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Color name
RGB 199 68 108

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 68 108 it is the complementary color RGB 56 187 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 68 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 68 108 shade: RGB 204 68 103, RGB 221 86 122, RGB 238 104 141, RGB 255 122 160 and RGB 255 140 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 68 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 68 108 shade: RGB 199 68 108, RGB 182 50 89, RGB 165 32 70, RGB 148 14 51 and RGB 131 0 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 68 108 shade: RGB 198 66 106, RGB 198 66 71 and RGB 198 66 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 68 108 shade: RGB 198 66 106, RGB 198 66 142, RGB 198 66 178, RGB 183 66 198 and RGB 147 66 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 68 108 shade matches the following richer shades: RGB 198 66 106, RGB 218 46 99 and RGB 238 26 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 68 108 shade: RGB 198 66 106, RGB 178 86 114, RGB 159 106 122, RGB 139 125 129 and RGB 119 145 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 68 108 shade: RGB 198 66 178, RGB 198 66 143, RGB 198 66 108, RGB 198 66 73 and RGB 198 95 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 68 108 shade: RGB 140 42 72, RGB 172 51 88, RGB 198 66 106, RGB 208 98 131 and RGB 217 130 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 68 108 shade: RGB 199 68 108, RGB 198 183 66 and RGB 66 161 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 68 108 shade: RGB 199 68 108, RGB 108 198 66 and RGB 66 108 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 68 108 shade: RGB 199 68 108, RGB 198 183 66, RGB 66 198 156 and RGB 66 81 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 68 108 shade: RGB 199 68 108, RGB 174 198 66, RGB 66 198 156 and RGB 90 66 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 46 / 22

HEX #C7446C

RGB 199 68 108

HSL 341.68, 0.54%, 0.52%

LAB 48.71, 55.06, 5.93

 

Complementary color

CMYK 70 / 0 / 21 / 27

HEX #38BB93

RGB 56 187 147

HSL 161.68, 0.54%, 0.48%

LAB 68.38, -44.77, 10.15

 

CMYK 0 / 67 / 50 / 20

HEX #CC4467

RGB 204 68 103

HSL 344.56, 0.57%, 0.53%

LAB 49.44, 56.16, 10.11

 

CMYK 0 / 61 / 45 / 13

HEX #DD567A

RGB 221 86 122

HSL 344, 0.67%, 0.6%

LAB 55.52, 55.7, 7.74

 

CMYK 0 / 56 / 41 / 7

HEX #EE688D

RGB 238 104 141

HSL 343.43, 0.8%, 0.67%

LAB 61.65, 55.03, 5.78

 

CMYK 0 / 52 / 37 / 0

HEX #FF7AA0

RGB 255 122 160

HSL 342.86, 1%, 0.74%

LAB 67.81, 54.25, 4.11

 

CMYK 0 / 45 / 30 / 0

HEX #FF8CB3

RGB 255 140 179

HSL 339.65, 1%, 0.77%

LAB 71.74, 47.75, -0.84

 

CMYK 0 / 66 / 46 / 22

HEX #C7446C

RGB 199 68 108

HSL 341.68, 0.54%, 0.52%

LAB 48.71, 55.06, 5.93

 

CMYK 0 / 73 / 51 / 29

HEX #B63259

RGB 182 50 89

HSL 342.27, 0.57%, 0.45%

LAB 42.68, 55.14, 8.66

 

CMYK 0 / 81 / 58 / 35

HEX #A52046

RGB 165 32 70

HSL 342.86, 0.68%, 0.39%

LAB 36.88, 54.54, 12.14

 

CMYK 0 / 91 / 66 / 42

HEX #940E33

RGB 148 14 51

HSL 343.43, 0.83%, 0.32%

LAB 31.46, 52.83, 16.64

 

CMYK 0 / 100 / 76 / 49

HEX #830020

RGB 131 0 32

HSL 345.34, 1%, 0.26%

LAB 26.53, 49.69, 22.28

 

