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Color name
RGB 199 82 157

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 82 157 it is the complementary color RGB 56 173 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 82 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 82 157 shade: RGB 204 82 152, RGB 221 100 171, RGB 238 118 190, RGB 255 136 209 and RGB 255 154 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 82 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 82 157 shade: RGB 199 82 157, RGB 182 64 138, RGB 165 46 119, RGB 148 28 100 and RGB 131 10 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 82 157 shade: RGB 198 81 156, RGB 198 81 125, RGB 198 81 93 and RGB 198 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 82 157 shade: RGB 198 81 156, RGB 198 81 188, RGB 177 81 198, RGB 146 81 198 and RGB 114 81 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 82 157 shade matches the following richer shades: RGB 198 81 156, RGB 217 63 161, RGB 235 44 167 and RGB 254 26 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 82 157 shade: RGB 198 81 156, RGB 180 100 151, RGB 161 118 146, RGB 143 137 141 and RGB 124 155 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 82 157 shade: RGB 177 81 198, RGB 198 81 189, RGB 198 81 157, RGB 198 81 126 and RGB 198 81 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 82 157 shade: RGB 149 48 113, RGB 180 58 136, RGB 198 81 156, RGB 208 112 174 and RGB 218 144 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 82 157 shade: RGB 199 82 157, RGB 198 146 81 and RGB 81 198 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 82 157 shade: RGB 199 82 157, RGB 157 198 81 and RGB 81 157 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 82 157 shade: RGB 199 82 157, RGB 198 146 81, RGB 81 198 122 and RGB 81 134 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 82 157 shade: RGB 199 82 157, RGB 198 181 81, RGB 81 198 122 and RGB 81 99 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 21 / 22

HEX #C7529D

RGB 199 82 157

HSL 321.54, 0.51%, 0.55%

LAB 52.52, 54.85, -17.75

 

Complementary color

CMYK 68 / 0 / 43 / 32

HEX #38AD62

RGB 56 173 98

HSL 141.54, 0.51%, 0.45%

LAB 63.02, -49.38, 29.25

 

CMYK 0 / 60 / 25 / 20

HEX #CC5298

RGB 204 82 152

HSL 325.57, 0.54%, 0.56%

LAB 53.1, 55.64, -13.85

 

CMYK 0 / 55 / 23 / 13

HEX #DD64AB

RGB 221 100 171

HSL 324.79, 0.64%, 0.63%

LAB 59.37, 55.15, -15.21

 

CMYK 0 / 50 / 20 / 7

HEX #EE76BE

RGB 238 118 190

HSL 324, 0.78%, 0.7%

LAB 65.63, 54.52, -16.33

 

CMYK 0 / 47 / 18 / 0

HEX #FF88D1

RGB 255 136 209

HSL 323.19, 1%, 0.77%

LAB 71.87, 53.82, -17.3

 

CMYK 0 / 40 / 11 / 0

HEX #FF9AE4

RGB 255 154 228

HSL 316.04, 1%, 0.8%

LAB 76.05, 47.77, -21.4

 

CMYK 0 / 59 / 21 / 22

HEX #C7529D

RGB 199 82 157

HSL 321.54, 0.51%, 0.55%

LAB 52.52, 54.85, -17.75

 

CMYK 0 / 65 / 24 / 29

HEX #B6408A

RGB 182 64 138

HSL 322.37, 0.48%, 0.48%

LAB 46.24, 55.1, -16.24

 

CMYK 0 / 72 / 28 / 35

HEX #A52E77

RGB 165 46 119

HSL 323.19, 0.56%, 0.41%

LAB 40.06, 54.9, -14.3

 

CMYK 0 / 81 / 32 / 42

HEX #941C64

RGB 148 28 100

HSL 324, 0.68%, 0.35%

LAB 34.08, 53.91, -11.69

 

CMYK 0 / 92 / 38 / 49

HEX #830A51

RGB 131 10 81

HSL 324.79, 0.86%, 0.28%

LAB 28.48, 51.61, -8.1

 

CMYK 0 / 59 / 21 / 22

HEX #C6519C

RGB 198 81 156

HSL 321.54, 0.51%, 0.55%

LAB 52.16, 54.86, -17.72

 

