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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 75 251 it is the complementary color RGB 232 180 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 75 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 75 251 shade: RGB 28 75 246, RGB 45 93 255, RGB 62 111 255, RGB 79 129 255 and RGB 96 147 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 75 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 75 251 shade: RGB 23 75 251, RGB 6 57 232, RGB 0 39 213, RGB 0 21 194 and RGB 0 3 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 75 251 shade: RGB 23 75 251, RGB 33 23 251, RGB 94 23 251, RGB 156 23 251 and RGB 217 23 251

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 75 251 shade: RGB 23 75 251 and RGB 23 23 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 75 251 shade matches the following richer shades: RGB 23 75 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 75 251 shade: RGB 23 75 251, RGB 42 86 232, RGB 61 96 213, RGB 80 106 194 and RGB 99 117 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 75 251 shade: RGB 23 198 251, RGB 23 137 251, RGB 23 77 251, RGB 31 23 251 and RGB 92 23 251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 75 251 shade: RGB 2 45 189, RGB 3 55 230, RGB 23 75 251, RGB 64 107 252 and RGB 105 138 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 75 251 shade: RGB 23 75 251, RGB 243 23 251 and RGB 168 251 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 75 251 shade: RGB 23 75 251, RGB 251 23 77 and RGB 77 251 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 75 251 shade: RGB 23 75 251, RGB 243 23 251, RGB 251 198 23 and RGB 31 251 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 75 251 shade: RGB 23 75 251, RGB 251 23 190, RGB 251 198 23 and RGB 23 251 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 70 / 0 / 2

HEX #174BFB

RGB 23 75 251

HSL 226.32, 0.97%, 0.54%

LAB 41.5, 50.94, -90.31

 

Complementary color

CMYK 0 / 22 / 98 / 9

HEX #E8B404

RGB 232 180 4

HSL 46.32, 0.97%, 0.46%

LAB 75.95, 6.27, 77.99

 

CMYK 89 / 70 / 0 / 4

HEX #1C4BF6

RGB 28 75 246

HSL 227.06, 0.92%, 0.54%

LAB 41.11, 49.39, -88.15

 

CMYK 82 / 64 / 0 / 0

HEX #2D5DFF

RGB 45 93 255

HSL 226.29, 1%, 0.59%

LAB 46.45, 42.59, -84.37

 

CMYK 76 / 56 / 0 / 0

HEX #3E6FFF

RGB 62 111 255

HSL 224.77, 1%, 0.62%

LAB 51.4, 32.91, -76.27

 

CMYK 69 / 49 / 0 / 0

HEX #4F81FF

RGB 79 129 255

HSL 222.95, 1%, 0.65%

LAB 56.67, 23.87, -67.69

 

CMYK 62 / 42 / 0 / 0

HEX #6093FF

RGB 96 147 255

HSL 220.75, 1%, 0.69%

LAB 62.15, 15.67, -58.86

 

CMYK 91 / 70 / 0 / 2

HEX #174BFB

RGB 23 75 251

HSL 226.32, 0.97%, 0.54%

LAB 41.5, 50.94, -90.31

 

CMYK 97 / 75 / 0 / 9

HEX #0639E8

RGB 6 57 232

HSL 226.46, 0.95%, 0.47%

LAB 35.58, 54.35, -89.4

 

CMYK 100 / 82 / 0 / 16

HEX #0027D5

RGB 0 39 213

HSL 229.01, 1%, 0.42%

LAB 30.05, 57.38, -87.69

 

CMYK 100 / 89 / 0 / 24

HEX #0015C2

RGB 0 21 194

HSL 233.51, 1%, 0.38%

LAB 25.05, 59.15, -84.92

 

CMYK 100 / 98 / 0 / 31

HEX #0003AF

RGB 0 3 175

HSL 238.97, 1%, 0.34%

LAB 20.67, 58.93, -80.91

 

CMYK 91 / 70 / 0 / 2

HEX #174BFB

RGB 23 75 251

HSL 226.32, 0.97%, 0.54%

LAB 41.5, 50.94, -90.31

 

CMYK 87 / 91 / 0 / 2

HEX #2117FB

RGB 33 23 251

HSL 242.63, 0.97%, 0.54%

LAB 33.78, 74.41, -103.14

 

CMYK 63 / 91 / 0 / 2

HEX #5E17FB

RGB 94 23 251

HSL 258.68, 0.97%, 0.54%

LAB 37.77, 76.8, -96.39

 

CMYK 38 / 91 / 0 / 2

HEX #9C17FB

RGB 156 23 251

HSL 275, 0.97%, 0.54%

LAB 45.15, 82.2, -83.95

 

CMYK 14 / 91 / 0 / 2

HEX #D917FB

RGB 217 23 251

HSL 291.05, 0.97%, 0.54%

LAB 54.37, 90.17, -68.52

 

CMYK 91 / 70 / 0 / 2

HEX #174BFB

RGB 23 75 251

HSL 226.32, 0.97%, 0.54%

LAB 41.5, 50.94, -90.31

 

CMYK 91 / 91 / 0 / 2

HEX #1717FB

RGB 23 23 251

HSL 240, 0.97%, 0.54%

LAB 33.48, 74.25, -103.64

 

CMYK 91 / 70 / 0 / 2

HEX #174BFB

RGB 23 75 251

HSL 226.32, 0.97%, 0.54%

LAB 41.5, 50.94, -90.31

 

CMYK 91 / 70 / 0 / 2

HEX #174BFB

RGB 23 75 251

HSL 226.32, 0.97%, 0.54%

LAB 41.5, 50.94, -90.31

 

