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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 102 95 it is the complementary color RGB 236 153 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 102 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 102 95 shade: RGB 24 102 90, RGB 41 120 109, RGB 58 138 128, RGB 75 156 147 and RGB 92 174 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 102 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 102 95 shade: RGB 19 102 95, RGB 2 84 76, RGB 0 66 57, RGB 0 48 38 and RGB 0 30 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 102 95 shade: RGB 18 103 96, RGB 18 103 73, RGB 18 103 50, RGB 18 103 27 and RGB 32 103 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 102 95 shade: RGB 18 103 96, RGB 18 87 103, RGB 18 65 103, RGB 18 42 103 and RGB 18 19 103

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 102 95 shade matches the following richer shades: RGB 18 103 96 and RGB 9 113 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 102 95 shade: RGB 18 103 96, RGB 28 93 88, RGB 38 83 79, RGB 48 73 71 and RGB 58 63 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 102 95 shade: RGB 18 103 49, RGB 18 103 72, RGB 18 103 94, RGB 18 89 103 and RGB 18 66 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 102 95 shade: RGB 6 33 31, RGB 12 68 63, RGB 18 103 96, RGB 25 138 128 and RGB 31 173 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 102 95 shade: RGB 19 102 95, RGB 27 18 103 and RGB 103 61 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 102 95 shade: RGB 19 102 95, RGB 94 18 103 and RGB 103 94 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 102 95 shade: RGB 19 102 95, RGB 27 18 103, RGB 103 18 27 and RGB 94 103 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 102 95 shade: RGB 19 102 95, RGB 52 18 103, RGB 103 18 27 and RGB 69 103 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 7 / 60

HEX #13665F

RGB 19 102 95

HSL 174.94, 0.69%, 0.24%

LAB 38.67, -25.21, -2.88

 

Complementary color

CMYK 0 / 35 / 32 / 7

HEX #EC99A0

RGB 236 153 160

HSL 354.94, 0.69%, 0.76%

LAB 71.66, 31.96, 9.31

 

CMYK 76 / 0 / 12 / 60

HEX #18665A

RGB 24 102 90

HSL 170.77, 0.62%, 0.25%

LAB 38.61, -26.08, 0.12

 

CMYK 66 / 0 / 9 / 53

HEX #29786D

RGB 41 120 109

HSL 171.65, 0.49%, 0.32%

LAB 45.65, -26.63, -1.02

 

CMYK 58 / 0 / 7 / 46

HEX #3A8A80

RGB 58 138 128

HSL 172.5, 0.41%, 0.38%

LAB 52.55, -26.9, -2

 

CMYK 52 / 0 / 6 / 39

HEX #4B9C93

RGB 75 156 147

HSL 173.33, 0.35%, 0.45%

LAB 59.32, -27, -2.87

 

CMYK 47 / 0 / 5 / 32

HEX #5CAEA6

RGB 92 174 166

HSL 174.15, 0.34%, 0.52%

LAB 65.98, -27.01, -3.66

 

CMYK 81 / 0 / 7 / 60

HEX #13665F

RGB 19 102 95

HSL 174.94, 0.69%, 0.24%

LAB 38.67, -25.21, -2.88

 

CMYK 98 / 0 / 10 / 67

HEX #02544C

RGB 2 84 76

HSL 174.15, 0.95%, 0.17%

LAB 31.52, -23.95, -1.58

 

CMYK 100 / 0 / 14 / 74

HEX #004239

RGB 0 66 57

HSL 171.82, 1%, 0.13%

LAB 24.3, -21.38, 0.13

 

CMYK 100 / 0 / 21 / 81

HEX #003026

RGB 0 48 38

HSL 167.5, 1%, 0.09%

LAB 16.77, -18.47, 2.07

 

CMYK 100 / 0 / 37 / 88

HEX #001E13

RGB 0 30 19

HSL 158, 1%, 0.06%

LAB 8.79, -14.04, 4.08

 

