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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 244 173 it is the complementary color RGB 254 11 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 244 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 244 173 shade: RGB 6 244 168, RGB 23 255 187, RGB 40 255 206, RGB 57 255 225 and RGB 74 255 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 244 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 244 173 shade: RGB 1 244 173, RGB 0 226 154, RGB 0 208 135, RGB 0 190 116 and RGB 0 172 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 244 173 shade: RGB 1 243 172, RGB 1 243 107, RGB 1 243 42, RGB 25 243 1 and RGB 91 243 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 244 173 shade: RGB 1 243 172, RGB 1 243 238, RGB 1 183 243, RGB 1 118 243 and RGB 1 52 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 244 173 shade matches the following richer shades: RGB 1 243 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 244 173 shade: RGB 1 243 172, RGB 21 223 164, RGB 40 203 156, RGB 60 184 148 and RGB 80 164 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 244 173 shade: RGB 1 243 41, RGB 1 243 106, RGB 1 243 170, RGB 1 243 235 and RGB 1 187 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 244 173 shade: RGB 0 161 114, RGB 1 202 143, RGB 1 243 172, RGB 32 253 189 and RGB 73 254 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 244 173 shade: RGB 1 244 173, RGB 1 25 243 and RGB 243 73 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 244 173 shade: RGB 1 244 173, RGB 170 1 243 and RGB 243 170 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 244 173 shade: RGB 1 244 173, RGB 1 25 243, RGB 243 1 73 and RGB 243 219 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 244 173 shade: RGB 1 244 173, RGB 49 1 243, RGB 243 1 73 and RGB 195 243 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 29 / 4

HEX #01F4AD

RGB 1 244 173

HSL 162.47, 0.99%, 0.48%

LAB 85.87, -64.69, 20.82

 

Complementary color

CMYK 0 / 96 / 68 / 0

HEX #FE0B52

RGB 254 11 82

HSL 342.47, 0.99%, 0.52%

LAB 53.94, 80.92, 30.44

 

CMYK 98 / 0 / 31 / 4

HEX #06F4A8

RGB 6 244 168

HSL 160.84, 0.95%, 0.49%

LAB 85.79, -65.64, 23.28

 

CMYK 91 / 0 / 27 / 0

HEX #17FFBB

RGB 23 255 187

HSL 162.41, 1%, 0.55%

LAB 89.53, -64.93, 18.74

 

CMYK 84 / 0 / 19 / 0

HEX #28FFCE

RGB 40 255 206

HSL 166.33, 1%, 0.58%

LAB 90.06, -59.59, 9.73

 

CMYK 78 / 0 / 12 / 0

HEX #39FFE1

RGB 57 255 225

HSL 170.91, 1%, 0.61%

LAB 90.7, -53.51, 0.85

 

CMYK 71 / 0 / 4 / 0

HEX #4AFFF4

RGB 74 255 244

HSL 176.35, 1%, 0.65%

LAB 91.46, -46.77, -7.85

 

CMYK 100 / 0 / 29 / 4

HEX #01F4AD

RGB 1 244 173

HSL 162.47, 0.99%, 0.48%

LAB 85.87, -64.69, 20.82

 

CMYK 100 / 0 / 32 / 11

HEX #00E29A

RGB 0 226 154

HSL 160.88, 1%, 0.44%

LAB 80.03, -62.38, 22.58

 

CMYK 100 / 0 / 35 / 18

HEX #00D087

RGB 0 208 135

HSL 158.94, 1%, 0.41%

LAB 74.1, -59.97, 24.42

 

CMYK 100 / 0 / 39 / 25

HEX #00BE74

RGB 0 190 116

HSL 156.63, 1%, 0.37%

LAB 68.09, -57.47, 26.32

 

CMYK 100 / 0 / 44 / 33

HEX #00AC61

RGB 0 172 97

HSL 153.84, 1%, 0.34%

LAB 61.97, -54.86, 28.28

 

