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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 172 122 it is the complementary color RGB 236 83 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 172 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 172 122 shade: RGB 24 172 117, RGB 41 190 136, RGB 58 208 155, RGB 75 226 174 and RGB 92 244 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 172 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 172 122 shade: RGB 19 172 122, RGB 2 154 103, RGB 0 136 84, RGB 0 118 65 and RGB 0 100 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 172 122 shade: RGB 18 169 120, RGB 18 169 79, RGB 18 169 39, RGB 39 169 18 and RGB 80 169 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 172 122 shade: RGB 18 169 120, RGB 18 169 161, RGB 18 137 169, RGB 18 97 169 and RGB 18 56 169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 172 122 shade matches the following richer shades: RGB 18 169 120 and RGB 3 185 125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 172 122 shade: RGB 18 169 120, RGB 34 154 115, RGB 49 139 109, RGB 64 124 104 and RGB 79 108 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 172 122 shade: RGB 18 169 38, RGB 18 169 79, RGB 18 169 119, RGB 18 169 159 and RGB 18 139 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 172 122 shade: RGB 10 95 67, RGB 14 132 94, RGB 18 169 120, RGB 22 206 146 and RGB 40 231 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 172 122 shade: RGB 19 172 122, RGB 18 38 169 and RGB 169 59 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 172 122 shade: RGB 19 172 122, RGB 119 18 169 and RGB 169 119 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 172 122 shade: RGB 19 172 122, RGB 18 38 169, RGB 169 18 69 and RGB 169 149 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 172 122 shade: RGB 19 172 122, RGB 44 18 169, RGB 169 18 69 and RGB 144 169 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 29 / 33

HEX #13AC7A

RGB 19 172 122

HSL 160.39, 0.8%, 0.37%

LAB 62.55, -48.63, 15.58

 

Complementary color

CMYK 0 / 65 / 44 / 7

HEX #EC5385

RGB 236 83 133

HSL 340.39, 0.8%, 0.63%

LAB 57.76, 62.65, 4.8

 

CMYK 86 / 0 / 32 / 33

HEX #18AC75

RGB 24 172 117

HSL 157.7, 0.76%, 0.38%

LAB 62.49, -49.41, 18.25

 

CMYK 78 / 0 / 28 / 25

HEX #29BE88

RGB 41 190 136

HSL 158.26, 0.65%, 0.45%

LAB 68.81, -50.52, 16.68

 

CMYK 72 / 0 / 25 / 18

HEX #3AD09B

RGB 58 208 155

HSL 158.8, 0.61%, 0.52%

LAB 75.06, -51.26, 15.27

 

CMYK 67 / 0 / 23 / 11

HEX #4BE2AE

RGB 75 226 174

HSL 159.34, 0.72%, 0.59%

LAB 81.26, -51.74, 13.98

 

CMYK 62 / 0 / 21 / 4

HEX #5CF4C1

RGB 92 244 193

HSL 159.87, 0.87%, 0.66%

LAB 87.4, -52.02, 12.79

 

CMYK 89 / 0 / 29 / 33

HEX #13AC7A

RGB 19 172 122

HSL 160.39, 0.8%, 0.37%

LAB 62.55, -48.63, 15.58

 

CMYK 99 / 0 / 33 / 40

HEX #029A67

RGB 2 154 103

HSL 159.87, 0.97%, 0.31%

LAB 56.19, -46.93, 17.31

 

CMYK 100 / 0 / 38 / 47

HEX #008854

RGB 0 136 84

HSL 157.06, 1%, 0.27%

LAB 49.8, -44.42, 19.28

 

CMYK 100 / 0 / 45 / 54

HEX #007641

RGB 0 118 65

HSL 153.05, 1%, 0.23%

LAB 43.27, -41.66, 21.37

 

CMYK 100 / 0 / 54 / 61

HEX #00642E

RGB 0 100 46

HSL 147.6, 1%, 0.2%

LAB 36.58, -38.65, 23.53

 

