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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 45 152 it is the complementary color RGB 56 210 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 45 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 45 152 shade: RGB 204 45 147, RGB 221 63 166, RGB 238 81 185, RGB 255 99 204 and RGB 255 117 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 45 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 45 152 shade: RGB 199 45 152, RGB 182 27 133, RGB 165 9 114, RGB 148 0 95 and RGB 131 0 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 45 152 shade: RGB 199 45 152, RGB 199 45 110, RGB 199 45 69 and RGB 199 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 45 152 shade: RGB 199 45 152, RGB 199 45 194, RGB 163 45 199, RGB 121 45 199 and RGB 80 45 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 45 152 shade matches the following richer shades: RGB 199 45 152, RGB 219 25 160 and RGB 239 5 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 45 152 shade: RGB 199 45 152, RGB 179 65 144, RGB 159 84 137, RGB 140 104 129 and RGB 120 124 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 45 152 shade: RGB 163 45 199, RGB 199 45 194, RGB 199 45 153, RGB 199 45 112 and RGB 199 45 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 45 152 shade: RGB 132 30 101, RGB 165 37 126, RGB 199 45 152, RGB 213 72 170 and RGB 221 106 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 45 152 shade: RGB 199 45 152, RGB 199 122 45 and RGB 45 199 184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 45 152 shade: RGB 199 45 152, RGB 153 199 45 and RGB 45 153 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 45 152 shade: RGB 199 45 152, RGB 199 122 45, RGB 45 199 91 and RGB 45 122 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 45 152 shade: RGB 199 45 152, RGB 199 168 45, RGB 45 199 91 and RGB 45 76 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 24 / 22

HEX #C72D98

RGB 199 45 152

HSL 318.31, 0.63%, 0.48%

LAB 47.35, 67.98, -22.72

 

Complementary color

CMYK 73 / 0 / 51 / 18

HEX #38D267

RGB 56 210 103

HSL 138.31, 0.63%, 0.52%

LAB 74.77, -62.06, 41.59

 

CMYK 0 / 78 / 28 / 20

HEX #CC2D93

RGB 204 45 147

HSL 321.51, 0.64%, 0.49%

LAB 48.03, 68.56, -18.59

 

CMYK 0 / 71 / 25 / 13

HEX #DD3FA6

RGB 221 63 166

HSL 320.89, 0.7%, 0.56%

LAB 53.69, 69.51, -20.95

 

CMYK 0 / 66 / 22 / 7

HEX #EE51B9

RGB 238 81 185

HSL 320.25, 0.82%, 0.63%

LAB 59.49, 69.87, -22.84

 

CMYK 0 / 61 / 20 / 0

HEX #FF63CC

RGB 255 99 204

HSL 319.62, 1%, 0.69%

LAB 65.39, 69.83, -24.37

 

CMYK 0 / 54 / 13 / 0

HEX #FF75DF

RGB 255 117 223

HSL 313.91, 1%, 0.73%

LAB 68.98, 64.83, -29.48

 

CMYK 0 / 77 / 24 / 22

HEX #C72D98

RGB 199 45 152

HSL 318.31, 0.63%, 0.48%

LAB 47.35, 67.98, -22.72

 

CMYK 0 / 85 / 27 / 29

HEX #B61B85

RGB 182 27 133

HSL 318.97, 0.74%, 0.41%

LAB 41.88, 66.18, -19.88

 

CMYK 0 / 95 / 31 / 35

HEX #A50972

RGB 165 9 114

HSL 319.62, 0.9%, 0.34%

LAB 36.76, 63.14, -16.2

 

CMYK 0 / 100 / 36 / 42

HEX #94005F

RGB 148 0 95

HSL 321.49, 1%, 0.29%

LAB 32.08, 58.54, -11.5

 

CMYK 0 / 100 / 42 / 49

HEX #83004C

RGB 131 0 76

HSL 325.19, 1%, 0.26%

LAB 27.7, 52.79, -5.93

 

CMYK 0 / 77 / 24 / 22

HEX #C72D98

RGB 199 45 152

HSL 318.31, 0.63%, 0.48%

LAB 47.35, 67.98, -22.72

 

