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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 179 163 it is the complementary color RGB 236 76 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 179 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 179 163 shade: RGB 24 179 158, RGB 41 197 177, RGB 58 215 196, RGB 75 233 215 and RGB 92 251 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 179 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 179 163 shade: RGB 19 179 163, RGB 2 161 144, RGB 0 143 125, RGB 0 125 106 and RGB 0 107 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 179 163 shade: RGB 18 180 163, RGB 18 180 120, RGB 18 180 77, RGB 18 180 33 and RGB 47 180 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 179 163 shade: RGB 18 180 163, RGB 18 152 180, RGB 18 109 180, RGB 18 65 180 and RGB 18 22 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 179 163 shade matches the following richer shades: RGB 18 180 163 and RGB 2 196 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 179 163 shade: RGB 18 180 163, RGB 34 163 151, RGB 51 147 138, RGB 67 131 125 and RGB 83 115 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 179 163 shade: RGB 18 180 77, RGB 18 180 120, RGB 18 180 163, RGB 18 153 180 and RGB 18 110 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 179 163 shade: RGB 11 105 95, RGB 14 142 129, RGB 18 180 163, RGB 22 217 197 and RGB 48 233 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 179 163 shade: RGB 19 179 163, RGB 35 18 180 and RGB 180 99 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 179 163 shade: RGB 19 179 163, RGB 163 18 180 and RGB 180 163 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 179 163 shade: RGB 19 179 163, RGB 35 18 180, RGB 180 18 35 and RGB 163 180 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 179 163 shade: RGB 19 179 163, RGB 83 18 180, RGB 180 18 35 and RGB 115 180 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 9 / 30

HEX #13B3A3

RGB 19 179 163

HSL 174, 0.81%, 0.39%

LAB 65.77, -40.87, -2.5

 

Complementary color

CMYK 0 / 68 / 61 / 7

HEX #EC4C5C

RGB 236 76 92

HSL 354, 0.81%, 0.61%

LAB 55.86, 62.14, 26.3

 

CMYK 87 / 0 / 12 / 30

HEX #18B39E

RGB 24 179 158

HSL 171.87, 0.76%, 0.4%

LAB 65.67, -41.97, 0.14

 

CMYK 79 / 0 / 10 / 23

HEX #29C5B1

RGB 41 197 177

HSL 172.31, 0.66%, 0.47%

LAB 71.95, -43.18, -1.1

 

CMYK 73 / 0 / 9 / 16

HEX #3AD7C4

RGB 58 215 196

HSL 172.74, 0.66%, 0.54%

LAB 78.16, -44.07, -2.21

 

CMYK 68 / 0 / 8 / 9

HEX #4BE9D7

RGB 75 233 215

HSL 173.16, 0.78%, 0.6%

LAB 84.32, -44.72, -3.23

 

CMYK 63 / 0 / 7 / 2

HEX #5CFBEA

RGB 92 251 234

HSL 173.58, 0.95%, 0.67%

LAB 90.42, -45.19, -4.16

 

CMYK 89 / 0 / 9 / 30

HEX #13B3A3

RGB 19 179 163

HSL 174, 0.81%, 0.39%

LAB 65.77, -40.87, -2.5

 

CMYK 99 / 0 / 11 / 37

HEX #02A190

RGB 2 161 144

HSL 173.58, 0.98%, 0.32%

LAB 59.45, -39.13, -1.14

 

CMYK 100 / 0 / 13 / 44

HEX #008F7D

RGB 0 143 125

HSL 172.45, 1%, 0.28%

LAB 53.09, -36.76, 0.41

 

CMYK 100 / 0 / 15 / 51

HEX #007D6A

RGB 0 125 106

HSL 170.88, 1%, 0.25%

LAB 46.59, -34.25, 2.06

 

CMYK 100 / 0 / 19 / 58

HEX #006B57

RGB 0 107 87

HSL 168.79, 1%, 0.21%

LAB 39.92, -31.68, 3.8

 

