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Color name
RGB 199 36 110

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 36 110 it is the complementary color RGB 56 219 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 36 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 36 110 shade: RGB 204 36 105, RGB 221 54 124, RGB 238 72 143, RGB 255 90 162 and RGB 255 108 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 36 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 36 110 shade: RGB 199 36 110, RGB 182 18 91, RGB 165 0 72, RGB 148 0 53 and RGB 131 0 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 36 110 shade: RGB 198 36 109, RGB 198 36 66 and RGB 198 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 36 110 shade: RGB 198 36 109, RGB 198 36 153, RGB 198 36 197, RGB 155 36 198 and RGB 112 36 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 36 110 shade matches the following richer shades: RGB 198 36 109 and RGB 217 17 108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 36 110 shade: RGB 198 36 109, RGB 179 55 111, RGB 160 74 113, RGB 141 93 115 and RGB 122 112 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 36 110 shade: RGB 198 36 198, RGB 198 36 155, RGB 198 36 111, RGB 198 36 68 and RGB 198 47 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 36 110 shade: RGB 128 23 71, RGB 163 29 90, RGB 198 36 109, RGB 218 57 130 and RGB 225 92 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 36 110 shade: RGB 199 36 110, RGB 198 155 36 and RGB 36 176 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 36 110 shade: RGB 199 36 110, RGB 111 198 36 and RGB 36 111 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 36 110 shade: RGB 199 36 110, RGB 198 155 36, RGB 36 198 122 and RGB 36 79 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 36 110 shade: RGB 199 36 110, RGB 192 198 36, RGB 36 198 122 and RGB 41 36 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 45 / 22

HEX #C7246E

RGB 199 36 110

HSL 332.76, 0.69%, 0.46%

LAB 44.98, 65.82, -0.69

 

Complementary color

CMYK 74 / 0 / 34 / 14

HEX #38DB91

RGB 56 219 145

HSL 152.76, 0.69%, 0.54%

LAB 78.2, -57.92, 24.84

 

CMYK 0 / 82 / 49 / 20

HEX #CC2469

RGB 204 36 105

HSL 335.36, 0.7%, 0.47%

LAB 45.8, 66.65, 3.71

 

CMYK 0 / 76 / 44 / 13

HEX #DD367C

RGB 221 54 124

HSL 334.85, 0.71%, 0.54%

LAB 51.23, 67.84, 0.37

 

CMYK 0 / 70 / 40 / 7

HEX #EE488F

RGB 238 72 143

HSL 334.34, 0.83%, 0.61%

LAB 56.88, 68.33, -2.33

 

CMYK 0 / 65 / 36 / 0

HEX #FF5AA2

RGB 255 90 162

HSL 333.82, 1%, 0.68%

LAB 62.66, 68.35, -4.56

 

CMYK 0 / 58 / 29 / 0

HEX #FF6CB5

RGB 255 108 181

HSL 330.2, 1%, 0.71%

LAB 66, 63.07, -10.46

 

CMYK 0 / 82 / 45 / 22

HEX #C7246E

RGB 199 36 110

HSL 332.76, 0.69%, 0.46%

LAB 44.98, 65.82, -0.69

 

CMYK 0 / 90 / 50 / 29

HEX #B6125B

RGB 182 18 91

HSL 333.29, 0.82%, 0.39%

LAB 39.8, 63.63, 3.29

 

CMYK 0 / 100 / 56 / 35

HEX #A50048

RGB 165 0 72

HSL 333.82, 1%, 0.32%

LAB 34.94, 60.41, 8.14

 

CMYK 0 / 100 / 64 / 42

HEX #940035

RGB 148 0 53

HSL 338.51, 1%, 0.29%

LAB 30.77, 55.08, 14.39

 

CMYK 0 / 100 / 74 / 49

HEX #830022

RGB 131 0 34

HSL 344.43, 1%, 0.26%

LAB 26.57, 49.77, 20.99

 

