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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 164 125 it is the complementary color RGB 236 91 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 164 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 164 125 shade: RGB 24 164 120, RGB 41 182 139, RGB 58 200 158, RGB 75 218 177 and RGB 92 236 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 164 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 164 125 shade: RGB 19 164 125, RGB 2 146 106, RGB 0 128 87, RGB 0 110 68 and RGB 0 92 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 164 125 shade: RGB 19 164 125, RGB 19 164 86, RGB 19 164 47, RGB 30 164 19 and RGB 69 164 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 164 125 shade: RGB 19 164 125, RGB 19 164 164, RGB 19 125 164, RGB 19 85 164 and RGB 19 46 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 164 125 shade matches the following richer shades: RGB 19 164 125 and RGB 4 179 132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 164 125 shade: RGB 19 164 125, RGB 34 149 118, RGB 48 134 111, RGB 63 119 104 and RGB 78 104 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 164 125 shade: RGB 19 164 45, RGB 19 164 84, RGB 19 164 123, RGB 19 164 161 and RGB 19 128 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 164 125 shade: RGB 10 90 68, RGB 14 127 97, RGB 19 164 125, RGB 23 201 153 and RGB 36 229 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 164 125 shade: RGB 19 164 125, RGB 19 31 164 and RGB 164 65 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 164 125 shade: RGB 19 164 125, RGB 123 19 164 and RGB 164 123 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 164 125 shade: RGB 19 164 125, RGB 19 31 164, RGB 164 19 60 and RGB 164 152 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 164 125 shade: RGB 19 164 125, RGB 50 19 164, RGB 164 19 60 and RGB 132 164 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 24 / 36

HEX #13A47D

RGB 19 164 125

HSL 163.86, 0.79%, 0.36%

LAB 60.04, -44.7, 10.41

 

Complementary color

CMYK 0 / 61 / 45 / 7

HEX #EC5B82

RGB 236 91 130

HSL 343.86, 0.79%, 0.64%

LAB 58.91, 59.06, 8.2

 

CMYK 85 / 0 / 27 / 36

HEX #18A478

RGB 24 164 120

HSL 161.14, 0.74%, 0.37%

LAB 59.98, -45.55, 13.12

 

CMYK 77 / 0 / 24 / 29

HEX #29B68B

RGB 41 182 139

HSL 161.7, 0.63%, 0.44%

LAB 66.36, -46.6, 11.63

 

CMYK 71 / 0 / 21 / 22

HEX #3AC89E

RGB 58 200 158

HSL 162.25, 0.56%, 0.51%

LAB 72.68, -47.3, 10.3

 

CMYK 66 / 0 / 19 / 15

HEX #4BDAB1

RGB 75 218 177

HSL 162.8, 0.66%, 0.57%

LAB 78.93, -47.74, 9.09

 

CMYK 61 / 0 / 17 / 7

HEX #5CECC4

RGB 92 236 196

HSL 163.33, 0.79%, 0.64%

LAB 85.12, -48, 7.98

 

CMYK 88 / 0 / 24 / 36

HEX #13A47D

RGB 19 164 125

HSL 163.86, 0.79%, 0.36%

LAB 60.04, -44.7, 10.41

 

CMYK 99 / 0 / 27 / 43

HEX #02926A

RGB 2 146 106

HSL 163.33, 0.97%, 0.29%

LAB 53.61, -43.06, 12.06

 

CMYK 100 / 0 / 32 / 50

HEX #008057

RGB 0 128 87

HSL 160.78, 1%, 0.25%

LAB 47.14, -40.61, 13.96

 

CMYK 100 / 0 / 38 / 57

HEX #006E44

RGB 0 110 68

HSL 157.09, 1%, 0.22%

LAB 40.52, -37.92, 16.01

 

CMYK 100 / 0 / 47 / 64

HEX #005C31

RGB 0 92 49

HSL 151.96, 1%, 0.18%

LAB 33.72, -35.04, 18.18

 

