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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 44 191 it is the complementary color RGB 56 211 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 44 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 44 191 shade: RGB 204 44 186, RGB 221 62 205, RGB 238 80 224, RGB 255 98 243 and RGB 255 116 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 44 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 44 191 shade: RGB 199 44 191, RGB 182 26 172, RGB 165 8 153, RGB 148 0 134 and RGB 131 0 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 44 191 shade: RGB 200 44 192, RGB 200 44 150, RGB 200 44 108, RGB 200 44 65 and RGB 200 44 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 44 191 shade: RGB 200 44 192, RGB 166 44 200, RGB 124 44 200, RGB 82 44 200 and RGB 44 44 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 44 191 shade matches the following richer shades: RGB 200 44 192, RGB 220 24 210 and RGB 240 4 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 44 191 shade: RGB 200 44 192, RGB 180 63 174, RGB 161 83 157, RGB 141 103 139 and RGB 121 123 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 44 191 shade: RGB 125 44 200, RGB 166 44 200, RGB 200 44 192, RGB 200 44 151 and RGB 200 44 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 44 191 shade: RGB 133 29 127, RGB 166 36 160, RGB 200 44 192, RGB 214 71 207 and RGB 222 105 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 44 191 shade: RGB 199 44 191, RGB 200 83 44 and RGB 44 200 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 44 191 shade: RGB 199 44 191, RGB 192 200 44 and RGB 44 192 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 44 191 shade: RGB 199 44 191, RGB 200 83 44, RGB 44 200 51 and RGB 44 161 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 44 191 shade: RGB 199 44 191, RGB 200 130 44, RGB 44 200 51 and RGB 44 114 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 4 / 22

HEX #C72CBF

RGB 199 44 191

HSL 303.1, 0.64%, 0.48%

LAB 49.14, 73.68, -42.94

 

Complementary color

CMYK 73 / 0 / 70 / 17

HEX #38D340

RGB 56 211 64

HSL 123.1, 0.64%, 0.52%

LAB 74.7, -66.99, 58.62

 

CMYK 0 / 78 / 9 / 20

HEX #CC2CBA

RGB 204 44 186

HSL 306.75, 0.65%, 0.49%

LAB 49.72, 73.97, -39.05

 

CMYK 0 / 72 / 7 / 13

HEX #DD3ECD

RGB 221 62 205

HSL 306.04, 0.7%, 0.55%

LAB 55.3, 75.18, -41.03

 

CMYK 0 / 66 / 6 / 7

HEX #EE50E0

RGB 238 80 224

HSL 305.32, 0.82%, 0.62%

LAB 61.04, 75.76, -42.58

 

CMYK 0 / 62 / 5 / 0

HEX #FF62F3

RGB 255 98 243

HSL 304.59, 1%, 0.69%

LAB 66.87, 75.91, -43.81

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 78 / 4 / 22

HEX #C72CBF

RGB 199 44 191

HSL 303.1, 0.64%, 0.48%

LAB 49.14, 73.68, -42.94

 

CMYK 0 / 86 / 5 / 29

HEX #B61AAC

RGB 182 26 172

HSL 303.85, 0.75%, 0.41%

LAB 43.74, 71.6, -40.51

 

CMYK 0 / 95 / 7 / 35

HEX #A50899

RGB 165 8 153

HSL 304.59, 0.91%, 0.34%

LAB 38.68, 68.28, -37.35

 

CMYK 0 / 100 / 9 / 42

HEX #940086

RGB 148 0 134

HSL 305.68, 1%, 0.29%

LAB 34.02, 63.42, -33.27

 

CMYK 0 / 100 / 12 / 49

HEX #830073

RGB 131 0 115

HSL 307.33, 1%, 0.26%

LAB 29.57, 57.53, -28.56

 

CMYK 0 / 78 / 4 / 22

HEX #C82CC0

RGB 200 44 192

HSL 303.08, 0.64%, 0.48%

LAB 49.36, 74.03, -43.16

 