CMYK 100 / 0 / 29 / 5

HEX #01F3AC

RGB 1 243 172

HSL 162.4, 0.99%, 0.48%

LAB 85.55, -64.55, 20.89

 

CMYK 100 / 0 / 56 / 5

HEX #01F36B

RGB 1 243 107

HSL 146.28, 0.99%, 0.48%

LAB 84.57, -76.08, 51.49

 

CMYK 100 / 0 / 83 / 5

HEX #01F32A

RGB 1 243 42

HSL 130.17, 0.99%, 0.48%

LAB 84.11, -81.93, 74.41

 

CMYK 90 / 0 / 100 / 5

HEX #19F301

RGB 25 243 1

HSL 114.05, 0.99%, 0.48%

LAB 84.13, -82.1, 80.25

 

CMYK 63 / 0 / 100 / 5

HEX #5BF301

RGB 91 243 1

HSL 97.69, 0.99%, 0.48%

LAB 85.16, -73.05, 81.51

 

CMYK 100 / 0 / 29 / 5

HEX #01F3AC

RGB 1 243 172

HSL 162.4, 0.99%, 0.48%

LAB 85.55, -64.55, 20.89

 

CMYK 100 / 0 / 2 / 5

HEX #01F3EE

RGB 1 243 238

HSL 178.76, 0.99%, 0.48%

LAB 87.13, -47.77, -11.23

 

CMYK 100 / 25 / 0 / 5

HEX #01B7F3

RGB 1 183 243

HSL 194.88, 0.99%, 0.48%

LAB 69.71, -17.6, -40.49

 

CMYK 100 / 51 / 0 / 5

HEX #0176F3

RGB 1 118 243

HSL 210.99, 0.99%, 0.48%

LAB 51.19, 20.46, -69.99

 

CMYK 100 / 79 / 0 / 5

HEX #0134F3

RGB 1 52 243

HSL 227.36, 0.99%, 0.48%

LAB 35.86, 60.49, -95.18

 

CMYK 100 / 0 / 29 / 5

HEX #01F3AC

RGB 1 243 172

HSL 162.4, 0.99%, 0.48%

LAB 85.55, -64.55, 20.89

 

CMYK 100 / 0 / 29 / 5

HEX #01F3AC

RGB 1 243 172

HSL 162.4, 0.99%, 0.48%

LAB 85.55, -64.55, 20.89

 

CMYK 91 / 0 / 26 / 13

HEX #15DFA4

RGB 21 223 164

HSL 162.48, 0.83%, 0.48%

LAB 79.39, -58.35, 16.5

 

CMYK 80 / 0 / 23 / 20

HEX #28CB9C

RGB 40 203 156

HSL 162.7, 0.67%, 0.48%

LAB 73.26, -51.14, 12.16

 

CMYK 67 / 0 / 20 / 28

HEX #3CB894

RGB 60 184 148

HSL 162.58, 0.51%, 0.48%

LAB 67.56, -42.62, 8.45

 

CMYK 51 / 0 / 15 / 36

HEX #50A48B

RGB 80 164 139

HSL 162.14, 0.34%, 0.48%

LAB 61.76, -31.73, 5.21

 

CMYK 100 / 0 / 83 / 5

HEX #01F329

RGB 1 243 41

HSL 129.92, 0.99%, 0.48%

LAB 84.1, -81.98, 74.64

 

CMYK 100 / 0 / 56 / 5

HEX #01F36A

RGB 1 243 106

HSL 146.03, 0.99%, 0.48%

LAB 84.56, -76.21, 51.93

 

CMYK 100 / 0 / 30 / 5

HEX #01F3AA

RGB 1 243 170

HSL 161.9, 0.99%, 0.48%

LAB 85.51, -64.98, 21.86

 

CMYK 100 / 0 / 3 / 5

HEX #01F3EB

RGB 1 243 235

HSL 178.02, 0.99%, 0.48%

LAB 87.05, -48.62, -9.78

 

