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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 227 253 it is the complementary color RGB 254 28 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 227 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 227 253 shade: RGB 6 227 248, RGB 23 245 255, RGB 40 255 255, RGB 57 255 255 and RGB 74 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 227 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 227 253 shade: RGB 1 227 253, RGB 0 209 234, RGB 0 191 215, RGB 0 173 196 and RGB 0 155 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 227 253 shade: RGB 1 227 253, RGB 1 159 253, RGB 1 91 253, RGB 1 23 253 and RGB 47 1 253

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 227 253 shade: RGB 1 227 253, RGB 1 159 253, RGB 1 91 253, RGB 1 23 253 and RGB 1 1 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 227 253 shade matches the following richer shades: RGB 1 227 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 227 253 shade: RGB 1 227 253, RGB 21 211 233, RGB 42 194 212, RGB 63 178 191 and RGB 83 162 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 227 253 shade: RGB 1 253 144, RGB 1 253 211, RGB 1 228 253, RGB 1 161 253 and RGB 1 93 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 227 253 shade: RGB 0 154 171, RGB 1 190 212, RGB 1 227 253, RGB 42 232 253 and RGB 83 236 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 227 253 shade: RGB 1 227 253, RGB 77 1 253 and RGB 253 177 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 227 253 shade: RGB 1 227 253, RGB 253 1 228 and RGB 228 253 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 227 253 shade: RGB 1 227 253, RGB 77 1 253, RGB 253 26 1 and RGB 177 253 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 227 253 shade: RGB 1 227 253, RGB 152 1 253, RGB 253 26 1 and RGB 102 253 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 10 / 0 / 1

HEX #01E3FD

RGB 1 227 253

HSL 186.19, 0.99%, 0.5%

LAB 82.93, -36.13, -25.45

 

Complementary color

CMYK 0 / 89 / 99 / 0

HEX #FE1C02

RGB 254 28 2

HSL 6.19, 0.99%, 0.5%

LAB 53.93, 77.3, 66.85

 

CMYK 98 / 8 / 0 / 3

HEX #06E3F8

RGB 6 227 248

HSL 185.21, 0.95%, 0.5%

LAB 82.78, -37.57, -23.04

 

CMYK 91 / 4 / 0 / 0

HEX #17F5FF

RGB 23 245 255

HSL 182.59, 1%, 0.55%

LAB 88.31, -43.15, -18.35

 

CMYK 84 / 0 / 0 / 0

HEX #28FFFF

RGB 40 255 255

HSL 180, 1%, 0.58%

LAB 91.32, -46.73, -13.81

 

CMYK 78 / 0 / 0 / 0

HEX #39FFFF

RGB 57 255 255

HSL 180, 1%, 0.61%

LAB 91.51, -45.49, -13.51

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 100 / 10 / 0 / 1

HEX #01E3FD

RGB 1 227 253

HSL 186.19, 0.99%, 0.5%

LAB 82.93, -36.13, -25.45

 

CMYK 100 / 11 / 0 / 8

HEX #00D1EA

RGB 0 209 234

HSL 186.41, 1%, 0.46%

LAB 77.01, -33.67, -24.38

 

CMYK 100 / 11 / 0 / 16

HEX #00BFD7

RGB 0 191 215

HSL 186.7, 1%, 0.42%

LAB 70.99, -31.15, -23.29

 

CMYK 100 / 12 / 0 / 23

HEX #00ADC4

RGB 0 173 196

HSL 187.04, 1%, 0.38%

LAB 64.86, -28.58, -22.2

 

CMYK 100 / 12 / 0 / 31

HEX #009BB1

RGB 0 155 177

HSL 187.46, 1%, 0.35%

LAB 58.62, -25.94, -21.09

 

CMYK 100 / 10 / 0 / 1

HEX #01E3FD

RGB 1 227 253

HSL 186.19, 0.99%, 0.5%

LAB 82.93, -36.13, -25.45

 

