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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 44 196 it is the complementary color RGB 56 211 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 44 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 44 196 shade: RGB 204 44 191, RGB 221 62 210, RGB 238 80 229, RGB 255 98 248 and RGB 255 116 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 44 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 44 196 shade: RGB 199 44 196, RGB 182 26 177, RGB 165 8 158, RGB 148 0 139 and RGB 131 0 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 44 196 shade: RGB 200 44 197, RGB 200 44 155, RGB 200 44 113, RGB 200 44 70 and RGB 200 44 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 44 196 shade: RGB 200 44 197, RGB 161 44 200, RGB 119 44 200, RGB 77 44 200 and RGB 44 44 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 44 196 shade matches the following richer shades: RGB 200 44 197, RGB 220 24 216 and RGB 240 4 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 44 196 shade: RGB 200 44 197, RGB 180 63 178, RGB 161 83 159, RGB 141 103 140 and RGB 121 123 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 44 196 shade: RGB 119 44 200, RGB 161 44 200, RGB 200 44 198, RGB 200 44 156 and RGB 200 44 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 44 196 shade: RGB 133 29 131, RGB 166 36 164, RGB 200 44 197, RGB 214 71 211 and RGB 222 105 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 44 196 shade: RGB 199 44 196, RGB 200 78 44 and RGB 44 200 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 44 196 shade: RGB 199 44 196, RGB 198 200 44 and RGB 44 198 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 44 196 shade: RGB 199 44 196, RGB 200 78 44, RGB 44 200 46 and RGB 44 166 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 44 196 shade: RGB 199 44 196, RGB 200 125 44, RGB 44 200 46 and RGB 44 119 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 2 / 22

HEX #C72CC4

RGB 199 44 196

HSL 301.16, 0.64%, 0.48%

LAB 49.41, 74.44, -45.41

 

Complementary color

CMYK 73 / 0 / 72 / 17

HEX #38D33B

RGB 56 211 59

HSL 121.16, 0.64%, 0.52%

LAB 74.66, -67.41, 60.43

 

CMYK 0 / 78 / 6 / 20

HEX #CC2CBF

RGB 204 44 191

HSL 304.88, 0.65%, 0.49%

LAB 49.98, 74.7, -41.55

 

CMYK 0 / 72 / 5 / 13

HEX #DD3ED2

RGB 221 62 210

HSL 304.15, 0.7%, 0.55%

LAB 55.55, 75.93, -43.49

 

CMYK 0 / 66 / 4 / 7

HEX #EE50E5

RGB 238 80 229

HSL 303.42, 0.82%, 0.62%

LAB 61.28, 76.53, -45

 

CMYK 0 / 62 / 3 / 0

HEX #FF62F8

RGB 255 98 248

HSL 302.68, 1%, 0.69%

LAB 67.11, 76.7, -46.21

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 78 / 2 / 22

HEX #C72CC4

RGB 199 44 196

HSL 301.16, 0.64%, 0.48%

LAB 49.41, 74.44, -45.41

 

CMYK 0 / 86 / 3 / 29

HEX #B61AB1

RGB 182 26 177

HSL 301.92, 0.75%, 0.41%

LAB 44.03, 72.34, -43.03

 

CMYK 0 / 95 / 4 / 35

HEX #A5089E

RGB 165 8 158

HSL 302.68, 0.91%, 0.34%

LAB 38.97, 69.01, -39.91

 

CMYK 0 / 100 / 6 / 42

HEX #94008B

RGB 148 0 139

HSL 303.65, 1%, 0.29%

LAB 34.31, 64.14, -35.9

 

CMYK 0 / 100 / 8 / 49

HEX #830078

RGB 131 0 120

HSL 305.04, 1%, 0.26%

LAB 29.87, 58.26, -31.27

 

CMYK 0 / 78 / 1 / 22

HEX #C82CC5

RGB 200 44 197

HSL 301.15, 0.64%, 0.48%

LAB 49.63, 74.8, -45.62

 

CMYK 0 / 78 / 23 / 22

HEX #C82C9B

RGB 200 44 155

HSL 317.31, 0.64%, 0.48%

LAB 47.56, 68.88, -24.18

 

