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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 83 197 it is the complementary color RGB 56 172 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 83 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 83 197 shade: RGB 204 83 192, RGB 221 101 211, RGB 238 119 230, RGB 255 137 249 and RGB 255 155 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 83 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 83 197 shade: RGB 199 83 197, RGB 182 65 178, RGB 165 47 159, RGB 148 29 140 and RGB 131 11 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 83 197 shade: RGB 198 81 196, RGB 198 81 165, RGB 198 81 133, RGB 198 81 102 and RGB 198 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 83 197 shade: RGB 198 81 196, RGB 169 81 198, RGB 137 81 198, RGB 106 81 198 and RGB 81 81 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 83 197 shade matches the following richer shades: RGB 198 81 196, RGB 217 63 214, RGB 235 44 232 and RGB 254 26 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 83 197 shade: RGB 198 81 196, RGB 180 100 178, RGB 161 118 160, RGB 143 137 142 and RGB 124 155 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 83 197 shade: RGB 138 81 198, RGB 169 81 198, RGB 198 81 196, RGB 198 81 165 and RGB 198 81 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 83 197 shade: RGB 149 48 147, RGB 180 58 178, RGB 198 81 196, RGB 208 112 207 and RGB 218 144 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 83 197 shade: RGB 199 83 197, RGB 198 107 81 and RGB 81 198 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 83 197 shade: RGB 199 83 197, RGB 196 198 81 and RGB 81 196 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 83 197 shade: RGB 199 83 197, RGB 198 107 81, RGB 81 198 83 and RGB 81 173 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 83 197 shade: RGB 199 83 197, RGB 198 142 81, RGB 81 198 83 and RGB 81 138 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 1 / 22

HEX #C753C5

RGB 199 83 197

HSL 301.03, 0.51%, 0.55%

LAB 54.41, 60.7, -38.09

 

Complementary color

CMYK 67 / 0 / 66 / 33

HEX #38AC3A

RGB 56 172 58

HSL 121.03, 0.51%, 0.45%

LAB 62.21, -54.6, 47.68

 

CMYK 0 / 59 / 6 / 20

HEX #CC53C0

RGB 204 83 192

HSL 305.95, 0.54%, 0.56%

LAB 54.9, 61.16, -34.39

 

CMYK 0 / 54 / 5 / 13

HEX #DD65D3

RGB 221 101 211

HSL 305, 0.64%, 0.63%

LAB 61.12, 60.81, -35.32

 

CMYK 0 / 50 / 3 / 7

HEX #EE77E6

RGB 238 119 230

HSL 304.03, 0.78%, 0.7%

LAB 67.34, 60.29, -36.07

 

CMYK 0 / 46 / 2 / 0

HEX #FF89F9

RGB 255 137 249

HSL 303.05, 1%, 0.77%

LAB 73.54, 59.67, -36.7

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 58 / 1 / 22

HEX #C753C5

RGB 199 83 197

HSL 301.03, 0.51%, 0.55%

LAB 54.41, 60.7, -38.09

 

CMYK 0 / 64 / 2 / 29

HEX #B641B2

RGB 182 65 178

HSL 302.05, 0.47%, 0.48%

LAB 48.18, 60.79, -37.03

 

CMYK 0 / 72 / 4 / 35

HEX #A52F9F

RGB 165 47 159

HSL 303.05, 0.56%, 0.42%

LAB 42.05, 60.4, -35.62

 

CMYK 0 / 80 / 5 / 42

HEX #941D8C

RGB 148 29 140

HSL 304.03, 0.67%, 0.35%

LAB 36.12, 59.19, -33.66

 

CMYK 0 / 92 / 8 / 49

HEX #830B79

RGB 131 11 121

HSL 305, 0.85%, 0.28%

LAB 30.51, 56.69, -30.89

 

CMYK 0 / 59 / 1 / 22

HEX #C651C4

RGB 198 81 196

HSL 301.03, 0.51%, 0.55%

LAB 53.9, 61.14, -38.33

 

CMYK 0 / 59 / 17 / 22

HEX #C651A5

RGB 198 81 165

HSL 316.92, 0.51%, 0.55%

LAB 52.52, 56.17, -22.47

 

