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Color name
RGB 19 67 117

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 67 117 it is the complementary color RGB 236 188 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 67 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 67 117 shade: RGB 24 67 112, RGB 41 85 131, RGB 58 103 150, RGB 75 121 169 and RGB 92 139 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 67 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 67 117 shade: RGB 19 67 117, RGB 2 49 98, RGB 0 31 79, RGB 0 13 60 and RGB 0 0 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 67 117 shade: RGB 19 67 118, RGB 19 41 118, RGB 24 19 118, RGB 50 19 118 and RGB 77 19 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 67 117 shade: RGB 19 67 118, RGB 19 41 118 and RGB 19 19 118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 67 117 shade matches the following richer shades: RGB 19 67 118 and RGB 8 67 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 67 117 shade: RGB 19 67 118, RGB 30 68 107, RGB 41 68 96, RGB 52 68 85 and RGB 63 68 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 67 117 shade: RGB 19 118 115, RGB 19 95 118, RGB 19 68 118, RGB 19 42 118 and RGB 22 19 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 67 117 shade: RGB 7 27 47, RGB 13 47 82, RGB 19 67 118, RGB 25 88 153 and RGB 30 108 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 67 117 shade: RGB 19 67 117, RGB 88 19 118 and RGB 108 118 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 67 117 shade: RGB 19 67 117, RGB 118 19 68 and RGB 68 118 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 67 117 shade: RGB 19 67 117, RGB 88 19 118, RGB 118 68 19 and RGB 49 118 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 67 117 shade: RGB 19 67 117, RGB 118 19 118, RGB 118 68 19 and RGB 19 118 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 43 / 0 / 54

HEX #134375

RGB 19 67 117

HSL 210.61, 0.72%, 0.27%

LAB 27.95, 3.82, -33.16

 

Complementary color

CMYK 0 / 20 / 42 / 7

HEX #ECBC8A

RGB 236 188 138

HSL 30.61, 0.72%, 0.73%

LAB 79.41, 10.82, 31.84

 

CMYK 79 / 40 / 0 / 56

HEX #184370

RGB 24 67 112

HSL 210.68, 0.65%, 0.27%

LAB 27.79, 2.39, -30.24

 

CMYK 69 / 35 / 0 / 49

HEX #295583

RGB 41 85 131

HSL 210.67, 0.52%, 0.34%

LAB 35.22, 0.71, -30.28

 

CMYK 61 / 31 / 0 / 41

HEX #3A6796

RGB 58 103 150

HSL 210.65, 0.44%, 0.41%

LAB 42.46, -0.47, -30.33

 

CMYK 56 / 28 / 0 / 34

HEX #4B79A9

RGB 75 121 169

HSL 210.64, 0.39%, 0.48%

LAB 49.54, -1.33, -30.39

 

CMYK 51 / 26 / 0 / 26

HEX #5C8BBC

RGB 92 139 188

HSL 210.63, 0.42%, 0.55%

LAB 56.46, -1.99, -30.48

 

CMYK 84 / 43 / 0 / 54

HEX #134375

RGB 19 67 117

HSL 210.61, 0.72%, 0.27%

LAB 27.95, 3.82, -33.16

 

CMYK 98 / 50 / 0 / 62

HEX #023162

RGB 2 49 98

HSL 210.63, 0.96%, 0.2%

LAB 20.41, 6.65, -33.06

 

CMYK 100 / 61 / 0 / 69

HEX #001F4F

RGB 0 31 79

HSL 216.46, 1%, 0.15%

LAB 12.89, 11.21, -32.52

 

CMYK 100 / 78 / 0 / 76

HEX #000D3C

RGB 0 13 60

HSL 227, 1%, 0.12%

LAB 5.55, 15.19, -31.18

 

CMYK 100 / 100 / 0 / 84

HEX #000029

RGB 0 0 41

HSL 240, 1%, 0.08%

LAB 1.45, 10.16, -23.62

 

CMYK 84 / 43 / 0 / 54

HEX #134376

RGB 19 67 118

HSL 210.91, 0.72%, 0.27%

LAB 28.01, 4.23, -33.69

 

CMYK 84 / 65 / 0 / 54

HEX #132976

RGB 19 41 118

HSL 226.67, 0.72%, 0.27%

LAB 20.17, 22.68, -46.37

 

CMYK 80 / 84 / 0 / 54

HEX #181376

RGB 24 19 118

HSL 243.03, 0.72%, 0.27%

LAB 15.32, 37.16, -54.36

 

CMYK 58 / 84 / 0 / 54

HEX #321376

RGB 50 19 118

HSL 258.79, 0.72%, 0.27%

LAB 17.7, 39.79, -50.34

 

CMYK 35 / 84 / 0 / 54

HEX #4D1376

RGB 77 19 118

HSL 275.15, 0.72%, 0.27%

LAB 21.4, 43.93, -44.13

 

CMYK 84 / 43 / 0 / 54

HEX #134376

RGB 19 67 118

HSL 210.91, 0.72%, 0.27%

LAB 28.01, 4.23, -33.69

 

CMYK 84 / 65 / 0 / 54

HEX #132976

RGB 19 41 118

HSL 226.67, 0.72%, 0.27%

LAB 20.17, 22.68, -46.37

 

CMYK 84 / 84 / 0 / 54

HEX #131376

RGB 19 19 118

HSL 240, 0.72%, 0.27%

LAB 15.02, 36.84, -54.86

 

CMYK 84 / 43 / 0 / 54

HEX #134376

RGB 19 67 118

HSL 210.91, 0.72%, 0.27%

LAB 28.01, 4.23, -33.69

 

CMYK 94 / 48 / 0 / 49

HEX #084381

RGB 8 67 129

HSL 210.74, 0.88%, 0.27%

LAB 28.51, 7.98, -39.79

 

