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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 62 31 it is the complementary color RGB 232 193 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 62 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 62 31 shade: RGB 28 62 26, RGB 45 80 45, RGB 62 98 64, RGB 79 116 83 and RGB 96 134 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 62 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 62 31 shade: RGB 23 62 31, RGB 6 44 12, RGB 0 26 0 and RGB 0 8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 62 31 shade: RGB 23 63 31, RGB 25 63 23, RGB 36 63 23, RGB 47 63 23 and RGB 58 63 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 62 31 shade: RGB 23 63 31, RGB 23 63 42, RGB 23 63 53, RGB 23 62 63 and RGB 23 51 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 62 31 shade matches the following richer shades: RGB 23 63 31, RGB 16 70 27, RGB 9 77 23 and RGB 2 84 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 62 31 shade: RGB 23 63 31, RGB 30 56 35, RGB 37 49 39, RGB 44 42 43 and RGB 51 35 48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 62 31 shade: RGB 36 63 23, RGB 26 63 23, RGB 23 63 31, RGB 23 63 42 and RGB 23 63 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 62 31 shade: RGB 1 3 1, RGB 12 33 16, RGB 23 63 31, RGB 34 93 46 and RGB 45 123 61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 62 31 shade: RGB 23 62 31, RGB 23 47 63 and RGB 63 23 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 62 31 shade: RGB 23 62 31, RGB 31 23 63 and RGB 63 31 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 62 31 shade: RGB 23 62 31, RGB 23 47 63, RGB 63 23 55 and RGB 63 39 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 62 31 shade: RGB 23 62 31, RGB 23 35 63, RGB 63 23 55 and RGB 63 51 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 50 / 76

HEX #173E1F

RGB 23 62 31

HSL 132.31, 0.46%, 0.17%

LAB 22.75, -21.9, 14.99

 

Complementary color

CMYK 0 / 17 / 3 / 9

HEX #E8C1E0

RGB 232 193 224

HSL 312.31, 0.46%, 0.83%

LAB 82.21, 19.03, -10.22

 

CMYK 55 / 0 / 58 / 76

HEX #1C3E1A

RGB 28 62 26

HSL 116.67, 0.41%, 0.17%

LAB 22.88, -21.16, 18.28

 

CMYK 44 / 0 / 44 / 69

HEX #2D502D

RGB 45 80 45

HSL 120, 0.28%, 0.25%

LAB 30.6, -21.01, 16.75

 

CMYK 37 / 0 / 35 / 62

HEX #3E6240

RGB 62 98 64

HSL 123.33, 0.23%, 0.31%

LAB 38.07, -20.74, 15.38

 

CMYK 32 / 0 / 28 / 55

HEX #4F7453

RGB 79 116 83

HSL 126.49, 0.19%, 0.38%

LAB 45.33, -20.45, 14.16

 

CMYK 28 / 0 / 24 / 47

HEX #608666

RGB 96 134 102

HSL 129.47, 0.17%, 0.45%

LAB 52.39, -20.18, 13.05

 

CMYK 63 / 0 / 50 / 76

HEX #173E1F

RGB 23 62 31

HSL 132.31, 0.46%, 0.17%

LAB 22.75, -21.9, 14.99

 

CMYK 86 / 0 / 73 / 83

HEX #062C0C

RGB 6 44 12

HSL 129.47, 0.76%, 0.1%

LAB 14.77, -21.55, 16.12

 

CMYK 100 / 0 / 100 / 90

HEX #001A00

RGB 0 26 0

HSL 120, 1%, 0.05%

LAB 6.67, -13.63, 9.74

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 63 / 0 / 51 / 75

HEX #173F1F

RGB 23 63 31

HSL 132, 0.47%, 0.17%

LAB 23.12, -22.39, 15.47

 

CMYK 60 / 0 / 63 / 75

HEX #193F17

RGB 25 63 23

HSL 117, 0.47%, 0.17%

LAB 23.08, -23.13, 20.24

 

