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Color name
RGB 19 54 148

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 54 148 it is the complementary color RGB 236 201 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 54 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 54 148 shade: RGB 24 54 143, RGB 41 72 162, RGB 58 90 181, RGB 75 108 200 and RGB 92 126 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 54 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 54 148 shade: RGB 19 54 148, RGB 2 36 129, RGB 0 18 110, RGB 0 0 91 and RGB 0 0 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 54 148 shade: RGB 19 54 148, RGB 19 19 148, RGB 54 19 148, RGB 89 19 148 and RGB 123 19 148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 54 148 shade: RGB 19 54 148, RGB 19 19 148 and RGB 19 19 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 54 148 shade matches the following richer shades: RGB 19 54 148 and RGB 5 48 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 54 148 shade: RGB 19 54 148, RGB 32 60 135, RGB 46 66 121, RGB 60 73 108 and RGB 73 79 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 54 148 shade: RGB 19 125 148, RGB 19 90 148, RGB 19 56 148, RGB 19 21 148 and RGB 51 19 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 54 148 shade: RGB 9 27 75, RGB 14 41 112, RGB 19 54 148, RGB 24 67 185 and RGB 28 81 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 54 148 shade: RGB 19 54 148, RGB 138 19 148 and RGB 107 148 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 54 148 shade: RGB 19 54 148, RGB 148 19 56 and RGB 56 148 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 54 148 shade: RGB 19 54 148, RGB 138 19 148, RGB 148 112 19 and RGB 30 148 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 54 148 shade: RGB 19 54 148, RGB 148 19 120, RGB 148 112 19 and RGB 19 148 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 64 / 0 / 42

HEX #133694

RGB 19 54 148

HSL 223.72, 0.77%, 0.33%

LAB 26.49, 25.76, -54.83

 

Complementary color

CMYK 0 / 15 / 55 / 7

HEX #ECC96B

RGB 236 201 107

HSL 43.72, 0.77%, 0.67%

LAB 82.2, 1.15, 50.97

 

CMYK 83 / 62 / 0 / 44

HEX #18368F

RGB 24 54 143

HSL 224.87, 0.71%, 0.33%

LAB 26.2, 24.16, -52.21

 

CMYK 75 / 56 / 0 / 36

HEX #2948A2

RGB 41 72 162

HSL 224.63, 0.6%, 0.4%

LAB 33.38, 21.23, -52.07

 

CMYK 68 / 50 / 0 / 29

HEX #3A5AB5

RGB 58 90 181

HSL 224.39, 0.51%, 0.47%

LAB 40.49, 18.94, -51.82

 

CMYK 63 / 46 / 0 / 22

HEX #4B6CC8

RGB 75 108 200

HSL 224.16, 0.53%, 0.54%

LAB 47.48, 17.12, -51.57

 

CMYK 58 / 42 / 0 / 14

HEX #5C7EDB

RGB 92 126 219

HSL 223.94, 0.64%, 0.61%

LAB 54.36, 15.64, -51.33

 

CMYK 87 / 64 / 0 / 42

HEX #133694

RGB 19 54 148

HSL 223.72, 0.77%, 0.33%

LAB 26.49, 25.76, -54.83

 

CMYK 98 / 72 / 0 / 49

HEX #022481

RGB 2 36 129

HSL 223.94, 0.97%, 0.26%

LAB 19.47, 29.55, -54.54

 

CMYK 100 / 84 / 0 / 57

HEX #00126E

RGB 0 18 110

HSL 230.18, 1%, 0.22%

LAB 12.97, 33.66, -53.09

 

CMYK 100 / 100 / 0 / 64

HEX #00005B

RGB 0 0 91

HSL 240, 1%, 0.18%

LAB 6.82, 37.05, -50.72

 

CMYK 100 / 100 / 0 / 72

HEX #000048

RGB 0 0 72

HSL 240, 1%, 0.14%

LAB 4.23, 28.26, -41.9

 

CMYK 87 / 64 / 0 / 42

HEX #133694

RGB 19 54 148

HSL 223.72, 0.77%, 0.33%

LAB 26.49, 25.76, -54.83

 

CMYK 87 / 87 / 0 / 42

HEX #131394

RGB 19 19 148

HSL 240, 0.77%, 0.33%

LAB 18.98, 46.6, -67.23

 

CMYK 64 / 87 / 0 / 42

HEX #361394

RGB 54 19 148

HSL 256.28, 0.77%, 0.33%

LAB 21.54, 48.78, -62.91

 

CMYK 40 / 87 / 0 / 42

HEX #591394

RGB 89 19 148

HSL 272.56, 0.77%, 0.33%

LAB 25.94, 52.85, -55.5

 

CMYK 17 / 87 / 0 / 42

HEX #7B1394

RGB 123 19 148

HSL 288.37, 0.77%, 0.33%

LAB 31.38, 58.22, -46.4

 

CMYK 87 / 64 / 0 / 42

HEX #133694

RGB 19 54 148

HSL 223.72, 0.77%, 0.33%

LAB 26.49, 25.76, -54.83

 

CMYK 87 / 87 / 0 / 42

HEX #131394

RGB 19 19 148

HSL 240, 0.77%, 0.33%

LAB 18.98, 46.6, -67.23

 

CMYK 87 / 87 / 0 / 42

HEX #131394

RGB 19 19 148

HSL 240, 0.77%, 0.33%

LAB 18.98, 46.6, -67.23

 

CMYK 87 / 64 / 0 / 42

HEX #133694

RGB 19 54 148

HSL 223.72, 0.77%, 0.33%

LAB 26.49, 25.76, -54.83

 

CMYK 97 / 70 / 0 / 36

HEX #0530A2

RGB 5 48 162

HSL 223.57, 0.94%, 0.33%

LAB 26.02, 34.66, -64.15

 

