17748D

RGB 23 116 141

HSL 192.71, 0.72%, 0.32%

LAB 45.08, -16.63, -20.99

 

CMYK 0 / 84 / 17 / 45

HEX #8C1674

RGB 140 22 116

HSL 312.2, 0.73%, 0.32%

LAB 32.72, 55.64, -24.11

 

CMYK 17 / 0 / 84 / 45

HEX #748C16

RGB 116 140 22

HSL 72.2, 0.73%, 0.32%

LAB 54.58, -24.04, 53.98

 

CMYK 84 / 18 / 0 / 45

HEX #17748D

RGB 23 116 141

HSL 192.71, 0.72%, 0.32%

LAB 45.08, -16.63, -20.99

 

CMYK 51 / 84 / 0 / 45

HEX #45168C

RGB 69 22 140

HSL 263.9, 0.73%, 0.32%

LAB 22.77, 47.12, -55.85

 

CMYK 0 / 67 / 84 / 45

HEX #8C2E16

RGB 140 46 22

HSL 12.2, 0.73%, 0.32%

LAB 33.11, 38.72, 35.74

 

CMYK 34 / 0 / 84 / 45

HEX #5D8C16

RGB 93 140 22

HSL 83.9, 0.73%, 0.32%

LAB 53.1, -33.57, 52.11

 

CMYK 84 / 18 / 0 / 45

HEX #17748D

RGB 23 116 141

HSL 192.71, 0.72%, 0.32%

LAB 45.08, -16.63, -20.99

 

CMYK 25 / 84 / 0 / 45

HEX #69168C

RGB 105 22 140

HSL 282.2, 0.73%, 0.32%

LAB 28.04, 52.71, -47.03

 

CMYK 0 / 67 / 84 / 45

HEX #8C2E16

RGB 140 46 22

HSL 12.2, 0.73%, 0.32%

LAB 33.11, 38.72, 35.74

 

CMYK 59 / 0 / 84 / 45

HEX #3A8C16

RGB 58 140 22

HSL 101.69, 0.73%, 0.32%

LAB 51.51, -45.38, 50.08

 

Description

Color code: RGB 23 116 141 | qconv.com Color code: RGB 23 116 141 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 116 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 116 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 18 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 18% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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