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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 128 121 it is the complementary color RGB 236 127 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 128 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 128 121 shade: RGB 24 128 116, RGB 41 146 135, RGB 58 164 154, RGB 75 182 173 and RGB 92 200 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 128 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 128 121 shade: RGB 19 128 121, RGB 2 110 102, RGB 0 92 83, RGB 0 74 64 and RGB 0 56 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 128 121 shade: RGB 19 128 121, RGB 19 128 92, RGB 19 128 62, RGB 19 128 33 and RGB 34 128 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 128 121 shade: RGB 19 128 121, RGB 19 106 128, RGB 19 76 128, RGB 19 47 128 and RGB 19 19 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 128 121 shade matches the following richer shades: RGB 19 128 121 and RGB 7 140 132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 128 121 shade: RGB 19 128 121, RGB 31 116 111, RGB 43 104 100, RGB 55 92 90 and RGB 67 80 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 128 121 shade: RGB 19 128 63, RGB 19 128 92, RGB 19 128 121, RGB 19 106 128 and RGB 19 77 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 128 121 shade: RGB 8 56 53, RGB 13 92 87, RGB 19 128 121, RGB 24 164 155 and RGB 29 200 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 128 121 shade: RGB 19 128 121, RGB 33 19 128 and RGB 128 77 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 128 121 shade: RGB 19 128 121, RGB 121 19 128 and RGB 128 121 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 128 121 shade: RGB 19 128 121, RGB 33 19 128, RGB 128 19 26 and RGB 114 128 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 128 121 shade: RGB 19 128 121, RGB 66 19 128, RGB 128 19 26 and RGB 81 128 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 5 / 50

HEX #138079

RGB 19 128 121

HSL 176.15, 0.74%, 0.29%

LAB 48.21, -29.89, -4.41

 

Complementary color

CMYK 0 / 46 / 43 / 7

HEX #EC7F86

RGB 236 127 134

HSL 356.15, 0.74%, 0.71%

LAB 65.54, 42.47, 15.23

 

CMYK 81 / 0 / 9 / 50

HEX #188074

RGB 24 128 116

HSL 173.08, 0.68%, 0.3%

LAB 48.13, -30.92, -1.57

 

CMYK 72 / 0 / 8 / 43

HEX #299287

RGB 41 146 135

HSL 173.71, 0.56%, 0.37%

LAB 54.84, -31.8, -2.72

 

CMYK 65 / 0 / 6 / 36

HEX #3AA49A

RGB 58 164 154

HSL 174.34, 0.48%, 0.44%

LAB 61.47, -32.34, -3.73

 

CMYK 59 / 0 / 5 / 29

HEX #4BB6AD

RGB 75 182 173

HSL 174.95, 0.42%, 0.5%

LAB 68, -32.68, -4.63

 

CMYK 54 / 0 / 4 / 22

HEX #5CC8C0

RGB 92 200 192

HSL 175.56, 0.5%, 0.57%

LAB 74.44, -32.87, -5.44

 

CMYK 85 / 0 / 5 / 50

HEX #138079

RGB 19 128 121

HSL 176.15, 0.74%, 0.29%

LAB 48.21, -29.89, -4.41

 

CMYK 98 / 0 / 7 / 57

HEX #026E66

RGB 2 110 102

HSL 175.56, 0.96%, 0.22%

LAB 41.41, -28.35, -3.12

 

CMYK 100 / 0 / 10 / 64

HEX #005C53

RGB 0 92 83

HSL 174.13, 1%, 0.18%

LAB 34.56, -25.84, -1.53

 

CMYK 100 / 0 / 14 / 71

HEX #004A40

RGB 0 74 64

HSL 171.89, 1%, 0.15%

LAB 27.48, -23.1, 0.2

 

CMYK 100 / 0 / 20 / 78

HEX #00382D

RGB 0 56 45

HSL 168.21, 1%, 0.11%

LAB 20.12, -20.26, 2.09

 