CMYK 0 / 78 / 25 / 22

HEX #C82C96

RGB 200 44 150

HSL 319.23, 0.64%, 0.48%

LAB 47.34, 68.25, -21.51

 

CMYK 0 / 78 / 46 / 22

HEX #C82C6C

RGB 200 44 108

HSL 335.38, 0.64%, 0.48%

LAB 45.86, 63.78, 1.84

 

CMYK 0 / 78 / 68 / 22

HEX #C82C41

RGB 200 44 65

HSL 351.92, 0.64%, 0.48%

LAB 44.89, 60.76, 27.06

 

CMYK 0 / 78 / 78 / 22

HEX #C82C2C

RGB 200 44 44

HSL 0, 0.64%, 0.48%

LAB 44.61, 59.87, 39.08

 

CMYK 0 / 78 / 4 / 22

HEX #C82CC0

RGB 200 44 192

HSL 303.08, 0.64%, 0.48%

LAB 49.36, 74.03, -43.16

 

CMYK 17 / 78 / 0 / 22

HEX #A62CC8

RGB 166 44 200

HSL 286.92, 0.64%, 0.48%

LAB 44.35, 68.79, -56.14

 

CMYK 38 / 78 / 0 / 22

HEX #7C2CC8

RGB 124 44 200

HSL 270.77, 0.64%, 0.48%

LAB 38.3, 61.54, -66.23

 

CMYK 59 / 78 / 0 / 22

HEX #522CC8

RGB 82 44 200

HSL 254.62, 0.64%, 0.48%

LAB 33.49, 55.71, -74.3

 

CMYK 78 / 78 / 0 / 22

HEX #2C2CC8

RGB 44 44 200

HSL 240, 0.64%, 0.48%

LAB 30.66, 52.24, -79.08

 

CMYK 0 / 78 / 4 / 22

HEX #C82CC0

RGB 200 44 192

HSL 303.08, 0.64%, 0.48%

LAB 49.36, 74.03, -43.16

 

CMYK 0 / 89 / 5 / 14

HEX #DC18D2

RGB 220 24 210

HSL 303.06, 0.8%, 0.48%

LAB 52.42, 84.32, -48.46

 

CMYK 0 / 98 / 5 / 6

HEX #F004E4

RGB 240 4 228

HSL 303.05, 0.97%, 0.48%

LAB 56.3, 91.94, -52.32

 

CMYK 0 / 78 / 4 / 22

HEX #C82CC0

RGB 200 44 192

HSL 303.08, 0.64%, 0.48%

LAB 49.36, 74.03, -43.16

 

CMYK 0 / 65 / 3 / 29

HEX #B43FAE

RGB 180 63 174

HSL 303.08, 0.48%, 0.48%

LAB 47.38, 60.43, -35.96

 

CMYK 0 / 48 / 2 / 37

HEX #A1539D

RGB 161 83 157

HSL 303.08, 0.32%, 0.48%

LAB 47.23, 42.93, -26.35

 

CMYK 0 / 27 / 1 / 45

HEX #8D678B

RGB 141 103 139

HSL 303.16, 0.16%, 0.48%

LAB 48.55, 21.62, -13.85

 

CMYK 2 / 0 / 2 / 52

HEX #797B79

RGB 121 123 121

HSL 120, 0.01%, 0.48%

LAB 51.39, -1.15, 0.82

 

CMYK 38 / 78 / 0 / 22

HEX #7D2CC8

RGB 125 44 200

HSL 271.15, 0.64%, 0.48%

LAB 38.43, 61.7, -66.01

 

CMYK 17 / 78 / 0 / 22

HEX #A62CC8

RGB 166 44 200

HSL 286.92, 0.64%, 0.48%

LAB 44.35, 68.79, -56.14

 

CMYK 0 / 78 / 4 / 22

HEX #C82CC0

RGB 200 44 192

HSL 303.08, 0.64%, 0.48%

LAB 49.36, 74.03, -43.16

 

CMYK 0 / 78 / 25 / 22

HEX #C82C97

RGB 200 44 151

HSL 318.85, 0.64%, 0.48%

LAB 47.39, 68.37, -22.05

 