CMYK 100 / 23 / 0 / 5

HEX #01BBF3

RGB 1 187 243

HSL 193.88, 0.99%, 0.48%

LAB 70.88, -19.7, -38.67

 

CMYK 100 / 0 / 29 / 37

HEX #00A172

RGB 0 161 114

HSL 162.48, 1%, 0.32%

LAB 58.7, -47.16, 14.65

 

CMYK 100 / 0 / 29 / 21

HEX #01CA8F

RGB 1 202 143

HSL 162.39, 0.99%, 0.4%

LAB 72.38, -56.01, 17.84

 

CMYK 100 / 0 / 29 / 5

HEX #01F3AC

RGB 1 243 172

HSL 162.4, 0.99%, 0.48%

LAB 85.55, -64.55, 20.89

 

CMYK 87 / 0 / 25 / 1

HEX #20FDBD

RGB 32 253 189

HSL 162.62, 0.98%, 0.56%

LAB 89.03, -63.3, 17.02

 

CMYK 71 / 0 / 21 / 0

HEX #49FEC9

RGB 73 254 201

HSL 162.43, 0.99%, 0.64%

LAB 90.1, -57.14, 12.43

 

CMYK 100 / 0 / 29 / 4

HEX #01F4AD

RGB 1 244 173

HSL 162.47, 0.99%, 0.48%

LAB 85.87, -64.69, 20.82

 

CMYK 100 / 90 / 0 / 5

HEX #0119F3

RGB 1 25 243

HSL 234.05, 0.99%, 0.48%

LAB 32.2, 71.39, -101.28

 

CMYK 0 / 70 / 100 / 5

HEX #F34901

RGB 243 73 1

HSL 17.85, 0.99%, 0.48%

LAB 55.91, 62.7, 66.74

 

CMYK 100 / 0 / 29 / 4

HEX #01F4AD

RGB 1 244 173

HSL 162.47, 0.99%, 0.48%

LAB 85.87, -64.69, 20.82

 

CMYK 30 / 100 / 0 / 5

HEX #AA01F3

RGB 170 1 243

HSL 281.9, 0.99%, 0.48%

LAB 45.69, 84.7, -78.5

 

CMYK 0 / 30 / 100 / 5

HEX #F3AA01

RGB 243 170 1

HSL 41.9, 0.99%, 0.48%

LAB 74.7, 16.25, 78.02

 

CMYK 100 / 0 / 29 / 4

HEX #01F4AD

RGB 1 244 173

HSL 162.47, 0.99%, 0.48%

LAB 85.87, -64.69, 20.82

 

CMYK 100 / 90 / 0 / 5

HEX #0119F3

RGB 1 25 243

HSL 234.05, 0.99%, 0.48%

LAB 32.2, 71.39, -101.28

 

CMYK 0 / 100 / 70 / 5

HEX #F30149

RGB 243 1 73

HSL 342.15, 0.99%, 0.48%

LAB 51.33, 78.68, 32.09

 

CMYK 0 / 10 / 100 / 5

HEX #F3DB01

RGB 243 219 1

HSL 54.05, 0.99%, 0.48%

LAB 86.86, -9.03, 86.5

 

CMYK 100 / 0 / 29 / 4

HEX #01F4AD

RGB 1 244 173

HSL 162.47, 0.99%, 0.48%

LAB 85.87, -64.69, 20.82

 

CMYK 80 / 100 / 0 / 5

HEX #3101F3

RGB 49 1 243

HSL 251.9, 0.99%, 0.48%

LAB 32.14, 76.72, -101.34

 

CMYK 0 / 100 / 70 / 5

HEX #F30149

RGB 243 1 73

HSL 342.15, 0.99%, 0.48%

LAB 51.33, 78.68, 32.09

 

CMYK 20 / 0 / 100 / 5

HEX #C3F301

RGB 195 243 1

HSL 71.9, 0.99%, 0.48%

LAB 89.72, -40.15, 87.02

 

Description

Color code: RGB 1 244 173 | qconv.com Color code: RGB 1 244 173 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 244 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 244 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 29 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 29% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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