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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 253 224 it is the complementary color RGB 254 2 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 253 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 253 224 shade: RGB 6 253 219, RGB 23 255 238, RGB 40 255 255, RGB 57 255 255 and RGB 74 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 253 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 253 224 shade: RGB 1 253 224, RGB 0 235 205, RGB 0 217 186, RGB 0 199 167 and RGB 0 181 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 253 224 shade: RGB 1 253 224, RGB 1 253 156, RGB 1 253 88, RGB 1 253 20 and RGB 50 253 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 253 224 shade: RGB 1 253 224, RGB 1 214 253, RGB 1 146 253, RGB 1 78 253 and RGB 1 10 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 253 224 shade matches the following richer shades: RGB 1 253 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 253 224 shade: RGB 1 253 224, RGB 21 233 208, RGB 42 212 192, RGB 63 191 177 and RGB 83 171 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 253 224 shade: RGB 1 253 89, RGB 1 253 156, RGB 1 253 224, RGB 1 215 253 and RGB 1 148 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 253 224 shade: RGB 0 171 151, RGB 1 212 188, RGB 1 253 224, RGB 42 253 229 and RGB 83 254 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 253 224 shade: RGB 1 253 224, RGB 22 1 253 and RGB 253 123 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 253 224 shade: RGB 1 253 224, RGB 224 1 253 and RGB 253 224 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 253 224 shade: RGB 1 253 224, RGB 22 1 253, RGB 253 1 30 and RGB 232 253 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 253 224 shade: RGB 1 253 224, RGB 98 1 253, RGB 253 1 30 and RGB 156 253 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 11 / 1

HEX #01FDE0

RGB 1 253 224

HSL 173.1, 0.99%, 0.5%

LAB 89.69, -55.76, -0.15

 

Complementary color

CMYK 0 / 99 / 88 / 0

HEX #FE021F

RGB 254 2 31

HSL 353.1, 0.99%, 0.5%

LAB 53.18, 80.03, 57.42

 

CMYK 98 / 0 / 13 / 1

HEX #06FDDB

RGB 6 253 219

HSL 171.74, 0.98%, 0.51%

LAB 89.58, -56.96, 2.29

 

CMYK 91 / 0 / 7 / 0

HEX #17FFEE

RGB 23 255 238

HSL 175.6, 1%, 0.55%

LAB 90.72, -52.27, -5.89

 

CMYK 84 / 0 / 0 / 0

HEX #28FFFF

RGB 40 255 255

HSL 180, 1%, 0.58%

LAB 91.32, -46.73, -13.81

 

CMYK 78 / 0 / 0 / 0

HEX #39FFFF

RGB 57 255 255

HSL 180, 1%, 0.61%

LAB 91.51, -45.49, -13.51

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 100 / 0 / 11 / 1

HEX #01FDE0

RGB 1 253 224

HSL 173.1, 0.99%, 0.5%

LAB 89.69, -55.76, -0.15

 

CMYK 100 / 0 / 13 / 8

HEX #00EBCD

RGB 0 235 205

HSL 172.34, 1%, 0.46%

LAB 83.87, -53.54, 1.3

 

CMYK 100 / 0 / 14 / 15

HEX #00D9BA

RGB 0 217 186

HSL 171.43, 1%, 0.43%

LAB 77.98, -51.26, 2.8

 

CMYK 100 / 0 / 16 / 22

HEX #00C7A7

RGB 0 199 167

HSL 170.35, 1%, 0.39%

LAB 71.99, -48.95, 4.35

 

CMYK 100 / 0 / 18 / 29

HEX #00B594

RGB 0 181 148

HSL 169.06, 1%, 0.35%

LAB 65.89, -46.6, 5.97

 

CMYK 100 / 0 / 11 / 1

HEX #01FDE0

RGB 1 253 224

HSL 173.1, 0.99%, 0.5%

LAB 89.69, -55.76, -0.15

 

