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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 205 114 it is the complementary color RGB 236 50 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 205 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 205 114 shade: RGB 24 205 109, RGB 41 223 128, RGB 58 241 147, RGB 75 255 166 and RGB 92 255 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 205 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 205 114 shade: RGB 19 205 114, RGB 2 187 95, RGB 0 169 76, RGB 0 151 57 and RGB 0 133 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 205 114 shade: RGB 19 205 114, RGB 19 205 63, RGB 24 205 19, RGB 74 205 19 and RGB 124 205 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 205 114 shade: RGB 19 205 114, RGB 19 205 164, RGB 19 195 205, RGB 19 145 205 and RGB 19 95 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 205 114 shade matches the following richer shades: RGB 19 205 114 and RGB 0 223 114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 205 114 shade: RGB 19 205 114, RGB 37 187 113, RGB 55 169 113, RGB 73 150 113 and RGB 91 132 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 205 114 shade: RGB 25 205 19, RGB 19 205 62, RGB 19 205 112, RGB 19 205 161 and RGB 19 199 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 205 114 shade: RGB 12 129 72, RGB 15 167 93, RGB 19 205 114, RGB 31 234 135 and RGB 69 237 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 205 114 shade: RGB 19 205 114, RGB 19 74 205 and RGB 205 37 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 205 114 shade: RGB 19 205 114, RGB 112 19 205 and RGB 205 112 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 205 114 shade: RGB 19 205 114, RGB 19 74 205, RGB 205 19 112 and RGB 205 149 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 205 114 shade: RGB 19 205 114, RGB 19 19 205, RGB 205 19 112 and RGB 205 205 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 44 / 20

HEX #13CD72

RGB 19 205 114

HSL 150.65, 0.83%, 0.44%

LAB 72.9, -62.26, 33.68

 

Complementary color

CMYK 0 / 79 / 40 / 7

HEX #EC328D

RGB 236 50 141

HSL 330.65, 0.83%, 0.56%

LAB 54.07, 74.36, -5.34

 

CMYK 88 / 0 / 47 / 20

HEX #18CD6D

RGB 24 205 109

HSL 148.18, 0.79%, 0.45%

LAB 72.87, -62.82, 36.16

 

CMYK 82 / 0 / 43 / 13

HEX #29DF80

RGB 41 223 128

HSL 148.68, 0.74%, 0.52%

LAB 78.93, -64.27, 34.47

 

CMYK 76 / 0 / 39 / 5

HEX #3AF193

RGB 58 241 147

HSL 149.18, 0.87%, 0.59%

LAB 84.95, -65.3, 32.88

 

CMYK 71 / 0 / 35 / 0

HEX #4BFFA6

RGB 75 255 166

HSL 150.33, 1%, 0.65%

LAB 89.75, -64.56, 29.8

 

CMYK 64 / 0 / 27 / 0

HEX #5CFFB9

RGB 92 255 185

HSL 154.23, 1%, 0.68%

LAB 90.46, -58.14, 21.2

 

CMYK 91 / 0 / 44 / 20

HEX #13CD72

RGB 19 205 114

HSL 150.65, 0.83%, 0.44%

LAB 72.9, -62.26, 33.68

 

CMYK 99 / 0 / 49 / 27

HEX #02BB5F

RGB 2 187 95

HSL 150.16, 0.98%, 0.37%

LAB 66.81, -60.23, 35.5

 

CMYK 100 / 0 / 55 / 34

HEX #00A94C

RGB 0 169 76

HSL 146.98, 1%, 0.33%

LAB 60.69, -57.44, 37.42

 

CMYK 100 / 0 / 62 / 41

HEX #009739

RGB 0 151 57

HSL 142.65, 1%, 0.3%

LAB 54.48, -54.32, 39.25

 

CMYK 100 / 0 / 71 / 48

HEX #008526

RGB 0 133 38

HSL 137.14, 1%, 0.26%

LAB 48.15, -50.86, 40.76

 

