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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 92 213 it is the complementary color RGB 56 163 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 92 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 92 213 shade: RGB 204 92 208, RGB 221 110 227, RGB 238 128 246, RGB 255 146 255 and RGB 255 164 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 92 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 92 213 shade: RGB 199 92 213, RGB 182 74 194, RGB 165 56 175, RGB 148 38 156 and RGB 131 20 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 92 213 shade: RGB 199 92 213, RGB 213 92 194, RGB 213 92 162, RGB 213 92 129 and RGB 213 92 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 92 213 shade: RGB 199 92 213, RGB 166 92 213, RGB 134 92 213, RGB 101 92 213 and RGB 92 92 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 92 213 shade matches the following richer shades: RGB 199 92 213, RGB 211 76 229 and RGB 224 59 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 92 213 shade: RGB 199 92 213, RGB 186 109 196, RGB 173 125 180, RGB 161 142 163 and RGB 148 158 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 92 213 shade: RGB 134 92 213, RGB 167 92 213, RGB 199 92 213, RGB 213 92 195 and RGB 213 92 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 92 213 shade: RGB 162 45 177, RGB 187 60 204, RGB 199 92 213, RGB 210 125 221 and RGB 221 158 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 92 213 shade: RGB 199 92 213, RGB 213 102 92 and RGB 92 213 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 92 213 shade: RGB 199 92 213, RGB 213 199 92 and RGB 92 213 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 92 213 shade: RGB 199 92 213, RGB 213 102 92, RGB 106 213 92 and RGB 92 203 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 92 213 shade: RGB 199 92 213, RGB 213 138 92, RGB 106 213 92 and RGB 92 167 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 57 / 0 / 16

HEX #C75CD5

RGB 199 92 213

HSL 293.06, 0.59%, 0.6%

LAB 56.68, 59.49, -43.62

 

Complementary color

CMYK 66 / 0 / 74 / 36

HEX #38A32A

RGB 56 163 42

HSL 113.06, 0.59%, 0.4%

LAB 59.16, -52.9, 50.85

 

CMYK 2 / 56 / 0 / 18

HEX #CC5CD0

RGB 204 92 208

HSL 297.93, 0.55%, 0.59%

LAB 57.12, 59.88, -40.05

 

CMYK 3 / 52 / 0 / 11

HEX #DD6EE3

RGB 221 110 227

HSL 296.92, 0.68%, 0.66%

LAB 63.4, 59.38, -40.72

 

CMYK 3 / 48 / 0 / 4

HEX #EE80F6

RGB 238 128 246

HSL 295.93, 0.87%, 0.73%

LAB 69.66, 58.77, -41.26

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 7 / 57 / 0 / 16

HEX #C75CD5

RGB 199 92 213

HSL 293.06, 0.59%, 0.6%

LAB 56.68, 59.49, -43.62

 

CMYK 6 / 62 / 0 / 24

HEX #B64AC2

RGB 182 74 194

HSL 294, 0.5%, 0.53%

LAB 50.38, 59.82, -42.88

 

CMYK 6 / 68 / 0 / 31

HEX #A538AF

RGB 165 56 175

HSL 294.96, 0.52%, 0.45%

LAB 44.12, 59.79, -41.87

 

CMYK 5 / 76 / 0 / 39

HEX #94269C

RGB 148 38 156

HSL 295.93, 0.61%, 0.38%

LAB 37.99, 59.16, -40.44

 

CMYK 4 / 85 / 0 / 46

HEX #831489

RGB 131 20 137

HSL 296.92, 0.75%, 0.31%

LAB 32.1, 57.5, -38.37

 

CMYK 7 / 57 / 0 / 16

HEX #C75CD5

RGB 199 92 213

HSL 293.06, 0.59%, 0.6%

LAB 56.68, 59.49, -43.62

 

CMYK 0 / 57 / 9 / 16

HEX #D55CC2

RGB 213 92 194

HSL 309.42, 0.59%, 0.6%

LAB 57.75, 59.93, -31

 