CMYK 100 / 0 / 38 / 1

HEX #01FD9C

RGB 1 253 156

HSL 156.9, 0.99%, 0.5%

LAB 88.28, -71.28, 32.72

 

CMYK 100 / 0 / 65 / 1

HEX #01FD58

RGB 1 253 88

HSL 140.71, 0.99%, 0.5%

LAB 87.47, -81.22, 62.86

 

CMYK 100 / 0 / 92 / 1

HEX #01FD14

RGB 1 253 20

HSL 124.52, 0.99%, 0.5%

LAB 87.15, -85.32, 80.97

 

CMYK 80 / 0 / 100 / 1

HEX #32FD01

RGB 50 253 1

HSL 108.33, 0.99%, 0.5%

LAB 87.45, -82.66, 83.01

 

CMYK 100 / 0 / 11 / 1

HEX #01FDE0

RGB 1 253 224

HSL 173.1, 0.99%, 0.5%

LAB 89.69, -55.76, -0.15

 

CMYK 100 / 15 / 0 / 1

HEX #01D6FD

RGB 1 214 253

HSL 189.29, 0.99%, 0.5%

LAB 79.15, -29.94, -31.24

 

CMYK 100 / 42 / 0 / 1

HEX #0192FD

RGB 1 146 253

HSL 205.48, 0.99%, 0.5%

LAB 59.58, 7.01, -62

 

CMYK 100 / 69 / 0 / 1

HEX #014EFD

RGB 1 78 253

HSL 221.67, 0.99%, 0.5%

LAB 42.07, 49.38, -90.5

 

CMYK 100 / 96 / 0 / 1

HEX #010AFD

RGB 1 10 253

HSL 237.86, 0.99%, 0.5%

LAB 32.51, 77.22, -106.39

 

CMYK 100 / 0 / 11 / 1

HEX #01FDE0

RGB 1 253 224

HSL 173.1, 0.99%, 0.5%

LAB 89.69, -55.76, -0.15

 

CMYK 100 / 0 / 11 / 1

HEX #01FDE0

RGB 1 253 224

HSL 173.1, 0.99%, 0.5%

LAB 89.69, -55.76, -0.15

 

CMYK 91 / 0 / 11 / 9

HEX #15E9D0

RGB 21 233 208

HSL 172.92, 0.83%, 0.5%

LAB 83.44, -51.33, -0.91

 

CMYK 80 / 0 / 9 / 17

HEX #2AD4C0

RGB 42 212 192

HSL 172.94, 0.67%, 0.5%

LAB 76.91, -45.5, -1.93

 

CMYK 67 / 0 / 7 / 25

HEX #3FBFB1

RGB 63 191 177

HSL 173.44, 0.5%, 0.5%

LAB 70.52, -37.81, -3.14

 

CMYK 51 / 0 / 6 / 33

HEX #53ABA1

RGB 83 171 161

HSL 173.18, 0.35%, 0.5%

LAB 64.59, -28.91, -2.96

 

CMYK 100 / 0 / 65 / 1

HEX #01FD59

RGB 1 253 89

HSL 140.95, 0.99%, 0.5%

LAB 87.47, -81.12, 62.48

 

CMYK 100 / 0 / 38 / 1

HEX #01FD9C

RGB 1 253 156

HSL 156.9, 0.99%, 0.5%

LAB 88.28, -71.28, 32.72

 

CMYK 100 / 0 / 11 / 1

HEX #01FDE0

RGB 1 253 224

HSL 173.1, 0.99%, 0.5%

LAB 89.69, -55.76, -0.15

 

CMYK 100 / 15 / 0 / 1

HEX #01D7FD

RGB 1 215 253

HSL 189.05, 0.99%, 0.5%

LAB 79.44, -30.42, -30.79

 

CMYK 100 / 42 / 0 / 1

HEX #0194FD

RGB 1 148 253

HSL 205, 0.99%, 0.5%

LAB 60.14, 5.82, -61.1

 