CMYK 90 / 0 / 9 / 29

HEX #12B4A3

RGB 18 180 163

HSL 173.7, 0.82%, 0.39%

LAB 66.07, -41.36, -2.05

 

CMYK 90 / 0 / 33 / 29

HEX #12B478

RGB 18 180 120

HSL 157.78, 0.82%, 0.39%

LAB 65.06, -52.21, 20.13

 

CMYK 90 / 0 / 57 / 29

HEX #12B44D

RGB 18 180 77

HSL 141.85, 0.82%, 0.39%

LAB 64.41, -59.94, 41.42

 

CMYK 90 / 0 / 82 / 29

HEX #12B421

RGB 18 180 33

HSL 125.56, 0.82%, 0.39%

LAB 64.06, -64.25, 58.31

 

CMYK 74 / 0 / 90 / 29

HEX #2FB412

RGB 47 180 18

HSL 109.26, 0.82%, 0.39%

LAB 64.4, -61.53, 62.21

 

CMYK 90 / 0 / 9 / 29

HEX #12B4A3

RGB 18 180 163

HSL 173.7, 0.82%, 0.39%

LAB 66.07, -41.36, -2.05

 

CMYK 90 / 16 / 0 / 29

HEX #1298B4

RGB 18 152 180

HSL 190.37, 0.82%, 0.39%

LAB 57.92, -22.65, -23.84

 

CMYK 90 / 39 / 0 / 29

HEX #126DB4

RGB 18 109 180

HSL 206.3, 0.82%, 0.39%

LAB 44.75, 1.95, -44.48

 

CMYK 90 / 64 / 0 / 29

HEX #1241B4

RGB 18 65 180

HSL 222.59, 0.82%, 0.39%

LAB 32.27, 30.93, -64.67

 

CMYK 90 / 88 / 0 / 29

HEX #1216B4

RGB 18 22 180

HSL 238.52, 0.82%, 0.39%

LAB 23.66, 55.01, -78.9

 

CMYK 90 / 0 / 9 / 29

HEX #12B4A3

RGB 18 180 163

HSL 173.7, 0.82%, 0.39%

LAB 66.07, -41.36, -2.05

 

CMYK 99 / 0 / 10 / 23

HEX #02C4B0

RGB 2 196 176

HSL 173.81, 0.98%, 0.39%

LAB 71.3, -45.19, -1.53

 

CMYK 90 / 0 / 9 / 29

HEX #12B4A3

RGB 18 180 163

HSL 173.7, 0.82%, 0.39%

LAB 66.07, -41.36, -2.05

 

CMYK 79 / 0 / 7 / 36

HEX #22A397

RGB 34 163 151

HSL 174.42, 0.65%, 0.39%

LAB 60.58, -35.97, -3.41

 

CMYK 65 / 0 / 6 / 42

HEX #33938A

RGB 51 147 138

HSL 174.38, 0.48%, 0.39%

LAB 55.49, -29.86, -3.47

 

CMYK 49 / 0 / 5 / 49

HEX #43837D

RGB 67 131 125

HSL 174.38, 0.32%, 0.39%

LAB 50.58, -22.08, -3.11

 

CMYK 28 / 0 / 3 / 55

HEX #537370

RGB 83 115 112

HSL 174.38, 0.16%, 0.39%

LAB 46, -12.15, -2.07

 

CMYK 90 / 0 / 57 / 29

HEX #12B44D

RGB 18 180 77

HSL 141.85, 0.82%, 0.39%

LAB 64.41, -59.94, 41.42

 

CMYK 90 / 0 / 33 / 29

HEX #12B478

RGB 18 180 120

HSL 157.78, 0.82%, 0.39%

LAB 65.06, -52.21, 20.13

 

CMYK 90 / 0 / 9 / 29

HEX #12B4A3

RGB 18 180 163

HSL 173.7, 0.82%, 0.39%

LAB 66.07, -41.36, -2.05

 

CMYK 90 / 15 / 0 / 29

HEX #1299B4

RGB 18 153 180

HSL 190, 0.82%, 0.39%

LAB 58.23, -23.17, -23.37

 

