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Color name
RGB 199 88 118

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 88 118 it is the complementary color RGB 56 167 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 88 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 88 118 shade: RGB 204 88 113, RGB 221 106 132, RGB 238 124 151, RGB 255 142 170 and RGB 255 160 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 88 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 88 118 shade: RGB 199 88 118, RGB 182 70 99, RGB 165 52 80, RGB 148 34 61 and RGB 131 16 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 88 118 shade: RGB 198 86 117, RGB 198 86 86 and RGB 198 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 88 118 shade: RGB 198 86 117, RGB 198 86 147, RGB 198 86 177, RGB 189 86 198 and RGB 159 86 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 88 118 shade matches the following richer shades: RGB 198 86 117, RGB 217 68 108, RGB 235 50 100 and RGB 253 32 92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 88 118 shade: RGB 198 86 117, RGB 180 104 125, RGB 162 123 133, RGB 144 141 142 and RGB 126 159 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 88 118 shade: RGB 198 86 178, RGB 198 86 148, RGB 198 86 118, RGB 198 86 88 and RGB 198 114 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 88 118 shade: RGB 152 50 78, RGB 183 61 94, RGB 198 86 117, RGB 209 117 142 and RGB 219 148 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 88 118 shade: RGB 199 88 118, RGB 198 189 86 and RGB 86 163 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 88 118 shade: RGB 199 88 118, RGB 118 198 86 and RGB 86 118 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 88 118 shade: RGB 199 88 118, RGB 198 189 86, RGB 86 198 167 and RGB 86 96 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 88 118 shade: RGB 199 88 118, RGB 174 198 86, RGB 86 198 167 and RGB 111 86 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 41 / 22

HEX #C75876

RGB 199 88 118

HSL 343.78, 0.5%, 0.56%

LAB 52.32, 47.13, 5.09

 

Complementary color

CMYK 66 / 0 / 18 / 35

HEX #38A789

RGB 56 167 137

HSL 163.78, 0.5%, 0.44%

LAB 61.9, -38.55, 6.43

 

CMYK 0 / 57 / 45 / 20

HEX #CC5871

RGB 204 88 113

HSL 347.07, 0.53%, 0.57%

LAB 52.96, 48.31, 9.08

 

CMYK 0 / 52 / 40 / 13

HEX #DD6A84

RGB 221 106 132

HSL 346.43, 0.63%, 0.64%

LAB 59.29, 47.44, 7.27

 

CMYK 0 / 48 / 37 / 7

HEX #EE7C97

RGB 238 124 151

HSL 345.79, 0.77%, 0.71%

LAB 65.61, 46.54, 5.74

 

CMYK 0 / 44 / 33 / 0

HEX #FF8EAA

RGB 255 142 170

HSL 345.13, 1%, 0.78%

LAB 71.9, 45.64, 4.4

 

CMYK 0 / 37 / 26 / 0

HEX #FFA0BD

RGB 255 160 189

HSL 341.68, 1%, 0.81%

LAB 76.12, 38.89, 0.03

 

CMYK 0 / 56 / 41 / 22

HEX #C75876

RGB 199 88 118

HSL 343.78, 0.5%, 0.56%

LAB 52.32, 47.13, 5.09

 

CMYK 0 / 62 / 46 / 29

HEX #B64663

RGB 182 70 99

HSL 344.46, 0.44%, 0.49%

LAB 45.94, 47.86, 7.09

 

CMYK 0 / 68 / 52 / 35

HEX #A53450

RGB 165 52 80

HSL 345.13, 0.52%, 0.43%

LAB 39.64, 48.33, 9.59

 

CMYK 0 / 77 / 59 / 42

HEX #94223D

RGB 148 34 61

HSL 345.79, 0.63%, 0.36%

LAB 33.51, 48.27, 12.82

 

CMYK 0 / 88 / 68 / 49

HEX #83102A

RGB 131 16 42

HSL 346.43, 0.78%, 0.29%

LAB 27.75, 47.2, 17.1

 