CMYK 89 / 0 / 29 / 34

HEX #12A978

RGB 18 169 120

HSL 160.53, 0.81%, 0.37%

LAB 61.53, -47.99, 15.27

 

CMYK 89 / 0 / 53 / 34

HEX #12A94F

RGB 18 169 79

HSL 144.24, 0.81%, 0.37%

LAB 60.84, -56.01, 36.14

 

CMYK 89 / 0 / 77 / 34

HEX #12A927

RGB 18 169 39

HSL 128.34, 0.81%, 0.37%

LAB 60.47, -60.61, 53.01

 

CMYK 77 / 0 / 89 / 34

HEX #27A912

RGB 39 169 18

HSL 111.66, 0.81%, 0.37%

LAB 60.65, -59.38, 58.93

 

CMYK 53 / 0 / 89 / 34

HEX #50A912

RGB 80 169 18

HSL 95.36, 0.81%, 0.37%

LAB 61.76, -50.16, 60.32

 

CMYK 89 / 0 / 29 / 34

HEX #12A978

RGB 18 169 120

HSL 160.53, 0.81%, 0.37%

LAB 61.53, -47.99, 15.27

 

CMYK 89 / 0 / 5 / 34

HEX #12A9A1

RGB 18 169 161

HSL 176.82, 0.81%, 0.37%

LAB 62.57, -37.03, -6.1

 

CMYK 89 / 19 / 0 / 34

HEX #1289A9

RGB 18 137 169

HSL 192.72, 0.81%, 0.37%

LAB 52.82, -18.54, -25.42

 

CMYK 89 / 43 / 0 / 34

HEX #1261A9

RGB 18 97 169

HSL 208.61, 0.81%, 0.37%

LAB 40.48, 5.18, -44.84

 

CMYK 89 / 67 / 0 / 34

HEX #1238A9

RGB 18 56 169

HSL 224.9, 0.81%, 0.37%

LAB 28.96, 32.63, -63.54

 

CMYK 89 / 0 / 29 / 34

HEX #12A978

RGB 18 169 120

HSL 160.53, 0.81%, 0.37%

LAB 61.53, -47.99, 15.27

 

CMYK 98 / 0 / 32 / 27

HEX #03B97D

RGB 3 185 125

HSL 160.22, 0.97%, 0.37%

LAB 66.67, -53.65, 19.62

 

CMYK 89 / 0 / 29 / 34

HEX #12A978

RGB 18 169 120

HSL 160.53, 0.81%, 0.37%

LAB 61.53, -47.99, 15.27

 

CMYK 78 / 0 / 25 / 40

HEX #229A73

RGB 34 154 115

HSL 160.5, 0.64%, 0.37%

LAB 56.77, -41.62, 11.44

 

CMYK 65 / 0 / 22 / 45

HEX #318B6D

RGB 49 139 109

HSL 160, 0.48%, 0.37%

LAB 52.09, -34.16, 8.3

 

CMYK 48 / 0 / 16 / 51

HEX #407C68

RGB 64 124 104

HSL 160, 0.32%, 0.37%

LAB 47.63, -24.69, 4.92

 

CMYK 27 / 0 / 8 / 58

HEX #4F6C63

RGB 79 108 99

HSL 161.38, 0.16%, 0.37%

LAB 43.19, -12.68, 1.6

 

CMYK 89 / 0 / 78 / 34

HEX #12A926

RGB 18 169 38

HSL 127.95, 0.81%, 0.37%

LAB 60.47, -60.68, 53.34

 

CMYK 89 / 0 / 53 / 34

HEX #12A94F

RGB 18 169 79

HSL 144.24, 0.81%, 0.37%

LAB 60.84, -56.01, 36.14

 

CMYK 89 / 0 / 30 / 34

HEX #12A977

RGB 18 169 119

HSL 160.13, 0.81%, 0.37%

LAB 61.51, -48.22, 15.8

 

CMYK 89 / 0 / 6 / 34

HEX #12A99F

RGB 18 169 159

HSL 176.03, 0.81%, 0.37%

LAB 62.51, -37.62, -5.06

 

