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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 181 22 it is the complementary color RGB 254 74 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 181 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 181 22 shade: RGB 6 181 17, RGB 23 199 36, RGB 40 217 55, RGB 57 235 74 and RGB 74 253 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 181 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 181 22 shade: RGB 1 181 22, RGB 0 163 3, RGB 0 145 0, RGB 0 127 0 and RGB 0 109 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 181 22 shade: RGB 0 182 22, RGB 28 182 0, RGB 77 182 0, RGB 126 182 0 and RGB 175 182 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 181 22 shade: RGB 0 182 22, RGB 0 182 71, RGB 0 182 120, RGB 0 182 169 and RGB 0 147 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 181 22 shade matches the following richer shades: RGB 0 182 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 181 22 shade: RGB 0 182 22, RGB 15 167 33, RGB 30 152 44, RGB 45 138 56 and RGB 60 123 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 181 22 shade: RGB 76 182 0, RGB 28 182 0, RGB 0 182 22, RGB 0 182 70 and RGB 0 182 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 181 22 shade: RGB 0 100 12, RGB 0 141 17, RGB 0 182 22, RGB 1 223 27 and RGB 12 253 40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 181 22 shade: RGB 1 181 22, RGB 0 125 182 and RGB 182 0 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 181 22 shade: RGB 1 181 22, RGB 22 0 182 and RGB 182 22 0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 181 22 shade: RGB 1 181 22, RGB 0 125 182, RGB 182 0 161 and RGB 182 58 0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 181 22 shade: RGB 1 181 22, RGB 0 70 182, RGB 182 0 161 and RGB 182 113 0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 88 / 29

HEX #01B516

RGB 1 181 22

HSL 127, 0.99%, 0.36%

LAB 64.25, -65.97, 61.13

 

Complementary color

CMYK 0 / 71 / 8 / 0

HEX #FE4AE9

RGB 254 74 233

HSL 307, 0.99%, 0.64%

LAB 63.22, 82.71, -44.02

 

CMYK 97 / 0 / 91 / 29

HEX #06B511

RGB 6 181 17

HSL 123.77, 0.94%, 0.37%

LAB 64.26, -65.92, 62.09

 

CMYK 88 / 0 / 82 / 22

HEX #17C724

RGB 23 199 36

HSL 124.43, 0.79%, 0.44%

LAB 70.29, -69.19, 63.29

 

CMYK 82 / 0 / 75 / 15

HEX #28D937

RGB 40 217 55

HSL 125.08, 0.7%, 0.5%

LAB 76.29, -71.64, 63.37

 

CMYK 76 / 0 / 69 / 8

HEX #39EB4A

RGB 57 235 74

HSL 125.73, 0.82%, 0.57%

LAB 82.26, -73.43, 62.81

 

CMYK 71 / 0 / 63 / 1

HEX #4AFD5D

RGB 74 253 93

HSL 126.37, 0.98%, 0.64%

LAB 88.21, -74.71, 61.87

 

CMYK 99 / 0 / 88 / 29

HEX #01B516

RGB 1 181 22

HSL 127, 0.99%, 0.36%

LAB 64.25, -65.97, 61.13

 

CMYK 100 / 0 / 98 / 36

HEX #00A303

RGB 0 163 3

HSL 121.1, 1%, 0.32%

LAB 58.23, -61.58, 59.08

 

CMYK 100 / 0 / 100 / 43

HEX #009100

RGB 0 145 0

HSL 120, 1%, 0.28%

LAB 52.12, -56.59, 54.62

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 100 / 0 / 100 / 57

HEX #006D00

RGB 0 109 0

HSL 120, 1%, 0.21%

LAB 39.47, -46.09, 44.48

 

CMYK 100 / 0 / 88 / 29

HEX #00B616

RGB 0 182 22

HSL 127.25, 1%, 0.36%

LAB 64.57, -66.3, 61.41

 

CMYK 85 / 0 / 100 / 29

HEX #1CB600

RGB 28 182 0

HSL 110.77, 1%, 0.36%

LAB 64.73, -65.11, 64.81

 

CMYK 58 / 0 / 100 / 29

HEX #4DB600

RGB 77 182 0

HSL 94.62, 1%, 0.36%

LAB 65.77, -56.13, 66.09

 

CMYK 31 / 0 / 100 / 29

HEX #7EB600

RGB 126 182 0

HSL 78.46, 1%, 0.36%

LAB 67.94, -40.04, 68.71

 

CMYK 4 / 0 / 100 / 29

HEX #AFB600

RGB 175 182 0

HSL 62.31, 1%, 0.36%

LAB 71.26, -19.78, 72.68

 

CMYK 100 / 0 / 88 / 29

HEX #00B616

RGB 0 182 22

HSL 127.25, 1%, 0.36%

LAB 64.57, -66.3, 61.41

 

CMYK 100 / 0 / 61 / 29

HEX #00B647

RGB 0 182 71

HSL 143.41, 1%, 0.36%

LAB 64.89, -62.26, 44.75

 

CMYK 100 / 0 / 34 / 29

HEX #00B678

RGB 0 182 120

HSL 159.56, 1%, 0.36%

LAB 65.6, -53.75, 20.85

 

CMYK 100 / 0 / 7 / 29

HEX #00B6A9

RGB 0 182 169

HSL 175.71, 1%, 0.36%

LAB 66.76, -41.2, -4.36

 

CMYK 100 / 19 / 0 / 29

HEX #0093B6

RGB 0 147 182

HSL 191.54, 1%, 0.36%

LAB 56.33, -20.05, -27.44

 

CMYK 100 / 0 / 88 / 29

HEX #00B616

RGB 0 182 22

HSL 127.25, 1%, 0.36%

LAB 64.57, -66.3, 61.41

 