CMYK 0 / 57 / 41 / 22

HEX #C65675

RGB 198 86 117

HSL 343.39, 0.5%, 0.56%

LAB 51.78, 47.64, 4.88

 

CMYK 0 / 57 / 57 / 22

HEX #C65656

RGB 198 86 86

HSL 0, 0.5%, 0.56%

LAB 51.07, 44.75, 22.37

 

CMYK 0 / 57 / 57 / 22

HEX #C65656

RGB 198 86 86

HSL 0, 0.5%, 0.56%

LAB 51.07, 44.75, 22.37

 

CMYK 0 / 57 / 41 / 22

HEX #C65675

RGB 198 86 117

HSL 343.39, 0.5%, 0.56%

LAB 51.78, 47.64, 4.88

 

CMYK 0 / 57 / 26 / 22

HEX #C65693

RGB 198 86 147

HSL 327.32, 0.5%, 0.56%

LAB 52.69, 51.31, -11.6

 

CMYK 0 / 57 / 11 / 22

HEX #C656B1

RGB 198 86 177

HSL 311.25, 0.5%, 0.56%

LAB 53.85, 55.76, -27.42

 

CMYK 5 / 57 / 0 / 22

HEX #BD56C6

RGB 189 86 198

HSL 295.18, 0.5%, 0.56%

LAB 53.55, 56.92, -40.11

 

CMYK 20 / 57 / 0 / 22

HEX #9F56C6

RGB 159 86 198

HSL 279.11, 0.5%, 0.56%

LAB 49.62, 49.12, -46.58

 

CMYK 0 / 57 / 41 / 22

HEX #C65675

RGB 198 86 117

HSL 343.39, 0.5%, 0.56%

LAB 51.78, 47.64, 4.88

 

CMYK 0 / 69 / 50 / 15

HEX #D9446C

RGB 217 68 108

HSL 343.89, 0.66%, 0.56%

LAB 51.8, 60.55, 10.74

 

CMYK 0 / 79 / 57 / 8

HEX #EB3264

RGB 235 50 100

HSL 343.78, 0.82%, 0.56%

LAB 52.8, 70.83, 17.44

 

CMYK 0 / 87 / 64 / 1

HEX #FD205C

RGB 253 32 92

HSL 343.71, 0.98%, 0.56%

LAB 54.75, 78.75, 25.46

 

CMYK 0 / 57 / 41 / 22

HEX #C65675

RGB 198 86 117

HSL 343.39, 0.5%, 0.56%

LAB 51.78, 47.64, 4.88

 

CMYK 0 / 42 / 31 / 29

HEX #B4687D

RGB 180 104 125

HSL 343.42, 0.34%, 0.56%

LAB 53.04, 33, 1.64

 

CMYK 0 / 24 / 18 / 36

HEX #A27B85

RGB 162 123 133

HSL 344.62, 0.17%, 0.56%

LAB 55.63, 16.75, 0.45

 

CMYK 0 / 2 / 1 / 44

HEX #908D8E

RGB 144 141 142

HSL 340, 0.01%, 0.56%

LAB 58.91, 1.3, -0.15

 

CMYK 21 / 0 / 6 / 38

HEX #7E9F96

RGB 126 159 150

HSL 163.64, 0.15%, 0.56%

LAB 62.87, -13.29, 0.94

 

CMYK 0 / 57 / 10 / 22

HEX #C656B2

RGB 198 86 178

HSL 310.71, 0.5%, 0.56%

LAB 53.89, 55.92, -27.93

 

CMYK 0 / 57 / 25 / 22

HEX #C65694

RGB 198 86 148

HSL 326.79, 0.5%, 0.56%

LAB 52.73, 51.45, -12.14

 

CMYK 0 / 57 / 40 / 22

HEX #C65676

RGB 198 86 118

HSL 342.86, 0.5%, 0.56%

LAB 51.8, 47.75, 4.32

 

CMYK 0 / 57 / 56 / 22

HEX #C65658

RGB 198 86 88

HSL 358.93, 0.5%, 0.56%

LAB 51.11, 44.9, 21.24

 