CMYK 82 / 63 / 0 / 9

HEX #2A56E8

RGB 42 86 232

HSL 226.11, 0.81%, 0.54%

LAB 42.72, 38.45, -77.59

 

CMYK 71 / 55 / 0 / 16

HEX #3D60D5

RGB 61 96 213

HSL 226.18, 0.64%, 0.54%

LAB 44.46, 27.13, -63.92

 

CMYK 59 / 45 / 0 / 24

HEX #506AC2

RGB 80 106 194

HSL 226.32, 0.48%, 0.54%

LAB 46.85, 17.27, -49.11

 

CMYK 43 / 33 / 0 / 31

HEX #6375AF

RGB 99 117 175

HSL 225.79, 0.32%, 0.54%

LAB 50.06, 8.85, -32.96

 

CMYK 91 / 21 / 0 / 2

HEX #17C6FB

RGB 23 198 251

HSL 193.95, 0.97%, 0.54%

LAB 74.53, -22.01, -37.3

 

CMYK 91 / 45 / 0 / 2

HEX #1789FB

RGB 23 137 251

HSL 210, 0.97%, 0.54%

LAB 57.11, 12.37, -64.85

 

CMYK 91 / 69 / 0 / 2

HEX #174DFB

RGB 23 77 251

HSL 225.79, 0.97%, 0.54%

LAB 41.93, 49.76, -89.6

 

CMYK 88 / 91 / 0 / 2

HEX #1F17FB

RGB 31 23 251

HSL 242.11, 0.97%, 0.54%

LAB 33.71, 74.37, -103.25

 

CMYK 63 / 91 / 0 / 2

HEX #5C17FB

RGB 92 23 251

HSL 258.16, 0.97%, 0.54%

LAB 37.58, 76.67, -96.7

 

CMYK 99 / 76 / 0 / 26

HEX #022DBD

RGB 2 45 189

HSL 226.2, 0.98%, 0.37%

LAB 28.28, 46.33, -76.58

 

CMYK 99 / 76 / 0 / 10

HEX #0337E6

RGB 3 55 230

HSL 226.26, 0.97%, 0.46%

LAB 34.93, 54.72, -89.34

 

CMYK 91 / 70 / 0 / 2

HEX #174BFB

RGB 23 75 251

HSL 226.32, 0.97%, 0.54%

LAB 41.5, 50.94, -90.31

 

CMYK 75 / 58 / 0 / 1

HEX #406BFC

RGB 64 107 252

HSL 226.28, 0.97%, 0.62%

LAB 50.26, 34.53, -76.46

 

CMYK 58 / 45 / 0 / 1

HEX #698AFC

RGB 105 138 252

HSL 226.53, 0.96%, 0.7%

LAB 60.08, 21.67, -60.5

 

CMYK 91 / 70 / 0 / 2

HEX #174BFB

RGB 23 75 251

HSL 226.32, 0.97%, 0.54%

LAB 41.5, 50.94, -90.31

 

CMYK 3 / 91 / 0 / 2

HEX #F317FB

RGB 243 23 251

HSL 297.89, 0.97%, 0.54%

LAB 58.63, 94.16, -61.44

 

CMYK 33 / 0 / 91 / 2

HEX #A8FB17

RGB 168 251 23

HSL 81.84, 0.97%, 0.54%

LAB 90.5, -53.27, 84.96

 

CMYK 91 / 70 / 0 / 2

HEX #174BFB

RGB 23 75 251

HSL 226.32, 0.97%, 0.54%

LAB 41.5, 50.94, -90.31

 

CMYK 0 / 91 / 69 / 2

HEX #FB174D

RGB 251 23 77

HSL 345.79, 0.97%, 0.54%

LAB 53.66, 78.84, 32.93

 

CMYK 69 / 0 / 91 / 2

HEX #4DFB17

RGB 77 251 23

HSL 105.79, 0.97%, 0.54%

LAB 87.31, -77.88, 81.02

 

CMYK 91 / 70 / 0 / 2

HEX #174BFB

RGB 23 75 251

HSL 226.32, 0.97%, 0.54%

LAB 41.5, 50.94, -90.31

 

CMYK 3 / 91 / 0 / 2

HEX #F317FB

RGB 243 23 251

HSL 297.89, 0.97%, 0.54%

LAB 58.63, 94.16, -61.44

 

CMYK 0 / 21 / 91 / 2

HEX #FBC617

RGB 251 198 23

HSL 46.05, 0.97%, 0.54%

LAB 82.36, 5.28, 81.16

 

CMYK 88 / 0 / 91 / 2

HEX #1FFB17

RGB 31 251 23

HSL 117.89, 0.97%, 0.54%

LAB 86.68, -83.45, 80.24

 

CMYK 91 / 70 / 0 / 2

HEX #174BFB

RGB 23 75 251

HSL 226.32, 0.97%, 0.54%

LAB 41.5, 50.94, -90.31

 

CMYK 0 / 91 / 24 / 2

HEX #FB17BE

RGB 251 23 190

HSL 316.05, 0.97%, 0.54%

LAB 56.92, 87.66, -29.51

 

CMYK 0 / 21 / 91 / 2

HEX #FBC617

RGB 251 198 23

HSL 46.05, 0.97%, 0.54%

LAB 82.36, 5.28, 81.16

 

CMYK 91 / 0 / 67 / 2

HEX #17FB54

RGB 23 251 84

HSL 136.05, 0.97%, 0.54%

LAB 86.91, -80.3, 63.85

 

Description

Color code: RGB 23 75 251 | qconv.com Color code: RGB 23 75 251 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 75 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 75 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 70 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 70% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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