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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 91 195 it is the complementary color RGB 56 164 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 91 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 91 195 shade: RGB 204 91 190, RGB 221 109 209, RGB 238 127 228, RGB 255 145 247 and RGB 255 163 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 91 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 91 195 shade: RGB 199 91 195, RGB 182 73 176, RGB 165 55 157, RGB 148 37 138 and RGB 131 19 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 91 195 shade: RGB 199 91 195, RGB 199 91 166, RGB 199 91 137, RGB 199 91 108 and RGB 199 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 91 195 shade: RGB 199 91 195, RGB 174 91 199, RGB 145 91 199, RGB 116 91 199 and RGB 91 91 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 91 195 shade matches the following richer shades: RGB 199 91 195, RGB 216 73 211, RGB 234 56 227 and RGB 252 38 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 91 195 shade: RGB 199 91 195, RGB 181 109 178, RGB 163 127 162, RGB 145 144 145 and RGB 128 162 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 91 195 shade: RGB 145 91 199, RGB 174 91 199, RGB 199 91 195, RGB 199 91 166 and RGB 199 91 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 91 195 shade: RGB 155 53 151, RGB 185 63 181, RGB 199 91 195, RGB 209 122 206 and RGB 220 153 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 91 195 shade: RGB 199 91 195, RGB 199 116 91 and RGB 91 199 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 91 195 shade: RGB 199 91 195, RGB 195 199 91 and RGB 91 195 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 91 195 shade: RGB 199 91 195, RGB 199 116 91, RGB 91 199 95 and RGB 91 174 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 91 195 shade: RGB 199 91 195, RGB 199 148 91, RGB 91 199 95 and RGB 91 141 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 2 / 22

HEX #C75BC3

RGB 199 91 195

HSL 302.22, 0.49%, 0.57%

LAB 55.65, 56.73, -34.99

 

Complementary color

CMYK 66 / 0 / 63 / 36

HEX #38A43C

RGB 56 164 60

HSL 122.22, 0.49%, 0.43%

LAB 59.63, -51.54, 43.94

 

CMYK 0 / 55 / 7 / 20

HEX #CC5BBE

RGB 204 91 190

HSL 307.43, 0.53%, 0.58%

LAB 56.13, 57.26, -31.33

 

CMYK 0 / 51 / 5 / 13

HEX #DD6DD1

RGB 221 109 209

HSL 306.43, 0.62%, 0.65%

LAB 62.43, 56.74, -32.15

 

CMYK 0 / 47 / 4 / 7

HEX #EE7FE4

RGB 238 127 228

HSL 305.41, 0.77%, 0.72%

LAB 68.72, 56.11, -32.82

 

CMYK 0 / 43 / 3 / 0

HEX #FF91F7

RGB 255 145 247

HSL 304.36, 1%, 0.78%

LAB 74.97, 55.43, -33.4

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 54 / 2 / 22

HEX #C75BC3

RGB 199 91 195

HSL 302.22, 0.49%, 0.57%

LAB 55.65, 56.73, -34.99

 

CMYK 0 / 60 / 3 / 29

HEX #B649B0

RGB 182 73 176

HSL 303.3, 0.43%, 0.5%

LAB 49.31, 57.07, -34.09

 

CMYK 0 / 67 / 5 / 35

HEX #A5379D

RGB 165 55 157

HSL 304.36, 0.5%, 0.43%

LAB 43.01, 57.07, -32.91

 

CMYK 0 / 75 / 7 / 42

HEX #94258A

RGB 148 37 138

HSL 305.41, 0.6%, 0.36%

LAB 36.84, 56.46, -31.27

 

CMYK 0 / 85 / 9 / 49

HEX #831377

RGB 131 19 119

HSL 306.43, 0.75%, 0.29%

LAB 30.93, 54.81, -28.95

 

CMYK 0 / 54 / 2 / 22

HEX #C75BC3

RGB 199 91 195

HSL 302.22, 0.49%, 0.57%

LAB 55.65, 56.73, -34.99

 

CMYK 0 / 54 / 17 / 22

HEX #C75BA6

RGB 199 91 166

HSL 318.33, 0.49%, 0.57%

LAB 54.43, 51.99, -20.12

 

