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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 122 199 it is the complementary color RGB 236 133 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 122 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 122 199 shade: RGB 24 122 194, RGB 41 140 213, RGB 58 158 232, RGB 75 176 251 and RGB 92 194 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 122 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 122 199 shade: RGB 19 122 199, RGB 2 104 180, RGB 0 86 161, RGB 0 68 142 and RGB 0 50 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 122 199 shade: RGB 18 122 200, RGB 18 73 200, RGB 18 24 200, RGB 61 18 200 and RGB 110 18 200

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 122 199 shade: RGB 18 122 200, RGB 18 73 200, RGB 18 24 200 and RGB 18 18 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 122 199 shade matches the following richer shades: RGB 18 122 200 and RGB 0 125 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 122 199 shade: RGB 18 122 200, RGB 36 120 182, RGB 54 117 165, RGB 71 115 147 and RGB 89 112 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 122 199 shade: RGB 18 200 179, RGB 18 173 200, RGB 18 124 200, RGB 18 76 200 and RGB 18 27 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 122 199 shade: RGB 11 76 125, RGB 15 99 162, RGB 18 122 200, RGB 26 145 233 and RGB 64 163 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 122 199 shade: RGB 19 122 199, RGB 130 18 200 and RGB 197 200 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 122 199 shade: RGB 19 122 199, RGB 200 18 124 and RGB 124 200 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 122 199 shade: RGB 19 122 199, RGB 130 18 200, RGB 200 94 18 and RGB 88 200 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 122 199 shade: RGB 19 122 199, RGB 185 18 200, RGB 200 94 18 and RGB 33 200 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 39 / 0 / 22

HEX #137AC7

RGB 19 122 199

HSL 205.67, 0.83%, 0.43%

LAB 49.71, 1.39, -47.53

 

Complementary color

CMYK 0 / 44 / 76 / 7

HEX #EC8538

RGB 236 133 56

HSL 25.67, 0.83%, 0.57%

LAB 65.67, 33.88, 56.43

 

CMYK 88 / 37 / 0 / 24

HEX #187AC2

RGB 24 122 194

HSL 205.41, 0.78%, 0.43%

LAB 49.51, -0.23, -44.99

 

CMYK 81 / 34 / 0 / 16

HEX #298CD5

RGB 41 140 213

HSL 205.47, 0.68%, 0.5%

LAB 56.12, -2.46, -45.27

 

CMYK 75 / 32 / 0 / 9

HEX #3A9EE8

RGB 58 158 232

HSL 205.52, 0.79%, 0.57%

LAB 62.66, -4.24, -45.49

 

CMYK 70 / 30 / 0 / 2

HEX #4BB0FB

RGB 75 176 251

HSL 205.57, 0.96%, 0.64%

LAB 69.12, -5.67, -45.69

 

CMYK 64 / 24 / 0 / 0

HEX #5CC2FF

RGB 92 194 255

HSL 202.45, 1%, 0.68%

LAB 74.87, -11.6, -38.81

 

CMYK 90 / 39 / 0 / 22

HEX #137AC7

RGB 19 122 199

HSL 205.67, 0.83%, 0.43%

LAB 49.71, 1.39, -47.53

 

CMYK 99 / 42 / 0 / 29

HEX #0268B4

RGB 2 104 180

HSL 205.62, 0.98%, 0.36%

LAB 43.08, 4.38, -47.16

 

CMYK 100 / 47 / 0 / 37

HEX #0056A1

RGB 0 86 161

HSL 207.95, 1%, 0.32%

LAB 36.42, 8.19, -46.6

 

CMYK 100 / 52 / 0 / 44

HEX #00448E

RGB 0 68 142

HSL 211.27, 1%, 0.28%

LAB 29.63, 12.39, -46.04

 

CMYK 100 / 59 / 0 / 52

HEX #00327B

RGB 0 50 123

HSL 215.61, 1%, 0.24%

LAB 22.69, 16.95, -45.45

 