CMYK 100 / 37 / 0 / 1

HEX #019FFD

RGB 1 159 253

HSL 202.38, 0.99%, 0.5%

LAB 63.26, -0.66, -56.12

 

CMYK 100 / 64 / 0 / 1

HEX #015BFD

RGB 1 91 253

HSL 218.57, 0.99%, 0.5%

LAB 45.05, 41.41, -85.58

 

CMYK 100 / 91 / 0 / 1

HEX #0117FD

RGB 1 23 253

HSL 234.76, 0.99%, 0.5%

LAB 33.37, 74.57, -104.95

 

CMYK 81 / 100 / 0 / 1

HEX #2F01FD

RGB 47 1 253

HSL 250.95, 0.99%, 0.5%

LAB 33.39, 79.02, -104.89

 

CMYK 100 / 10 / 0 / 1

HEX #01E3FD

RGB 1 227 253

HSL 186.19, 0.99%, 0.5%

LAB 82.93, -36.13, -25.45

 

CMYK 100 / 37 / 0 / 1

HEX #019FFD

RGB 1 159 253

HSL 202.38, 0.99%, 0.5%

LAB 63.26, -0.66, -56.12

 

CMYK 100 / 64 / 0 / 1

HEX #015BFD

RGB 1 91 253

HSL 218.57, 0.99%, 0.5%

LAB 45.05, 41.41, -85.58

 

CMYK 100 / 91 / 0 / 1

HEX #0117FD

RGB 1 23 253

HSL 234.76, 0.99%, 0.5%

LAB 33.37, 74.57, -104.95

 

CMYK 100 / 100 / 0 / 1

HEX #0101FD

RGB 1 1 253

HSL 240, 0.99%, 0.5%

LAB 32.08, 78.58, -107.12

 

CMYK 100 / 10 / 0 / 1

HEX #01E3FD

RGB 1 227 253

HSL 186.19, 0.99%, 0.5%

LAB 82.93, -36.13, -25.45

 

CMYK 100 / 10 / 0 / 1

HEX #01E3FD

RGB 1 227 253

HSL 186.19, 0.99%, 0.5%

LAB 82.93, -36.13, -25.45

 

CMYK 91 / 9 / 0 / 9

HEX #15D3E9

RGB 21 211 233

HSL 186.23, 0.83%, 0.5%

LAB 77.66, -34.35, -22.84

 

CMYK 80 / 8 / 0 / 17

HEX #2AC2D4

RGB 42 194 212

HSL 186.35, 0.67%, 0.5%

LAB 72.11, -31.5, -19.91

 

CMYK 67 / 7 / 0 / 25

HEX #3FB2BF

RGB 63 178 191

HSL 186.09, 0.5%, 0.5%

LAB 67.02, -27.65, -16.07

 

CMYK 51 / 5 / 0 / 33

HEX #53A2AB

RGB 83 162 171

HSL 186.14, 0.35%, 0.5%

LAB 62.19, -21.69, -12.14

 

CMYK 100 / 0 / 43 / 1

HEX #01FD90

RGB 1 253 144

HSL 154.05, 0.99%, 0.5%

LAB 88.1, -73.47, 38.4

 

CMYK 100 / 0 / 17 / 1

HEX #01FDD3

RGB 1 253 211

HSL 170, 0.99%, 0.5%

LAB 89.37, -59.1, 6.14

 

CMYK 100 / 10 / 0 / 1

HEX #01E4FD

RGB 1 228 253

HSL 185.95, 0.99%, 0.5%

LAB 83.22, -36.59, -25.01

 

CMYK 100 / 36 / 0 / 1

HEX #01A1FD

RGB 1 161 253

HSL 201.9, 0.99%, 0.5%

LAB 63.83, -1.81, -55.22

 

CMYK 100 / 63 / 0 / 1

HEX #015DFD

RGB 1 93 253

HSL 218.1, 0.99%, 0.5%

LAB 45.53, 40.16, -84.79

 

