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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 85 153 it is the complementary color RGB 56 170 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 85 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 85 153 shade: RGB 204 85 148, RGB 221 103 167, RGB 238 121 186, RGB 255 139 205 and RGB 255 157 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 85 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 85 153 shade: RGB 199 85 153, RGB 182 67 134, RGB 165 49 115, RGB 148 31 96 and RGB 131 13 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 85 153 shade: RGB 198 86 153, RGB 198 86 123, RGB 198 86 93 and RGB 198 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 85 153 shade: RGB 198 86 153, RGB 198 86 183, RGB 183 86 198, RGB 153 86 198 and RGB 123 86 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 85 153 shade matches the following richer shades: RGB 198 86 153, RGB 217 68 157, RGB 235 50 160 and RGB 253 32 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 85 153 shade: RGB 198 86 153, RGB 180 104 150, RGB 162 123 146, RGB 144 141 143 and RGB 126 159 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 85 153 shade: RGB 183 86 198, RGB 198 86 183, RGB 198 86 154, RGB 198 86 124 and RGB 198 86 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 85 153 shade: RGB 152 50 111, RGB 183 61 133, RGB 198 86 153, RGB 209 117 172 and RGB 219 148 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 85 153 shade: RGB 199 85 153, RGB 198 154 86 and RGB 86 198 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 85 153 shade: RGB 199 85 153, RGB 154 198 86 and RGB 86 154 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 85 153 shade: RGB 199 85 153, RGB 198 154 86, RGB 86 198 131 and RGB 86 131 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 85 153 shade: RGB 199 85 153, RGB 198 187 86, RGB 86 198 131 and RGB 86 97 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 23 / 22

HEX #C75599

RGB 199 85 153

HSL 324.21, 0.5%, 0.56%

LAB 52.88, 52.91, -14.85

 

Complementary color

CMYK 67 / 0 / 40 / 33

HEX #38AA66

RGB 56 170 102

HSL 144.21, 0.5%, 0.44%

LAB 62.13, -47.48, 25.97

 

CMYK 0 / 58 / 27 / 20

HEX #CC5594

RGB 204 85 148

HSL 328.24, 0.54%, 0.57%

LAB 53.46, 53.76, -10.95

 

CMYK 0 / 53 / 24 / 13

HEX #DD67A7

RGB 221 103 167

HSL 327.46, 0.63%, 0.64%

LAB 59.76, 53.19, -12.3

 

CMYK 0 / 49 / 22 / 7

HEX #EE79BA

RGB 238 121 186

HSL 326.67, 0.77%, 0.7%

LAB 66.06, 52.5, -13.44

 

CMYK 0 / 45 / 20 / 0

HEX #FF8BCD

RGB 255 139 205

HSL 325.86, 1%, 0.77%

LAB 72.32, 51.77, -14.42

 

CMYK 0 / 38 / 12 / 0

HEX #FF9DE0

RGB 255 157 224

HSL 318.98, 1%, 0.81%

LAB 76.53, 45.6, -18.5

 

CMYK 0 / 57 / 23 / 22

HEX #C75599

RGB 199 85 153

HSL 324.21, 0.5%, 0.56%

LAB 52.88, 52.91, -14.85

 

CMYK 0 / 63 / 26 / 29

HEX #B64386

RGB 182 67 134

HSL 325.04, 0.46%, 0.49%

LAB 46.55, 53.29, -13.35

 

CMYK 0 / 70 / 30 / 35

HEX #A53173

RGB 165 49 115

HSL 325.86, 0.54%, 0.42%

LAB 40.3, 53.27, -11.44

 

CMYK 0 / 79 / 35 / 42

HEX #941F60

RGB 148 31 96

HSL 326.67, 0.65%, 0.35%

LAB 34.23, 52.56, -8.89

 

CMYK 0 / 90 / 41 / 49

HEX #830D4D

RGB 131 13 77

HSL 327.46, 0.82%, 0.28%

LAB 28.51, 50.65, -5.39

 

CMYK 0 / 57 / 23 / 22

HEX #C65699

RGB 198 86 153

HSL 324.11, 0.5%, 0.56%

LAB 52.91, 52.14, -14.82

 