CMYK 0 / 57 / 24 / 16

HEX #D55CA2

RGB 213 92 162

HSL 325.29, 0.59%, 0.6%

LAB 56.5, 55.18, -14.45

 

CMYK 0 / 57 / 39 / 16

HEX #D55C81

RGB 213 92 129

HSL 341.65, 0.59%, 0.6%

LAB 55.47, 51.12, 3.38

 

CMYK 0 / 57 / 54 / 16

HEX #D55C61

RGB 213 92 97

HSL 357.52, 0.59%, 0.6%

LAB 54.72, 48.08, 21.18

 

CMYK 7 / 57 / 0 / 16

HEX #C75CD5

RGB 199 92 213

HSL 293.06, 0.59%, 0.6%

LAB 56.68, 59.49, -43.62

 

CMYK 22 / 57 / 0 / 16

HEX #A65CD5

RGB 166 92 213

HSL 276.69, 0.59%, 0.6%

LAB 52.47, 51.11, -50.57

 

CMYK 37 / 57 / 0 / 16

HEX #865CD5

RGB 134 92 213

HSL 260.83, 0.59%, 0.6%

LAB 48.92, 43.38, -56.46

 

CMYK 53 / 57 / 0 / 16

HEX #655CD5

RGB 101 92 213

HSL 244.46, 0.59%, 0.6%

LAB 45.94, 36.26, -61.41

 

CMYK 57 / 57 / 0 / 16

HEX #5C5CD5

RGB 92 92 213

HSL 240, 0.59%, 0.6%

LAB 45.27, 34.55, -62.53

 

CMYK 7 / 57 / 0 / 16

HEX #C75CD5

RGB 199 92 213

HSL 293.06, 0.59%, 0.6%

LAB 56.68, 59.49, -43.62

 

CMYK 8 / 67 / 0 / 10

HEX #D34CE5

RGB 211 76 229

HSL 292.94, 0.75%, 0.6%

LAB 56.76, 71.98, -52.43

 

CMYK 9 / 76 / 0 / 4

HEX #E03BF6

RGB 224 59 246

HSL 292.94, 0.91%, 0.6%

LAB 57.68, 83.15, -60.35

 

CMYK 7 / 57 / 0 / 16

HEX #C75CD5

RGB 199 92 213

HSL 293.06, 0.59%, 0.6%

LAB 56.68, 59.49, -43.62

 

CMYK 5 / 44 / 0 / 23

HEX #BA6DC4

RGB 186 109 196

HSL 293.1, 0.42%, 0.6%

LAB 57.43, 44.2, -32.91

 

CMYK 4 / 31 / 0 / 29

HEX #AD7DB4

RGB 173 125 180

HSL 292.36, 0.27%, 0.6%

LAB 58.83, 28.18, -21.73

 

CMYK 1 / 13 / 0 / 36

HEX #A18EA3

RGB 161 142 163

HSL 294.29, 0.1%, 0.6%

LAB 61.28, 11.01, -8.46

 

CMYK 6 / 0 / 7 / 38

HEX #949E93

RGB 148 158 147

HSL 114.55, 0.05%, 0.6%

LAB 64.04, -5.7, 4.51

 

CMYK 37 / 57 / 0 / 16

HEX #865CD5

RGB 134 92 213

HSL 260.83, 0.59%, 0.6%

LAB 48.92, 43.38, -56.46

 

CMYK 22 / 57 / 0 / 16

HEX #A75CD5

RGB 167 92 213

HSL 277.19, 0.59%, 0.6%

LAB 52.59, 51.36, -50.37

 

CMYK 7 / 57 / 0 / 16

HEX #C75CD5

RGB 199 92 213

HSL 293.06, 0.59%, 0.6%

LAB 56.68, 59.49, -43.62

 

CMYK 0 / 57 / 8 / 16

HEX #D55CC3

RGB 213 92 195

HSL 308.93, 0.59%, 0.6%

LAB 57.79, 60.09, -31.51

 

