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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 113 216 it is the complementary color RGB 232 142 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 113 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 113 216 shade: RGB 28 113 211, RGB 45 131 230, RGB 62 149 249, RGB 79 167 255 and RGB 96 185 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 113 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 113 216 shade: RGB 23 113 216, RGB 6 95 197, RGB 0 77 178, RGB 0 59 159 and RGB 0 41 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 113 216 shade: RGB 22 113 216, RGB 22 60 216, RGB 36 22 216, RGB 89 22 216 and RGB 141 22 216

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 113 216 shade: RGB 22 113 216, RGB 22 60 216 and RGB 22 22 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 113 216 shade matches the following richer shades: RGB 22 113 216 and RGB 3 112 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 113 216 shade: RGB 22 113 216, RGB 42 114 197, RGB 61 115 178, RGB 80 117 158 and RGB 100 118 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 113 216 shade: RGB 22 216 216, RGB 22 165 216, RGB 22 113 216, RGB 22 61 216 and RGB 35 22 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 113 216 shade: RGB 14 74 142, RGB 18 93 179, RGB 22 113 216, RGB 47 134 233 and RGB 85 155 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 113 216 shade: RGB 23 113 216, RGB 165 22 216 and RGB 191 216 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 113 216 shade: RGB 23 113 216, RGB 216 22 113 and RGB 113 216 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 113 216 shade: RGB 23 113 216, RGB 165 22 216, RGB 216 126 22 and RGB 74 216 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 113 216 shade: RGB 23 113 216, RGB 216 22 210, RGB 216 126 22 and RGB 22 216 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 48 / 0 / 15

HEX #1771D8

RGB 23 113 216

HSL 212.02, 0.81%, 0.47%

LAB 48.2, 13.85, -59.64

 

Complementary color

CMYK 0 / 39 / 83 / 9

HEX #E88E27

RGB 232 142 39

HSL 32.02, 0.81%, 0.53%

LAB 67.01, 26.97, 64.13

 

CMYK 87 / 46 / 0 / 17

HEX #1C71D3

RGB 28 113 211

HSL 212.13, 0.77%, 0.47%

LAB 47.96, 12.21, -57.18

 

CMYK 80 / 43 / 0 / 10

HEX #2D83E6

RGB 45 131 230

HSL 212.11, 0.79%, 0.54%

LAB 54.56, 9.61, -57.28

 

CMYK 75 / 40 / 0 / 2

HEX #3E95F9

RGB 62 149 249

HSL 212.09, 0.94%, 0.61%

LAB 61.1, 7.49, -57.32

 

CMYK 69 / 35 / 0 / 0

HEX #4FA7FF

RGB 79 167 255

HSL 210, 1%, 0.65%

LAB 66.92, 1.31, -51.32

 

CMYK 62 / 27 / 0 / 0

HEX #60B9FF

RGB 96 185 255

HSL 206.42, 1%, 0.69%

LAB 72.5, -6.07, -42.51

 

CMYK 89 / 48 / 0 / 15

HEX #1771D8

RGB 23 113 216

HSL 212.02, 0.81%, 0.47%

LAB 48.2, 13.85, -59.64

 

CMYK 97 / 52 / 0 / 23

HEX #065FC5

RGB 6 95 197

HSL 212.04, 0.94%, 0.4%

LAB 41.62, 17.24, -59.4

 

CMYK 100 / 57 / 0 / 30

HEX #004DB2

RGB 0 77 178

HSL 214.04, 1%, 0.35%

LAB 35.05, 21.32, -58.95

 

CMYK 100 / 63 / 0 / 38

HEX #003B9F

RGB 0 59 159

HSL 217.74, 1%, 0.31%

LAB 28.46, 25.84, -58.33

 

CMYK 100 / 71 / 0 / 45

HEX #00298C

RGB 0 41 140

HSL 222.43, 1%, 0.27%

LAB 21.87, 30.47, -57.49

 