CMYK 0 / 78 / 44 / 22

HEX #C82C71

RGB 200 44 113

HSL 333.46, 0.64%, 0.48%

LAB 46.01, 64.24, -1.02

 

CMYK 0 / 78 / 65 / 22

HEX #C82C46

RGB 200 44 70

HSL 350, 0.64%, 0.48%

LAB 44.97, 61.03, 24.11

 

CMYK 0 / 78 / 78 / 22

HEX #C82C2C

RGB 200 44 44

HSL 0, 0.64%, 0.48%

LAB 44.61, 59.87, 39.08

 

CMYK 0 / 78 / 1 / 22

HEX #C82CC5

RGB 200 44 197

HSL 301.15, 0.64%, 0.48%

LAB 49.63, 74.8, -45.62

 

CMYK 20 / 78 / 0 / 22

HEX #A12CC8

RGB 161 44 200

HSL 285, 0.64%, 0.48%

LAB 43.58, 67.87, -57.41

 

CMYK 41 / 78 / 0 / 22

HEX #772CC8

RGB 119 44 200

HSL 268.85, 0.64%, 0.48%

LAB 37.65, 60.76, -67.31

 

CMYK 62 / 78 / 0 / 22

HEX #4D2CC8

RGB 77 44 200

HSL 252.69, 0.64%, 0.48%

LAB 33.03, 55.15, -75.08

 

CMYK 78 / 78 / 0 / 22

HEX #2C2CC8

RGB 44 44 200

HSL 240, 0.64%, 0.48%

LAB 30.66, 52.24, -79.08

 

CMYK 0 / 78 / 1 / 22

HEX #C82CC5

RGB 200 44 197

HSL 301.15, 0.64%, 0.48%

LAB 49.63, 74.8, -45.62

 

CMYK 0 / 89 / 2 / 14

HEX #DC18D8

RGB 220 24 216

HSL 301.22, 0.8%, 0.48%

LAB 52.76, 85.17, -51.36

 

CMYK 0 / 98 / 2 / 6

HEX #F004EB

RGB 240 4 235

HSL 301.27, 0.97%, 0.48%

LAB 56.69, 92.9, -55.63

 

CMYK 0 / 78 / 1 / 22

HEX #C82CC5

RGB 200 44 197

HSL 301.15, 0.64%, 0.48%

LAB 49.63, 74.8, -45.62

 

CMYK 0 / 65 / 1 / 29

HEX #B43FB2

RGB 180 63 178

HSL 301.03, 0.48%, 0.48%

LAB 47.59, 61.1, -37.99

 

CMYK 0 / 48 / 1 / 37

HEX #A1539F

RGB 161 83 159

HSL 301.54, 0.32%, 0.48%

LAB 47.32, 43.3, -27.4

 

CMYK 0 / 27 / 1 / 45

HEX #8D678C

RGB 141 103 140

HSL 301.58, 0.16%, 0.48%

LAB 48.58, 21.82, -14.39

 

CMYK 2 / 0 / 2 / 52

HEX #797B79

RGB 121 123 121

HSL 120, 0.01%, 0.48%

LAB 51.39, -1.15, 0.82

 

CMYK 41 / 78 / 0 / 22

HEX #772CC8

RGB 119 44 200

HSL 268.85, 0.64%, 0.48%

LAB 37.65, 60.76, -67.31

 

CMYK 20 / 78 / 0 / 22

HEX #A12CC8

RGB 161 44 200

HSL 285, 0.64%, 0.48%

LAB 43.58, 67.87, -57.41

 

CMYK 0 / 78 / 1 / 22

HEX #C82CC6

RGB 200 44 198

HSL 300.77, 0.64%, 0.48%

LAB 49.69, 74.95, -46.12

 

CMYK 0 / 78 / 22 / 22

HEX #C82C9C

RGB 200 44 156

HSL 316.92, 0.64%, 0.48%

LAB 47.6, 69, -24.71

 