CMYK 0 / 67 / 46 / 22

HEX #C6426A

RGB 198 66 106

HSL 341.82, 0.54%, 0.52%

LAB 48.19, 55.38, 6.38

 

CMYK 0 / 67 / 64 / 22

HEX #C64247

RGB 198 66 71

HSL 357.73, 0.54%, 0.52%

LAB 47.44, 52.68, 26.57

 

CMYK 0 / 67 / 67 / 22

HEX #C64242

RGB 198 66 66

HSL 0, 0.54%, 0.52%

LAB 47.36, 52.39, 29.44

 

CMYK 0 / 67 / 46 / 22

HEX #C6426A

RGB 198 66 106

HSL 341.82, 0.54%, 0.52%

LAB 48.19, 55.38, 6.38

 

CMYK 0 / 67 / 28 / 22

HEX #C6428E

RGB 198 66 142

HSL 325.45, 0.54%, 0.52%

LAB 49.32, 59.33, -13.72

 

CMYK 0 / 67 / 10 / 22

HEX #C642B2

RGB 198 66 178

HSL 309.09, 0.54%, 0.52%

LAB 50.82, 64.36, -32.71

 

CMYK 8 / 67 / 0 / 22

HEX #B742C6

RGB 183 66 198

HSL 293.18, 0.54%, 0.52%

LAB 49.55, 64.11, -46.5

 

CMYK 26 / 67 / 0 / 22

HEX #9342C6

RGB 147 66 198

HSL 276.82, 0.54%, 0.52%

LAB 44.49, 56.08, -54.89

 

CMYK 0 / 67 / 46 / 22

HEX #C6426A

RGB 198 66 106

HSL 341.82, 0.54%, 0.52%

LAB 48.19, 55.38, 6.38

 

CMYK 0 / 79 / 55 / 15

HEX #DA2E63

RGB 218 46 99

HSL 341.51, 0.7%, 0.52%

LAB 49.2, 67.3, 12.6

 

CMYK 0 / 89 / 62 / 7

HEX #EE1A5B

RGB 238 26 91

HSL 341.6, 0.86%, 0.52%

LAB 51.46, 75.99, 21.19

 

CMYK 0 / 67 / 46 / 22

HEX #C6426A

RGB 198 66 106

HSL 341.82, 0.54%, 0.52%

LAB 48.19, 55.38, 6.38

 

CMYK 0 / 52 / 36 / 30

HEX #B25672

RGB 178 86 114

HSL 341.74, 0.37%, 0.52%

LAB 48.68, 40.39, 1.83

 

CMYK 0 / 33 / 23 / 38

HEX #9F6A7A

RGB 159 106 122

HSL 341.89, 0.22%, 0.52%

LAB 50.79, 23.55, -0.2

 

CMYK 0 / 10 / 7 / 45

HEX #8B7D81

RGB 139 125 129

HSL 342.86, 0.06%, 0.52%

LAB 53.75, 6.08, -0.23

 

CMYK 18 / 0 / 6 / 43

HEX #779189

RGB 119 145 137

HSL 161.54, 0.11%, 0.52%

LAB 58.02, -10.89, 1.18

 

CMYK 0 / 67 / 10 / 22

HEX #C642B2

RGB 198 66 178

HSL 309.09, 0.54%, 0.52%

LAB 50.82, 64.36, -32.71

 

CMYK 0 / 67 / 28 / 22

HEX #C6428F

RGB 198 66 143

HSL 325, 0.54%, 0.52%

LAB 49.36, 59.46, -14.27

 

CMYK 0 / 67 / 45 / 22

HEX #C6426C

RGB 198 66 108

HSL 340.91, 0.54%, 0.52%

LAB 48.24, 55.57, 5.24

 

CMYK 0 / 67 / 63 / 22

HEX #C64249

RGB 198 66 73

HSL 356.82, 0.54%, 0.52%

LAB 47.47, 52.8, 25.42

 