CMYK 43 / 0 / 63 / 75

HEX #243F17

RGB 36 63 23

HSL 100.5, 0.47%, 0.17%

LAB 23.64, -19.08, 21.05

 

CMYK 25 / 0 / 63 / 75

HEX #2F3F17

RGB 47 63 23

HSL 84, 0.47%, 0.17%

LAB 24.39, -14.27, 22.1

 

CMYK 8 / 0 / 63 / 75

HEX #3A3F17

RGB 58 63 23

HSL 67.5, 0.47%, 0.17%

LAB 25.31, -8.95, 23.4

 

CMYK 63 / 0 / 51 / 75

HEX #173F1F

RGB 23 63 31

HSL 132, 0.47%, 0.17%

LAB 23.12, -22.39, 15.47

 

CMYK 63 / 0 / 33 / 75

HEX #173F2A

RGB 23 63 42

HSL 148.5, 0.47%, 0.17%

LAB 23.35, -19.97, 8.75

 

CMYK 63 / 0 / 16 / 75

HEX #173F35

RGB 23 63 53

HSL 165, 0.47%, 0.17%

LAB 23.65, -16.98, 1.92

RGB 23 63 53

CMYK 63 / 2 / 0 / 75

HEX #173E3F

RGB 23 62 63

HSL 181.5, 0.47%, 0.17%

LAB 23.63, -13.26, -4.77

RGB 23 62 63

CMYK 63 / 19 / 0 / 75

HEX #17333F

RGB 23 51 63

HSL 198, 0.47%, 0.17%

LAB 19.67, -6.38, -10.75

RGB 23 51 63

CMYK 63 / 0 / 51 / 75

HEX #173F1F

RGB 23 63 31

HSL 132, 0.47%, 0.17%

LAB 23.12, -22.39, 15.47

 

CMYK 77 / 0 / 61 / 73

HEX #10461B

RGB 16 70 27

HSL 132.22, 0.63%, 0.17%

LAB 25.47, -28.07, 20.73

 

CMYK 88 / 0 / 70 / 70

HEX #094D17

RGB 9 77 23

HSL 132.35, 0.79%, 0.17%

LAB 27.92, -32.69, 25.69

 

CMYK 98 / 0 / 77 / 67

HEX #025413

RGB 2 84 19

HSL 132.44, 0.95%, 0.17%

LAB 30.4, -36.68, 30.24

 

CMYK 63 / 0 / 51 / 75

HEX #173F1F

RGB 23 63 31

HSL 132, 0.47%, 0.17%

LAB 23.12, -22.39, 15.47

 

CMYK 46 / 0 / 38 / 78

HEX #1E3823

RGB 30 56 35

HSL 131.54, 0.3%, 0.17%

LAB 20.93, -15.54, 10.08

 

CMYK 24 / 0 / 20 / 81

HEX #253127

RGB 37 49 39

HSL 130, 0.14%, 0.17%

LAB 18.96, -7.59, 4.74

 

CMYK 0 / 5 / 2 / 83

HEX #2C2A2B

RGB 44 42 43

HSL 330, 0.02%, 0.17%

LAB 17.3, 1.14, -0.33

 

CMYK 0 / 31 / 6 / 80

HEX #332330

RGB 51 35 48

HSL 311.25, 0.19%, 0.17%

LAB 16.1, 10.33, -5.55

 

CMYK 43 / 0 / 63 / 75

HEX #243F17

RGB 36 63 23

HSL 100.5, 0.47%, 0.17%

LAB 23.64, -19.08, 21.05

 

CMYK 59 / 0 / 63 / 75

HEX #1A3F17

RGB 26 63 23

HSL 115.5, 0.47%, 0.17%

LAB 23.12, -22.8, 20.3

 

CMYK 63 / 0 / 51 / 75

HEX #173F1F

RGB 23 63 31

HSL 132, 0.47%, 0.17%

LAB 23.12, -22.39, 15.47

 

CMYK 63 / 0 / 33 / 75

HEX #173F2A

RGB 23 63 42

HSL 148.5, 0.47%, 0.17%

LAB 23.35, -19.97, 8.75

 

