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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 36 234 it is the complementary color RGB 56 219 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 36 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 36 234 shade: RGB 204 36 229, RGB 221 54 248, RGB 238 72 255, RGB 255 90 255 and RGB 255 108 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 36 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 36 234 shade: RGB 199 36 234, RGB 182 18 215, RGB 165 0 196, RGB 148 0 177 and RGB 131 0 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 36 234 shade: RGB 199 35 234, RGB 234 35 216, RGB 234 35 162, RGB 234 35 108 and RGB 234 35 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 36 234 shade: RGB 199 35 234, RGB 145 35 234, RGB 92 35 234, RGB 38 35 234 and RGB 35 35 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 36 234 shade matches the following richer shades: RGB 199 35 234 and RGB 211 16 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 36 234 shade: RGB 199 35 234, RGB 186 55 215, RGB 174 74 195, RGB 161 93 176 and RGB 149 113 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 36 234 shade: RGB 92 35 234, RGB 145 35 234, RGB 198 35 234, RGB 234 35 218 and RGB 234 35 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 36 234 shade: RGB 144 15 171, RGB 175 19 209, RGB 199 35 234, RGB 209 73 238 and RGB 218 111 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 36 234 shade: RGB 199 36 234, RGB 234 38 35 and RGB 35 234 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 36 234 shade: RGB 199 36 234, RGB 234 198 35 and RGB 35 234 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 36 234 shade: RGB 199 36 234, RGB 234 38 35, RGB 72 234 35 and RGB 35 231 234

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 36 234 shade: RGB 199 36 234, RGB 234 98 35, RGB 72 234 35 and RGB 35 171 234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 85 / 0 / 8

HEX #C724EA

RGB 199 36 234

HSL 289.39, 0.83%, 0.53%

LAB 51.09, 82.49, -64.44

 

Complementary color

CMYK 74 / 0 / 90 / 14

HEX #38DB15

RGB 56 219 21

HSL 109.39, 0.83%, 0.47%

LAB 77.02, -71.85, 72.51

 

CMYK 11 / 84 / 0 / 10

HEX #CC24E5

RGB 204 36 229

HSL 292.23, 0.79%, 0.52%

LAB 51.56, 82.47, -60.81

 

CMYK 11 / 78 / 0 / 3

HEX #DD36F8

RGB 221 54 248

HSL 291.65, 0.93%, 0.59%

LAB 56.87, 84.31, -62.79

 

CMYK 7 / 72 / 0 / 0

HEX #EE48FF

RGB 238 72 255

HSL 294.43, 1%, 0.64%

LAB 61.68, 83.4, -58.82

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 15 / 85 / 0 / 8

HEX #C724EA

RGB 199 36 234

HSL 289.39, 0.83%, 0.53%

LAB 51.09, 82.49, -64.44

 

CMYK 15 / 92 / 0 / 16

HEX #B612D7

RGB 182 18 215

HSL 289.95, 0.85%, 0.46%

LAB 46.02, 79.68, -61.96

 

CMYK 16 / 100 / 0 / 23

HEX #A500C4

RGB 165 0 196

HSL 290.51, 1%, 0.38%

LAB 41.19, 75.88, -58.91

 

CMYK 16 / 100 / 0 / 31

HEX #9400B1

RGB 148 0 177

HSL 290.17, 1%, 0.35%

LAB 36.87, 70.22, -54.84

 

CMYK 17 / 100 / 0 / 38

HEX #83009E

RGB 131 0 158

HSL 289.75, 1%, 0.31%

LAB 32.47, 64.45, -50.69

 

CMYK 15 / 85 / 0 / 8

HEX #C723EA

RGB 199 35 234

HSL 289.45, 0.83%, 0.53%

LAB 51.02, 82.69, -64.55

 

CMYK 0 / 85 / 8 / 8

HEX #EA23D8

RGB 234 35 216

HSL 305.43, 0.83%, 0.53%

LAB 55.74, 85.97, -46.47

 