CMYK 0 / 57 / 38 / 22

HEX #C6567B

RGB 198 86 123

HSL 340.18, 0.5%, 0.56%

LAB 51.94, 48.31, 1.54

 

CMYK 0 / 57 / 53 / 22

HEX #C6565D

RGB 198 86 93

HSL 356.25, 0.5%, 0.56%

LAB 51.21, 45.32, 18.41

 

CMYK 0 / 57 / 57 / 22

HEX #C65656

RGB 198 86 86

HSL 0, 0.5%, 0.56%

LAB 51.07, 44.75, 22.37

 

CMYK 0 / 57 / 23 / 22

HEX #C65699

RGB 198 86 153

HSL 324.11, 0.5%, 0.56%

LAB 52.91, 52.14, -14.82

 

CMYK 0 / 57 / 8 / 22

HEX #C656B7

RGB 198 86 183

HSL 308.04, 0.5%, 0.56%

LAB 54.11, 56.73, -30.49

 

CMYK 8 / 57 / 0 / 22

HEX #B756C6

RGB 183 86 198

HSL 291.96, 0.5%, 0.56%

LAB 52.73, 55.35, -41.45

 

CMYK 23 / 57 / 0 / 22

HEX #9956C6

RGB 153 86 198

HSL 275.89, 0.5%, 0.56%

LAB 48.89, 47.59, -47.79

 

CMYK 38 / 57 / 0 / 22

HEX #7B56C6

RGB 123 86 198

HSL 259.82, 0.5%, 0.56%

LAB 45.56, 40.21, -53.31

 

CMYK 0 / 57 / 23 / 22

HEX #C65699

RGB 198 86 153

HSL 324.11, 0.5%, 0.56%

LAB 52.91, 52.14, -14.82

 

CMYK 0 / 69 / 28 / 15

HEX #D9449D

RGB 217 68 157

HSL 324.16, 0.66%, 0.56%

LAB 53.3, 65.62, -16.31

 

CMYK 0 / 79 / 32 / 8

HEX #EB32A0

RGB 235 50 160

HSL 324.32, 0.82%, 0.56%

LAB 54.53, 76.04, -15.91

 

CMYK 0 / 87 / 35 / 1

HEX #FD20A4

RGB 253 32 164

HSL 324.16, 0.98%, 0.56%

LAB 56.68, 84.14, -14.7

 

CMYK 0 / 57 / 23 / 22

HEX #C65699

RGB 198 86 153

HSL 324.11, 0.5%, 0.56%

LAB 52.91, 52.14, -14.82

 

CMYK 0 / 42 / 17 / 29

HEX #B46896

RGB 180 104 150

HSL 323.68, 0.34%, 0.56%

LAB 53.82, 36.73, -11.92

 

CMYK 0 / 24 / 10 / 36

HEX #A27B92

RGB 162 123 146

HSL 324.62, 0.17%, 0.56%

LAB 56.01, 18.99, -6.53

 

CMYK 0 / 2 / 1 / 44

HEX #908D8F

RGB 144 141 143

HSL 320, 0.01%, 0.56%

LAB 58.94, 1.5, -0.68

 

CMYK 21 / 0 / 13 / 38

HEX #7E9F8B

RGB 126 159 139

HSL 143.64, 0.15%, 0.56%

LAB 62.59, -15.58, 6.71

 

CMYK 8 / 57 / 0 / 22

HEX #B756C6

RGB 183 86 198

HSL 291.96, 0.5%, 0.56%

LAB 52.73, 55.35, -41.45

 

CMYK 0 / 57 / 8 / 22

HEX #C656B7

RGB 198 86 183

HSL 308.04, 0.5%, 0.56%

LAB 54.11, 56.73, -30.49

 

CMYK 0 / 57 / 22 / 22

HEX #C6569A

RGB 198 86 154

HSL 323.57, 0.5%, 0.56%

LAB 52.94, 52.29, -15.36

 

CMYK 0 / 57 / 37 / 22

HEX #C6567C

RGB 198 86 124

HSL 339.64, 0.5%, 0.56%

LAB 51.97, 48.42, 0.98

 