CMYK 84 / 43 / 0 / 54

HEX #134376

RGB 19 67 118

HSL 210.91, 0.72%, 0.27%

LAB 28.01, 4.23, -33.69

 

CMYK 72 / 36 / 0 / 58

HEX #1E446B

RGB 30 68 107

HSL 210.39, 0.56%, 0.27%

LAB 28.04, 0.67, -26.65

 

CMYK 57 / 29 / 0 / 62

HEX #294460

RGB 41 68 96

HSL 210.55, 0.4%, 0.27%

LAB 27.98, -1.07, -19.66

 

CMYK 39 / 20 / 0 / 67

HEX #344455

RGB 52 68 85

HSL 210.91, 0.24%, 0.27%

LAB 28.17, -1.51, -12.21

 

CMYK 14 / 7 / 0 / 71

HEX #3F4449

RGB 63 68 73

HSL 210, 0.07%, 0.27%

LAB 28.57, -0.85, -3.72

 

CMYK 84 / 0 / 3 / 54

HEX #137673

RGB 19 118 115

HSL 178.18, 0.72%, 0.27%

LAB 44.71, -26.88, -6.04

 

CMYK 84 / 19 / 0 / 54

HEX #135F76

RGB 19 95 118

HSL 193.94, 0.72%, 0.27%

LAB 37.17, -13.49, -19.29

 

CMYK 84 / 42 / 0 / 54

HEX #134476

RGB 19 68 118

HSL 210.3, 0.72%, 0.27%

LAB 28.33, 3.55, -33.18

 

CMYK 84 / 64 / 0 / 54

HEX #132A76

RGB 19 42 118

HSL 226.06, 0.72%, 0.27%

LAB 20.45, 21.97, -45.91

 

CMYK 81 / 84 / 0 / 54

HEX #161376

RGB 22 19 118

HSL 241.82, 0.72%, 0.27%

LAB 15.19, 37.02, -54.57

 

CMYK 85 / 43 / 0 / 82

HEX #071B2F

RGB 7 27 47

HSL 210, 0.74%, 0.11%

LAB 9.27, 0.35, -15.71

 

CMYK 84 / 43 / 0 / 68

HEX #0D2F52

RGB 13 47 82

HSL 210.43, 0.73%, 0.19%

LAB 18.92, 2.15, -24.82

 

CMYK 84 / 43 / 0 / 54

HEX #134376

RGB 19 67 118

HSL 210.91, 0.72%, 0.27%

LAB 28.01, 4.23, -33.69

 

CMYK 84 / 42 / 0 / 40

HEX #195899

RGB 25 88 153

HSL 210.47, 0.72%, 0.35%

LAB 36.9, 5.15, -41.01

 

CMYK 84 / 43 / 0 / 26

HEX #1E6CBD

RGB 30 108 189

HSL 210.57, 0.73%, 0.43%

LAB 45.19, 6.97, -48.99

 

CMYK 84 / 43 / 0 / 54

HEX #134375

RGB 19 67 117

HSL 210.61, 0.72%, 0.27%

LAB 27.95, 3.82, -33.16

 

CMYK 25 / 84 / 0 / 54

HEX #581376

RGB 88 19 118

HSL 281.82, 0.72%, 0.27%

LAB 23.16, 45.91, -41.19

 

CMYK 8 / 0 / 84 / 54

HEX #6C7613

RGB 108 118 19

HSL 66.06, 0.72%, 0.27%

LAB 47.23, -16.37, 48.15

 

CMYK 84 / 43 / 0 / 54

HEX #134375

RGB 19 67 117

HSL 210.61, 0.72%, 0.27%

LAB 27.95, 3.82, -33.16

 

CMYK 0 / 84 / 42 / 54

HEX #761344

RGB 118 19 68

HSL 330.3, 0.72%, 0.27%

LAB 25.97, 44.86, -3.42

 

CMYK 42 / 0 / 84 / 54

HEX #447613

RGB 68 118 19

HSL 90.3, 0.72%, 0.27%

LAB 44.56, -33.33, 44.76

 

CMYK 84 / 43 / 0 / 54

HEX #134375

RGB 19 67 117

HSL 210.61, 0.72%, 0.27%

LAB 27.95, 3.82, -33.16

 

CMYK 25 / 84 / 0 / 54

HEX #581376

RGB 88 19 118

HSL 281.82, 0.72%, 0.27%

LAB 23.16, 45.91, -41.19

 

CMYK 0 / 42 / 84 / 54

HEX #764413

RGB 118 68 19

HSL 29.7, 0.72%, 0.27%

LAB 34.05, 17.57, 36.73

 

CMYK 58 / 0 / 84 / 54

HEX #317613

RGB 49 118 19

HSL 101.82, 0.72%, 0.27%

LAB 43.74, -39.63, 43.7

 

CMYK 84 / 43 / 0 / 54

HEX #134375

RGB 19 67 117

HSL 210.61, 0.72%, 0.27%

LAB 27.95, 3.82, -33.16

 

CMYK 0 / 84 / 0 / 54

HEX #761376

RGB 118 19 118

HSL 300, 0.72%, 0.27%

LAB 28.45, 51.89, -32.41

 

CMYK 0 / 42 / 84 / 54

HEX #764413

RGB 118 68 19

HSL 29.7, 0.72%, 0.27%

LAB 34.05, 17.57, 36.73

 

CMYK 84 / 0 / 84 / 54

HEX #137613

RGB 19 118 19

HSL 120, 0.72%, 0.27%

LAB 42.98, -45.99, 42.71

 

Description

Color code: RGB 19 67 117 | qconv.com Color code: RGB 19 67 117 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 67 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 67 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 43 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 43% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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