CMYK 91 / 0 / 44 / 20

HEX #13CD72

RGB 19 205 114

HSL 150.65, 0.83%, 0.44%

LAB 72.9, -62.26, 33.68

 

CMYK 91 / 0 / 69 / 20

HEX #13CD3F

RGB 19 205 63

HSL 134.19, 0.83%, 0.44%

LAB 72.34, -69.19, 56.37

 

CMYK 88 / 0 / 91 / 20

HEX #18CD13

RGB 24 205 19

HSL 118.39, 0.83%, 0.44%

LAB 72.16, -71.52, 68.54

 

CMYK 64 / 0 / 91 / 20

HEX #4ACD13

RGB 74 205 19

HSL 102.26, 0.83%, 0.44%

LAB 73, -64.24, 69.58

 

CMYK 40 / 0 / 91 / 20

HEX #7CCD13

RGB 124 205 19

HSL 86.13, 0.83%, 0.44%

LAB 74.82, -50.06, 71.84

 

CMYK 91 / 0 / 44 / 20

HEX #13CD72

RGB 19 205 114

HSL 150.65, 0.83%, 0.44%

LAB 72.9, -62.26, 33.68

 

CMYK 91 / 0 / 20 / 20

HEX #13CDA4

RGB 19 205 164

HSL 166.77, 0.83%, 0.44%

LAB 73.86, -51.48, 8.67

 

CMYK 91 / 5 / 0 / 20

HEX #13C3CD

RGB 19 195 205

HSL 183.23, 0.83%, 0.44%

LAB 71.94, -35.63, -16.38

 

CMYK 91 / 29 / 0 / 20

HEX #1391CD

RGB 19 145 205

HSL 199.35, 0.83%, 0.44%

LAB 56.88, -9.88, -39.6

 

CMYK 91 / 54 / 0 / 20

HEX #135FCD

RGB 19 95 205

HSL 215.48, 0.83%, 0.44%

LAB 42.35, 20.94, -62.81

 

CMYK 91 / 0 / 44 / 20

HEX #13CD72

RGB 19 205 114

HSL 150.65, 0.83%, 0.44%

LAB 72.9, -62.26, 33.68

 

CMYK 100 / 0 / 49 / 13

HEX #00DF72

RGB 0 223 114

HSL 150.67, 1%, 0.44%

LAB 78.46, -68.89, 40.73

 

CMYK 91 / 0 / 44 / 20

HEX #13CD72

RGB 19 205 114

HSL 150.65, 0.83%, 0.44%

LAB 72.9, -62.26, 33.68

 

CMYK 80 / 0 / 40 / 27

HEX #25BB71

RGB 37 187 113

HSL 150.4, 0.67%, 0.44%

LAB 67.37, -54.64, 27

 

CMYK 67 / 0 / 33 / 34

HEX #37A971

RGB 55 169 113

HSL 150.53, 0.51%, 0.44%

LAB 61.98, -45.09, 19.82

 

CMYK 51 / 0 / 25 / 41

HEX #499671

RGB 73 150 113

HSL 151.17, 0.35%, 0.44%

LAB 56.51, -32.85, 12.36

 

CMYK 31 / 0 / 15 / 48

HEX #5B8470

RGB 91 132 112

HSL 150.73, 0.18%, 0.44%

LAB 51.72, -18.78, 6.28

 

CMYK 88 / 0 / 91 / 20

HEX #19CD13

RGB 25 205 19

HSL 118.06, 0.83%, 0.44%

LAB 72.17, -71.44, 68.55

 

CMYK 91 / 0 / 70 / 20

HEX #13CD3E

RGB 19 205 62

HSL 133.87, 0.83%, 0.44%

LAB 72.33, -69.28, 56.75

 

CMYK 91 / 0 / 45 / 20

HEX #13CD70

RGB 19 205 112

HSL 150, 0.83%, 0.44%

LAB 72.87, -62.61, 34.65

 

CMYK 91 / 0 / 21 / 20

HEX #13CDA1

RGB 19 205 161

HSL 165.81, 0.83%, 0.44%

LAB 73.79, -52.23, 10.19

 