CMYK 0 / 77 / 45 / 22

HEX #C72D6E

RGB 199 45 110

HSL 334.68, 0.63%, 0.48%

LAB 45.83, 63.41, 0.55

 

CMYK 0 / 77 / 65 / 22

HEX #C72D45

RGB 199 45 69

HSL 350.65, 0.63%, 0.48%

LAB 44.87, 60.39, 24.55

 

CMYK 0 / 77 / 77 / 22

HEX #C72D2D

RGB 199 45 45

HSL 0, 0.63%, 0.48%

LAB 44.53, 59.3, 38.38

 

CMYK 0 / 77 / 24 / 22

HEX #C72D98

RGB 199 45 152

HSL 318.31, 0.63%, 0.48%

LAB 47.35, 67.98, -22.72

 

CMYK 0 / 77 / 3 / 22

HEX #C72DC2

RGB 199 45 194

HSL 301.95, 0.63%, 0.48%

LAB 49.39, 73.87, -44.28

 

CMYK 18 / 77 / 0 / 22

HEX #A32DC7

RGB 163 45 199

HSL 285.97, 0.63%, 0.48%

LAB 43.93, 67.73, -56.25

 

CMYK 39 / 77 / 0 / 22

HEX #792DC7

RGB 121 45 199

HSL 269.61, 0.63%, 0.48%

LAB 37.96, 60.45, -66.22

 

CMYK 60 / 77 / 0 / 22

HEX #502DC7

RGB 80 45 199

HSL 253.64, 0.63%, 0.48%

LAB 33.36, 54.74, -73.93

 

CMYK 0 / 77 / 24 / 22

HEX #C72D98

RGB 199 45 152

HSL 318.31, 0.63%, 0.48%

LAB 47.35, 67.98, -22.72

 

CMYK 0 / 89 / 27 / 14

HEX #DB19A0

RGB 219 25 160

HSL 318.25, 0.8%, 0.48%

LAB 49.85, 77.61, -23.33

 

CMYK 0 / 98 / 30 / 6

HEX #EF05A7

RGB 239 5 167

HSL 318.46, 0.96%, 0.48%

LAB 53.22, 84.35, -21.97

 

CMYK 0 / 77 / 24 / 22

HEX #C72D98

RGB 199 45 152

HSL 318.31, 0.63%, 0.48%

LAB 47.35, 67.98, -22.72

 

CMYK 0 / 64 / 20 / 30

HEX #B34190

RGB 179 65 144

HSL 318.42, 0.47%, 0.48%

LAB 46.15, 54.67, -20.05

 

CMYK 0 / 47 / 14 / 38

HEX #9F5489

RGB 159 84 137

HSL 317.6, 0.31%, 0.48%

LAB 46.34, 38.23, -15.81

 

CMYK 0 / 26 / 8 / 45

HEX #8C6881

RGB 140 104 129

HSL 318.33, 0.15%, 0.48%

LAB 48.34, 18.73, -8.22

 

CMYK 3 / 0 / 2 / 51

HEX #787C79

RGB 120 124 121

HSL 135, 0.02%, 0.48%

LAB 51.6, -2.1, 1.11

 

CMYK 18 / 77 / 0 / 22

HEX #A32DC7

RGB 163 45 199

HSL 285.97, 0.63%, 0.48%

LAB 43.93, 67.73, -56.25

 

CMYK 0 / 77 / 3 / 22

HEX #C72DC2

RGB 199 45 194

HSL 301.95, 0.63%, 0.48%

LAB 49.39, 73.87, -44.28

 

CMYK 0 / 77 / 23 / 22

HEX #C72D99

RGB 199 45 153

HSL 317.92, 0.63%, 0.48%

LAB 47.39, 68.11, -23.25

 

CMYK 0 / 77 / 44 / 22

HEX #C72D70

RGB 199 45 112

HSL 333.9, 0.63%, 0.48%

LAB 45.89, 63.59, -0.59

 