CMYK 83 / 0 / 7 / 60

HEX #126760

RGB 18 103 96

HSL 175.06, 0.7%, 0.24%

LAB 39.03, -25.51, -2.97

 

CMYK 83 / 0 / 29 / 60

HEX #126749

RGB 18 103 73

HSL 158.82, 0.7%, 0.24%

LAB 38.39, -32.08, 10.15

 

CMYK 83 / 0 / 51 / 60

HEX #126732

RGB 18 103 50

HSL 142.59, 0.7%, 0.24%

LAB 37.95, -37.11, 23.06

 

CMYK 83 / 0 / 74 / 60

HEX #12671B

RGB 18 103 27

HSL 126.35, 0.7%, 0.24%

LAB 37.68, -40.38, 34.44

 

CMYK 69 / 0 / 83 / 60

HEX #206712

RGB 32 103 18

HSL 110.12, 0.7%, 0.24%

LAB 37.93, -38.44, 38.36

 

CMYK 83 / 0 / 7 / 60

HEX #126760

RGB 18 103 96

HSL 175.06, 0.7%, 0.24%

LAB 39.03, -25.51, -2.97

 

CMYK 83 / 16 / 0 / 60

HEX #125767

RGB 18 87 103

HSL 191.29, 0.7%, 0.24%

LAB 33.82, -14.51, -15.14

 

CMYK 83 / 37 / 0 / 60

HEX #124167

RGB 18 65 103

HSL 206.82, 0.7%, 0.24%

LAB 26.41, -0.77, -26.68

 

CMYK 83 / 59 / 0 / 60

HEX #122A67

RGB 18 42 103

HSL 223.06, 0.7%, 0.24%

LAB 19.07, 15.58, -38.46

 

CMYK 83 / 82 / 0 / 60

HEX #121367

RGB 18 19 103

HSL 239.29, 0.7%, 0.24%

LAB 13.07, 31.49, -48.32

 

CMYK 83 / 0 / 7 / 60

HEX #126760

RGB 18 103 96

HSL 175.06, 0.7%, 0.24%

LAB 39.03, -25.51, -2.97

 

CMYK 92 / 0 / 8 / 56

HEX #097168

RGB 9 113 104

HSL 174.81, 0.85%, 0.24%

LAB 42.56, -28.69, -2.62

 

CMYK 83 / 0 / 7 / 60

HEX #126760

RGB 18 103 96

HSL 175.06, 0.7%, 0.24%

LAB 39.03, -25.51, -2.97

 

CMYK 70 / 0 / 5 / 64

HEX #1C5D58

RGB 28 93 88

HSL 175.38, 0.54%, 0.24%

LAB 35.56, -21.45, -3.12

 

CMYK 54 / 0 / 5 / 67

HEX #26534F

RGB 38 83 79

HSL 174.67, 0.37%, 0.24%

LAB 32.18, -16.58, -2.42

 

CMYK 34 / 0 / 3 / 71

HEX #304947

RGB 48 73 71

HSL 175.2, 0.21%, 0.24%

LAB 29.03, -10.05, -1.87

 

CMYK 8 / 0 / 0 / 75

HEX #3A3F3F

RGB 58 63 63

HSL 180, 0.04%, 0.24%

LAB 26.2, -2.08, -0.72

 

CMYK 83 / 0 / 52 / 60

HEX #126731

RGB 18 103 49

HSL 141.88, 0.7%, 0.24%

LAB 37.93, -37.29, 23.6

 

CMYK 83 / 0 / 30 / 60

HEX #126748

RGB 18 103 72

HSL 158.12, 0.7%, 0.24%

LAB 38.37, -32.33, 10.72

 

CMYK 83 / 0 / 9 / 60

HEX #12675E

RGB 18 103 94

HSL 173.65, 0.7%, 0.24%

LAB 38.96, -26.13, -1.83

 

CMYK 83 / 14 / 0 / 60

HEX #125967

RGB 18 89 103

HSL 189.88, 0.7%, 0.24%

LAB 34.5, -15.66, -14.1

 