CMYK 0 / 57 / 53 / 22

HEX #C6565E

RGB 198 86 94

HSL 355.71, 0.5%, 0.56%

LAB 51.23, 45.4, 17.85

 

CMYK 0 / 67 / 27 / 40

HEX #98326F

RGB 152 50 111

HSL 324.12, 0.5%, 0.4%

LAB 38.03, 48.6, -12.6

 

CMYK 0 / 67 / 27 / 28

HEX #B73D85

RGB 183 61 133

HSL 324.59, 0.5%, 0.48%

LAB 45.77, 55.95, -13.92

 

CMYK 0 / 57 / 23 / 22

HEX #C65699

RGB 198 86 153

HSL 324.11, 0.5%, 0.56%

LAB 52.91, 52.14, -14.82

 

CMYK 0 / 44 / 18 / 18

HEX #D175AC

RGB 209 117 172

HSL 324.13, 0.5%, 0.64%

LAB 61.01, 43.09, -13.46

 

CMYK 0 / 32 / 13 / 14

HEX #DB94BE

RGB 219 148 190

HSL 324.51, 0.5%, 0.72%

LAB 69.44, 32.91, -10.84

 

CMYK 0 / 57 / 23 / 22

HEX #C75599

RGB 199 85 153

HSL 324.21, 0.5%, 0.56%

LAB 52.88, 52.91, -14.85

 

CMYK 0 / 22 / 57 / 22

HEX #C69A56

RGB 198 154 86

HSL 36.43, 0.5%, 0.56%

LAB 66.36, 8.52, 41.57

 

CMYK 57 / 0 / 0 / 22

HEX #56C6C6

RGB 86 198 198

HSL 180, 0.5%, 0.56%

LAB 73.83, -31.49, -9.62

 

CMYK 0 / 57 / 23 / 22

HEX #C75599

RGB 199 85 153

HSL 324.21, 0.5%, 0.56%

LAB 52.88, 52.91, -14.85

 

CMYK 22 / 0 / 57 / 22

HEX #9AC656

RGB 154 198 86

HSL 83.57, 0.5%, 0.56%

LAB 74.78, -32.23, 50.54

 

CMYK 57 / 22 / 0 / 22

HEX #569AC6

RGB 86 154 198

HSL 203.57, 0.5%, 0.56%

LAB 60.93, -8.74, -29.22

 

CMYK 0 / 57 / 23 / 22

HEX #C75599

RGB 199 85 153

HSL 324.21, 0.5%, 0.56%

LAB 52.88, 52.91, -14.85

 

CMYK 0 / 22 / 57 / 22

HEX #C69A56

RGB 198 154 86

HSL 36.43, 0.5%, 0.56%

LAB 66.36, 8.52, 41.57

 

CMYK 57 / 0 / 34 / 22

HEX #56C683

RGB 86 198 131

HSL 144.11, 0.5%, 0.56%

LAB 72.23, -47.11, 24.21

 

CMYK 57 / 34 / 0 / 22

HEX #5683C6

RGB 86 131 198

HSL 215.89, 0.5%, 0.56%

LAB 54.33, 4.52, -39.51

 

CMYK 0 / 57 / 23 / 22

HEX #C75599

RGB 199 85 153

HSL 324.21, 0.5%, 0.56%

LAB 52.88, 52.91, -14.85

 

CMYK 0 / 6 / 57 / 22

HEX #C6BB56

RGB 198 187 86

HSL 54.11, 0.5%, 0.56%

LAB 74.96, -9.02, 51.6

 

CMYK 57 / 0 / 34 / 22

HEX #56C683

RGB 86 198 131

HSL 144.11, 0.5%, 0.56%

LAB 72.23, -47.11, 24.21

 

CMYK 57 / 51 / 0 / 22

HEX #5661C6

RGB 86 97 198

HSL 234.11, 0.5%, 0.56%

LAB 45.09, 25.43, -54.23

 

Description

Color code: RGB 199 85 153 | qconv.com Color code: RGB 199 85 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 85 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 85 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 23 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 23% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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