CMYK 0 / 77 / 65 / 22

HEX #C72D46

RGB 199 45 70

HSL 350.26, 0.63%, 0.48%

LAB 44.89, 60.45, 23.97

 

CMYK 0 / 77 / 23 / 48

HEX #841E65

RGB 132 30 101

HSL 318.24, 0.63%, 0.32%

LAB 31.29, 49.29, -16.88

 

CMYK 0 / 78 / 24 / 35

HEX #A5257E

RGB 165 37 126

HSL 318.28, 0.63%, 0.4%

LAB 39.29, 58.8, -19.82

 

CMYK 0 / 77 / 24 / 22

HEX #C72D98

RGB 199 45 152

HSL 318.31, 0.63%, 0.48%

LAB 47.35, 67.98, -22.72

 

CMYK 0 / 66 / 20 / 16

HEX #D548AA

RGB 213 72 170

HSL 318.3, 0.63%, 0.56%

LAB 53.69, 64.74, -23.4

 

CMYK 0 / 52 / 16 / 13

HEX #DD6ABA

RGB 221 106 186

HSL 318.26, 0.63%, 0.64%

LAB 60.98, 54.5, -21.35

 

CMYK 0 / 77 / 24 / 22

HEX #C72D98

RGB 199 45 152

HSL 318.31, 0.63%, 0.48%

LAB 47.35, 67.98, -22.72

 

CMYK 0 / 39 / 77 / 22

HEX #C77A2D

RGB 199 122 45

HSL 30, 0.63%, 0.48%

LAB 58.27, 23.98, 52.31

 

CMYK 77 / 0 / 8 / 22

HEX #2DC7B8

RGB 45 199 184

HSL 174.16, 0.63%, 0.48%

LAB 72.8, -41.75, -3.64

 

CMYK 0 / 77 / 24 / 22

HEX #C72D98

RGB 199 45 152

HSL 318.31, 0.63%, 0.48%

LAB 47.35, 67.98, -22.72

 

CMYK 23 / 0 / 77 / 22

HEX #99C72D

RGB 153 199 45

HSL 77.92, 0.63%, 0.48%

LAB 74.7, -35.91, 66.4

 

CMYK 77 / 23 / 0 / 22

HEX #2D99C7

RGB 45 153 199

HSL 197.92, 0.63%, 0.48%

LAB 59.4, -14.41, -32.25

 

CMYK 0 / 77 / 24 / 22

HEX #C72D98

RGB 199 45 152

HSL 318.31, 0.63%, 0.48%

LAB 47.35, 67.98, -22.72

 

CMYK 0 / 39 / 77 / 22

HEX #C77A2D

RGB 199 122 45

HSL 30, 0.63%, 0.48%

LAB 58.27, 23.98, 52.31

 

CMYK 77 / 0 / 54 / 22

HEX #2DC75B

RGB 45 199 91

HSL 137.92, 0.63%, 0.48%

LAB 70.98, -61.57, 42.69

 

CMYK 77 / 39 / 0 / 22

HEX #2D7AC7

RGB 45 122 199

HSL 210, 0.63%, 0.48%

LAB 50.22, 3.57, -46.7

 

CMYK 0 / 77 / 24 / 22

HEX #C72D98

RGB 199 45 152

HSL 318.31, 0.63%, 0.48%

LAB 47.35, 67.98, -22.72

 

CMYK 0 / 16 / 77 / 22

HEX #C7A82D

RGB 199 168 45

HSL 47.92, 0.63%, 0.48%

LAB 69.71, -1, 63.1

 

CMYK 77 / 0 / 54 / 22

HEX #2DC75B

RGB 45 199 91

HSL 137.92, 0.63%, 0.48%

LAB 70.98, -61.57, 42.69

 

CMYK 77 / 62 / 0 / 22

HEX #2D4CC7

RGB 45 76 199

HSL 227.92, 0.63%, 0.48%

LAB 37.57, 32.99, -67.11

 

Description

Color code: RGB 199 45 152 | qconv.com Color code: RGB 199 45 152 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 45 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 45 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 24 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 24% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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