CMYK 91 / 39 / 0 / 22

HEX #127AC8

RGB 18 122 200

HSL 205.71, 0.83%, 0.43%

LAB 49.76, 1.73, -48.03

 

CMYK 91 / 64 / 0 / 22

HEX #1249C8

RGB 18 73 200

HSL 221.87, 0.83%, 0.43%

LAB 36.11, 33.39, -70.12

 

CMYK 91 / 88 / 0 / 22

HEX #1218C8

RGB 18 24 200

HSL 238.02, 0.83%, 0.43%

LAB 26.6, 60.06, -85.86

 

CMYK 70 / 91 / 0 / 22

HEX #3D12C8

RGB 61 18 200

HSL 254.18, 0.83%, 0.43%

LAB 28.37, 63.48, -82.85

 

CMYK 45 / 91 / 0 / 22

HEX #6E12C8

RGB 110 18 200

HSL 270.33, 0.83%, 0.43%

LAB 33.81, 67.41, -73.66

 

CMYK 91 / 39 / 0 / 22

HEX #127AC8

RGB 18 122 200

HSL 205.71, 0.83%, 0.43%

LAB 49.76, 1.73, -48.03

 

CMYK 91 / 64 / 0 / 22

HEX #1249C8

RGB 18 73 200

HSL 221.87, 0.83%, 0.43%

LAB 36.11, 33.39, -70.12

 

CMYK 91 / 88 / 0 / 22

HEX #1218C8

RGB 18 24 200

HSL 238.02, 0.83%, 0.43%

LAB 26.6, 60.06, -85.86

 

CMYK 91 / 91 / 0 / 22

HEX #1212C8

RGB 18 18 200

HSL 240, 0.83%, 0.43%

LAB 25.96, 62.01, -86.93

 

CMYK 91 / 39 / 0 / 22

HEX #127AC8

RGB 18 122 200

HSL 205.71, 0.83%, 0.43%

LAB 49.76, 1.73, -48.03

 

CMYK 100 / 43 / 0 / 15

HEX #007DDA

RGB 0 125 218

HSL 205.6, 1%, 0.43%

LAB 51.53, 6.26, -55.43

 

CMYK 91 / 39 / 0 / 22

HEX #127AC8

RGB 18 122 200

HSL 205.71, 0.83%, 0.43%

LAB 49.76, 1.73, -48.03

 

CMYK 80 / 34 / 0 / 29

HEX #2478B6

RGB 36 120 182

HSL 205.48, 0.67%, 0.43%

LAB 48.49, -2.56, -39.67

 

CMYK 67 / 29 / 0 / 35

HEX #3675A5

RGB 54 117 165

HSL 205.95, 0.51%, 0.43%

LAB 47.27, -4.47, -31.68

 

CMYK 52 / 22 / 0 / 42

HEX #477393

RGB 71 115 147

HSL 205.26, 0.35%, 0.43%

LAB 46.59, -5.75, -22.08

 

CMYK 31 / 13 / 0 / 49

HEX #597081

RGB 89 112 129

HSL 205.5, 0.18%, 0.43%

LAB 46.04, -4.13, -12.13

 

CMYK 91 / 0 / 11 / 22

HEX #12C8B3

RGB 18 200 179

HSL 173.08, 0.83%, 0.43%

LAB 72.69, -45.51, -1.12

 

CMYK 91 / 14 / 0 / 22

HEX #12ADC8

RGB 18 173 200

HSL 188.9, 0.83%, 0.43%

LAB 65.11, -26.63, -24.03

 

CMYK 91 / 38 / 0 / 22

HEX #127CC8

RGB 18 124 200

HSL 205.05, 0.83%, 0.43%

LAB 50.35, 0.51, -47.09

 

CMYK 91 / 62 / 0 / 22

HEX #124CC8

RGB 18 76 200

HSL 220.88, 0.83%, 0.43%

LAB 36.87, 31.43, -68.87

 

CMYK 91 / 87 / 0 / 22

HEX #121BC8

RGB 18 27 200

HSL 237.03, 0.83%, 0.43%

LAB 26.97, 58.94, -85.24

 