CMYK 90 / 48 / 0 / 15

HEX #1671D8

RGB 22 113 216

HSL 211.86, 0.82%, 0.47%

LAB 48.18, 13.8, -59.67

 

CMYK 90 / 72 / 0 / 15

HEX #163CD8

RGB 22 60 216

HSL 228.25, 0.82%, 0.47%

LAB 34.72, 47.56, -81.66

 

CMYK 83 / 90 / 0 / 15

HEX #2416D8

RGB 36 22 216

HSL 244.33, 0.82%, 0.47%

LAB 29.18, 65.57, -90.86

 

CMYK 59 / 90 / 0 / 15

HEX #5916D8

RGB 89 22 216

HSL 260.72, 0.82%, 0.47%

LAB 33.25, 68.31, -83.96

 

CMYK 35 / 90 / 0 / 15

HEX #8D16D8

RGB 141 22 216

HSL 276.8, 0.82%, 0.47%

LAB 39.91, 73.58, -72.77

 

CMYK 90 / 48 / 0 / 15

HEX #1671D8

RGB 22 113 216

HSL 211.86, 0.82%, 0.47%

LAB 48.18, 13.8, -59.67

 

CMYK 90 / 72 / 0 / 15

HEX #163CD8

RGB 22 60 216

HSL 228.25, 0.82%, 0.47%

LAB 34.72, 47.56, -81.66

 

CMYK 90 / 90 / 0 / 15

HEX #1616D8

RGB 22 22 216

HSL 240, 0.82%, 0.47%

LAB 28.65, 65.25, -91.75

 

CMYK 90 / 48 / 0 / 15

HEX #1671D8

RGB 22 113 216

HSL 211.86, 0.82%, 0.47%

LAB 48.18, 13.8, -59.67

 

CMYK 99 / 53 / 0 / 7

HEX #0370EC

RGB 3 112 236

HSL 211.93, 0.97%, 0.47%

LAB 49.09, 21.59, -69.49

 

CMYK 90 / 48 / 0 / 15

HEX #1671D8

RGB 22 113 216

HSL 211.86, 0.82%, 0.47%

LAB 48.18, 13.8, -59.67

 

CMYK 79 / 42 / 0 / 23

HEX #2A72C5

RGB 42 114 197

HSL 212.13, 0.65%, 0.47%

LAB 47.7, 7.43, -49.57

 

CMYK 66 / 35 / 0 / 30

HEX #3D73B2

RGB 61 115 178

HSL 212.31, 0.49%, 0.47%

LAB 47.58, 2.54, -38.74

 

CMYK 49 / 26 / 0 / 38

HEX #50759E

RGB 80 117 158

HSL 211.54, 0.33%, 0.47%

LAB 48.13, -1.26, -26.14

 

CMYK 28 / 15 / 0 / 45

HEX #64768B

RGB 100 118 139

HSL 212.31, 0.16%, 0.47%

LAB 48.92, -1.51, -13.63

 

CMYK 90 / 0 / 0 / 15

HEX #16D8D8

RGB 22 216 216

HSL 180, 0.82%, 0.47%

LAB 78.6, -41.76, -12.31

 

CMYK 90 / 24 / 0 / 15

HEX #16A5D8

RGB 22 165 216

HSL 195.77, 0.82%, 0.47%

LAB 63.37, -16.81, -35.57

 

CMYK 90 / 48 / 0 / 15

HEX #1671D8

RGB 22 113 216

HSL 211.86, 0.82%, 0.47%

LAB 48.18, 13.8, -59.67

 

CMYK 90 / 72 / 0 / 15

HEX #163DD8

RGB 22 61 216

HSL 227.94, 0.82%, 0.47%

LAB 34.93, 46.97, -81.31

 

CMYK 84 / 90 / 0 / 15

HEX #2316D8

RGB 35 22 216

HSL 244.02, 0.82%, 0.47%

LAB 29.13, 65.54, -90.93

 

