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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 245 142 it is the complementary color RGB 236 10 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 245 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 245 142 shade: RGB 24 245 137, RGB 41 255 156, RGB 58 255 175, RGB 75 255 194 and RGB 92 255 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 245 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 245 142 shade: RGB 19 245 142, RGB 2 227 123, RGB 0 209 104, RGB 0 191 85 and RGB 0 173 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 245 142 shade: RGB 19 245 142, RGB 19 245 81, RGB 19 245 21, RGB 79 245 19 and RGB 140 245 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 245 142 shade: RGB 19 245 142, RGB 19 245 203, RGB 19 226 245, RGB 19 165 245 and RGB 19 104 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 245 142 shade matches the following richer shades: RGB 19 245 142

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 245 142 shade: RGB 19 245 142, RGB 39 225 140, RGB 59 205 139, RGB 79 185 137 and RGB 99 165 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 245 142 shade: RGB 19 245 19, RGB 19 245 80, RGB 19 245 140, RGB 19 245 200 and RGB 19 230 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 245 142 shade: RGB 7 175 98, RGB 8 214 121, RGB 19 245 142, RGB 59 246 161 and RGB 99 248 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 245 142 shade: RGB 19 245 142, RGB 19 80 245 and RGB 245 50 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 245 142 shade: RGB 19 245 142, RGB 140 19 245 and RGB 245 140 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 245 142 shade: RGB 19 245 142, RGB 19 80 245, RGB 245 19 125 and RGB 245 185 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 245 142 shade: RGB 19 245 142, RGB 27 19 245, RGB 245 19 125 and RGB 237 245 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 42 / 4

HEX #13F58E

RGB 19 245 142

HSL 152.65, 0.92%, 0.52%

LAB 85.7, -70.67, 36.28

 

Complementary color

CMYK 0 / 96 / 52 / 7

HEX #EC0A71

RGB 236 10 113

HSL 332.65, 0.92%, 0.48%

LAB 50.97, 78.65, 7.03

 

CMYK 90 / 0 / 44 / 4

HEX #18F589

RGB 24 245 137

HSL 150.68, 0.92%, 0.53%

LAB 85.66, -71.32, 38.69

 

CMYK 84 / 0 / 39 / 0

HEX #29FF9C

RGB 41 255 156

HSL 152.24, 1%, 0.58%

LAB 89.11, -70.18, 33.85

 

CMYK 77 / 0 / 31 / 0

HEX #3AFFAF

RGB 58 255 175

HSL 155.63, 1%, 0.61%

LAB 89.63, -64.92, 25.05

 

CMYK 71 / 0 / 24 / 0

HEX #4BFFC2

RGB 75 255 194

HSL 159.67, 1%, 0.65%

LAB 90.28, -58.83, 16.29

 

CMYK 64 / 0 / 16 / 0

HEX #5CFFD5

RGB 92 255 213

HSL 164.54, 1%, 0.68%

LAB 91.05, -52.01, 7.65

 

CMYK 92 / 0 / 42 / 4

HEX #13F58E

RGB 19 245 142

HSL 152.65, 0.92%, 0.52%

LAB 85.7, -70.67, 36.28

 

CMYK 99 / 0 / 46 / 11

HEX #02E37B

RGB 2 227 123

HSL 152.27, 0.98%, 0.45%

LAB 79.83, -68.63, 38.07

 

CMYK 100 / 0 / 50 / 18

HEX #00D168

RGB 0 209 104

HSL 149.86, 1%, 0.41%

LAB 73.93, -66.01, 39.95

 

CMYK 100 / 0 / 55 / 25

HEX #00BF55

RGB 0 191 85

HSL 146.7, 1%, 0.37%

LAB 67.96, -63.17, 41.82

 

CMYK 100 / 0 / 62 / 32

HEX #00AD42

RGB 0 173 66

HSL 142.89, 1%, 0.34%

LAB 61.9, -60.1, 43.59

 