CMYK 0 / 57 / 23 / 16

HEX #D55CA3

RGB 213 92 163

HSL 324.79, 0.59%, 0.6%

LAB 56.53, 55.32, -14.98

 

CMYK 8 / 75 / 0 / 31

HEX #A22DB1

RGB 162 45 177

HSL 293.18, 0.59%, 0.44%

LAB 42.36, 63.5, -45.89

 

CMYK 8 / 71 / 0 / 20

HEX #BB3CCC

RGB 187 60 204

HSL 292.92, 0.59%, 0.52%

LAB 49.68, 68.33, -49.7

 

CMYK 7 / 57 / 0 / 16

HEX #C75CD5

RGB 199 92 213

HSL 293.06, 0.59%, 0.6%

LAB 56.68, 59.49, -43.62

 

CMYK 5 / 43 / 0 / 13

HEX #D27DDD

RGB 210 125 221

HSL 293.13, 0.59%, 0.68%

LAB 64.64, 47.72, -35.55

 

CMYK 4 / 31 / 0 / 10

HEX #DD9EE6

RGB 221 158 230

HSL 292.5, 0.59%, 0.76%

LAB 73.25, 35.31, -27.11

 

CMYK 7 / 57 / 0 / 16

HEX #C75CD5

RGB 199 92 213

HSL 293.06, 0.59%, 0.6%

LAB 56.68, 59.49, -43.62

 

CMYK 0 / 52 / 57 / 16

HEX #D5665C

RGB 213 102 92

HSL 4.96, 0.59%, 0.6%

LAB 56.51, 42.83, 26.43

 

CMYK 57 / 0 / 30 / 16

HEX #5CD596

RGB 92 213 150

HSL 148.76, 0.59%, 0.6%

LAB 77.32, -48.31, 21.17

 

CMYK 7 / 57 / 0 / 16

HEX #C75CD5

RGB 199 92 213

HSL 293.06, 0.59%, 0.6%

LAB 56.68, 59.49, -43.62

 

CMYK 0 / 7 / 57 / 16

HEX #D5C75C

RGB 213 199 92

HSL 53.06, 0.59%, 0.6%

LAB 79.48, -8.48, 54.32

 

CMYK 57 / 0 / 7 / 16

HEX #5CD5C7

RGB 92 213 199

HSL 173.06, 0.59%, 0.6%

LAB 78.45, -37.13, -3.29

 

CMYK 7 / 57 / 0 / 16

HEX #C75CD5

RGB 199 92 213

HSL 293.06, 0.59%, 0.6%

LAB 56.68, 59.49, -43.62

 

CMYK 0 / 52 / 57 / 16

HEX #D5665C

RGB 213 102 92

HSL 4.96, 0.59%, 0.6%

LAB 56.51, 42.83, 26.43

 

CMYK 50 / 0 / 57 / 16

HEX #6AD55C

RGB 106 213 92

HSL 113.06, 0.59%, 0.6%

LAB 76.94, -53.95, 49.7

 

CMYK 57 / 5 / 0 / 16

HEX #5CCBD5

RGB 92 203 213

HSL 184.96, 0.59%, 0.6%

LAB 75.94, -28.67, -14.56

 

CMYK 7 / 57 / 0 / 16

HEX #C75CD5

RGB 199 92 213

HSL 293.06, 0.59%, 0.6%

LAB 56.68, 59.49, -43.62

 

CMYK 0 / 35 / 57 / 16

HEX #D58A5C

RGB 213 138 92

HSL 22.81, 0.59%, 0.6%

LAB 64.24, 23.97, 36.24

 

CMYK 50 / 0 / 57 / 16

HEX #6AD55C

RGB 106 213 92

HSL 113.06, 0.59%, 0.6%

LAB 76.94, -53.95, 49.7

 

CMYK 57 / 22 / 0 / 16

HEX #5CA7D5

RGB 92 167 213

HSL 202.81, 0.59%, 0.6%

LAB 65.53, -10.06, -30.44

 

Description

Color code: RGB 199 92 213 | qconv.com Color code: RGB 199 92 213 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 92 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 92 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 57 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 57% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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