CMYK 100 / 10 / 0 / 33

HEX #009AAB

RGB 0 154 171

HSL 185.96, 1%, 0.34%

LAB 58.09, -27.46, -18.5

 

CMYK 100 / 10 / 0 / 17

HEX #01BED4

RGB 1 190 212

HSL 186.26, 0.99%, 0.42%

LAB 70.59, -31.61, -22.27

 

CMYK 100 / 10 / 0 / 1

HEX #01E3FD

RGB 1 227 253

HSL 186.19, 0.99%, 0.5%

LAB 82.93, -36.13, -25.45

 

CMYK 83 / 8 / 0 / 1

HEX #2AE8FD

RGB 42 232 253

HSL 185.97, 0.98%, 0.58%

LAB 84.64, -36.88, -22.84

 

CMYK 67 / 7 / 0 / 0

HEX #53ECFE

RGB 83 236 254

HSL 186.32, 0.99%, 0.66%

LAB 86.5, -34.3, -20.48

 

CMYK 100 / 10 / 0 / 1

HEX #01E3FD

RGB 1 227 253

HSL 186.19, 0.99%, 0.5%

LAB 82.93, -36.13, -25.45

 

CMYK 70 / 100 / 0 / 1

HEX #4D01FD

RGB 77 1 253

HSL 258.1, 0.99%, 0.5%

LAB 35.38, 79.83, -101.51

 

CMYK 0 / 30 / 100 / 1

HEX #FDB101

RGB 253 177 1

HSL 41.9, 0.99%, 0.5%

LAB 77.48, 16.83, 80.42

 

CMYK 100 / 10 / 0 / 1

HEX #01E3FD

RGB 1 227 253

HSL 186.19, 0.99%, 0.5%

LAB 82.93, -36.13, -25.45

 

CMYK 0 / 100 / 10 / 1

HEX #FD01E4

RGB 253 1 228

HSL 305.95, 0.99%, 0.5%

LAB 58.51, 94.27, -48.66

 

CMYK 10 / 0 / 100 / 1

HEX #E4FD01

RGB 228 253 1

HSL 65.95, 0.99%, 0.5%

LAB 94.63, -31.59, 91.67

 

CMYK 100 / 10 / 0 / 1

HEX #01E3FD

RGB 1 227 253

HSL 186.19, 0.99%, 0.5%

LAB 82.93, -36.13, -25.45

 

CMYK 70 / 100 / 0 / 1

HEX #4D01FD

RGB 77 1 253

HSL 258.1, 0.99%, 0.5%

LAB 35.38, 79.83, -101.51

 

CMYK 0 / 90 / 100 / 1

HEX #FD1A01

RGB 253 26 1

HSL 5.95, 0.99%, 0.5%

LAB 53.63, 77.32, 66.86

 

CMYK 30 / 0 / 100 / 1

HEX #B1FD01

RGB 177 253 1

HSL 78.1, 0.99%, 0.5%

LAB 91.51, -51.16, 87.93

 

CMYK 100 / 10 / 0 / 1

HEX #01E3FD

RGB 1 227 253

HSL 186.19, 0.99%, 0.5%

LAB 82.93, -36.13, -25.45

 

CMYK 40 / 100 / 0 / 1

HEX #9801FD

RGB 152 1 253

HSL 275.95, 0.99%, 0.5%

LAB 43.93, 84.71, -87.09

 

CMYK 0 / 90 / 100 / 1

HEX #FD1A01

RGB 253 26 1

HSL 5.95, 0.99%, 0.5%

LAB 53.63, 77.32, 66.86

 

CMYK 60 / 0 / 100 / 1

HEX #66FD01

RGB 102 253 1

HSL 95.95, 0.99%, 0.5%

LAB 88.48, -73.77, 84.27

 

Description

Color code: RGB 1 227 253 | qconv.com Color code: RGB 1 227 253 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 227 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 227 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 10 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 10% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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