CMYK 0 / 54 / 31 / 22

HEX #C75B89

RGB 199 91 137

HSL 334.44, 0.49%, 0.57%

LAB 53.42, 47.93, -4.6

 

CMYK 0 / 54 / 46 / 22

HEX #C75B6C

RGB 199 91 108

HSL 350.56, 0.49%, 0.57%

LAB 52.63, 44.63, 11.47

 

CMYK 0 / 54 / 54 / 22

HEX #C75B5B

RGB 199 91 91

HSL 0, 0.49%, 0.57%

LAB 52.26, 43.07, 21.03

 

CMYK 0 / 54 / 2 / 22

HEX #C75BC3

RGB 199 91 195

HSL 302.22, 0.49%, 0.57%

LAB 55.65, 56.73, -34.99

 

CMYK 13 / 54 / 0 / 22

HEX #AE5BC7

RGB 174 91 199

HSL 286.11, 0.49%, 0.57%

LAB 52.51, 50.72, -42.45

 

CMYK 27 / 54 / 0 / 22

HEX #915BC7

RGB 145 91 199

HSL 270, 0.49%, 0.57%

LAB 49.04, 43.1, -48.18

 

CMYK 42 / 54 / 0 / 22

HEX #745BC7

RGB 116 91 199

HSL 253.89, 0.49%, 0.57%

LAB 46.07, 35.94, -53.1

 

CMYK 54 / 54 / 0 / 22

HEX #5B5BC7

RGB 91 91 199

HSL 240, 0.49%, 0.57%

LAB 43.99, 30.49, -56.56

 

CMYK 0 / 54 / 2 / 22

HEX #C75BC3

RGB 199 91 195

HSL 302.22, 0.49%, 0.57%

LAB 55.65, 56.73, -34.99

 

CMYK 0 / 66 / 2 / 15

HEX #D849D3

RGB 216 73 211

HSL 302.1, 0.65%, 0.57%

LAB 56.15, 71.21, -43.16

 

CMYK 0 / 76 / 3 / 8

HEX #EA38E3

RGB 234 56 227

HSL 302.36, 0.81%, 0.57%

LAB 57.91, 82.91, -49.25

 

CMYK 0 / 85 / 3 / 1

HEX #FC26F4

RGB 252 38 244

HSL 302.24, 0.97%, 0.57%

LAB 60.44, 92.58, -54.57

 

CMYK 0 / 54 / 2 / 22

HEX #C75BC3

RGB 199 91 195

HSL 302.22, 0.49%, 0.57%

LAB 55.65, 56.73, -34.99

 

CMYK 0 / 40 / 2 / 29

HEX #B56DB2

RGB 181 109 178

HSL 302.5, 0.33%, 0.57%

LAB 56.06, 39.24, -24.76

 

CMYK 0 / 22 / 1 / 36

HEX #A37FA2

RGB 163 127 162

HSL 301.67, 0.16%, 0.57%

LAB 57.63, 20.07, -13.34

 

CMYK 0 / 1 / 0 / 43

HEX #919091

RGB 145 144 145

HSL 300, 0%, 0.57%

LAB 59.9, 0.56, -0.41

 

CMYK 21 / 0 / 20 / 36

HEX #80A281

RGB 128 162 129

HSL 121.76, 0.15%, 0.57%

LAB 63.36, -18.37, 13.4

 

CMYK 27 / 54 / 0 / 22

HEX #915BC7

RGB 145 91 199

HSL 270, 0.49%, 0.57%

LAB 49.04, 43.1, -48.18

 

CMYK 13 / 54 / 0 / 22

HEX #AE5BC7

RGB 174 91 199

HSL 286.11, 0.49%, 0.57%

LAB 52.51, 50.72, -42.45

 

CMYK 0 / 54 / 2 / 22

HEX #C75BC3

RGB 199 91 195

HSL 302.22, 0.49%, 0.57%

LAB 55.65, 56.73, -34.99

 

CMYK 0 / 54 / 17 / 22

HEX #C75BA6

RGB 199 91 166

HSL 318.33, 0.49%, 0.57%

LAB 54.43, 51.99, -20.12

 