CMYK 0 / 82 / 45 / 22

HEX #C6246D

RGB 198 36 109

HSL 332.96, 0.69%, 0.46%

LAB 44.76, 65.48, -0.42

 

CMYK 0 / 82 / 67 / 22

HEX #C62442

RGB 198 36 66

HSL 348.89, 0.69%, 0.46%

LAB 43.74, 62.43, 24.93

 

CMYK 0 / 82 / 82 / 22

HEX #C62424

RGB 198 36 36

HSL 0, 0.69%, 0.46%

LAB 43.35, 61.24, 42.08

 

CMYK 0 / 82 / 45 / 22

HEX #C6246D

RGB 198 36 109

HSL 332.96, 0.69%, 0.46%

LAB 44.76, 65.48, -0.42

 

CMYK 0 / 82 / 23 / 22

HEX #C62499

RGB 198 36 153

HSL 316.67, 0.69%, 0.46%

LAB 46.4, 70.2, -24.8

 

CMYK 0 / 82 / 1 / 22

HEX #C624C5

RGB 198 36 197

HSL 300.37, 0.69%, 0.46%

LAB 48.63, 76.33, -47.23

 

CMYK 22 / 82 / 0 / 22

HEX #9B24C6

RGB 155 36 198

HSL 284.07, 0.69%, 0.46%

LAB 41.7, 68.81, -59.33

 

CMYK 43 / 82 / 0 / 22

HEX #7024C6

RGB 112 36 198

HSL 268.15, 0.69%, 0.46%

LAB 35.56, 62.22, -69.6

 

CMYK 0 / 82 / 45 / 22

HEX #C6246D

RGB 198 36 109

HSL 332.96, 0.69%, 0.46%

LAB 44.76, 65.48, -0.42

 

CMYK 0 / 92 / 50 / 15

HEX #D9116C

RGB 217 17 108

HSL 332.7, 0.85%, 0.46%

LAB 47.28, 73.33, 4.32

 

CMYK 0 / 82 / 45 / 22

HEX #C6246D

RGB 198 36 109

HSL 332.96, 0.69%, 0.46%

LAB 44.76, 65.48, -0.42

 

CMYK 0 / 69 / 38 / 30

HEX #B3376F

RGB 179 55 111

HSL 332.9, 0.53%, 0.46%

LAB 43.45, 54.52, -3.98

 

CMYK 0 / 54 / 29 / 37

HEX #A04A71

RGB 160 74 113

HSL 332.79, 0.37%, 0.46%

LAB 43.6, 40.13, -5.34

 

CMYK 0 / 34 / 18 / 45

HEX #8D5D73

RGB 141 93 115

HSL 332.5, 0.21%, 0.46%

LAB 45.26, 23.04, -4.38

 

CMYK 0 / 8 / 5 / 52

HEX #7A7074

RGB 122 112 116

HSL 336, 0.04%, 0.46%

LAB 48.24, 4.65, -0.82

 

CMYK 0 / 82 / 0 / 22

HEX #C624C6

RGB 198 36 198

HSL 300, 0.69%, 0.46%

LAB 48.69, 76.48, -47.72

 

CMYK 0 / 82 / 22 / 22

HEX #C6249B

RGB 198 36 155

HSL 315.93, 0.69%, 0.46%

LAB 46.49, 70.45, -25.86

 

CMYK 0 / 82 / 44 / 22

HEX #C6246F

RGB 198 36 111

HSL 332.22, 0.69%, 0.46%

LAB 44.82, 65.66, -1.57

 

CMYK 0 / 82 / 66 / 22

HEX #C62444

RGB 198 36 68

HSL 348.15, 0.69%, 0.46%

LAB 43.78, 62.54, 23.74

 

CMYK 0 / 76 / 82 / 22

HEX #C62F24

RGB 198 47 36

HSL 4.07, 0.69%, 0.46%

LAB 44.47, 58.1, 43.15

 