CMYK 0 / 85 / 31 / 8

HEX #EA23A2

RGB 234 35 162

HSL 321.71, 0.83%, 0.53%

LAB 53.28, 79.34, -19.02

 

CMYK 0 / 85 / 54 / 8

HEX #EA236C

RGB 234 35 108

HSL 337.99, 0.83%, 0.53%

LAB 51.58, 74.56, 10.89

 

CMYK 0 / 85 / 76 / 8

HEX #EA2337

RGB 234 35 55

HSL 353.97, 0.83%, 0.53%

LAB 50.65, 71.84, 41.35

 

CMYK 15 / 85 / 0 / 8

HEX #C723EA

RGB 199 35 234

HSL 289.45, 0.83%, 0.53%

LAB 51.02, 82.69, -64.55

 

CMYK 38 / 85 / 0 / 8

HEX #9123EA

RGB 145 35 234

HSL 273.17, 0.83%, 0.53%

LAB 43.01, 74.87, -77.94

 

CMYK 61 / 85 / 0 / 8

HEX #5C23EA

RGB 92 35 234

HSL 257.19, 0.83%, 0.53%

LAB 36.78, 69.24, -88.43

 

CMYK 84 / 85 / 0 / 8

HEX #2623EA

RGB 38 35 234

HSL 240.9, 0.83%, 0.53%

LAB 33.04, 66.15, -94.74

 

CMYK 85 / 85 / 0 / 8

HEX #2323EA

RGB 35 35 234

HSL 240, 0.83%, 0.53%

LAB 32.92, 66.05, -94.95

 

CMYK 15 / 85 / 0 / 8

HEX #C723EA

RGB 199 35 234

HSL 289.45, 0.83%, 0.53%

LAB 51.02, 82.69, -64.55

 

CMYK 17 / 94 / 0 / 0

HEX #D310FE

RGB 211 16 254

HSL 289.16, 0.99%, 0.53%

LAB 53.36, 90.56, -71.88

 

CMYK 15 / 85 / 0 / 8

HEX #C723EA

RGB 199 35 234

HSL 289.45, 0.83%, 0.53%

LAB 51.02, 82.69, -64.55

 

CMYK 13 / 74 / 0 / 16

HEX #BA37D7

RGB 186 55 215

HSL 289.13, 0.67%, 0.53%

LAB 49.59, 71.81, -56.17

 

CMYK 11 / 62 / 0 / 24

HEX #AE4AC3

RGB 174 74 195

HSL 289.59, 0.5%, 0.53%

LAB 49.3, 58.05, -45.24

 

CMYK 9 / 47 / 0 / 31

HEX #A15DB0

RGB 161 93 176

HSL 289.16, 0.34%, 0.53%

LAB 50.15, 41.32, -32.99

 

CMYK 5 / 28 / 0 / 38

HEX #95719D

RGB 149 113 157

HSL 289.09, 0.18%, 0.53%

LAB 52.55, 22.25, -18.29

 

CMYK 61 / 85 / 0 / 8

HEX #5C23EA

RGB 92 35 234

HSL 257.19, 0.83%, 0.53%

LAB 36.78, 69.24, -88.43

 

CMYK 38 / 85 / 0 / 8

HEX #9123EA

RGB 145 35 234

HSL 273.17, 0.83%, 0.53%

LAB 43.01, 74.87, -77.94

 

CMYK 15 / 85 / 0 / 8

HEX #C623EA

RGB 198 35 234

HSL 289.15, 0.83%, 0.53%

LAB 50.86, 82.53, -64.81

 

CMYK 0 / 85 / 7 / 8

HEX #EA23DA

RGB 234 35 218

HSL 304.82, 0.83%, 0.53%

LAB 55.84, 86.24, -47.44

 

CMYK 0 / 85 / 30 / 8

HEX #EA23A4

RGB 234 35 164

HSL 321.11, 0.83%, 0.53%

LAB 53.36, 79.55, -20.08

 