CMYK 100 / 0 / 12 / 33

HEX #00AB97

RGB 0 171 151

HSL 172.98, 1%, 0.34%

LAB 62.81, -41.57, -0.16

 

CMYK 100 / 0 / 11 / 17

HEX #01D4BC

RGB 1 212 188

HSL 173.18, 0.99%, 0.42%

LAB 76.51, -48.64, -0.4

 

CMYK 100 / 0 / 11 / 1

HEX #01FDE0

RGB 1 253 224

HSL 173.1, 0.99%, 0.5%

LAB 89.69, -55.76, -0.15

 

CMYK 83 / 0 / 9 / 1

HEX #2AFDE5

RGB 42 253 229

HSL 173.18, 0.98%, 0.58%

LAB 90.04, -52.86, -2.2

 

CMYK 67 / 0 / 8 / 0

HEX #53FEEA

RGB 83 254 234

HSL 172.98, 0.99%, 0.66%

LAB 91.08, -47.8, -3.2

 

CMYK 100 / 0 / 11 / 1

HEX #01FDE0

RGB 1 253 224

HSL 173.1, 0.99%, 0.5%

LAB 89.69, -55.76, -0.15

 

CMYK 91 / 100 / 0 / 1

HEX #1601FD

RGB 22 1 253

HSL 245, 0.99%, 0.5%

LAB 32.45, 78.7, -106.49

 

CMYK 0 / 51 / 100 / 1

HEX #FD7B01

RGB 253 123 1

HSL 29.05, 0.99%, 0.5%

LAB 65.79, 44.52, 72.98

 

CMYK 100 / 0 / 11 / 1

HEX #01FDE0

RGB 1 253 224

HSL 173.1, 0.99%, 0.5%

LAB 89.69, -55.76, -0.15

 

CMYK 11 / 100 / 0 / 1

HEX #E001FD

RGB 224 1 253

HSL 293.1, 0.99%, 0.5%

LAB 55.03, 93.33, -68.51

 

CMYK 0 / 11 / 100 / 1

HEX #FDE001

RGB 253 224 1

HSL 53.1, 0.99%, 0.5%

LAB 89.02, -7.29, 88.45

 

CMYK 100 / 0 / 11 / 1

HEX #01FDE0

RGB 1 253 224

HSL 173.1, 0.99%, 0.5%

LAB 89.69, -55.76, -0.15

 

CMYK 91 / 100 / 0 / 1

HEX #1601FD

RGB 22 1 253

HSL 245, 0.99%, 0.5%

LAB 32.45, 78.7, -106.49

 

CMYK 0 / 100 / 88 / 1

HEX #FD011E

RGB 253 1 30

HSL 353.1, 0.99%, 0.5%

LAB 52.95, 79.84, 57.59

 

CMYK 8 / 0 / 100 / 1

HEX #E8FD01

RGB 232 253 1

HSL 65, 0.99%, 0.5%

LAB 94.91, -29.98, 92.01

 

CMYK 100 / 0 / 11 / 1

HEX #01FDE0

RGB 1 253 224

HSL 173.1, 0.99%, 0.5%

LAB 89.69, -55.76, -0.15

 

CMYK 61 / 100 / 0 / 1

HEX #6201FD

RGB 98 1 253

HSL 263.1, 0.99%, 0.5%

LAB 37.32, 80.75, -98.24

 

CMYK 0 / 100 / 88 / 1

HEX #FD011E

RGB 253 1 30

HSL 353.1, 0.99%, 0.5%

LAB 52.95, 79.84, 57.59

 

CMYK 38 / 0 / 100 / 1

HEX #9CFD01

RGB 156 253 1

HSL 83.1, 0.99%, 0.5%

LAB 90.47, -58.43, 86.68

 

Description

Color code: RGB 1 253 224 | qconv.com Color code: RGB 1 253 224 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 253 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 253 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 11 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 11% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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