CMYK 90 / 39 / 0 / 29

HEX #126EB4

RGB 18 110 180

HSL 205.93, 0.82%, 0.39%

LAB 45.05, 1.32, -44

 

CMYK 90 / 0 / 10 / 59

HEX #0B695F

RGB 11 105 95

HSL 173.62, 0.81%, 0.23%

LAB 39.58, -27.48, -1.55

 

CMYK 90 / 0 / 9 / 44

HEX #0E8E81

RGB 14 142 129

HSL 173.91, 0.82%, 0.31%

LAB 52.98, -34.41, -2.05

 

CMYK 90 / 0 / 9 / 29

HEX #12B4A3

RGB 18 180 163

HSL 173.7, 0.82%, 0.39%

LAB 66.07, -41.36, -2.05

 

CMYK 90 / 0 / 9 / 15

HEX #16D9C5

RGB 22 217 197

HSL 173.85, 0.82%, 0.47%

LAB 78.36, -47.59, -2.5

 

CMYK 79 / 0 / 8 / 9

HEX #30E9D6

RGB 48 233 214

HSL 173.84, 0.81%, 0.55%

LAB 83.84, -48.02, -3.45

 

CMYK 89 / 0 / 9 / 30

HEX #13B3A3

RGB 19 179 163

HSL 174, 0.81%, 0.39%

LAB 65.77, -40.87, -2.5

 

CMYK 81 / 90 / 0 / 29

HEX #2312B4

RGB 35 18 180

HSL 246.3, 0.82%, 0.39%

LAB 23.95, 56.93, -78.4

 

CMYK 0 / 45 / 90 / 29

HEX #B46312

RGB 180 99 18

HSL 30, 0.82%, 0.39%

LAB 50.3, 27.57, 54.29

 

CMYK 89 / 0 / 9 / 30

HEX #13B3A3

RGB 19 179 163

HSL 174, 0.81%, 0.39%

LAB 65.77, -40.87, -2.5

 

CMYK 9 / 90 / 0 / 29

HEX #A312B4

RGB 163 18 180

HSL 293.7, 0.82%, 0.39%

LAB 40.43, 70.83, -50.74

 

CMYK 0 / 9 / 90 / 29

HEX #B4A312

RGB 180 163 18

HSL 53.7, 0.82%, 0.39%

LAB 66.48, -7.56, 66.85

 

CMYK 89 / 0 / 9 / 30

HEX #13B3A3

RGB 19 179 163

HSL 174, 0.81%, 0.39%

LAB 65.77, -40.87, -2.5

 

CMYK 81 / 90 / 0 / 29

HEX #2312B4

RGB 35 18 180

HSL 246.3, 0.82%, 0.39%

LAB 23.95, 56.93, -78.4

 

CMYK 0 / 90 / 81 / 29

HEX #B41223

RGB 180 18 35

HSL 353.7, 0.82%, 0.39%

LAB 38.3, 60.04, 36.4

 

CMYK 9 / 0 / 90 / 29

HEX #A3B412

RGB 163 180 18

HSL 66.3, 0.82%, 0.39%

LAB 69.8, -23.71, 68.89

 

CMYK 89 / 0 / 9 / 30

HEX #13B3A3

RGB 19 179 163

HSL 174, 0.81%, 0.39%

LAB 65.77, -40.87, -2.5

 

CMYK 54 / 90 / 0 / 29

HEX #5312B4

RGB 83 18 180

HSL 264.07, 0.82%, 0.39%

LAB 28.29, 60.07, -71.07

 

CMYK 0 / 90 / 81 / 29

HEX #B41223

RGB 180 18 35

HSL 353.7, 0.82%, 0.39%

LAB 38.3, 60.04, 36.4

 

CMYK 36 / 0 / 90 / 29

HEX #73B412

RGB 115 180 18

HSL 84.07, 0.82%, 0.39%

LAB 66.77, -42.95, 65.17

 

Description

Color code: RGB 19 179 163 | qconv.com Color code: RGB 19 179 163 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 179 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 179 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 9 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 9% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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