CMYK 0 / 54 / 31 / 22

HEX #C75B8A

RGB 199 91 138

HSL 333.89, 0.49%, 0.57%

LAB 53.45, 48.06, -5.14

 

CMYK 0 / 66 / 3 / 39

HEX #9B3597

RGB 155 53 151

HSL 302.35, 0.49%, 0.41%

LAB 40.81, 54.36, -32.86

 

CMYK 0 / 66 / 2 / 27

HEX #B93FB5

RGB 185 63 181

HSL 301.97, 0.49%, 0.49%

LAB 48.52, 62.81, -38.23

 

CMYK 0 / 54 / 2 / 22

HEX #C75BC3

RGB 199 91 195

HSL 302.22, 0.49%, 0.57%

LAB 55.65, 56.73, -34.99

 

CMYK 0 / 42 / 1 / 18

HEX #D17ACE

RGB 209 122 206

HSL 302.07, 0.49%, 0.65%

LAB 63.29, 46.19, -29.26

 

CMYK 0 / 30 / 1 / 14

HEX #DC99D9

RGB 220 153 217

HSL 302.69, 0.49%, 0.73%

LAB 71.56, 35.24, -22.57

 

CMYK 0 / 54 / 2 / 22

HEX #C75BC3

RGB 199 91 195

HSL 302.22, 0.49%, 0.57%

LAB 55.65, 56.73, -34.99

 

CMYK 0 / 42 / 54 / 22

HEX #C7745B

RGB 199 116 91

HSL 13.89, 0.49%, 0.57%

LAB 57.45, 30.09, 27.84

 

CMYK 54 / 0 / 20 / 22

HEX #5BC79F

RGB 91 199 159

HSL 157.78, 0.49%, 0.57%

LAB 73.27, -40.62, 10.71

 

CMYK 0 / 54 / 2 / 22

HEX #C75BC3

RGB 199 91 195

HSL 302.22, 0.49%, 0.57%

LAB 55.65, 56.73, -34.99

 

CMYK 2 / 0 / 54 / 22

HEX #C3C75B

RGB 195 199 91

HSL 62.22, 0.49%, 0.57%

LAB 78, -15.98, 52.69

 

CMYK 54 / 2 / 0 / 22

HEX #5BC3C7

RGB 91 195 199

HSL 182.22, 0.49%, 0.57%

LAB 73.14, -28.81, -11.18

 

CMYK 0 / 54 / 2 / 22

HEX #C75BC3

RGB 199 91 195

HSL 302.22, 0.49%, 0.57%

LAB 55.65, 56.73, -34.99

 

CMYK 0 / 42 / 54 / 22

HEX #C7745B

RGB 199 116 91

HSL 13.89, 0.49%, 0.57%

LAB 57.45, 30.09, 27.84

 

CMYK 54 / 0 / 52 / 22

HEX #5BC75F

RGB 91 199 95

HSL 122.22, 0.49%, 0.57%

LAB 72.16, -52.11, 42.46

 

CMYK 54 / 13 / 0 / 22

HEX #5BAEC7

RGB 91 174 199

HSL 193.89, 0.49%, 0.57%

LAB 66.99, -18.2, -20.45

 

CMYK 0 / 54 / 2 / 22

HEX #C75BC3

RGB 199 91 195

HSL 302.22, 0.49%, 0.57%

LAB 55.65, 56.73, -34.99

 

CMYK 0 / 26 / 54 / 22

HEX #C7945B

RGB 199 148 91

HSL 31.67, 0.49%, 0.57%

LAB 65.02, 12.63, 37.39

 

CMYK 54 / 0 / 52 / 22

HEX #5BC75F

RGB 91 199 95

HSL 122.22, 0.49%, 0.57%

LAB 72.16, -52.11, 42.46

 

CMYK 54 / 29 / 0 / 22

HEX #5B8DC7

RGB 91 141 199

HSL 212.22, 0.49%, 0.57%

LAB 57.46, 0.04, -35.15

 

Description

Color code: RGB 199 91 195 | qconv.com Color code: RGB 199 91 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 91 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 91 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 2 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 2% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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