CMYK 0 / 82 / 45 / 50

HEX #801747

RGB 128 23 71

HSL 332.57, 0.7%, 0.3%

LAB 28.53, 46.79, -1.42

 

CMYK 0 / 82 / 45 / 36

HEX #A31D5A

RGB 163 29 90

HSL 332.69, 0.7%, 0.38%

LAB 36.75, 56.48, -0.97

 

CMYK 0 / 82 / 45 / 22

HEX #C6246D

RGB 198 36 109

HSL 332.96, 0.69%, 0.46%

LAB 44.76, 65.48, -0.42

 

CMYK 0 / 74 / 40 / 15

HEX #DA3982

RGB 218 57 130

HSL 332.8, 0.69%, 0.54%

LAB 51.2, 66.68, -3.35

 

CMYK 0 / 59 / 32 / 12

HEX #E15C98

RGB 225 92 152

HSL 332.93, 0.69%, 0.62%

LAB 57.97, 57.56, -6.23

 

CMYK 0 / 82 / 45 / 22

HEX #C7246E

RGB 199 36 110

HSL 332.76, 0.69%, 0.46%

LAB 44.98, 65.82, -0.69

 

CMYK 0 / 22 / 82 / 22

HEX #C69B24

RGB 198 155 36

HSL 44.07, 0.69%, 0.46%

LAB 66.19, 5.21, 62.86

 

CMYK 82 / 11 / 0 / 22

HEX #24B0C6

RGB 36 176 198

HSL 188.15, 0.69%, 0.46%

LAB 66.14, -27.62, -21.33

 

CMYK 0 / 82 / 45 / 22

HEX #C7246E

RGB 199 36 110

HSL 332.76, 0.69%, 0.46%

LAB 44.98, 65.82, -0.69

 

CMYK 44 / 0 / 82 / 22

HEX #6FC624

RGB 111 198 36

HSL 92.22, 0.69%, 0.46%

LAB 72.16, -51.03, 65.81

 

CMYK 82 / 44 / 0 / 22

HEX #246FC6

RGB 36 111 198

HSL 212.22, 0.69%, 0.46%

LAB 46.74, 9.09, -51.69

 

CMYK 0 / 82 / 45 / 22

HEX #C7246E

RGB 199 36 110

HSL 332.76, 0.69%, 0.46%

LAB 44.98, 65.82, -0.69

 

CMYK 0 / 22 / 82 / 22

HEX #C69B24

RGB 198 155 36

HSL 44.07, 0.69%, 0.46%

LAB 66.19, 5.21, 62.86

 

CMYK 82 / 0 / 38 / 22

HEX #24C67A

RGB 36 198 122

HSL 151.85, 0.69%, 0.46%

LAB 70.99, -57.02, 27.08

 

CMYK 82 / 60 / 0 / 22

HEX #244FC6

RGB 36 79 198

HSL 224.07, 0.69%, 0.46%

LAB 37.92, 29.84, -65.97

 

CMYK 0 / 82 / 45 / 22

HEX #C7246E

RGB 199 36 110

HSL 332.76, 0.69%, 0.46%

LAB 44.98, 65.82, -0.69

 

CMYK 3 / 0 / 82 / 22

HEX #C0C624

RGB 192 198 36

HSL 62.22, 0.69%, 0.46%

LAB 77.11, -19.76, 72.07

 

CMYK 82 / 0 / 38 / 22

HEX #24C67A

RGB 36 198 122

HSL 151.85, 0.69%, 0.46%

LAB 70.99, -57.02, 27.08

 

CMYK 79 / 82 / 0 / 22

HEX #2924C6

RGB 41 36 198

HSL 241.85, 0.69%, 0.46%

LAB 28.93, 55.34, -80.78

 

Description

Color code: RGB 199 36 110 | qconv.com Color code: RGB 199 36 110 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 36 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 36 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 45 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 45% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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