CMYK 88 / 0 / 24 / 36

HEX #13A47D

RGB 19 164 125

HSL 163.86, 0.79%, 0.36%

LAB 60.04, -44.7, 10.41

 

CMYK 88 / 0 / 48 / 36

HEX #13A456

RGB 19 164 86

HSL 147.72, 0.79%, 0.36%

LAB 59.31, -53.06, 30.65

 

CMYK 88 / 0 / 71 / 36

HEX #13A42F

RGB 19 164 47

HSL 131.59, 0.79%, 0.36%

LAB 58.88, -58.33, 48.45

 

CMYK 82 / 0 / 88 / 36

HEX #1EA413

RGB 30 164 19

HSL 115.45, 0.79%, 0.36%

LAB 58.86, -59.05, 57.12

 

CMYK 58 / 0 / 88 / 36

HEX #45A413

RGB 69 164 19

HSL 99.31, 0.79%, 0.36%

LAB 59.76, -51.38, 58.26

 

CMYK 88 / 0 / 24 / 36

HEX #13A47D

RGB 19 164 125

HSL 163.86, 0.79%, 0.36%

LAB 60.04, -44.7, 10.41

 

CMYK 88 / 0 / 0 / 36

HEX #13A4A4

RGB 19 164 164

HSL 180, 0.79%, 0.36%

LAB 61.11, -33.75, -9.97

 

CMYK 88 / 24 / 0 / 36

HEX #137DA4

RGB 19 125 164

HSL 196.14, 0.79%, 0.36%

LAB 48.87, -13.65, -28.65

 

CMYK 88 / 48 / 0 / 36

HEX #1355A4

RGB 19 85 164

HSL 212.69, 0.79%, 0.36%

LAB 36.59, 11.08, -48.12

 

CMYK 88 / 72 / 0 / 36

HEX #132EA4

RGB 19 46 164

HSL 228.83, 0.79%, 0.36%

LAB 26.08, 37.26, -65.27

 

CMYK 88 / 0 / 24 / 36

HEX #13A47D

RGB 19 164 125

HSL 163.86, 0.79%, 0.36%

LAB 60.04, -44.7, 10.41

 

CMYK 98 / 0 / 26 / 30

HEX #04B384

RGB 4 179 132

HSL 163.89, 0.96%, 0.36%

LAB 64.91, -49.7, 13.37

 

CMYK 88 / 0 / 24 / 36

HEX #13A47D

RGB 19 164 125

HSL 163.86, 0.79%, 0.36%

LAB 60.04, -44.7, 10.41

 

CMYK 77 / 0 / 21 / 42

HEX #229576

RGB 34 149 118

HSL 163.83, 0.63%, 0.36%

LAB 55.22, -38.73, 7.55

 

CMYK 64 / 0 / 17 / 47

HEX #30866F

RGB 48 134 111

HSL 163.95, 0.47%, 0.36%

LAB 50.48, -31.53, 4.84

 

CMYK 47 / 0 / 13 / 53

HEX #3F7768

RGB 63 119 104

HSL 163.93, 0.31%, 0.36%

LAB 45.97, -22.4, 2.53

 

CMYK 25 / 0 / 7 / 59

HEX #4E6861

RGB 78 104 97

HSL 163.85, 0.14%, 0.36%

LAB 41.82, -11.23, 0.81

 

CMYK 88 / 0 / 73 / 36

HEX #13A42D

RGB 19 164 45

HSL 130.76, 0.79%, 0.36%

LAB 58.86, -58.51, 49.21

 

CMYK 88 / 0 / 49 / 36

HEX #13A454

RGB 19 164 84

HSL 146.9, 0.79%, 0.36%

LAB 59.28, -53.41, 31.65

 

CMYK 88 / 0 / 25 / 36

HEX #13A47B

RGB 19 164 123

HSL 163.03, 0.79%, 0.36%

LAB 60, -45.2, 11.46

 

CMYK 88 / 0 / 2 / 36

HEX #13A4A1

RGB 19 164 161

HSL 178.76, 0.79%, 0.36%

LAB 61.01, -34.67, -8.42

 