CMYK 92 / 0 / 42 / 4

HEX #13F58E

RGB 19 245 142

HSL 152.65, 0.92%, 0.52%

LAB 85.7, -70.67, 36.28

 

CMYK 92 / 0 / 67 / 4

HEX #13F551

RGB 19 245 81

HSL 136.46, 0.92%, 0.52%

LAB 85.02, -79.07, 62.96

 

CMYK 92 / 0 / 91 / 4

HEX #13F515

RGB 19 245 21

HSL 120.53, 0.92%, 0.52%

LAB 84.74, -82.6, 78.85

 

CMYK 68 / 0 / 92 / 4

HEX #4FF513

RGB 79 245 19

HSL 104.07, 0.92%, 0.52%

LAB 85.51, -75.8, 80.06

 

CMYK 43 / 0 / 92 / 4

HEX #8CF513

RGB 140 245 19

HSL 87.88, 0.92%, 0.52%

LAB 87.45, -60.33, 82.45

 

CMYK 92 / 0 / 42 / 4

HEX #13F58E

RGB 19 245 142

HSL 152.65, 0.92%, 0.52%

LAB 85.7, -70.67, 36.28

 

CMYK 92 / 0 / 17 / 4

HEX #13F5CB

RGB 19 245 203

HSL 168.85, 0.92%, 0.52%

LAB 86.88, -57.52, 6.7

 

CMYK 92 / 8 / 0 / 4

HEX #13E2F5

RGB 19 226 245

HSL 185.04, 0.92%, 0.52%

LAB 82.45, -37.7, -21.96

 

CMYK 92 / 33 / 0 / 4

HEX #13A5F5

RGB 19 165 245

HSL 201.24, 0.92%, 0.52%

LAB 64.68, -6.54, -49.49

 

CMYK 92 / 58 / 0 / 4

HEX #1368F5

RGB 19 104 245

HSL 217.43, 0.92%, 0.52%

LAB 47.79, 30.63, -76.63

 

CMYK 92 / 0 / 42 / 4

HEX #13F58E

RGB 19 245 142

HSL 152.65, 0.92%, 0.52%

LAB 85.7, -70.67, 36.28

 

CMYK 92 / 0 / 42 / 4

HEX #13F58E

RGB 19 245 142

HSL 152.65, 0.92%, 0.52%

LAB 85.7, -70.67, 36.28

 

CMYK 83 / 0 / 38 / 12

HEX #27E18C

RGB 39 225 140

HSL 152.58, 0.76%, 0.52%

LAB 79.71, -62.94, 29.42

 

CMYK 71 / 0 / 32 / 20

HEX #3BCD8B

RGB 59 205 139

HSL 152.88, 0.59%, 0.52%

LAB 73.84, -53.39, 22.06

 

CMYK 57 / 0 / 26 / 27

HEX #4FB989

RGB 79 185 137

HSL 152.83, 0.43%, 0.52%

LAB 68.14, -41.95, 15.35

 

CMYK 40 / 0 / 18 / 35

HEX #63A587

RGB 99 165 135

HSL 152.73, 0.27%, 0.52%

LAB 62.77, -28.07, 9

 

CMYK 92 / 0 / 92 / 4

HEX #13F513

RGB 19 245 19

HSL 120, 0.92%, 0.52%

LAB 84.74, -82.65, 79.1

 

CMYK 92 / 0 / 67 / 4

HEX #13F550

RGB 19 245 80

HSL 136.19, 0.92%, 0.52%

LAB 85.01, -79.16, 63.34

 

CMYK 92 / 0 / 43 / 4

HEX #13F58C

RGB 19 245 140

HSL 152.12, 0.92%, 0.52%

LAB 85.67, -71.03, 37.23

 

CMYK 92 / 0 / 18 / 4

HEX #13F5C8

RGB 19 245 200

HSL 168.05, 0.92%, 0.52%

LAB 86.81, -58.27, 8.17

 

CMYK 92 / 6 / 0 / 4

HEX #13E6F5

RGB 19 230 245

HSL 183.98, 0.92%, 0.52%

LAB 83.61, -39.53, -20.19

 