CMYK 0 / 59 / 33 / 22

HEX #C65185

RGB 198 81 133

HSL 333.33, 0.51%, 0.55%

LAB 51.36, 51.82, -5.28

 

CMYK 0 / 59 / 48 / 22

HEX #C65166

RGB 198 81 102

HSL 349.23, 0.51%, 0.55%

LAB 50.51, 48.48, 12.07

 

CMYK 0 / 59 / 59 / 22

HEX #C65151

RGB 198 81 81

HSL 0, 0.51%, 0.55%

LAB 50.08, 46.74, 24.02

 

CMYK 0 / 59 / 1 / 22

HEX #C651C4

RGB 198 81 196

HSL 301.03, 0.51%, 0.55%

LAB 53.9, 61.14, -38.33

 

CMYK 15 / 59 / 0 / 22

HEX #A951C6

RGB 169 81 198

HSL 285.13, 0.51%, 0.55%

LAB 49.97, 54.15, -45.94

 

CMYK 31 / 59 / 0 / 22

HEX #8951C6

RGB 137 81 198

HSL 268.72, 0.51%, 0.55%

LAB 46.02, 46.3, -52.49

 

CMYK 46 / 59 / 0 / 22

HEX #6A51C6

RGB 106 81 198

HSL 252.82, 0.51%, 0.55%

LAB 42.8, 39.3, -57.83

 

CMYK 59 / 59 / 0 / 22

HEX #5151C6

RGB 81 81 198

HSL 240, 0.51%, 0.55%

LAB 40.75, 34.46, -61.25

 

CMYK 0 / 59 / 1 / 22

HEX #C651C4

RGB 198 81 196

HSL 301.03, 0.51%, 0.55%

LAB 53.9, 61.14, -38.33

 

CMYK 0 / 71 / 1 / 15

HEX #D93FD6

RGB 217 63 214

HSL 301.17, 0.67%, 0.55%

LAB 55.24, 75.37, -46.31

 

CMYK 0 / 81 / 1 / 8

HEX #EB2CE8

RGB 235 44 232

HSL 300.94, 0.83%, 0.55%

LAB 57.36, 86.7, -52.94

 

CMYK 0 / 90 / 2 / 0

HEX #FE1AFA

RGB 254 26 250

HSL 301.05, 0.99%, 0.55%

LAB 60.53, 95.45, -57.75

 

CMYK 0 / 59 / 1 / 22

HEX #C651C4

RGB 198 81 196

HSL 301.03, 0.51%, 0.55%

LAB 53.9, 61.14, -38.33

 

CMYK 0 / 44 / 1 / 29

HEX #B464B2

RGB 180 100 178

HSL 301.5, 0.35%, 0.55%

LAB 54.06, 43.72, -27.87

 

CMYK 0 / 27 / 1 / 37

HEX #A176A0

RGB 161 118 160

HSL 301.4, 0.19%, 0.55%

LAB 55.15, 24.12, -15.96

 

CMYK 0 / 4 / 1 / 44

HEX #8F898E

RGB 143 137 142

HSL 310, 0.03%, 0.55%

LAB 57.74, 3.2, -1.88

 

CMYK 20 / 0 / 19 / 39

HEX #7C9B7D

RGB 124 155 125

HSL 121.94, 0.13%, 0.55%

LAB 60.97, -16.88, 12.24

 

CMYK 30 / 59 / 0 / 22

HEX #8A51C6

RGB 138 81 198

HSL 269.23, 0.51%, 0.55%

LAB 46.13, 46.53, -52.3

 

CMYK 15 / 59 / 0 / 22

HEX #A951C6

RGB 169 81 198

HSL 285.13, 0.51%, 0.55%

LAB 49.97, 54.15, -45.94

 

CMYK 0 / 59 / 1 / 22

HEX #C651C4

RGB 198 81 196

HSL 301.03, 0.51%, 0.55%

LAB 53.9, 61.14, -38.33

 

CMYK 0 / 59 / 17 / 22

HEX #C651A5

RGB 198 81 165

HSL 316.92, 0.51%, 0.55%

LAB 52.52, 56.17, -22.47

 