CMYK 89 / 18 / 0 / 34

HEX #128BA9

RGB 18 139 169

HSL 191.92, 0.81%, 0.37%

LAB 53.45, -19.61, -24.45

 

CMYK 89 / 0 / 29 / 63

HEX #0A5F43

RGB 10 95 67

HSL 160.24, 0.81%, 0.21%

LAB 35.31, -30.98, 9.49

 

CMYK 89 / 0 / 29 / 48

HEX #0E845E

RGB 14 132 94

HSL 160.68, 0.81%, 0.29%

LAB 48.77, -39.61, 12.19

 

CMYK 89 / 0 / 29 / 34

HEX #12A978

RGB 18 169 120

HSL 160.53, 0.81%, 0.37%

LAB 61.53, -47.99, 15.27

 

CMYK 89 / 0 / 29 / 19

HEX #16CE92

RGB 22 206 146

HSL 160.43, 0.81%, 0.45%

LAB 73.8, -55.99, 18.22

 

CMYK 83 / 0 / 27 / 9

HEX #28E7A8

RGB 40 231 168

HSL 160.21, 0.8%, 0.53%

LAB 82.07, -59.23, 18.17

 

CMYK 89 / 0 / 29 / 33

HEX #13AC7A

RGB 19 172 122

HSL 160.39, 0.8%, 0.37%

LAB 62.55, -48.63, 15.58

 

CMYK 89 / 78 / 0 / 34

HEX #1226A9

RGB 18 38 169

HSL 232.05, 0.81%, 0.37%

LAB 24.89, 43.83, -70.26

 

CMYK 0 / 65 / 89 / 34

HEX #A93B12

RGB 169 59 18

HSL 16.29, 0.81%, 0.37%

LAB 40.58, 43.42, 46.03

 

CMYK 89 / 0 / 29 / 33

HEX #13AC7A

RGB 19 172 122

HSL 160.39, 0.8%, 0.37%

LAB 62.55, -48.63, 15.58

 

CMYK 30 / 89 / 0 / 34

HEX #7712A9

RGB 119 18 169

HSL 280.13, 0.81%, 0.37%

LAB 32.3, 61.92, -57.71

 

CMYK 0 / 30 / 89 / 34

HEX #A97712

RGB 169 119 18

HSL 40.13, 0.81%, 0.37%

LAB 53.68, 11.55, 56.3

 

CMYK 89 / 0 / 29 / 33

HEX #13AC7A

RGB 19 172 122

HSL 160.39, 0.8%, 0.37%

LAB 62.55, -48.63, 15.58

 

CMYK 89 / 78 / 0 / 34

HEX #1226A9

RGB 18 38 169

HSL 232.05, 0.81%, 0.37%

LAB 24.89, 43.83, -70.26

 

CMYK 0 / 89 / 59 / 34

HEX #A91245

RGB 169 18 69

HSL 339.74, 0.81%, 0.37%

LAB 36.55, 58.76, 12.46

 

CMYK 0 / 12 / 89 / 34

HEX #A99512

RGB 169 149 18

HSL 52.05, 0.81%, 0.37%

LAB 61.63, -5.05, 62.6

 

CMYK 89 / 0 / 29 / 33

HEX #13AC7A

RGB 19 172 122

HSL 160.39, 0.8%, 0.37%

LAB 62.55, -48.63, 15.58

 

CMYK 74 / 89 / 0 / 34

HEX #2C12A9

RGB 44 18 169

HSL 250.33, 0.81%, 0.37%

LAB 23.11, 54.28, -73.17

 

CMYK 0 / 89 / 59 / 34

HEX #A91245

RGB 169 18 69

HSL 339.74, 0.81%, 0.37%

LAB 36.55, 58.76, 12.46

 

CMYK 15 / 0 / 89 / 34

HEX #90A912

RGB 144 169 18

HSL 69.93, 0.81%, 0.37%

LAB 65.24, -26.43, 64.63

 

Description

Color code: RGB 19 172 122 | qconv.com Color code: RGB 19 172 122 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 172 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 172 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 29 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 29% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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