CMYK 88 / 22 / 0 / 36

HEX #1380A4

RGB 19 128 164

HSL 194.9, 0.79%, 0.36%

LAB 49.81, -15.33, -27.19

 

CMYK 89 / 0 / 24 / 65

HEX #0A5A44

RGB 10 90 68

HSL 163.5, 0.8%, 0.2%

LAB 33.55, -28.45, 6.4

 

CMYK 89 / 0 / 24 / 50

HEX #0E7F61

RGB 14 127 97

HSL 164.07, 0.8%, 0.28%

LAB 47.15, -36.73, 8.18

 

CMYK 88 / 0 / 24 / 36

HEX #13A47D

RGB 19 164 125

HSL 163.86, 0.79%, 0.36%

LAB 60.04, -44.7, 10.41

 

CMYK 89 / 0 / 24 / 21

HEX #17C999

RGB 23 201 153

HSL 163.82, 0.79%, 0.44%

LAB 72.4, -52.39, 12.52

 

CMYK 84 / 0 / 23 / 10

HEX #24E5B1

RGB 36 229 177

HSL 163.83, 0.79%, 0.52%

LAB 81.61, -56.71, 12.81

 

CMYK 88 / 0 / 24 / 36

HEX #13A47D

RGB 19 164 125

HSL 163.86, 0.79%, 0.36%

LAB 60.04, -44.7, 10.41

 

CMYK 88 / 81 / 0 / 36

HEX #131FA4

RGB 19 31 164

HSL 235.03, 0.79%, 0.36%

LAB 22.99, 45.99, -70.37

 

CMYK 0 / 60 / 88 / 36

HEX #A44113

RGB 164 65 19

HSL 19.03, 0.79%, 0.36%

LAB 40.77, 38.77, 45.41

 

CMYK 88 / 0 / 24 / 36

HEX #13A47D

RGB 19 164 125

HSL 163.86, 0.79%, 0.36%

LAB 60.04, -44.7, 10.41

 

CMYK 25 / 88 / 0 / 36

HEX #7B13A4

RGB 123 19 164

HSL 283.03, 0.79%, 0.36%

LAB 32.61, 61.3, -54.17

 

CMYK 0 / 25 / 88 / 36

HEX #A47B13

RGB 164 123 19

HSL 43.03, 0.79%, 0.36%

LAB 54.14, 7.03, 56.17

 

CMYK 88 / 0 / 24 / 36

HEX #13A47D

RGB 19 164 125

HSL 163.86, 0.79%, 0.36%

LAB 60.04, -44.7, 10.41

 

CMYK 88 / 81 / 0 / 36

HEX #131FA4

RGB 19 31 164

HSL 235.03, 0.79%, 0.36%

LAB 22.99, 45.99, -70.37

 

CMYK 0 / 88 / 63 / 36

HEX #A4133C

RGB 164 19 60

HSL 343.03, 0.79%, 0.36%

LAB 35.37, 56.7, 16.53

 

CMYK 0 / 7 / 88 / 36

HEX #A49813

RGB 164 152 19

HSL 55.03, 0.79%, 0.36%

LAB 61.99, -8.9, 62.48

 

CMYK 88 / 0 / 24 / 36

HEX #13A47D

RGB 19 164 125

HSL 163.86, 0.79%, 0.36%

LAB 60.04, -44.7, 10.41

 

CMYK 70 / 88 / 0 / 36

HEX #3213A4

RGB 50 19 164

HSL 252.83, 0.79%, 0.36%

LAB 23.08, 52.92, -70.17

 

CMYK 0 / 88 / 63 / 36

HEX #A4133C

RGB 164 19 60

HSL 343.03, 0.79%, 0.36%

LAB 35.37, 56.7, 16.53

 

CMYK 20 / 0 / 88 / 36

HEX #84A413

RGB 132 164 19

HSL 73.24, 0.79%, 0.36%

LAB 62.93, -29.05, 62.2

 

Description

Color code: RGB 19 164 125 | qconv.com Color code: RGB 19 164 125 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 164 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 164 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 24 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 24% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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