CMYK 0 / 78 / 43 / 22

HEX #C82C72

RGB 200 44 114

HSL 333.08, 0.64%, 0.48%

LAB 46.04, 64.33, -1.59

 

CMYK 0 / 78 / 2 / 48

HEX #851D83

RGB 133 29 131

HSL 301.15, 0.64%, 0.32%

LAB 32.93, 54.47, -33.31

 

CMYK 0 / 78 / 1 / 35

HEX #A624A4

RGB 166 36 164

HSL 300.92, 0.64%, 0.4%

LAB 41.29, 64.88, -39.81

 

CMYK 0 / 78 / 1 / 22

HEX #C82CC5

RGB 200 44 197

HSL 301.15, 0.64%, 0.48%

LAB 49.63, 74.8, -45.62

 

CMYK 0 / 67 / 1 / 16

HEX #D647D3

RGB 214 71 211

HSL 301.26, 0.64%, 0.56%

LAB 55.59, 71.48, -44.07

 

CMYK 0 / 53 / 1 / 13

HEX #DE69DB

RGB 222 105 219

HSL 301.54, 0.64%, 0.64%

LAB 62.29, 60.59, -37.97

 

CMYK 0 / 78 / 2 / 22

HEX #C72CC4

RGB 199 44 196

HSL 301.16, 0.64%, 0.48%

LAB 49.41, 74.44, -45.41

 

CMYK 0 / 61 / 78 / 22

HEX #C84E2C

RGB 200 78 44

HSL 13.08, 0.64%, 0.48%

LAB 49.39, 46.84, 44.02

 

CMYK 78 / 0 / 30 / 22

HEX #2CC88C

RGB 44 200 140

HSL 156.92, 0.64%, 0.48%

LAB 72.05, -53.2, 19.04

 

CMYK 0 / 78 / 2 / 22

HEX #C72CC4

RGB 199 44 196

HSL 301.16, 0.64%, 0.48%

LAB 49.41, 74.44, -45.41

 

CMYK 1 / 0 / 78 / 22

HEX #C6C82C

RGB 198 200 44

HSL 60.77, 0.64%, 0.48%

LAB 78.17, -17.94, 71.03

 

CMYK 78 / 1 / 0 / 22

HEX #2CC6C8

RGB 44 198 200

HSL 180.77, 0.64%, 0.48%

LAB 72.95, -36.83, -12.12

 

CMYK 0 / 78 / 2 / 22

HEX #C72CC4

RGB 199 44 196

HSL 301.16, 0.64%, 0.48%

LAB 49.41, 74.44, -45.41

 

CMYK 0 / 61 / 78 / 22

HEX #C84E2C

RGB 200 78 44

HSL 13.08, 0.64%, 0.48%

LAB 49.39, 46.84, 44.02

 

CMYK 78 / 0 / 77 / 22

HEX #2CC82E

RGB 44 200 46

HSL 120.77, 0.64%, 0.48%

LAB 70.9, -66.71, 61.03

 

CMYK 78 / 17 / 0 / 22

HEX #2CA6C8

RGB 44 166 200

HSL 193.08, 0.64%, 0.48%

LAB 63.32, -21.13, -26.74

 

CMYK 0 / 78 / 2 / 22

HEX #C72CC4

RGB 199 44 196

HSL 301.16, 0.64%, 0.48%

LAB 49.41, 74.44, -45.41

 

CMYK 0 / 38 / 78 / 22

HEX #C87D2C

RGB 200 125 44

HSL 31.15, 0.64%, 0.48%

LAB 59.09, 22.73, 53.56

 

CMYK 78 / 0 / 77 / 22

HEX #2CC82E

RGB 44 200 46

HSL 120.77, 0.64%, 0.48%

LAB 70.9, -66.71, 61.03

 

CMYK 78 / 41 / 0 / 22

HEX #2C77C8

RGB 44 119 200

HSL 211.15, 0.64%, 0.48%

LAB 49.37, 5.67, -48.61

 

Description

Color code: RGB 199 44 196 | qconv.com Color code: RGB 199 44 196 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 44 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 44 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 2 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 2% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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