CMYK 85 / 0 / 5 / 50

HEX #138079

RGB 19 128 121

HSL 176.15, 0.74%, 0.29%

LAB 48.21, -29.89, -4.41

 

CMYK 85 / 0 / 28 / 50

HEX #13805C

RGB 19 128 92

HSL 160.18, 0.74%, 0.29%

LAB 47.43, -38, 11.49

 

CMYK 85 / 0 / 52 / 50

HEX #13803E

RGB 19 128 62

HSL 143.67, 0.74%, 0.29%

LAB 46.88, -44.33, 27.66

 

CMYK 85 / 0 / 74 / 50

HEX #138021

RGB 19 128 33

HSL 127.71, 0.74%, 0.29%

LAB 46.56, -48.17, 41.2

 

CMYK 73 / 0 / 85 / 50

HEX #228013

RGB 34 128 19

HSL 111.74, 0.74%, 0.29%

LAB 46.74, -46.89, 46.31

 

CMYK 85 / 0 / 5 / 50

HEX #138079

RGB 19 128 121

HSL 176.15, 0.74%, 0.29%

LAB 48.21, -29.89, -4.41

 

CMYK 85 / 17 / 0 / 50

HEX #136A80

RGB 19 106 128

HSL 192.11, 0.74%, 0.29%

LAB 41.22, -16.1, -19.14

 

CMYK 85 / 41 / 0 / 50

HEX #134C80

RGB 19 76 128

HSL 208.62, 0.74%, 0.29%

LAB 31.5, 2.31, -34.37

 

CMYK 85 / 63 / 0 / 50

HEX #132F80

RGB 19 47 128

HSL 224.59, 0.74%, 0.29%

LAB 22.76, 22.53, -48.49

 

CMYK 85 / 85 / 0 / 50

HEX #131380

RGB 19 19 128

HSL 240, 0.74%, 0.29%

LAB 16.32, 40.19, -59.11

 

CMYK 85 / 0 / 5 / 50

HEX #138079

RGB 19 128 121

HSL 176.15, 0.74%, 0.29%

LAB 48.21, -29.89, -4.41

 

CMYK 95 / 0 / 6 / 45

HEX #078C84

RGB 7 140 132

HSL 176.39, 0.9%, 0.29%

LAB 52.36, -32.95, -4.7

 

CMYK 85 / 0 / 5 / 50

HEX #138079

RGB 19 128 121

HSL 176.15, 0.74%, 0.29%

LAB 48.21, -29.89, -4.41

 

CMYK 73 / 0 / 4 / 55

HEX #1F746F

RGB 31 116 111

HSL 176.47, 0.58%, 0.29%

LAB 44.13, -25.69, -4.48

 

CMYK 59 / 0 / 4 / 59

HEX #2B6864

RGB 43 104 100

HSL 176.07, 0.41%, 0.29%

LAB 40.14, -20.62, -3.7

 

CMYK 40 / 0 / 2 / 64

HEX #375C5A

RGB 55 92 90

HSL 176.76, 0.25%, 0.29%

LAB 36.38, -13.73, -3.04

 

CMYK 16 / 0 / 1 / 69

HEX #43504F

RGB 67 80 79

HSL 175.38, 0.09%, 0.29%

LAB 32.91, -5.36, -1.14

 

CMYK 85 / 0 / 51 / 50

HEX #13803F

RGB 19 128 63

HSL 144.22, 0.74%, 0.29%

LAB 46.89, -44.16, 27.14

 

CMYK 85 / 0 / 28 / 50

HEX #13805C

RGB 19 128 92

HSL 160.18, 0.74%, 0.29%

LAB 47.43, -38, 11.49

 

CMYK 85 / 0 / 5 / 50

HEX #138079

RGB 19 128 121

HSL 176.15, 0.74%, 0.29%

LAB 48.21, -29.89, -4.41

 

CMYK 85 / 17 / 0 / 50

HEX #136A80

RGB 19 106 128

HSL 192.11, 0.74%, 0.29%

LAB 41.22, -16.1, -19.14

 