CMYK 0 / 59 / 32 / 22

HEX #C65186

RGB 198 81 134

HSL 332.82, 0.51%, 0.55%

LAB 51.4, 51.94, -5.83

 

CMYK 0 / 68 / 1 / 42

HEX #953093

RGB 149 48 147

HSL 301.19, 0.51%, 0.39%

LAB 38.92, 54.19, -33.5

 

CMYK 0 / 68 / 1 / 29

HEX #B43AB2

RGB 180 58 178

HSL 300.98, 0.51%, 0.47%

LAB 46.9, 63.03, -39.08

 

CMYK 0 / 59 / 1 / 22

HEX #C651C4

RGB 198 81 196

HSL 301.03, 0.51%, 0.55%

LAB 53.9, 61.14, -38.33

 

CMYK 0 / 46 / 0 / 18

HEX #D070CF

RGB 208 112 207

HSL 300.63, 0.51%, 0.63%

LAB 61.22, 51.18, -33.03

 

CMYK 0 / 34 / 0 / 15

HEX #DA90D9

RGB 218 144 217

HSL 300.81, 0.5%, 0.71%

LAB 69.37, 39.41, -25.94

 

CMYK 0 / 58 / 1 / 22

HEX #C753C5

RGB 199 83 197

HSL 301.03, 0.51%, 0.55%

LAB 54.41, 60.7, -38.09

 

CMYK 0 / 46 / 59 / 22

HEX #C66B51

RGB 198 107 81

HSL 13.33, 0.51%, 0.55%

LAB 55.19, 33.69, 30.55

 

CMYK 59 / 0 / 23 / 22

HEX #51C699

RGB 81 198 153

HSL 156.92, 0.51%, 0.55%

LAB 72.52, -43.64, 12.84

 

CMYK 0 / 58 / 1 / 22

HEX #C753C5

RGB 199 83 197

HSL 301.03, 0.51%, 0.55%

LAB 54.41, 60.7, -38.09

 

CMYK 1 / 0 / 59 / 22

HEX #C4C651

RGB 196 198 81

HSL 61.03, 0.51%, 0.55%

LAB 77.71, -15.83, 56.87

 

CMYK 59 / 1 / 0 / 22

HEX #51C4C6

RGB 81 196 198

HSL 181.03, 0.51%, 0.55%

LAB 73.09, -31.45, -10.74

 

CMYK 0 / 58 / 1 / 22

HEX #C753C5

RGB 199 83 197

HSL 301.03, 0.51%, 0.55%

LAB 54.41, 60.7, -38.09

 

CMYK 0 / 46 / 59 / 22

HEX #C66B51

RGB 198 107 81

HSL 13.33, 0.51%, 0.55%

LAB 55.19, 33.69, 30.55

 

CMYK 59 / 0 / 58 / 22

HEX #51C653

RGB 81 198 83

HSL 121.03, 0.51%, 0.55%

LAB 71.39, -55.7, 47.13

 

CMYK 59 / 13 / 0 / 22

HEX #51ADC6

RGB 81 173 198

HSL 192.82, 0.51%, 0.55%

LAB 66.3, -19.97, -20.99

 

CMYK 0 / 58 / 1 / 22

HEX #C753C5

RGB 199 83 197

HSL 301.03, 0.51%, 0.55%

LAB 54.41, 60.7, -38.09

 

CMYK 0 / 28 / 59 / 22

HEX #C68E51

RGB 198 142 81

HSL 31.28, 0.51%, 0.55%

LAB 63.3, 14.68, 40.47

 

CMYK 59 / 0 / 58 / 22

HEX #51C653

RGB 81 198 83

HSL 121.03, 0.51%, 0.55%

LAB 71.39, -55.7, 47.13

 

CMYK 59 / 30 / 0 / 22

HEX #518AC6

RGB 81 138 198

HSL 210.77, 0.51%, 0.55%

LAB 56.09, -0.64, -36.77

 

Description

Color code: RGB 199 83 197 | qconv.com Color code: RGB 199 83 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 83 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 83 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 1 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 1% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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