CMYK 0 / 42 / 57 / 22

HEX #C67256

RGB 198 114 86

HSL 15, 0.5%, 0.56%

LAB 56.79, 30.35, 29.78

 

CMYK 0 / 67 / 49 / 40

HEX #98324E

RGB 152 50 78

HSL 343.53, 0.5%, 0.4%

LAB 36.94, 44.76, 6.73

 

CMYK 0 / 67 / 49 / 28

HEX #B73D5E

RGB 183 61 94

HSL 343.77, 0.5%, 0.48%

LAB 44.54, 51.62, 8.19

 

CMYK 0 / 57 / 41 / 22

HEX #C65675

RGB 198 86 117

HSL 343.39, 0.5%, 0.56%

LAB 51.78, 47.64, 4.88

 

CMYK 0 / 44 / 32 / 18

HEX #D1758E

RGB 209 117 142

HSL 343.7, 0.5%, 0.64%

LAB 60.1, 38.84, 2.43

 

CMYK 0 / 32 / 24 / 14

HEX #DB94A7

RGB 219 148 167

HSL 343.94, 0.5%, 0.72%

LAB 68.77, 29.36, 1

 

CMYK 0 / 56 / 41 / 22

HEX #C75876

RGB 199 88 118

HSL 343.78, 0.5%, 0.56%

LAB 52.32, 47.13, 5.09

 

CMYK 0 / 5 / 57 / 22

HEX #C6BD56

RGB 198 189 86

HSL 55.18, 0.5%, 0.56%

LAB 75.5, -10.05, 52.21

 

CMYK 57 / 18 / 0 / 22

HEX #56A3C6

RGB 86 163 198

HSL 198.75, 0.5%, 0.56%

LAB 63.55, -13.68, -25.18

 

CMYK 0 / 56 / 41 / 22

HEX #C75876

RGB 199 88 118

HSL 343.78, 0.5%, 0.56%

LAB 52.32, 47.13, 5.09

 

CMYK 40 / 0 / 57 / 22

HEX #76C656

RGB 118 198 86

HSL 102.86, 0.5%, 0.56%

LAB 72.83, -44.97, 47.78

 

CMYK 57 / 40 / 0 / 22

HEX #5676C6

RGB 86 118 198

HSL 222.86, 0.5%, 0.56%

LAB 50.7, 12.39, -45.25

 

CMYK 0 / 56 / 41 / 22

HEX #C75876

RGB 199 88 118

HSL 343.78, 0.5%, 0.56%

LAB 52.32, 47.13, 5.09

 

CMYK 0 / 5 / 57 / 22

HEX #C6BD56

RGB 198 189 86

HSL 55.18, 0.5%, 0.56%

LAB 75.5, -10.05, 52.21

 

CMYK 57 / 0 / 16 / 22

HEX #56C6A7

RGB 86 198 167

HSL 163.39, 0.5%, 0.56%

LAB 72.99, -39.4, 5.98

 

CMYK 57 / 52 / 0 / 22

HEX #5660C6

RGB 86 96 198

HSL 234.64, 0.5%, 0.56%

LAB 44.83, 26.06, -54.64

 

CMYK 0 / 56 / 41 / 22

HEX #C75876

RGB 199 88 118

HSL 343.78, 0.5%, 0.56%

LAB 52.32, 47.13, 5.09

 

CMYK 12 / 0 / 57 / 22

HEX #AEC656

RGB 174 198 86

HSL 72.86, 0.5%, 0.56%

LAB 76.11, -24.42, 52.4

 

CMYK 57 / 0 / 16 / 22

HEX #56C6A7

RGB 86 198 167

HSL 163.39, 0.5%, 0.56%

LAB 72.99, -39.4, 5.98

 

CMYK 44 / 57 / 0 / 22

HEX #6F56C6

RGB 111 86 198

HSL 253.39, 0.5%, 0.56%

LAB 44.39, 37.46, -55.24

 

Description

Color code: RGB 199 88 118 | qconv.com Color code: RGB 199 88 118 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 88 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 88 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 41 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 41% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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