CMYK 0 / 52 / 67 / 22

HEX #C65F42

RGB 198 95 66

HSL 13.18, 0.54%, 0.52%

LAB 52.49, 38.91, 35.62

 

CMYK 0 / 70 / 49 / 45

HEX #8C2A48

RGB 140 42 72

HSL 341.63, 0.54%, 0.36%

LAB 33.35, 43.66, 5.19

 

CMYK 0 / 70 / 49 / 33

HEX #AC3358

RGB 172 51 88

HSL 341.65, 0.54%, 0.44%

LAB 40.97, 51.65, 6.6

 

CMYK 0 / 67 / 46 / 22

HEX #C6426A

RGB 198 66 106

HSL 341.82, 0.54%, 0.52%

LAB 48.19, 55.38, 6.38

 

CMYK 0 / 53 / 37 / 18

HEX #D06283

RGB 208 98 131

HSL 342, 0.54%, 0.6%

LAB 55.87, 46.8, 2.69

 

CMYK 0 / 40 / 28 / 15

HEX #D9829C

RGB 217 130 156

HSL 342.07, 0.53%, 0.68%

LAB 64.26, 36.71, 0.59

 

CMYK 0 / 66 / 46 / 22

HEX #C7446C

RGB 199 68 108

HSL 341.68, 0.54%, 0.52%

LAB 48.71, 55.06, 5.93

 

CMYK 0 / 8 / 67 / 22

HEX #C6B742

RGB 198 183 66

HSL 53.18, 0.54%, 0.52%

LAB 73.72, -8.29, 59.03

 

CMYK 67 / 19 / 0 / 22

HEX #42A1C6

RGB 66 161 198

HSL 196.82, 0.54%, 0.52%

LAB 62.27, -16.25, -27.2

 

CMYK 0 / 66 / 46 / 22

HEX #C7446C

RGB 199 68 108

HSL 341.68, 0.54%, 0.52%

LAB 48.71, 55.06, 5.93

 

CMYK 45 / 0 / 67 / 22

HEX #6CC642

RGB 108 198 66

HSL 100.91, 0.54%, 0.52%

LAB 72.21, -50.06, 55.67

 

CMYK 67 / 45 / 0 / 22

HEX #426CC6

RGB 66 108 198

HSL 220.91, 0.54%, 0.52%

LAB 46.92, 14.86, -51.34

 

CMYK 0 / 66 / 46 / 22

HEX #C7446C

RGB 199 68 108

HSL 341.68, 0.54%, 0.52%

LAB 48.71, 55.06, 5.93

 

CMYK 0 / 8 / 67 / 22

HEX #C6B742

RGB 198 183 66

HSL 53.18, 0.54%, 0.52%

LAB 73.72, -8.29, 59.03

 

CMYK 67 / 0 / 21 / 22

HEX #42C69C

RGB 66 198 156

HSL 160.91, 0.54%, 0.52%

LAB 72.19, -45.71, 10.71

 

CMYK 67 / 59 / 0 / 22

HEX #4251C6

RGB 66 81 198

HSL 233.18, 0.54%, 0.52%

LAB 39.78, 32.04, -62.87

 

CMYK 0 / 66 / 46 / 22

HEX #C7446C

RGB 199 68 108

HSL 341.68, 0.54%, 0.52%

LAB 48.71, 55.06, 5.93

 

CMYK 12 / 0 / 67 / 22

HEX #AEC642

RGB 174 198 66

HSL 70.91, 0.54%, 0.52%

LAB 75.93, -25.89, 60.72

 

CMYK 67 / 0 / 21 / 22

HEX #42C69C

RGB 66 198 156

HSL 160.91, 0.54%, 0.52%

LAB 72.19, -45.71, 10.71

 

CMYK 55 / 67 / 0 / 22

HEX #5A42C6

RGB 90 66 198

HSL 250.91, 0.54%, 0.52%

LAB 38.11, 44.91, -65.53

 

Description

Color code: RGB 199 68 108 | qconv.com Color code: RGB 199 68 108 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 68 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 68 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 46 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 46% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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