CMYK 0 / 59 / 37 / 22

HEX #C6517D

RGB 198 81 125

HSL 337.44, 0.51%, 0.55%

LAB 51.12, 50.87, -0.86

 

CMYK 0 / 59 / 53 / 22

HEX #C6515D

RGB 198 81 93

HSL 353.85, 0.51%, 0.55%

LAB 50.31, 47.68, 17.19

 

CMYK 0 / 59 / 59 / 22

HEX #C65151

RGB 198 81 81

HSL 0, 0.51%, 0.55%

LAB 50.08, 46.74, 24.02

 

CMYK 0 / 59 / 21 / 22

HEX #C6519C

RGB 198 81 156

HSL 321.54, 0.51%, 0.55%

LAB 52.16, 54.86, -17.72

 

CMYK 0 / 59 / 5 / 22

HEX #C651BC

RGB 198 81 188

HSL 305.13, 0.51%, 0.55%

LAB 53.52, 59.8, -34.31

 

CMYK 11 / 59 / 0 / 22

HEX #B151C6

RGB 177 81 198

HSL 289.23, 0.51%, 0.55%

LAB 51.05, 56.16, -44.17

 

CMYK 26 / 59 / 0 / 22

HEX #9251C6

RGB 146 81 198

HSL 273.33, 0.51%, 0.55%

LAB 47.07, 48.46, -50.74

 

CMYK 42 / 59 / 0 / 22

HEX #7251C6

RGB 114 81 198

HSL 256.92, 0.51%, 0.55%

LAB 43.57, 41.02, -56.56

 

CMYK 0 / 59 / 21 / 22

HEX #C6519C

RGB 198 81 156

HSL 321.54, 0.51%, 0.55%

LAB 52.16, 54.86, -17.72

 

CMYK 0 / 71 / 26 / 15

HEX #D93FA1

RGB 217 63 161

HSL 321.82, 0.67%, 0.55%

LAB 52.82, 67.88, -19.4

 

CMYK 0 / 81 / 29 / 8

HEX #EB2CA7

RGB 235 44 167

HSL 321.36, 0.83%, 0.55%

LAB 54.3, 78.26, -20.39

 

CMYK 0 / 90 / 32 / 0

HEX #FE1AAC

RGB 254 26 172

HSL 321.58, 0.99%, 0.55%

LAB 56.87, 85.98, -19.08

 

CMYK 0 / 59 / 21 / 22

HEX #C6519C

RGB 198 81 156

HSL 321.54, 0.51%, 0.55%

LAB 52.16, 54.86, -17.72

 

CMYK 0 / 44 / 16 / 29

HEX #B46497

RGB 180 100 151

HSL 321.75, 0.35%, 0.55%

LAB 53.01, 39.03, -13.74

 

CMYK 0 / 27 / 9 / 37

HEX #A17692

RGB 161 118 146

HSL 320.93, 0.19%, 0.55%

LAB 54.67, 21.48, -8.54

 

CMYK 0 / 4 / 1 / 44

HEX #8F898D

RGB 143 137 141

HSL 320, 0.03%, 0.55%

LAB 57.71, 3, -1.34

 

CMYK 20 / 0 / 13 / 39

HEX #7C9B87

RGB 124 155 135

HSL 141.29, 0.13%, 0.55%

LAB 61.2, -14.96, 6.95

 

CMYK 11 / 59 / 0 / 22

HEX #B151C6

RGB 177 81 198

HSL 289.23, 0.51%, 0.55%

LAB 51.05, 56.16, -44.17

 

CMYK 0 / 59 / 5 / 22

HEX #C651BD

RGB 198 81 189

HSL 304.62, 0.51%, 0.55%

LAB 53.56, 59.96, -34.82

 

CMYK 0 / 59 / 21 / 22

HEX #C6519D

RGB 198 81 157

HSL 321.03, 0.51%, 0.55%

LAB 52.2, 55, -18.25

 

CMYK 0 / 59 / 36 / 22

HEX #C6517E

RGB 198 81 126

HSL 336.92, 0.51%, 0.55%

LAB 51.15, 50.99, -1.41

 

