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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 10 203 it is the complementary color RGB 236 245 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 10 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 10 203 shade: RGB 24 10 198, RGB 41 28 217, RGB 58 46 236, RGB 75 64 255 and RGB 92 82 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 10 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 10 203 shade: RGB 19 10 203, RGB 2 0 184, RGB 0 0 165, RGB 0 0 146 and RGB 0 0 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 10 203 shade: RGB 18 9 204, RGB 71 9 204, RGB 123 9 204, RGB 176 9 204 and RGB 204 9 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 10 203 shade: RGB 18 9 204 and RGB 9 9 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 10 203 shade matches the following richer shades: RGB 18 9 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 10 203 shade: RGB 18 9 204, RGB 34 26 187, RGB 50 44 169, RGB 65 61 152 and RGB 81 78 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 10 203 shade: RGB 9 107 204, RGB 9 55 204, RGB 16 9 204, RGB 68 9 204 and RGB 120 9 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 10 203 shade: RGB 11 5 125, RGB 15 7 165, RGB 18 9 204, RGB 22 11 243 and RGB 60 51 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 10 203 shade: RGB 19 10 203, RGB 204 9 159 and RGB 81 204 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 10 203 shade: RGB 19 10 203, RGB 204 16 9 and RGB 9 204 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 10 203 shade: RGB 19 10 203, RGB 204 9 159, RGB 198 204 9 and RGB 9 204 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 10 203 shade: RGB 19 10 203, RGB 204 9 100, RGB 198 204 9 and RGB 9 204 113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 95 / 0 / 20

HEX #130ACB

RGB 19 10 203

HSL 242.8, 0.91%, 0.42%

LAB 25.77, 64.79, -89

 

Complementary color

CMYK 4 / 0 / 79 / 4

HEX #ECF534

RGB 236 245 52

HSL 62.8, 0.91%, 0.58%

LAB 93.18, -23.72, 83.22

 

CMYK 88 / 95 / 0 / 22

HEX #180AC6

RGB 24 10 198

HSL 244.47, 0.9%, 0.41%

LAB 25.22, 63.57, -86.97

 

CMYK 81 / 87 / 0 / 15

HEX #291CD9

RGB 41 28 217

HSL 244.13, 0.77%, 0.48%

LAB 30.19, 64.06, -89.75

 

CMYK 75 / 81 / 0 / 7

HEX #3A2EEC

RGB 58 46 236

HSL 243.79, 0.83%, 0.55%

LAB 35.81, 63.08, -91.25

 

CMYK 71 / 75 / 0 / 0

HEX #4B40FF

RGB 75 64 255

HSL 243.46, 1%, 0.63%

LAB 41.82, 61.39, -91.96

 

CMYK 64 / 68 / 0 / 0

HEX #5C52FF

RGB 92 82 255

HSL 243.47, 1%, 0.66%

LAB 46.35, 53.64, -84.45

 

CMYK 91 / 95 / 0 / 20

HEX #130ACB

RGB 19 10 203

HSL 242.8, 0.91%, 0.42%

LAB 25.77, 64.79, -89

 

CMYK 99 / 100 / 0 / 28

HEX #0200B8

RGB 2 0 184

HSL 240.65, 1%, 0.36%

LAB 21.85, 61.99, -84.33

 

CMYK 100 / 100 / 0 / 35

HEX #0000A5

RGB 0 0 165

HSL 240, 1%, 0.32%

LAB 18.87, 57.17, -77.87

 

CMYK 100 / 100 / 0 / 43

HEX #000092

RGB 0 0 146

HSL 240, 1%, 0.29%

LAB 15.88, 52.27, -71.19

 

CMYK 100 / 100 / 0 / 50

HEX #00007F

RGB 0 0 127

HSL 240, 1%, 0.25%

LAB 12.81, 47.24, -64.34

 

CMYK 91 / 96 / 0 / 20

HEX #1209CC

RGB 18 9 204

HSL 242.77, 0.92%, 0.42%

LAB 25.81, 65.24, -89.51

 

CMYK 65 / 96 / 0 / 20

HEX #4709CC

RGB 71 9 204

HSL 259.08, 0.92%, 0.42%

LAB 29.14, 66.9, -83.87

 

CMYK 40 / 96 / 0 / 20

HEX #7B09CC

RGB 123 9 204

HSL 275.08, 0.92%, 0.42%

LAB 35.53, 71.09, -73.1

 

CMYK 14 / 96 / 0 / 20

HEX #B009CC

RGB 176 9 204

HSL 291.38, 0.92%, 0.42%

LAB 43.92, 77.94, -59.06

 

CMYK 0 / 96 / 12 / 20

HEX #CC09B4

RGB 204 9 180

HSL 307.38, 0.92%, 0.42%

LAB 47.4, 78.98, -39.2

 

CMYK 91 / 96 / 0 / 20

HEX #1209CC

RGB 18 9 204

HSL 242.77, 0.92%, 0.42%

LAB 25.81, 65.24, -89.51

 

CMYK 96 / 96 / 0 / 20

HEX #0909CC

RGB 9 9 204

HSL 240, 0.92%, 0.42%

LAB 25.6, 65.15, -89.87

 

CMYK 91 / 96 / 0 / 20

HEX #1209CC

RGB 18 9 204

HSL 242.77, 0.92%, 0.42%

LAB 25.81, 65.24, -89.51

 

CMYK 91 / 96 / 0 / 20

HEX #1209CC

RGB 18 9 204

HSL 242.77, 0.92%, 0.42%

LAB 25.81, 65.24, -89.51

 