CMYK 91 / 39 / 0 / 51

HEX #0B4C7D

RGB 11 76 125

HSL 205.79, 0.84%, 0.27%

LAB 31.16, 0.38, -33.05

 

CMYK 91 / 39 / 0 / 36

HEX #0F63A2

RGB 15 99 162

HSL 205.71, 0.83%, 0.35%

LAB 40.63, 0.9, -40.45

 

CMYK 91 / 39 / 0 / 22

HEX #127AC8

RGB 18 122 200

HSL 205.71, 0.83%, 0.43%

LAB 49.76, 1.73, -48.03

 

CMYK 89 / 38 / 0 / 9

HEX #1A91E9

RGB 26 145 233

HSL 205.51, 0.82%, 0.51%

LAB 58.37, 0.9, -52.88

 

CMYK 73 / 31 / 0 / 7

HEX #40A3ED

RGB 64 163 237

HSL 205.66, 0.83%, 0.59%

LAB 64.48, -4.6, -45.36

 

CMYK 90 / 39 / 0 / 22

HEX #137AC7

RGB 19 122 199

HSL 205.67, 0.83%, 0.43%

LAB 49.71, 1.39, -47.53

 

CMYK 35 / 91 / 0 / 22

HEX #8212C8

RGB 130 18 200

HSL 276.92, 0.83%, 0.43%

LAB 36.65, 69.71, -68.9

 

CMYK 1 / 0 / 91 / 22

HEX #C5C812

RGB 197 200 18

HSL 60.99, 0.83%, 0.43%

LAB 78.01, -19.03, 76.48

 

CMYK 90 / 39 / 0 / 22

HEX #137AC7

RGB 19 122 199

HSL 205.67, 0.83%, 0.43%

LAB 49.71, 1.39, -47.53

 

CMYK 0 / 91 / 38 / 22

HEX #C8127C

RGB 200 18 124

HSL 325.05, 0.83%, 0.43%

LAB 44.47, 70.74, -10.08

 

CMYK 38 / 0 / 91 / 22

HEX #7CC812

RGB 124 200 18

HSL 85.05, 0.83%, 0.43%

LAB 73.31, -48.06, 70.75

 

CMYK 90 / 39 / 0 / 22

HEX #137AC7

RGB 19 122 199

HSL 205.67, 0.83%, 0.43%

LAB 49.71, 1.39, -47.53

 

CMYK 35 / 91 / 0 / 22

HEX #8212C8

RGB 130 18 200

HSL 276.92, 0.83%, 0.43%

LAB 36.65, 69.71, -68.9

 

CMYK 0 / 53 / 91 / 22

HEX #C85E12

RGB 200 94 18

HSL 25.05, 0.83%, 0.43%

LAB 52.21, 38.43, 57.03

 

CMYK 56 / 0 / 91 / 22

HEX #58C812

RGB 88 200 18

HSL 96.92, 0.83%, 0.43%

LAB 71.84, -59.19, 68.93

 

CMYK 90 / 39 / 0 / 22

HEX #137AC7

RGB 19 122 199

HSL 205.67, 0.83%, 0.43%

LAB 49.71, 1.39, -47.53

 

CMYK 8 / 91 / 0 / 22

HEX #B912C8

RGB 185 18 200

HSL 295.05, 0.83%, 0.43%

LAB 45.52, 77.7, -54.08

 

CMYK 0 / 53 / 91 / 22

HEX #C85E12

RGB 200 94 18

HSL 25.05, 0.83%, 0.43%

LAB 52.21, 38.43, 57.03

 

CMYK 84 / 0 / 91 / 22

HEX #21C812

RGB 33 200 18

HSL 115.05, 0.83%, 0.43%

LAB 70.65, -69.34, 67.45

 

Description

Color code: RGB 19 122 199 | qconv.com Color code: RGB 19 122 199 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 122 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 122 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 39 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 39% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - Новости Казахстана н...
Link: http://www.zakon.kz

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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