CMYK 0 / 59 / 52 / 22

HEX #C6515F

RGB 198 81 95

HSL 352.82, 0.51%, 0.55%

LAB 50.35, 47.85, 16.05

 

CMYK 0 / 68 / 24 / 42

HEX #953071

RGB 149 48 113

HSL 321.39, 0.51%, 0.39%

LAB 37.29, 48.84, -15.02

 

CMYK 0 / 68 / 24 / 29

HEX #B43A88

RGB 180 58 136

HSL 321.64, 0.51%, 0.47%

LAB 44.95, 56.69, -17.03

 

CMYK 0 / 59 / 21 / 22

HEX #C6519C

RGB 198 81 156

HSL 321.54, 0.51%, 0.55%

LAB 52.16, 54.86, -17.72

 

CMYK 0 / 46 / 16 / 18

HEX #D070AE

RGB 208 112 174

HSL 321.25, 0.51%, 0.63%

LAB 59.94, 45.64, -16.24

 

CMYK 0 / 34 / 12 / 15

HEX #DA90C0

RGB 218 144 192

HSL 321.08, 0.5%, 0.71%

LAB 68.5, 35.04, -13.37

 

CMYK 0 / 59 / 21 / 22

HEX #C7529D

RGB 199 82 157

HSL 321.54, 0.51%, 0.55%

LAB 52.52, 54.85, -17.75

 

CMYK 0 / 26 / 59 / 22

HEX #C69251

RGB 198 146 81

HSL 33.33, 0.51%, 0.55%

LAB 64.29, 12.49, 41.65

 

CMYK 59 / 0 / 3 / 22

HEX #51C6C0

RGB 81 198 192

HSL 176.92, 0.51%, 0.55%

LAB 73.51, -34.03, -6.86

 

CMYK 0 / 59 / 21 / 22

HEX #C7529D

RGB 199 82 157

HSL 321.54, 0.51%, 0.55%

LAB 52.52, 54.85, -17.75

 

CMYK 21 / 0 / 59 / 22

HEX #9DC651

RGB 157 198 81

HSL 81.03, 0.51%, 0.55%

LAB 74.92, -31.53, 53

 

CMYK 59 / 21 / 0 / 22

HEX #519DC6

RGB 81 157 198

HSL 201.03, 0.51%, 0.55%

LAB 61.6, -11.41, -28.19

 

CMYK 0 / 59 / 21 / 22

HEX #C7529D

RGB 199 82 157

HSL 321.54, 0.51%, 0.55%

LAB 52.52, 54.85, -17.75

 

CMYK 0 / 26 / 59 / 22

HEX #C69251

RGB 198 146 81

HSL 33.33, 0.51%, 0.55%

LAB 64.29, 12.49, 41.65

 

CMYK 59 / 0 / 38 / 22

HEX #51C67A

RGB 81 198 122

HSL 141.03, 0.51%, 0.55%

LAB 71.92, -49.88, 28.49

 

CMYK 59 / 32 / 0 / 22

HEX #5186C6

RGB 81 134 198

HSL 212.82, 0.51%, 0.55%

LAB 54.95, 1.71, -38.56

 

CMYK 0 / 59 / 21 / 22

HEX #C7529D

RGB 199 82 157

HSL 321.54, 0.51%, 0.55%

LAB 52.52, 54.85, -17.75

 

CMYK 0 / 9 / 59 / 22

HEX #C6B551

RGB 198 181 81

HSL 51.28, 0.51%, 0.55%

LAB 73.32, -6.28, 52.05

 

CMYK 59 / 0 / 38 / 22

HEX #51C67A

RGB 81 198 122

HSL 141.03, 0.51%, 0.55%

LAB 71.92, -49.88, 28.49

 

CMYK 59 / 50 / 0 / 22

HEX #5163C6

RGB 81 99 198

HSL 230.77, 0.51%, 0.55%

LAB 45.29, 23.21, -53.92

 

Description

Color code: RGB 199 82 157 | qconv.com Color code: RGB 199 82 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 82 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 82 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 21 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 21% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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