CMYK 85 / 40 / 0 / 50

HEX #134D80

RGB 19 77 128

HSL 208.07, 0.74%, 0.29%

LAB 31.82, 1.65, -33.87

 

CMYK 86 / 0 / 5 / 78

HEX #083835

RGB 8 56 53

HSL 176.25, 0.75%, 0.13%

LAB 20.58, -16.13, -2.62

 

CMYK 86 / 0 / 5 / 64

HEX #0D5C57

RGB 13 92 87

HSL 176.2, 0.75%, 0.21%

LAB 34.86, -23.35, -3.57

 

CMYK 85 / 0 / 5 / 50

HEX #138079

RGB 19 128 121

HSL 176.15, 0.74%, 0.29%

LAB 48.21, -29.89, -4.41

 

CMYK 85 / 0 / 5 / 36

HEX #18A49B

RGB 24 164 155

HSL 176.14, 0.74%, 0.37%

LAB 60.88, -36.14, -5.23

 

CMYK 86 / 0 / 5 / 22

HEX #1DC8BD

RGB 29 200 189

HSL 176.14, 0.75%, 0.45%

LAB 73.05, -42.11, -6.01

 

CMYK 85 / 0 / 5 / 50

HEX #138079

RGB 19 128 121

HSL 176.15, 0.74%, 0.29%

LAB 48.21, -29.89, -4.41

 

CMYK 74 / 85 / 0 / 50

HEX #211380

RGB 33 19 128

HSL 247.71, 0.74%, 0.29%

LAB 17.21, 41.09, -57.59

 

CMYK 0 / 40 / 85 / 50

HEX #804D13

RGB 128 77 19

HSL 31.93, 0.74%, 0.29%

LAB 37.74, 16.89, 40.6

 

CMYK 85 / 0 / 5 / 50

HEX #138079

RGB 19 128 121

HSL 176.15, 0.74%, 0.29%

LAB 48.21, -29.89, -4.41

 

CMYK 5 / 85 / 0 / 50

HEX #791380

RGB 121 19 128

HSL 296.15, 0.74%, 0.29%

LAB 29.64, 54.22, -36.8

 

CMYK 0 / 5 / 85 / 50

HEX #807913

RGB 128 121 19

HSL 56.15, 0.74%, 0.29%

LAB 49.87, -8.67, 51.12

 

CMYK 85 / 0 / 5 / 50

HEX #138079

RGB 19 128 121

HSL 176.15, 0.74%, 0.29%

LAB 48.21, -29.89, -4.41

 

CMYK 74 / 85 / 0 / 50

HEX #211380

RGB 33 19 128

HSL 247.71, 0.74%, 0.29%

LAB 17.21, 41.09, -57.59

 

CMYK 0 / 85 / 80 / 50

HEX #80131A

RGB 128 19 26

HSL 356.15, 0.74%, 0.29%

LAB 27.1, 44.8, 26.62

 

CMYK 11 / 0 / 85 / 50

HEX #728013

RGB 114 128 19

HSL 67.71, 0.74%, 0.29%

LAB 50.76, -18.91, 51.41

 

CMYK 85 / 0 / 5 / 50

HEX #138079

RGB 19 128 121

HSL 176.15, 0.74%, 0.29%

LAB 48.21, -29.89, -4.41

 

CMYK 48 / 85 / 0 / 50

HEX #421380

RGB 66 19 128

HSL 265.87, 0.74%, 0.29%

LAB 20.76, 44.71, -51.62

 

CMYK 0 / 85 / 80 / 50

HEX #80131A

RGB 128 19 26

HSL 356.15, 0.74%, 0.29%

LAB 27.1, 44.8, 26.62

 

CMYK 37 / 0 / 85 / 50

HEX #518013

RGB 81 128 19

HSL 85.87, 0.74%, 0.29%

LAB 48.55, -32.9, 48.63

 

Description

Color code: RGB 19 128 121 | qconv.com Color code: RGB 19 128 121 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 128 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 128 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 5 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 5% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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