CMYK 96 / 0 / 44 / 31

HEX #07AF62

RGB 7 175 98

HSL 152.5, 0.92%, 0.36%

LAB 63, -55.41, 29.1

 

CMYK 96 / 0 / 43 / 16

HEX #08D679

RGB 8 214 121

HSL 152.91, 0.93%, 0.44%

LAB 75.78, -64.5, 33.85

 

CMYK 92 / 0 / 42 / 4

HEX #13F58E

RGB 19 245 142

HSL 152.65, 0.92%, 0.52%

LAB 85.7, -70.67, 36.28

 

CMYK 76 / 0 / 35 / 4

HEX #3BF6A1

RGB 59 246 161

HSL 152.73, 0.91%, 0.6%

LAB 86.71, -64.33, 28.17

 

CMYK 60 / 0 / 27 / 3

HEX #63F8B4

RGB 99 248 180

HSL 152.62, 0.91%, 0.68%

LAB 88.49, -55.12, 21.05

 

CMYK 92 / 0 / 42 / 4

HEX #13F58E

RGB 19 245 142

HSL 152.65, 0.92%, 0.52%

LAB 85.7, -70.67, 36.28

 

CMYK 92 / 67 / 0 / 4

HEX #1350F5

RGB 19 80 245

HSL 223.81, 0.92%, 0.52%

LAB 41.95, 45.7, -86.21

 

CMYK 0 / 80 / 92 / 4

HEX #F53213

RGB 245 50 19

HSL 8.23, 0.92%, 0.52%

LAB 53.75, 70.62, 61.5

 

CMYK 92 / 0 / 42 / 4

HEX #13F58E

RGB 19 245 142

HSL 152.65, 0.92%, 0.52%

LAB 85.7, -70.67, 36.28

 

CMYK 43 / 92 / 0 / 4

HEX #8C13F5

RGB 140 19 245

HSL 272.12, 0.92%, 0.52%

LAB 42.21, 79.93, -85.5

 

CMYK 0 / 43 / 92 / 4

HEX #F58C13

RGB 245 140 19

HSL 32.12, 0.92%, 0.52%

LAB 68.18, 32.97, 71.17

 

CMYK 92 / 0 / 42 / 4

HEX #13F58E

RGB 19 245 142

HSL 152.65, 0.92%, 0.52%

LAB 85.7, -70.67, 36.28

 

CMYK 92 / 67 / 0 / 4

HEX #1350F5

RGB 19 80 245

HSL 223.81, 0.92%, 0.52%

LAB 41.95, 45.7, -86.21

 

CMYK 0 / 92 / 49 / 4

HEX #F5137D

RGB 245 19 125

HSL 331.86, 0.92%, 0.52%

LAB 53.34, 80.72, 3.39

 

CMYK 0 / 24 / 92 / 4

HEX #F5B913

RGB 245 185 19

HSL 44.07, 0.92%, 0.52%

LAB 78.55, 9.41, 78.69

 

CMYK 92 / 0 / 42 / 4

HEX #13F58E

RGB 19 245 142

HSL 152.65, 0.92%, 0.52%

LAB 85.7, -70.67, 36.28

 

CMYK 89 / 92 / 0 / 4

HEX #1B13F5

RGB 27 19 245

HSL 242.12, 0.92%, 0.52%

LAB 32.46, 73.74, -101.96

 

CMYK 0 / 92 / 49 / 4

HEX #F5137D

RGB 245 19 125

HSL 331.86, 0.92%, 0.52%

LAB 53.34, 80.72, 3.39

 

CMYK 3 / 0 / 92 / 4

HEX #EDF513

RGB 237 245 19

HSL 62.12, 0.92%, 0.52%

LAB 93.17, -24.04, 89.4

 

Description

Color code: RGB 19 245 142 | qconv.com Color code: RGB 19 245 142 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 245 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 245 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 42 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 42% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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