CMYK 87 / 64 / 0 / 42

HEX #133694

RGB 19 54 148

HSL 223.72, 0.77%, 0.33%

LAB 26.49, 25.76, -54.83

 

CMYK 76 / 56 / 0 / 47

HEX #203C87

RGB 32 60 135

HSL 223.69, 0.62%, 0.33%

LAB 27.54, 17.68, -45.06

 

CMYK 62 / 45 / 0 / 53

HEX #2E4279

RGB 46 66 121

HSL 224, 0.45%, 0.33%

LAB 29.05, 10.56, -33.84

 

CMYK 44 / 32 / 0 / 58

HEX #3C496C

RGB 60 73 108

HSL 223.75, 0.29%, 0.33%

LAB 31.37, 4.94, -21.94

 

CMYK 22 / 16 / 0 / 63

HEX #494F5E

RGB 73 79 94

HSL 222.86, 0.13%, 0.33%

LAB 33.6, 1.28, -9.57

 

CMYK 87 / 16 / 0 / 42

HEX #137D94

RGB 19 125 148

HSL 190.7, 0.77%, 0.33%

LAB 48.19, -19.41, -20.34

 

CMYK 87 / 39 / 0 / 42

HEX #135A94

RGB 19 90 148

HSL 206.98, 0.77%, 0.33%

LAB 37.09, 1.3, -37.7

 

CMYK 87 / 62 / 0 / 42

HEX #133894

RGB 19 56 148

HSL 222.79, 0.77%, 0.33%

LAB 27.03, 24.38, -53.94

 

CMYK 87 / 86 / 0 / 42

HEX #131594

RGB 19 21 148

HSL 239.07, 0.77%, 0.33%

LAB 19.28, 45.71, -66.74

 

CMYK 66 / 87 / 0 / 42

HEX #331394

RGB 51 19 148

HSL 254.88, 0.77%, 0.33%

LAB 21.24, 48.52, -63.42

 

CMYK 88 / 64 / 0 / 71

HEX #091B4B

RGB 9 27 75

HSL 223.64, 0.79%, 0.16%

LAB 11.62, 13.59, -31.82

 

CMYK 88 / 63 / 0 / 56

HEX #0E2970

RGB 14 41 112

HSL 223.47, 0.78%, 0.25%

LAB 19.43, 19.72, -43.73

 

CMYK 87 / 64 / 0 / 42

HEX #133694

RGB 19 54 148

HSL 223.72, 0.77%, 0.33%

LAB 26.49, 25.76, -54.83

 

CMYK 87 / 64 / 0 / 27

HEX #1843B9

RGB 24 67 185

HSL 223.98, 0.77%, 0.41%

LAB 33.37, 31.88, -65.81

 

CMYK 87 / 63 / 0 / 13

HEX #1C51DD

RGB 28 81 221

HSL 223.52, 0.78%, 0.49%

LAB 40.17, 36.67, -75.55

 

CMYK 87 / 64 / 0 / 42

HEX #133694

RGB 19 54 148

HSL 223.72, 0.77%, 0.33%

LAB 26.49, 25.76, -54.83

 

CMYK 7 / 87 / 0 / 42

HEX #8A1394

RGB 138 19 148

HSL 295.35, 0.77%, 0.33%

LAB 34, 60.91, -42.06

 

CMYK 28 / 0 / 87 / 42

HEX #6B9413

RGB 107 148 19

HSL 79.07, 0.77%, 0.33%

LAB 56.44, -31.8, 56.09

 

CMYK 87 / 64 / 0 / 42

HEX #133694

RGB 19 54 148

HSL 223.72, 0.77%, 0.33%

LAB 26.49, 25.76, -54.83

 

CMYK 0 / 87 / 62 / 42

HEX #941338

RGB 148 19 56

HSL 342.79, 0.77%, 0.33%

LAB 31.91, 52.14, 13.94

 

CMYK 62 / 0 / 87 / 42

HEX #389413

RGB 56 148 19

HSL 102.79, 0.77%, 0.33%

LAB 54.1, -48.98, 53.15

 

CMYK 87 / 64 / 0 / 42

HEX #133694

RGB 19 54 148

HSL 223.72, 0.77%, 0.33%

LAB 26.49, 25.76, -54.83

 

CMYK 7 / 87 / 0 / 42

HEX #8A1394

RGB 138 19 148

HSL 295.35, 0.77%, 0.33%

LAB 34, 60.91, -42.06

 

CMYK 0 / 24 / 87 / 42

HEX #947013

RGB 148 112 19

HSL 43.26, 0.77%, 0.33%

LAB 49.41, 5.84, 51.57

 

CMYK 80 / 0 / 87 / 42

HEX #1E9413

RGB 30 148 19

HSL 114.88, 0.77%, 0.33%

LAB 53.5, -54.11, 52.38

 

CMYK 87 / 64 / 0 / 42

HEX #133694

RGB 19 54 148

HSL 223.72, 0.77%, 0.33%

LAB 26.49, 25.76, -54.83

 

CMYK 0 / 87 / 19 / 42

HEX #941378

RGB 148 19 120

HSL 313.02, 0.77%, 0.33%

LAB 34.23, 58.63, -24.18

 

CMYK 0 / 24 / 87 / 42

HEX #947013

RGB 148 112 19

HSL 43.26, 0.77%, 0.33%

LAB 49.41, 5.84, 51.57

 

CMYK 87 / 0 / 68 / 42

HEX #13942F

RGB 19 148 47

HSL 133.02, 0.77%, 0.33%

LAB 53.52, -53.27, 42.73

 

Description

Color code: RGB 19 54 148 | qconv.com Color code: RGB 19 54 148 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 54 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 54 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 64 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 64% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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