CMYK 91 / 3 / 0 / 20

HEX #13C7CD

RGB 19 199 205

HSL 181.94, 0.83%, 0.44%

LAB 73.15, -37.48, -14.56

 

CMYK 91 / 0 / 44 / 49

HEX #0C8148

RGB 12 129 72

HSL 150.77, 0.83%, 0.28%

LAB 47.3, -43.49, 22.71

 

CMYK 91 / 0 / 44 / 35

HEX #0FA75D

RGB 15 167 93

HSL 150.79, 0.84%, 0.36%

LAB 60.36, -53.13, 28.32

 

CMYK 91 / 0 / 44 / 20

HEX #13CD72

RGB 19 205 114

HSL 150.65, 0.83%, 0.44%

LAB 72.9, -62.26, 33.68

 

CMYK 87 / 0 / 42 / 8

HEX #1FEA87

RGB 31 234 135

HSL 150.74, 0.83%, 0.52%

LAB 82.32, -67.59, 35.36

 

CMYK 71 / 0 / 35 / 7

HEX #45ED9B

RGB 69 237 155

HSL 150.71, 0.82%, 0.6%

LAB 84.07, -60.89, 27.68

 

CMYK 91 / 0 / 44 / 20

HEX #13CD72

RGB 19 205 114

HSL 150.65, 0.83%, 0.44%

LAB 72.9, -62.26, 33.68

 

CMYK 91 / 64 / 0 / 20

HEX #134ACD

RGB 19 74 205

HSL 222.26, 0.83%, 0.44%

LAB 36.83, 34.7, -71.84

 

CMYK 0 / 82 / 91 / 20

HEX #CD2513

RGB 205 37 19

HSL 5.81, 0.83%, 0.44%

LAB 44.73, 62.63, 51.78

 

CMYK 91 / 0 / 44 / 20

HEX #13CD72

RGB 19 205 114

HSL 150.65, 0.83%, 0.44%

LAB 72.9, -62.26, 33.68

 

CMYK 45 / 91 / 0 / 20

HEX #7013CD

RGB 112 19 205

HSL 270, 0.83%, 0.44%

LAB 34.64, 68.52, -75.21

 

CMYK 0 / 45 / 91 / 20

HEX #CD7013

RGB 205 112 19

HSL 30, 0.83%, 0.44%

LAB 56.7, 31.15, 60.39

 

CMYK 91 / 0 / 44 / 20

HEX #13CD72

RGB 19 205 114

HSL 150.65, 0.83%, 0.44%

LAB 72.9, -62.26, 33.68

 

CMYK 91 / 64 / 0 / 20

HEX #134ACD

RGB 19 74 205

HSL 222.26, 0.83%, 0.44%

LAB 36.83, 34.7, -71.84

 

CMYK 0 / 91 / 45 / 20

HEX #CD1370

RGB 205 19 112

HSL 330, 0.83%, 0.44%

LAB 45.1, 70.64, -1.62

 

CMYK 0 / 27 / 91 / 20

HEX #CD9513

RGB 205 149 19

HSL 41.94, 0.83%, 0.44%

LAB 65.37, 11.15, 66.91

 

CMYK 91 / 0 / 44 / 20

HEX #13CD72

RGB 19 205 114

HSL 150.65, 0.83%, 0.44%

LAB 72.9, -62.26, 33.68

 

CMYK 91 / 91 / 0 / 20

HEX #1313CD

RGB 19 19 205

HSL 240, 0.83%, 0.44%

LAB 26.77, 63.1, -88.5

 

CMYK 0 / 91 / 45 / 20

HEX #CD1370

RGB 205 19 112

HSL 330, 0.83%, 0.44%

LAB 45.1, 70.64, -1.62

 

CMYK 0 / 0 / 91 / 20

HEX #CDCD13

RGB 205 205 19

HSL 60, 0.83%, 0.44%

LAB 80, -18.07, 78.16

 

Description

Color code: RGB 19 205 114 | qconv.com Color code: RGB 19 205 114 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 205 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 205 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 44 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 44% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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