CMYK 63 / 0 / 17 / 75

HEX #173F34

RGB 23 63 52

HSL 163.5, 0.47%, 0.17%

LAB 23.62, -17.27, 2.54

 

CMYK 67 / 0 / 67 / 99

HEX #010301

RGB 1 3 1

HSL 120, 0.5%, 0.01%

LAB 0.67, -0.8, 0.57

 

CMYK 64 / 0 / 52 / 87

HEX #0C2110

RGB 12 33 16

HSL 131.43, 0.47%, 0.09%

LAB 10.58, -13.29, 8.51

 

CMYK 63 / 0 / 51 / 75

HEX #173F1F

RGB 23 63 31

HSL 132, 0.47%, 0.17%

LAB 23.12, -22.39, 15.47

 

CMYK 63 / 0 / 51 / 64

HEX #225D2E

RGB 34 93 46

HSL 132.2, 0.46%, 0.25%

LAB 34.73, -30.5, 21.36

 

CMYK 63 / 0 / 50 / 52

HEX #2D7B3D

RGB 45 123 61

HSL 132.31, 0.46%, 0.33%

LAB 45.72, -38.06, 26.88

 

CMYK 63 / 0 / 50 / 76

HEX #173E1F

RGB 23 62 31

HSL 132.31, 0.46%, 0.17%

LAB 22.75, -21.9, 14.99

 

CMYK 63 / 25 / 0 / 75

HEX #172F3F

RGB 23 47 63

HSL 204, 0.47%, 0.17%

LAB 18.25, -3.7, -12.95

 

CMYK 0 / 63 / 51 / 75

HEX #3F171F

RGB 63 23 31

HSL 348, 0.47%, 0.17%

LAB 14.22, 20.46, 4.16

 

CMYK 63 / 0 / 50 / 76

HEX #173E1F

RGB 23 62 31

HSL 132.31, 0.46%, 0.17%

LAB 22.75, -21.9, 14.99

 

CMYK 51 / 63 / 0 / 75

HEX #1F173F

RGB 31 23 63

HSL 252, 0.47%, 0.17%

LAB 11.01, 16.06, -24.34

 

CMYK 0 / 51 / 63 / 75

HEX #3F1F17

RGB 63 31 23

HSL 12, 0.47%, 0.17%

LAB 16, 14.54, 12.28

 

CMYK 63 / 0 / 50 / 76

HEX #173E1F

RGB 23 62 31

HSL 132.31, 0.46%, 0.17%

LAB 22.75, -21.9, 14.99

 

CMYK 63 / 25 / 0 / 75

HEX #172F3F

RGB 23 47 63

HSL 204, 0.47%, 0.17%

LAB 18.25, -3.7, -12.95

 

CMYK 0 / 63 / 13 / 75

HEX #3F1737

RGB 63 23 55

HSL 312, 0.47%, 0.17%

LAB 15.2, 24.34, -11.74

 

CMYK 0 / 38 / 63 / 75

HEX #3F2717

RGB 63 39 23

HSL 24, 0.47%, 0.17%

LAB 18.23, 9.23, 15.11

 

CMYK 63 / 0 / 50 / 76

HEX #173E1F

RGB 23 62 31

HSL 132.31, 0.46%, 0.17%

LAB 22.75, -21.9, 14.99

 

CMYK 63 / 44 / 0 / 75

HEX #17233F

RGB 23 35 63

HSL 222, 0.47%, 0.17%

LAB 14.08, 4.89, -19.48

 

CMYK 0 / 63 / 13 / 75

HEX #3F1737

RGB 63 23 55

HSL 312, 0.47%, 0.17%

LAB 15.2, 24.34, -11.74

 

CMYK 0 / 19 / 63 / 75

HEX #3F3317

RGB 63 51 23

HSL 42, 0.47%, 0.17%

LAB 21.89, 1.22, 19.57

 

Description

Color code: RGB 23 62 31 | qconv.com Color code: RGB 23 62 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 62 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 62 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 50 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 50% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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