CMYK 83 / 36 / 0 / 60

HEX #124267

RGB 18 66 103

HSL 206.12, 0.7%, 0.24%

LAB 26.75, -1.44, -26.16

 

CMYK 82 / 0 / 6 / 87

HEX #06211F

RGB 6 33 31

HSL 175.56, 0.69%, 0.08%

LAB 10.74, -10.83, -1.7

 

CMYK 82 / 0 / 7 / 73

HEX #0C443F

RGB 12 68 63

HSL 174.64, 0.7%, 0.16%

LAB 25.48, -18.75, -2.06

 

CMYK 83 / 0 / 7 / 60

HEX #126760

RGB 18 103 96

HSL 175.06, 0.7%, 0.24%

LAB 39.03, -25.51, -2.97

 

CMYK 82 / 0 / 7 / 46

HEX #198A80

RGB 25 138 128

HSL 174.69, 0.69%, 0.32%

LAB 51.77, -31.98, -3.23

 

CMYK 82 / 0 / 7 / 32

HEX #1FADA1

RGB 31 173 161

HSL 174.93, 0.7%, 0.4%

LAB 63.96, -37.93, -4.03

 

CMYK 81 / 0 / 7 / 60

HEX #13665F

RGB 19 102 95

HSL 174.94, 0.69%, 0.24%

LAB 38.67, -25.21, -2.88

 

CMYK 74 / 83 / 0 / 60

HEX #1B1267

RGB 27 18 103

HSL 246.35, 0.7%, 0.24%

LAB 13.5, 32.87, -47.58

 

CMYK 0 / 41 / 83 / 60

HEX #673D12

RGB 103 61 18

HSL 30.35, 0.7%, 0.24%

LAB 30.07, 14.65, 32.66

 

CMYK 81 / 0 / 7 / 60

HEX #13665F

RGB 19 102 95

HSL 174.94, 0.69%, 0.24%

LAB 38.67, -25.21, -2.88

 

CMYK 9 / 83 / 0 / 60

HEX #5E1267

RGB 94 18 103

HSL 293.65, 0.7%, 0.24%

LAB 22.97, 44.37, -31.75

 

CMYK 0 / 9 / 83 / 60

HEX #675E12

RGB 103 94 18

HSL 53.65, 0.7%, 0.24%

LAB 39.47, -5.38, 41.4

 

CMYK 81 / 0 / 7 / 60

HEX #13665F

RGB 19 102 95

HSL 174.94, 0.69%, 0.24%

LAB 38.67, -25.21, -2.88

 

CMYK 74 / 83 / 0 / 60

HEX #1B1267

RGB 27 18 103

HSL 246.35, 0.7%, 0.24%

LAB 13.5, 32.87, -47.58

 

CMYK 0 / 83 / 74 / 60

HEX #67121B

RGB 103 18 27

HSL 353.65, 0.7%, 0.24%

LAB 21.56, 37.26, 18.18

 

CMYK 9 / 0 / 83 / 60

HEX #5E6712

RGB 94 103 18

HSL 66.35, 0.7%, 0.24%

LAB 41.41, -14.81, 42.85

 

CMYK 81 / 0 / 7 / 60

HEX #13665F

RGB 19 102 95

HSL 174.94, 0.69%, 0.24%

LAB 38.67, -25.21, -2.88

 

CMYK 50 / 83 / 0 / 60

HEX #341267

RGB 52 18 103

HSL 264, 0.7%, 0.24%

LAB 16.22, 36.22, -43.02

 

CMYK 0 / 83 / 74 / 60

HEX #67121B

RGB 103 18 27

HSL 353.65, 0.7%, 0.24%

LAB 21.56, 37.26, 18.18

 

CMYK 33 / 0 / 83 / 60

HEX #456712

RGB 69 103 18

HSL 84, 0.7%, 0.24%

LAB 39.6, -26.01, 40.52

 

Description

Color code: RGB 19 102 95 | qconv.com Color code: RGB 19 102 95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 102 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 102 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 7 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 7% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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