CMYK 90 / 48 / 0 / 44

HEX #0E4A8E

RGB 14 74 142

HSL 211.88, 0.82%, 0.31%

LAB 31.68, 9.06, -42.72

 

CMYK 90 / 48 / 0 / 30

HEX #125DB3

RGB 18 93 179

HSL 212.05, 0.82%, 0.39%

LAB 39.94, 11.81, -51.61

 

CMYK 90 / 48 / 0 / 15

HEX #1671D8

RGB 22 113 216

HSL 211.86, 0.82%, 0.47%

LAB 48.18, 13.8, -59.67

 

CMYK 80 / 42 / 0 / 9

HEX #2F86E9

RGB 47 134 233

HSL 211.94, 0.81%, 0.55%

LAB 55.62, 9.08, -57.25

 

CMYK 64 / 35 / 0 / 7

HEX #559BED

RGB 85 155 237

HSL 212.37, 0.81%, 0.63%

LAB 62.92, 3.1, -47.78

 

CMYK 89 / 48 / 0 / 15

HEX #1771D8

RGB 23 113 216

HSL 212.02, 0.81%, 0.47%

LAB 48.2, 13.85, -59.64

 

CMYK 24 / 90 / 0 / 15

HEX #A516D8

RGB 165 22 216

HSL 284.23, 0.82%, 0.47%

LAB 43.55, 76.78, -66.66

 

CMYK 12 / 0 / 90 / 15

HEX #BFD816

RGB 191 216 22

HSL 67.73, 0.82%, 0.47%

LAB 81.97, -29.2, 78.82

 

CMYK 89 / 48 / 0 / 15

HEX #1771D8

RGB 23 113 216

HSL 212.02, 0.81%, 0.47%

LAB 48.2, 13.85, -59.64

 

CMYK 0 / 90 / 48 / 15

HEX #D81671

RGB 216 22 113

HSL 331.86, 0.82%, 0.47%

LAB 47.45, 72.84, 1.46

 

CMYK 48 / 0 / 90 / 15

HEX #71D816

RGB 113 216 22

HSL 91.86, 0.82%, 0.47%

LAB 77.69, -57.76, 73.55

 

CMYK 89 / 48 / 0 / 15

HEX #1771D8

RGB 23 113 216

HSL 212.02, 0.81%, 0.47%

LAB 48.2, 13.85, -59.64

 

CMYK 24 / 90 / 0 / 15

HEX #A516D8

RGB 165 22 216

HSL 284.23, 0.82%, 0.47%

LAB 43.55, 76.78, -66.66

 

CMYK 0 / 42 / 90 / 15

HEX #D87E16

RGB 216 126 22

HSL 32.16, 0.82%, 0.47%

LAB 61.29, 28.37, 63.73

 

CMYK 66 / 0 / 90 / 15

HEX #4AD816

RGB 74 216 22

HSL 103.92, 0.82%, 0.47%

LAB 76.45, -67.7, 72.02

 

CMYK 89 / 48 / 0 / 15

HEX #1771D8

RGB 23 113 216

HSL 212.02, 0.81%, 0.47%

LAB 48.2, 13.85, -59.64

 

CMYK 0 / 90 / 3 / 15

HEX #D816D2

RGB 216 22 210

HSL 301.86, 0.82%, 0.47%

LAB 51.64, 83.89, -49.75

 

CMYK 0 / 42 / 90 / 15

HEX #D87E16

RGB 216 126 22

HSL 32.16, 0.82%, 0.47%

LAB 61.29, 28.37, 63.73

 

CMYK 90 / 0 / 87 / 15

HEX #16D81D

RGB 22 216 29

HSL 122.16, 0.82%, 0.47%

LAB 75.68, -74.36, 69.78

 

Description

Color code: RGB 23 113 216 | qconv.com Color code: RGB 23 113 216 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 113 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 113 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 48 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 48% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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