CMYK 0 / 78 / 46 / 22

HEX #C82C6D

RGB 200 44 109

HSL 335, 0.64%, 0.48%

LAB 45.89, 63.87, 1.27

 

CMYK 0 / 78 / 5 / 48

HEX #851D7F

RGB 133 29 127

HSL 303.46, 0.64%, 0.32%

LAB 32.7, 53.81, -31.18

 

CMYK 0 / 78 / 4 / 35

HEX #A624A0

RGB 166 36 160

HSL 302.77, 0.64%, 0.4%

LAB 41.07, 64.24, -37.77

 

CMYK 0 / 78 / 4 / 22

HEX #C82CC0

RGB 200 44 192

HSL 303.08, 0.64%, 0.48%

LAB 49.36, 74.03, -43.16

 

CMYK 0 / 67 / 3 / 16

HEX #D647CF

RGB 214 71 207

HSL 302.94, 0.64%, 0.56%

LAB 55.39, 70.84, -42.11

 

CMYK 0 / 53 / 3 / 13

HEX #DE69D8

RGB 222 105 216

HSL 303.08, 0.64%, 0.64%

LAB 62.16, 60.08, -36.5

 

CMYK 0 / 78 / 4 / 22

HEX #C72CBF

RGB 199 44 191

HSL 303.1, 0.64%, 0.48%

LAB 49.14, 73.68, -42.94

 

CMYK 0 / 59 / 78 / 22

HEX #C8532C

RGB 200 83 44

HSL 15, 0.64%, 0.48%

LAB 50.27, 44.51, 44.91

 

CMYK 78 / 0 / 28 / 22

HEX #2CC891

RGB 44 200 145

HSL 158.85, 0.64%, 0.48%

LAB 72.15, -52.09, 16.51

 

CMYK 0 / 78 / 4 / 22

HEX #C72CBF

RGB 199 44 191

HSL 303.1, 0.64%, 0.48%

LAB 49.14, 73.68, -42.94

 

CMYK 4 / 0 / 78 / 22

HEX #C0C82C

RGB 192 200 44

HSL 63.08, 0.64%, 0.48%

LAB 77.7, -20.48, 70.43

 

CMYK 78 / 4 / 0 / 22

HEX #2CC0C8

RGB 44 192 200

HSL 183.08, 0.64%, 0.48%

LAB 71.15, -34.03, -14.82

 

CMYK 0 / 78 / 4 / 22

HEX #C72CBF

RGB 199 44 191

HSL 303.1, 0.64%, 0.48%

LAB 49.14, 73.68, -42.94

 

CMYK 0 / 59 / 78 / 22

HEX #C8532C

RGB 200 83 44

HSL 15, 0.64%, 0.48%

LAB 50.27, 44.51, 44.91

 

CMYK 78 / 0 / 75 / 22

HEX #2CC833

RGB 44 200 51

HSL 122.69, 0.64%, 0.48%

LAB 70.93, -66.35, 59.4

 

CMYK 78 / 20 / 0 / 22

HEX #2CA1C8

RGB 44 161 200

HSL 195, 0.64%, 0.48%

LAB 61.82, -18.5, -29.06

 

CMYK 0 / 78 / 4 / 22

HEX #C72CBF

RGB 199 44 191

HSL 303.1, 0.64%, 0.48%

LAB 49.14, 73.68, -42.94

 

CMYK 0 / 35 / 78 / 22

HEX #C8822C

RGB 200 130 44

HSL 33.08, 0.64%, 0.48%

LAB 60.27, 20, 54.69

 

CMYK 78 / 0 / 75 / 22

HEX #2CC833

RGB 44 200 51

HSL 122.69, 0.64%, 0.48%

LAB 70.93, -66.35, 59.4

 

CMYK 78 / 43 / 0 / 22

HEX #2C72C8

RGB 44 114 200

HSL 213.08, 0.64%, 0.48%

LAB 47.93, 8.78, -50.92

 

Description

Color code: RGB 199 44 191 | qconv.com Color code: RGB 199 44 191 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 44 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 44 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 4 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 4% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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