CMYK 82 / 86 / 0 / 27

HEX #221ABB

RGB 34 26 187

HSL 242.98, 0.76%, 0.42%

LAB 25.76, 56.02, -79.56

 

CMYK 70 / 74 / 0 / 34

HEX #322CA9

RGB 50 44 169

HSL 242.88, 0.59%, 0.42%

LAB 27.69, 42.71, -65.57

 

CMYK 57 / 60 / 0 / 40

HEX #413D98

RGB 65 61 152

HSL 242.64, 0.43%, 0.42%

LAB 31.18, 28.81, -49.52

 

CMYK 40 / 42 / 0 / 47

HEX #514E87

RGB 81 78 135

HSL 243.16, 0.27%, 0.42%

LAB 35.88, 16.21, -31.52

 

CMYK 96 / 48 / 0 / 20

HEX #096BCC

RGB 9 107 204

HSL 209.85, 0.92%, 0.42%

LAB 45.54, 12.35, -57.08

 

CMYK 96 / 73 / 0 / 20

HEX #0937CC

RGB 9 55 204

HSL 225.85, 0.92%, 0.42%

LAB 32.15, 45.91, -78.98

 

CMYK 92 / 96 / 0 / 20

HEX #1009CC

RGB 16 9 204

HSL 242.15, 0.92%, 0.42%

LAB 25.76, 65.21, -89.6

 

CMYK 67 / 96 / 0 / 20

HEX #4409CC

RGB 68 9 204

HSL 258.15, 0.92%, 0.42%

LAB 28.86, 66.74, -84.35

 

CMYK 41 / 96 / 0 / 20

HEX #7809CC

RGB 120 9 204

HSL 274.15, 0.92%, 0.42%

LAB 35.1, 70.77, -73.83

 

CMYK 91 / 96 / 0 / 51

HEX #0B057D

RGB 11 5 125

HSL 243, 0.92%, 0.25%

LAB 13.59, 44.81, -61.74

 

CMYK 91 / 96 / 0 / 35

HEX #0F07A5

RGB 15 7 165

HSL 243.04, 0.92%, 0.34%

LAB 19.92, 55.38, -76.1

 

CMYK 91 / 96 / 0 / 20

HEX #1209CC

RGB 18 9 204

HSL 242.77, 0.92%, 0.42%

LAB 25.81, 65.24, -89.51

 

CMYK 91 / 95 / 0 / 5

HEX #160BF3

RGB 22 11 243

HSL 242.84, 0.91%, 0.5%

LAB 31.53, 74.75, -102.38

 

CMYK 76 / 79 / 0 / 4

HEX #3C33F5

RGB 60 51 245

HSL 242.78, 0.91%, 0.58%

LAB 37.7, 63.57, -93.19

 

CMYK 91 / 95 / 0 / 20

HEX #130ACB

RGB 19 10 203

HSL 242.8, 0.91%, 0.42%

LAB 25.77, 64.79, -89

 

CMYK 0 / 96 / 22 / 20

HEX #CC099F

RGB 204 9 159

HSL 313.85, 0.92%, 0.42%

LAB 46.36, 76.33, -28.37

 

CMYK 60 / 0 / 96 / 20

HEX #51CC09

RGB 81 204 9

HSL 97.85, 0.92%, 0.42%

LAB 72.86, -62.52, 70.81

 

CMYK 91 / 95 / 0 / 20

HEX #130ACB

RGB 19 10 203

HSL 242.8, 0.91%, 0.42%

LAB 25.77, 64.79, -89

 

CMYK 0 / 92 / 96 / 20

HEX #CC1009

RGB 204 16 9

HSL 2.15, 0.92%, 0.42%

LAB 43.1, 66.18, 54.1

 

CMYK 96 / 0 / 92 / 20

HEX #09CC10

RGB 9 204 16

HSL 122.15, 0.92%, 0.42%

LAB 71.75, -72.16, 68.6

 

CMYK 91 / 95 / 0 / 20

HEX #130ACB

RGB 19 10 203

HSL 242.8, 0.91%, 0.42%

LAB 25.77, 64.79, -89

 

CMYK 0 / 96 / 22 / 20

HEX #CC099F

RGB 204 9 159

HSL 313.85, 0.92%, 0.42%

LAB 46.36, 76.33, -28.37

 

CMYK 3 / 0 / 96 / 20

HEX #C6CC09

RGB 198 204 9

HSL 61.85, 0.92%, 0.42%

LAB 79.16, -20.69, 78.44

 

CMYK 96 / 0 / 73 / 20

HEX #09CC37

RGB 9 204 55

HSL 134.15, 0.92%, 0.42%

LAB 71.91, -70.08, 58.88

 

CMYK 91 / 95 / 0 / 20

HEX #130ACB

RGB 19 10 203

HSL 242.8, 0.91%, 0.42%

LAB 25.77, 64.79, -89

 

CMYK 0 / 96 / 51 / 20

HEX #CC0964

RGB 204 9 100

HSL 332, 0.92%, 0.42%

LAB 44.17, 70.56, 4.47

 

CMYK 3 / 0 / 96 / 20

HEX #C6CC09

RGB 198 204 9

HSL 61.85, 0.92%, 0.42%

LAB 79.16, -20.69, 78.44

 

CMYK 96 / 0 / 45 / 20

HEX #09CC71

RGB 9 204 113

HSL 152, 0.92%, 0.42%

LAB 72.52, -62.53, 33.68

 

Description

Color code: RGB 19 10 203 | qconv.com Color code: RGB 19 10 203 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 10 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 10 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 95 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 95% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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