CMYK 100 / 0 / 88 / 29

HEX #00B616

RGB 0 182 22

HSL 127.25, 1%, 0.36%

LAB 64.57, -66.3, 61.41

 

CMYK 91 / 0 / 80 / 35

HEX #0FA721

RGB 15 167 33

HSL 127.11, 0.84%, 0.36%

LAB 59.75, -60.65, 54.24

 

CMYK 80 / 0 / 71 / 40

HEX #1E982C

RGB 30 152 44

HSL 126.89, 0.67%, 0.36%

LAB 54.98, -53.62, 45.6

 

CMYK 67 / 0 / 59 / 46

HEX #2D8A38

RGB 45 138 56

HSL 127.1, 0.51%, 0.36%

LAB 50.71, -44.74, 35.52

 

CMYK 51 / 0 / 46 / 52

HEX #3C7B43

RGB 60 123 67

HSL 126.67, 0.34%, 0.36%

LAB 46.35, -33.04, 24.5

 

CMYK 58 / 0 / 100 / 29

HEX #4CB600

RGB 76 182 0

HSL 94.95, 1%, 0.36%

LAB 65.74, -56.4, 66.05

 

CMYK 85 / 0 / 100 / 29

HEX #1CB600

RGB 28 182 0

HSL 110.77, 1%, 0.36%

LAB 64.73, -65.11, 64.81

 

CMYK 100 / 0 / 88 / 29

HEX #00B616

RGB 0 182 22

HSL 127.25, 1%, 0.36%

LAB 64.57, -66.3, 61.41

 

CMYK 100 / 0 / 62 / 29

HEX #00B646

RGB 0 182 70

HSL 143.08, 1%, 0.36%

LAB 64.88, -62.38, 45.19

 

CMYK 100 / 0 / 35 / 29

HEX #00B677

RGB 0 182 119

HSL 159.23, 1%, 0.36%

LAB 65.58, -53.97, 21.36

 

CMYK 100 / 0 / 88 / 61

HEX #00640C

RGB 0 100 12

HSL 127.2, 1%, 0.2%

LAB 36.25, -42.71, 38.51

 

CMYK 100 / 0 / 88 / 45

HEX #008D11

RGB 0 141 17

HSL 127.23, 1%, 0.28%

LAB 50.79, -54.84, 50.33

 

CMYK 100 / 0 / 88 / 29

HEX #00B616

RGB 0 182 22

HSL 127.25, 1%, 0.36%

LAB 64.57, -66.3, 61.41

 

CMYK 100 / 0 / 88 / 13

HEX #01DF1B

RGB 1 223 27

HSL 127.03, 0.99%, 0.44%

LAB 77.79, -77.23, 71.97

 

CMYK 95 / 0 / 84 / 1

HEX #0CFD28

RGB 12 253 40

HSL 126.97, 0.98%, 0.52%

LAB 87.23, -84.35, 77.69

 

CMYK 99 / 0 / 88 / 29

HEX #01B516

RGB 1 181 22

HSL 127, 0.99%, 0.36%

LAB 64.25, -65.97, 61.13

 

CMYK 100 / 31 / 0 / 29

HEX #007DB6

RGB 0 125 182

HSL 198.79, 1%, 0.36%

LAB 49.55, -7.75, -38.03

 

CMYK 0 / 100 / 71 / 29

HEX #B60034

RGB 182 0 52

HSL 342.86, 1%, 0.36%

LAB 38.19, 63.39, 26.03

 

CMYK 99 / 0 / 88 / 29

HEX #01B516

RGB 1 181 22

HSL 127, 0.99%, 0.36%

LAB 64.25, -65.97, 61.13

 

CMYK 88 / 100 / 0 / 29

HEX #1600B6

RGB 22 0 182

HSL 247.25, 1%, 0.36%

LAB 22.12, 61.68, -82.68

 

CMYK 0 / 88 / 100 / 29

HEX #B61600

RGB 182 22 0

HSL 7.25, 1%, 0.36%

LAB 38.76, 59.26, 52.55

 

CMYK 99 / 0 / 88 / 29

HEX #01B516

RGB 1 181 22

HSL 127, 0.99%, 0.36%

LAB 64.25, -65.97, 61.13

 

CMYK 100 / 31 / 0 / 29

HEX #007DB6

RGB 0 125 182

HSL 198.79, 1%, 0.36%

LAB 49.55, -7.75, -38.03

 

CMYK 0 / 100 / 12 / 29

HEX #B600A1

RGB 182 0 161

HSL 306.92, 1%, 0.36%

LAB 42.03, 73.3, -36.67

 

CMYK 0 / 68 / 100 / 29

HEX #B63A00

RGB 182 58 0

HSL 19.12, 1%, 0.36%

LAB 42.72, 48.23, 54.31

 

CMYK 99 / 0 / 88 / 29

HEX #01B516

RGB 1 181 22

HSL 127, 0.99%, 0.36%

LAB 64.25, -65.97, 61.13

 

CMYK 100 / 62 / 0 / 29

HEX #0046B6

RGB 0 70 182

HSL 216.92, 1%, 0.36%

LAB 33.47, 27.68, -63.89

 

CMYK 0 / 100 / 12 / 29

HEX #B600A1

RGB 182 0 161

HSL 306.92, 1%, 0.36%

LAB 42.03, 73.3, -36.67

 

CMYK 0 / 38 / 100 / 29

HEX #B67100

RGB 182 113 0

HSL 37.25, 1%, 0.36%

LAB 53.77, 20.48, 60.76

 

Description

Color code: RGB 1 181 22 | qconv.com Color code: RGB 1 181 22 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 181 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 181 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 88 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 88% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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