CMYK 16 / 91 / 0 / 33

HEX #900FAB

RGB 144 15 171

HSL 289.62, 0.84%, 0.36%

LAB 36.39, 66.66, -52.08

 

CMYK 16 / 91 / 0 / 18

HEX #AF13D1

RGB 175 19 209

HSL 289.26, 0.83%, 0.45%

LAB 44.49, 77.47, -61.03

 

CMYK 15 / 85 / 0 / 8

HEX #C723EA

RGB 199 35 234

HSL 289.45, 0.83%, 0.53%

LAB 51.02, 82.69, -64.55

 

CMYK 12 / 69 / 0 / 7

HEX #D149EE

RGB 209 73 238

HSL 289.45, 0.83%, 0.61%

LAB 56.58, 74.27, -57.78

 

CMYK 10 / 54 / 0 / 5

HEX #DA6FF1

RGB 218 111 241

HSL 289.38, 0.82%, 0.69%

LAB 63.86, 60.69, -47.8

 

CMYK 15 / 85 / 0 / 8

HEX #C724EA

RGB 199 36 234

HSL 289.39, 0.83%, 0.53%

LAB 51.09, 82.49, -64.44

 

CMYK 0 / 84 / 85 / 8

HEX #EA2623

RGB 234 38 35

HSL 0.9, 0.83%, 0.53%

LAB 50.69, 70.69, 51.9

 

CMYK 85 / 0 / 50 / 8

HEX #23EA76

RGB 35 234 118

HSL 145.03, 0.83%, 0.53%

LAB 82.12, -70.12, 43.42

 

CMYK 15 / 85 / 0 / 8

HEX #C724EA

RGB 199 36 234

HSL 289.39, 0.83%, 0.53%

LAB 51.09, 82.49, -64.44

 

CMYK 0 / 15 / 85 / 8

HEX #EAC623

RGB 234 198 35

HSL 49.15, 0.83%, 0.53%

LAB 80.74, -1.77, 76.81

 

CMYK 85 / 0 / 15 / 8

HEX #23EAC6

RGB 35 234 198

HSL 169.15, 0.83%, 0.53%

LAB 83.59, -53.61, 4.6

 

CMYK 15 / 85 / 0 / 8

HEX #C724EA

RGB 199 36 234

HSL 289.39, 0.83%, 0.53%

LAB 51.09, 82.49, -64.44

 

CMYK 0 / 84 / 85 / 8

HEX #EA2623

RGB 234 38 35

HSL 0.9, 0.83%, 0.53%

LAB 50.69, 70.69, 51.9

 

CMYK 69 / 0 / 85 / 8

HEX #48EA23

RGB 72 234 35

HSL 108.84, 0.83%, 0.53%

LAB 82.03, -73.25, 74.39

 

CMYK 85 / 1 / 0 / 8

HEX #23E7EA

RGB 35 231 234

HSL 180.9, 0.83%, 0.53%

LAB 83.68, -42.51, -14.27

 

CMYK 15 / 85 / 0 / 8

HEX #C724EA

RGB 199 36 234

HSL 289.39, 0.83%, 0.53%

LAB 51.09, 82.49, -64.44

 

CMYK 0 / 58 / 85 / 8

HEX #EA6223

RGB 234 98 35

HSL 18.99, 0.83%, 0.53%

LAB 58.37, 49.73, 58.35

 

CMYK 69 / 0 / 85 / 8

HEX #48EA23

RGB 72 234 35

HSL 108.84, 0.83%, 0.53%

LAB 82.03, -73.25, 74.39

 

CMYK 85 / 27 / 0 / 8

HEX #23ABEA

RGB 35 171 234

HSL 198.99, 0.83%, 0.53%

LAB 66.08, -12.94, -41.25

 

Description

Color code: RGB 199 36 234 | qconv.com Color code: RGB 199 36 234 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 36 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 36 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 85 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 85% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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